Songs like The Pirates of Penzance: When The Foeman Bears His Steel by William Schwenck Gilbert
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Wolfgang Amadeus Mozart
Vèpres solennelles d'un confesseur en D...
123 bpm • F Maj • 04:57 • -12.44db
15% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Le Cid: Plus de tourments et plus de pei...
123 bpm • A# Maj • 01:55 • -17.18db
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
Chai-lun Yueh
Vittoria, Mio Core!
124 bpm • A Maj • 02:56 • -9.48db
10% Popularity • 45% Danceability • 52% Energy • 9% Liveness
6% Instrumentalness • 38% Positiveness
10% Popularity • 45% Danceability • 52% Energy • 9% Liveness
6% Instrumentalness • 38% Positiveness
► Preview
Joan Lluís Moraleda
Tirant lo Blanc (Version for Symphonic B...
124 bpm • A Maj • 02:37 • -8.48db
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
O. Henry
Kapitel 10.3 & Kapitel 11.1 - Great Shor...
124 bpm • D Maj • 03:07 • -11.89db
0% Popularity • 72% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 72% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Deborah Rees
The Mikado: Three Little Maids from Scho...
124 bpm • C Maj • 01:30 • -22.66db
10% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Mediterranean Orchestra
Salvate il Soldato Ryan - Hymn to the Fa...
122 bpm • G Maj • 06:05 • -15db
9% Popularity • 20% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
9% Popularity • 20% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Anatoly Lyadov
8 Russian Folksongs, Op.58: 5. Legend of...
124 bpm • D min • 01:30 • -27.25db
9% Popularity • 31% Danceability • 5% Energy • 4% Liveness
75% Instrumentalness • 7% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 4% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Carmine Coppola
The Godfather's Tarantella
124 bpm • F min • 03:12 • -12.2db
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
► Preview
Jaroslav Jankovec
Srdce v rákosí: "Hvězdy se líbají"
124 bpm • G Maj • 03:01 • -19.62db
14% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
BEILY83
LISTEEEN
124 bpm • E min • 01:30 • -23.9db
31% Popularity • 32% Danceability • 4% Energy • 28% Liveness
94% Instrumentalness • 12% Positiveness
31% Popularity • 32% Danceability • 4% Energy • 28% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Isidore Godfrey
The Mikado: Act I: Three little maids fr...
122 bpm • C Maj • 01:27 • -20.2db
20% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Guo Tai Gong
Raid On the White Tiger Regiment, Interm...
124 bpm • C min • 01:04 • -19.28db
18% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
18% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
► Preview
Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, III parte: "Pantomima"
124 bpm • C Maj • 02:25 • -10.37db
10% Popularity • 38% Danceability • 34% Energy • 34% Liveness
86% Instrumentalness • 24% Positiveness
10% Popularity • 38% Danceability • 34% Energy • 34% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Pique Dame (Pikovaya Dama), Op. 68, TH.1...
122 bpm • E min • 04:53 • -27.07db
9% Popularity • 40% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 40% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Tatiana Bookbinder
Waiting for the Sun to Come Out
124 bpm • C Maj • 01:53 • -11.88db
9% Popularity • 50% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 50% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Verdi
Amami Alfredo (Remastered 2014)
124 bpm • E Maj • 02:16 • -15.8db
13% Popularity • 38% Danceability • 15% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
13% Popularity • 38% Danceability • 15% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
► Preview
André Rieu
Exodus Song - Live
125 bpm • A# min • 05:10 • -15.75db
28% Popularity • 32% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 32% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Michał Kleofas Ogiński
Quadrille No. 1 in F Minor
121 bpm • F min • 01:30 • -14.49db
16% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
16% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
► Preview
Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
125 bpm • C Maj • 01:58 • -20db
19% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
19% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
► Preview
Giuseppe Verdi
Verdi: Il trovatore, Act 2: Coro di zing...
121 bpm • G Maj • 06:37 • -19.79db
13% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
13% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
► Preview
Tatiana Bookbinder
They All Laughed
121 bpm • G Maj • 03:06 • -10.7db
8% Popularity • 60% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 60% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: A British Tar
125 bpm • F# min • 05:13 • -16.61db
12% Popularity • 65% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 65% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
André Rieu
Czardasfürstin - Live
121 bpm • D Maj • 04:59 • -13.74db
26% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Sir Arthur Sullivan
If You Give Me Your Attention
125 bpm • D# Maj • 02:22 • -15.53db
0% Popularity • 65% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 65% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Jean-Valentin Bender
March of the 1st Guides Regiment
126 bpm • D# Maj • 03:38 • -10db
7% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
7% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
► Preview
Christopher Tyler Nickel
Requiem: V. Dies Irae
120 bpm • G min • 07:09 • -20.01db
13% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 1, "...
