Songs like The Planets, Op. 32, H. 125: III. Mercury, the Winged Messenger by Gustav Holst
Based on a tempo of (+/- 10%) and a similar genre
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Gustav Holst
Nunc Dimittis
121 bpm • A Maj • 03:44 • -21.74db
15% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
32% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
32% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Grażyna Bacewicz
Violin Concerto No. 3: III. Vivo
121 bpm • D Maj • 07:18 • -17.88db
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288: Baccha...
122 bpm • A min • 07:15 • -26.58db
22% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Gustav Holst
3 Festival Choruses, Op. 36a, H. 134: No...
122 bpm • E min • 03:46 • -24.37db
1% Popularity • 24% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Litvinovsky
Le grand cahier: X. L'incendie
122 bpm • B Maj • 02:20 • -17db
40% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
40% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: IV. I pi...
120 bpm • B Maj • 05:36 • -16.36db
23% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Georges Bizet
Carmen Suite No. 1: 2. Aragonaise
120 bpm • D min • 02:11 • -24db
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March (Seven...
120 bpm • F min • 03:25 • -14db
29% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
29% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: IV. Finale: A...
123 bpm • G Maj • 09:16 • -16db
16% Popularity • 30% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 23% Positiveness
16% Popularity • 30% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 23% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Edvard Grieg
Wedding Day at Troldhaugen
119 bpm • D Maj • 06:02 • -20db
23% Popularity • 49% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
23% Popularity • 49% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Paul Dukas
L'Apprenti sorcier
117 bpm • F min • 11:38 • -16db
27% Popularity • 38% Danceability • 35% Energy • 7% Liveness
71% Instrumentalness • 9% Positiveness
27% Popularity • 38% Danceability • 35% Energy • 7% Liveness
71% Instrumentalness • 9% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Aaron Copland
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down
125 bpm • G Maj • 03:26 • -18.64db
35% Popularity • 47% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
35% Popularity • 47% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
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Gustav Holst
Holst : The Planets Op.32 : VI Uranus, t...
117 bpm • C Maj • 06:02 • -19.66db
5% Popularity • 33% Danceability • 19% Energy • 19% Liveness
92% Instrumentalness • 8% Positiveness
5% Popularity • 33% Danceability • 19% Energy • 19% Liveness
92% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
31% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
31% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
126 bpm • A Maj • 03:34 • -17db
46% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
46% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40, No. 2: 1. Mode...
126 bpm • D Maj • 01:45 • -27.66db
1% Popularity • 55% Danceability • 8% Energy • 51% Liveness
61% Instrumentalness • 83% Positiveness
1% Popularity • 55% Danceability • 8% Energy • 51% Liveness
61% Instrumentalness • 83% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
24% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
24% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
31% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: I. Alborada
127 bpm • A Maj • 01:13 • -16.19db
29% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
29% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Aaron Copland
Rodeo: No. 5, Hoe-Down
127 bpm • D Maj • 04:08 • -19.31db
33% Popularity • 44% Danceability • 24% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
33% Popularity • 44% Danceability • 24% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
26% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
26% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
26% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 1: II. The Augu...
115 bpm • A# Maj • 03:02 • -22db
31% Popularity • 50% Danceability • 26% Energy • 66% Liveness
80% Instrumentalness • 42% Positiveness
31% Popularity • 50% Danceability • 26% Energy • 66% Liveness
80% Instrumentalness • 42% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): VI...
128 bpm • A Maj • 02:20 • -18.99db
34% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
34% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: II. Adagio
128 bpm • D Maj • 03:10 • -28.77db
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
► Preview
Ernest Bloch
Concerto grosso No. 1: 1. Prelude: Alleg...
129 bpm • A# Maj • 02:52 • -10db
14% Popularity • 56% Danceability • 28% Energy • 13% Liveness
36% Instrumentalness • 32% Positiveness
14% Popularity • 56% Danceability • 28% Energy • 13% Liveness
36% Instrumentalness • 32% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 2...
128 bpm • C Maj • 01:42 • -35db
15% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: Calm at Sea
113 bpm • E Maj • 03:02 • -17db
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:43 • -17.22db
38% Popularity • 33% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
38% Popularity • 33% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
► Preview
Percy Grainger
Handel in the Strand, RMTB 2a
112 bpm • G Maj • 04:02 • -20db
14% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
14% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
► Preview
Fela Sowande
African Suite: V. Akinla: Allegro non tr...
130 bpm • C Maj • 03:14 • -38db
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
► Preview
Camille Saint-Saëns
Danse macabre, Op. 40
112 bpm • G min • 07:08 • -21.22db
34% Popularity • 34% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
34% Popularity • 34% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: I. Pezzo in...
112 bpm • C Maj • 09:30 • -19db
31% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
31% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: V...
112 bpm • D min • 05:36 • -14.79db
23% Popularity • 51% Danceability • 29% Energy • 39% Liveness
86% Instrumentalness • 30% Positiveness
23% Popularity • 51% Danceability • 29% Energy • 39% Liveness
86% Instrumentalness • 30% Positiveness
► Preview
Edward Elgar
Nimrod From Enigma Variations
112 bpm • D# Maj • 03:46 • -19.98db
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
► Preview
Gustav Holst
Holst: The Planets, Op. 32: VI. Uranus, ...
112 bpm • C Maj • 06:01 • -15.76db
1% Popularity • 38% Danceability • 28% Energy • 18% Liveness
91% Instrumentalness • 13% Positiveness
1% Popularity • 38% Danceability • 28% Energy • 18% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: 3 Preludes Founded on ...
112 bpm • G Maj • 03:59 • -22.63db
19% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
19% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: III. In...
132 bpm • E min • 03:55 • -18.89db
22% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
22% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
15% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
15% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Hebrides Overture "Fingal's Cave"
132 bpm • B min • 09:44 • -23.78db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: III. Juba Dan...
111 bpm • F Maj • 03:40 • -21.63db
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
110 bpm • D Maj • 01:59 • -22.61db
23% Popularity • 52% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 70% Positiveness
23% Popularity • 52% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 70% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 - Arr. for ...
133 bpm • D Maj • 06:42 • -16db
24% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
24% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31, TH 45
110 bpm • A# min • 09:15 • -19.16db
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
133 bpm • G min • 08:25 • -21.54db
32% Popularity • 29% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
32% Popularity • 29% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
► Preview
Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Sergei Rachmaninoff
Prelude in C Sharp Minor, Op. 3, No. 2 (...
134 bpm • A Maj • 04:47 • -22db
24% Popularity • 16% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
24% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
24% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
