Songs like The Police Trilogy by Christine Brown
Based on a tempo of (+/- 10%) and a similar genre
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Christine Brown
The Police Trilogy
115 bpm • F Maj • 05:02 • -19.05db
22% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
22% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
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Marcel Depuis
Sonata Pathétique
115 bpm • B min • 02:50 • -23db
39% Popularity • 71% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
39% Popularity • 71% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Doug Hammer
Flying High
115 bpm • D Maj • 04:21 • -30.52db
20% Popularity • 52% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
20% Popularity • 52% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
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Tim Neumark
Ice
115 bpm • G# min • 04:39 • -20.69db
14% Popularity • 31% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
14% Popularity • 31% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Michael Dulin
Siren Song
116 bpm • E min • 07:34 • -19.72db
17% Popularity • 44% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
17% Popularity • 44% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Georg Erixon
Gabriel's Oboe
114 bpm • D Maj • 02:11 • -12.86db
39% Popularity • 47% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
39% Popularity • 47% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Anne Trenning
The Ash Grove
116 bpm • G Maj • 02:58 • -17db
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
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Denise Young
There
116 bpm • A# Maj • 03:32 • -18.69db
43% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
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Joseph Akins
A Nocturnal Waltz
114 bpm • A min • 03:41 • -16.47db
18% Popularity • 42% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Fabrizio Paterlini
Five thirty am
116 bpm • D Maj • 03:35 • -19.8db
28% Popularity • 39% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
28% Popularity • 39% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Mike Strickland
Think Of Me
114 bpm • G# Maj • 04:45 • -17.49db
24% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
24% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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Shoshana Michel
Dancing on the Wind
117 bpm • A Maj • 03:44 • -16.38db
32% Popularity • 52% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
32% Popularity • 52% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Tim Neumark
With Wonder
113 bpm • D# Maj • 03:46 • -19.12db
25% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Jon Dahlander
Psalm
117 bpm • D min • 03:57 • -20db
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Luke Woodapple
The Silence
113 bpm • D Maj • 04:30 • -20.19db
14% Popularity • 41% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
14% Popularity • 41% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Elijah Bossenbroek
Rest
113 bpm • F# min • 03:49 • -18.73db
32% Popularity • 28% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
32% Popularity • 28% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Solomon Keal
Thoughtfulness
117 bpm • C Maj • 05:02 • -21db
17% Popularity • 49% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
17% Popularity • 49% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
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Owen Richards
Candle in the Wind
117 bpm • E Maj • 04:27 • -25db
29% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Rachel Currea
Epic Romance
113 bpm • C Maj • 05:09 • -22db
12% Popularity • 35% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Joseph Akins
Castle Moon
117 bpm • D min • 04:16 • -14.25db
31% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
31% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
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Denise Young
Awakened
117 bpm • G min • 03:50 • -22.25db
32% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Kathryn Toyama
Understanding Each Other
117 bpm • C Maj • 04:16 • -13.94db
36% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
36% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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![Deschutes River Sunrise (Oboe, Cello, Piano) [feat. Nancy Rumble & Emil Miland] cover art](https://i.scdn.co/image/ab67616d00001e023876d8aa5f9eb09e4d1265be)
Karen Marie Garrett
Deschutes River Sunrise (Oboe, Cello, Pi...
113 bpm • F Maj • 05:04 • -17.51db
20% Popularity • 17% Danceability • 16% Energy • 14% Liveness
84% Instrumentalness • 10% Positiveness
20% Popularity • 17% Danceability • 16% Energy • 14% Liveness
84% Instrumentalness • 10% Positiveness
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Jennifer Haines
Thoughts And Dreams
118 bpm • G Maj • 03:25 • -18.89db
19% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
19% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Fiona Joy Hawkins
Bushfire Moon (Album Version)
118 bpm • G min • 05:03 • -18.19db
30% Popularity • 34% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Akins
Winter Is Coming
118 bpm • E min • 05:11 • -17db
25% Popularity • 43% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
25% Popularity • 43% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Steven Cravis
Dancing Spirits
112 bpm • D min • 04:14 • -16.76db
27% Popularity • 43% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
27% Popularity • 43% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Attila Fias
Against All Odds (Take a Look at Me Now)...
118 bpm • D Maj • 03:22 • -15.73db
26% Popularity • 49% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
26% Popularity • 49% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Joe Yamada
Chasing the Dream
118 bpm • E Maj • 02:38 • -17.3db
47% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
47% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Rhonda Mackert
Dreamer's Lament
112 bpm • E min • 04:29 • -20.93db
16% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Fiona Joy Hawkins
From the Outside
112 bpm • G Maj • 04:32 • -15.82db
32% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
32% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
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Karen Marie Garrett
It's About the Rose in the Vase on the T...