126 bpm • D min • 07:51 • -21.11db
9% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
9% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
► Preview
Byron McKay
Step By Step
120 bpm • G Maj • 01:31 • -21.38db
8% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
8% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
André Rieu
Blaze Away - Live
120 bpm • D Maj • 04:06 • -14.62db
30% Popularity • 49% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 49% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Lucas Brito
Dobrado Sinfônico nº 2 - Remix
120 bpm • G# Maj • 03:48 • -7.61db
8% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
8% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
► Preview
Aurelio Scotto
Orchestral Set n.2: Watermarks (V)
126 bpm • D Maj • 03:02 • -14.73db
16% Popularity • 19% Danceability • 30% Energy • 19% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 30% Energy • 19% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Henry Mancini
The Great Waldo Pepper March
120 bpm • D# Maj • 02:32 • -14.95db
3% Popularity • 48% Danceability • 64% Energy • 29% Liveness
93% Instrumentalness • 55% Positiveness
3% Popularity • 48% Danceability • 64% Energy • 29% Liveness
93% Instrumentalness • 55% Positiveness
► Preview
Philip Creasy
The Pirates of Penzance: Stay, We Must N...
126 bpm • G Maj • 01:24 • -22.59db
8% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Sir Arthur Sullivan
Oh! A Private Buffoon
126 bpm • D# Maj • 02:55 • -15.45db
0% Popularity • 70% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 70% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Mystic Symphony
Attack
120 bpm • C min • 02:03 • -13.06db
15% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
15% Popularity • 46% Danceability • 42% Energy • 32% Liveness
38% Instrumentalness • 37% Positiveness
► Preview
Francisco Asenjo Barbieri
Sinfonía
120 bpm • D# Maj • 09:30 • -26.79db
16% Popularity • 31% Danceability • 11% Energy • 67% Liveness
86% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 11% Energy • 67% Liveness
86% Instrumentalness • 18% Positiveness
► Preview
Gilbert & Sullivan
GENTLEMAN, I PRAY YOU TELL ME (Remastere...
120 bpm • D# Maj • 03:44 • -9.21db
8% Popularity • 56% Danceability • 35% Energy • 14% Liveness
87% Instrumentalness • 68% Positiveness
8% Popularity • 56% Danceability • 35% Energy • 14% Liveness
87% Instrumentalness • 68% Positiveness
► Preview
Fredell caparon
smooth sailing
120 bpm • G Maj • 02:27 • -18.23db
10% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
10% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
► Preview
Professor van Dusen
Teil 19 - Folge 32: Professor van Dusen ...
120 bpm • D Maj • 04:01 • -17.8db
11% Popularity • 48% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 59% Positiveness
11% Popularity • 48% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 59% Positiveness
► Preview
Traditional
House-Lantern Ditty
120 bpm • E min • 05:03 • -14.68db
11% Popularity • 29% Danceability • 19% Energy • 22% Liveness
74% Instrumentalness • 28% Positiveness
11% Popularity • 29% Danceability • 19% Energy • 22% Liveness
74% Instrumentalness • 28% Positiveness
► Preview
Carl Orff
Carmina Burana, Introduction: No. 2, For...
