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The Poisoned Kiss, Act I: Duet. It's true I'm incl...
Songs like
The Poisoned Kiss, Act I: Duet. It's true I'm inclined … (Amaryllus, Gallanthus)
by
Ralph Vaughan Williams
Based on a tempo of (+/- 10%) and a similar genre
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de matin
171 bpm • G Maj • 03:00 • -20db
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
O vos omnes
172 bpm • D min • 06:08 • -30.33db
7% Popularity • 9% Danceability • 1% Energy • 15% Liveness
2% Instrumentalness • 3% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Claude Debussy
Beau Soir, L. 6
172 bpm • F# min • 02:15 • -28db
30% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
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Johannes Brahms
Geistliches Lied, Op. 30
172 bpm • D# Maj • 05:10 • -26.16db
29% Popularity • 8% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Gustav Mahler
Rückert-Lieder: Ich bin der Welt abhand...
169 bpm • F Maj • 07:02 • -33db
36% Popularity • 9% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Anitra's Dan...
168 bpm • E min • 03:22 • -32db
41% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Edward Elgar
Nimrod (Lux Aeterna)
175 bpm • C# Maj • 03:52 • -21db
45% Popularity • 10% Danceability • 9% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: The House of Life: No....
167 bpm • F# Maj • 05:09 • -25db
10% Popularity • 20% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Variations on a theme by Haydn, Op. 56a ...
175 bpm • A# Maj • 02:03 • -29.25db
28% Popularity • 10% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 19% Positiveness
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Benjamin Britten
Concord
167 bpm • A# Maj • 02:26 • -25.1db
31% Popularity • 9% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Eight Part-songs, Op. 119: The Bluebird
176 bpm • F# Maj • 03:22 • -29.08db
20% Popularity • 9% Danceability • 4% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: III. Dance of th...
177 bpm • C min • 01:39 • -27db
45% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Concerto accademico (Concerto for violin...
177 bpm • G Maj • 03:51 • -16.99db
5% Popularity • 30% Danceability • 29% Energy • 26% Liveness
66% Instrumentalness • 39% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Peter Warlock
Capriol Suite: 4. Bransles
156 bpm • G Maj • 01:59 • -19.75db
30% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
151 bpm • D Maj • 02:19 • -20.77db
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Peter Warlock
I. Basse-Danse
191 bpm • D min • 01:12 • -19.82db
25% Popularity • 37% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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The Poisoned Kiss, Act I: Duet. It's true I'm incl...