112 bpm • C# Maj • 05:04 • -20.05db
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Emilee Hartley
A Whole New World
119 bpm • A# Maj • 03:09 • -18.72db
32% Popularity • 38% Danceability • 16% Energy • 17% Liveness
91% Instrumentalness • 16% Positiveness
32% Popularity • 38% Danceability • 16% Energy • 17% Liveness
91% Instrumentalness • 16% Positiveness
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Anne Trenning
Silent Night II
111 bpm • F Maj • 03:06 • -19.12db
24% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
24% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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George Nascimento
Thais: "Meditation"
119 bpm • D Maj • 03:59 • -20db
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Serge Mazerand
Pachabel's Canon in D, Variation #2
119 bpm • D# Maj • 03:59 • -23db
31% Popularity • 29% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 29% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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David Hicken
Uriel
111 bpm • F# Maj • 04:18 • -24.3db
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Amy Janelle
Enchantment
111 bpm • F# Maj • 03:46 • -23.89db
13% Popularity • 51% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
13% Popularity • 51% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Christine Brown
Cardigan
120 bpm • D# Maj • 04:10 • -18.05db
16% Popularity • 41% Danceability • 16% Energy • 24% Liveness
88% Instrumentalness • 12% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 24% Liveness
88% Instrumentalness • 12% Positiveness
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Joe Yamada
To Love Again
120 bpm • C Maj • 03:46 • -16.8db
25% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
25% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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George Nascimento
Edelweiss
119 bpm • A# Maj • 03:08 • -22db
33% Popularity • 46% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
33% Popularity • 46% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Michael Dulin
Prelude
110 bpm • C Maj • 05:12 • -16.25db
21% Popularity • 37% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
21% Popularity • 37% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Rachel Currea
Walking to You
120 bpm • A Maj • 03:02 • -19.16db
19% Popularity • 44% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 27% Positiveness
19% Popularity • 44% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 27% Positiveness
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CR Smith
Beginning at the End
120 bpm • F Maj • 03:27 • -18.34db
34% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
34% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
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Laura Sullivan
Winds of Magic
110 bpm • G min • 04:13 • -14.63db
19% Popularity • 31% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
19% Popularity • 31% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
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Joe Yamada
Heartfelt
120 bpm • G Maj • 03:34 • -15.65db
18% Popularity • 34% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 34% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Henrik Janson
Capri Interlude For Guitar and Strings
120 bpm • C Maj • 01:43 • -15.3db
42% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
42% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Andy Tallent
Chariots of Fire
110 bpm • D Maj • 03:44 • -21.83db
38% Popularity • 45% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
38% Popularity • 45% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Fiona Joy Hawkins
Antarctica
120 bpm • G min • 04:18 • -18db
29% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
29% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
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Charles Bolt
Seasons Changing
110 bpm • D Maj • 02:19 • -24.33db
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Laura Sullivan
Hope for the Sun
120 bpm • A Maj • 04:06 • -16.17db
12% Popularity • 47% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
12% Popularity • 47% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Christine Brown
The Hour Glass
110 bpm • G min • 03:59 • -19.75db
6% Popularity • 39% Danceability • 26% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
6% Popularity • 39% Danceability • 26% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
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Solomon Keal
Surrender
109 bpm • A min • 05:48 • -19db
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Kathryn Toyama
Open Your Heart
121 bpm • E min • 03:55 • -18.14db
38% Popularity • 46% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
38% Popularity • 46% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Fiona Joy Hawkins
Escarpment Dreaming
110 bpm • E min • 03:25 • -21db
34% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
34% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Karen Marie Garrett
Tip Toe Dancer (Kathryn's Song)
121 bpm • G Maj • 05:24 • -17.21db
22% Popularity • 36% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 36% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Christine Brown
All of Me
121 bpm • G# Maj • 05:15 • -19.58db
4% Popularity • 34% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
4% Popularity • 34% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Joe Yamada
Spring Rain
121 bpm • G Maj • 03:13 • -21.45db
40% Popularity • 38% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
40% Popularity • 38% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
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Emily Bear
Ellen's Song
109 bpm • A min • 01:42 • -16.28db
18% Popularity • 53% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 20% Positiveness
18% Popularity • 53% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 20% Positiveness
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Rachel Currea
Dragonflies
122 bpm • B min • 05:17 • -26.29db
20% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
20% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Jane Leslie
Flowing Waters
109 bpm • D# Maj • 03:49 • -23.23db
32% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
32% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Peter Bennborn Project
Paola's Theme
122 bpm • A min • 01:40 • -20.64db
50% Popularity • 44% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
50% Popularity • 44% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Christine Brown
Dancing Embers
122 bpm • E min • 03:50 • -20.73db
7% Popularity • 29% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
7% Popularity • 29% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