127 bpm • G min • 02:42 • -24.04db
10% Popularity • 40% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 40% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Matthew Slater
Variation 3: I. Andante Lunara
119 bpm • G Maj • 03:45 • -13.06db
11% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
11% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
► Preview
Eric Idle
The Mikado: I've Got a Little List
119 bpm • D# Maj • 02:49 • -24db
13% Popularity • 71% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 71% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Bernard Herrmann
Gypsy's Acre
119 bpm • E min • 00:49 • -20.66db
12% Popularity • 19% Danceability • 5% Energy • 14% Liveness
67% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 14% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Fredell caparon
doubts that kill
119 bpm • C Maj • 02:20 • -22db
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
► Preview
Charlotte Hoather
A Piper
127 bpm • F min • 01:23 • -12db
7% Popularity • 54% Danceability • 32% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 54% Danceability • 32% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Los Triunfadores
Sin Saber Que Hacer
119 bpm • D min • 02:11 • -19.76db
14% Popularity • 42% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
14% Popularity • 42% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: Entr'acte (Act III)
128 bpm • D Maj • 02:11 • -17db
11% Popularity • 39% Danceability • 41% Energy • 34% Liveness
90% Instrumentalness • 76% Positiveness
11% Popularity • 39% Danceability • 41% Energy • 34% Liveness
90% Instrumentalness • 76% Positiveness
► Preview
Lesley Garrett
The Mikado: So Please You Sir
127 bpm • G Maj • 01:52 • -19.35db
10% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
128 bpm • G Maj • 01:20 • -18.22db
14% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Fredell caparon
sweet purple
119 bpm • C Maj • 02:08 • -19db
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
► Preview
Christian Lindberg
Tromsö 2018 II
128 bpm • E Maj • 00:58 • -10db
18% Popularity • 68% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 84% Positiveness
18% Popularity • 68% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 84% Positiveness
► Preview
Valorie Sherburn
Darkness Falls
118 bpm • C Maj • 02:08 • -8.86db
9% Popularity • 27% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 27% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Michel Legrand
Thème Peter Pan
118 bpm • G# Maj • 01:31 • -16.22db
9% Popularity • 53% Danceability • 34% Energy • 15% Liveness
71% Instrumentalness • 83% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 15% Liveness
71% Instrumentalness • 83% Positiveness
► Preview
Jean Rigby
The Mikado: Three Little Maids
128 bpm • C Maj • 01:27 • -22.65db
14% Popularity • 63% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 63% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Dorothy Howell
Divertissements: I. Three Divertissement...
118 bpm • F Maj • 03:45 • -24.13db
14% Popularity • 37% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Sinfonietta Cinematica
Good Old Days
128 bpm • C Maj • 01:51 • -13.45db
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
► Preview
George Lloyd
Symphony No. 9: I. Allegro con delicatez...
128 bpm • E Maj • 10:53 • -25.02db
8% Popularity • 30% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Leslie Stuart
Soldiers of the Queen
118 bpm • D# Maj • 01:55 • -16.2db
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Umitaro Abe
ボタン
118 bpm • A# Maj • 02:43 • -11.84db
8% Popularity • 39% Danceability • 24% Energy • 13% Liveness
26% Instrumentalness • 33% Positiveness
8% Popularity • 39% Danceability • 24% Energy • 13% Liveness
26% Instrumentalness • 33% Positiveness
► Preview
Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
129 bpm • B Maj • 03:20 • -20.23db
14% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
14% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
► Preview
Velvet Echoe
Twilight Hues
129 bpm • B Maj • 01:20 • -24.61db
8% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
8% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
► Preview
Patricia Cameron
The Pirates of Penzance: Climbing Over R...
117 bpm • A# Maj • 03:38 • -22.39db
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
129 bpm • C Maj • 03:16 • -20db
11% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
15% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: A Maiden Fair to...
129 bpm • C Maj • 02:48 • -15.4db
12% Popularity • 52% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 52% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
O. Henry
Kapitel 3.2 & Kapitel 4.1 - Great Short ...
129 bpm • A Maj • 03:06 • -10.73db
0% Popularity • 71% Danceability • 36% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 71% Danceability • 36% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Giuseppe Sarti
Miserere in F Minor: Asperges me hyssopo...
117 bpm • C Maj • 01:15 • -24.83db
19% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
19% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
► Preview
Marilyn Hill Smith
The Pirates of Penzance: When the Foe-Ma...
129 bpm • C Maj • 04:27 • -21.36db
9% Popularity • 52% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 52% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
► Preview
Karl Jenkins
The Armed Man (Ensemble Version): VII. C...
117 bpm • A# Maj • 07:12 • -18.06db
12% Popularity • 33% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 33% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Enigmatic Slumber
Calm November
130 bpm • G Maj • 01:15 • -11.86db
12% Popularity • 31% Danceability • 35% Energy • 36% Liveness
88% Instrumentalness • 61% Positiveness
12% Popularity • 31% Danceability • 35% Energy • 36% Liveness
88% Instrumentalness • 61% Positiveness
► Preview
Coxeegan
Whit them
130 bpm • C# Maj • 01:50 • -17.05db
10% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
10% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
► Preview
Jean-Philippe Rameau
Platée, RCT 53, Acte 1 Scène 3: Annonc...
130 bpm • D# Maj • 01:55 • -12.32db
11% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
RTE Concert Orchestra
The Irish Washerwoman
130 bpm • A Maj • 03:13 • -18.32db
11% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
11% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
► Preview
Aiden Spencer
Harmony
130 bpm • G Maj • 05:21 • -19.86db
10% Popularity • 50% Danceability • 10% Energy • 34% Liveness
67% Instrumentalness • 28% Positiveness
10% Popularity • 50% Danceability • 10% Energy • 34% Liveness
67% Instrumentalness • 28% Positiveness
► Preview
Georges Bizet
Habanera
116 bpm • D Maj • 03:58 • -10.3db
8% Popularity • 52% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 52% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Francis Poulenc
Gloria, FP 177: II. Laudamus te
130 bpm • D min • 02:58 • -20.18db
7% Popularity • 31% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 31% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Pedro Figueredo
キューバ共和国 バヤモの歌
116 bpm • G Maj • 00:58 • -11.63db
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
130 bpm • D# Maj • 03:38 • -17.76db
8% Popularity • 56% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 56% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Gilbert & Sullivan Society of Houston
Trial by Jury: When I, Good Friends, Was...
116 bpm • G Maj • 02:59 • -13.43db
10% Popularity • 62% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 62% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Singapore Symphony Orchestra
Peach Blossom Crosses The River
130 bpm • D Maj • 02:07 • -20.27db
12% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
12% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
► Preview
Bonaventura Bottone
The Mikado: If You Want to Know Who We A...
116 bpm • G Maj • 03:06 • -17.8db
10% Popularity • 40% Danceability • 24% Energy • 58% Liveness
3% Instrumentalness • 62% Positiveness
10% Popularity • 40% Danceability • 24% Energy • 58% Liveness
3% Instrumentalness • 62% Positiveness
► Preview
Leonard Bernstein
Mass A Theatre Piece for Singers, Player...
116 bpm • A Maj • 01:38 • -16.34db
0% Popularity • 63% Danceability • 29% Energy • 76% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 63% Danceability • 29% Energy • 76% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
131 bpm • A Maj • 04:21 • -13.63db
9% Popularity • 23% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 23% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Harry Secombe
Merry Widow Waltz
131 bpm • G Maj • 02:28 • -14db
9% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
9% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
► Preview
Musical Cordas
Hino 213
131 bpm • D# Maj • 02:53 • -23.51db
11% Popularity • 20% Danceability • 7% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
► Preview
The Regimental Band of the Coldstream Guards
And the Band Played On
131 bpm • D# Maj • 03:42 • -12.02db
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
► Preview
Professor van Dusen
Teil 7 - Folge 32: Professor van Dusen u...
131 bpm • G Maj • 03:00 • -16.75db
14% Popularity • 70% Danceability • 25% Energy • 81% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 70% Danceability • 25% Energy • 81% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Kurt Weill
L’opéra de quat'sous, Act II: Duo de ...
115 bpm • E Maj • 02:36 • -13.97db
9% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Dani Howard
Trombone Concerto: III. Illumination
131 bpm • D Maj • 04:27 • -14.36db
12% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
12% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Gilbert & Sullivan Society of Houston
Trial by Jury: Oh, Gentlemen, Listen I P...
132 bpm • G Maj • 01:44 • -15.91db
8% Popularity • 65% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 65% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
![Macbeth: The Favorite March in [Purcell’s] Bonduca cover art](https://i.scdn.co/image/ab67616d00001e0240f8ef8ce5f0c8b77b3886c0)
Samuel Arnold
Macbeth: The Favorite March in [Purcell�...
115 bpm • D Maj • 01:18 • -13.5db
18% Popularity • 60% Danceability • 31% Energy • 13% Liveness
77% Instrumentalness • 71% Positiveness
18% Popularity • 60% Danceability • 31% Energy • 13% Liveness
77% Instrumentalness • 71% Positiveness
► Preview
Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
132 bpm • C min • 03:39 • -17.55db
11% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
11% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
► Preview
Professor van Dusen
Teil 20 - Folge 30: Professor van Dusen ...
115 bpm • G Maj • 03:05 • -14.89db
14% Popularity • 61% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 61% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Raphael Fimm
Les Hypermnésiques
115 bpm • E Maj • 01:39 • -15.79db
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
O. Henry
Kapitel 1.1 - Great Short Stories
115 bpm • D Maj • 03:08 • -10.61db
2% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Marilyn Hill Smith
The Pirates of Penzance: Poor Wandr'ing ...
115 bpm • D# Maj • 02:46 • -24.71db
9% Popularity • 38% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