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Denise Young
Above the Clouds
109 bpm • C min • 04:31 • -21.64db
31% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
31% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Matthew Mayer
Source of Blue
109 bpm • E min • 04:25 • -22.52db
22% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Stan Whitmire
Hero
122 bpm • F# min • 04:21 • -20db
42% Popularity • 54% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
42% Popularity • 54% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Karen Marie Garrett
Tip Toe Dancer and the Sea Pearl
122 bpm • G# Maj • 03:52 • -18.95db
30% Popularity • 52% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
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Tim Neumark
A Moment of Joy
122 bpm • A Maj • 01:57 • -17.32db
28% Popularity • 33% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
28% Popularity • 33% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
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Christine Brown
What a Wonderful World
123 bpm • D Maj • 03:16 • -21.72db
6% Popularity • 41% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
6% Popularity • 41% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Jon Dahlander
Lost Maples
108 bpm • F# Maj • 04:03 • -18.61db
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Robin Spielberg
100 Years
123 bpm • G Maj • 04:20 • -15.86db
24% Popularity • 44% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
24% Popularity • 44% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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David Hicken
Sekhemet
123 bpm • C Maj • 04:44 • -17db
34% Popularity • 41% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
34% Popularity • 41% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Piano Novel
Jardin Sauvage
123 bpm • G# Maj • 03:53 • -22.68db
17% Popularity • 36% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 36% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Laura Sullivan
The Heavener Runestone
107 bpm • F# min • 03:39 • -24.55db
9% Popularity • 54% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
9% Popularity • 54% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
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Mike Strickland
Walking In The Air
107 bpm • D min • 04:33 • -15.39db
22% Popularity • 46% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
22% Popularity • 46% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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Rachel Currea
Desert Night
107 bpm • B min • 03:41 • -21.28db
20% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Robin Spielberg
After All
108 bpm • D Maj • 04:39 • -15.89db
22% Popularity • 41% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Shoshana Michel
Meditation
124 bpm • D# min • 04:35 • -19.79db
30% Popularity • 54% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 54% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Silvard
Life's Overture
124 bpm • G Maj • 04:43 • -11.84db
14% Popularity • 43% Danceability • 53% Energy • 20% Liveness
85% Instrumentalness • 59% Positiveness
14% Popularity • 43% Danceability • 53% Energy • 20% Liveness
85% Instrumentalness • 59% Positiveness
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Joe Yamada
Remember When
124 bpm • E Maj • 04:07 • -16.6db
19% Popularity • 32% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
19% Popularity • 32% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Mike Strickland
Watching The World Go By
124 bpm • G min • 05:33 • -18.48db
10% Popularity • 34% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
10% Popularity • 34% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Denise Young
Something You Dream Of
124 bpm • C# Maj • 05:48 • -18.34db
24% Popularity • 34% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Christine Brown
Fur Elise
124 bpm • A min • 03:34 • -18.63db
6% Popularity • 40% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
6% Popularity • 40% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Kathryn Toyama
Spiritual War
124 bpm • A Maj • 03:15 • -14.69db
32% Popularity • 30% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 30% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Silvard
Life Is Grand...
124 bpm • D Maj • 03:11 • -13.17db
35% Popularity • 58% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
35% Popularity • 58% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Jane Leslie
A Special Day
124 bpm • A Maj • 02:58 • -26.58db
39% Popularity • 39% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
39% Popularity • 39% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Doug Hammer
Your Face in the Moonlight
125 bpm • D Maj • 03:33 • -25.15db
31% Popularity • 51% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
31% Popularity • 51% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Kostia
Sunrise
125 bpm • G# Maj • 05:08 • -30db
32% Popularity • 29% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
32% Popularity • 29% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Rhonda Mackert
A Wild Beauty
106 bpm • E min • 03:54 • -22db
8% Popularity • 38% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
8% Popularity • 38% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Christine Brown
Titanium Chandelier
125 bpm • D Maj • 04:53 • -18.8db
5% Popularity • 38% Danceability • 21% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
5% Popularity • 38% Danceability • 21% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Peter Jennison
Hold Me in Your Heart (For My Son)
106 bpm • C Maj • 03:51 • -16db
17% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
17% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
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Chad Lawson
I Wandered Lonely as a Cloud
106 bpm • G min • 04:24 • -25.77db
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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John Fluker
Journey Of A Soul
125 bpm • G# min • 02:39 • -15.31db
33% Popularity • 40% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
33% Popularity • 40% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Michael Forster
Forces of Attraction
105 bpm • G Maj • 01:58 • -24db
33% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
33% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Rachel Currea
Time Marches On
125 bpm • G# min • 02:39 • -22.46db
47% Popularity • 37% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
47% Popularity • 37% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Christine Brown
When the Party's Over
125 bpm • C# min • 03:27 • -22.39db
26% Popularity • 43% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
26% Popularity • 43% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
