Songs like The Pool by River Whyless
Based on a tempo of (+/- 10%) and a similar genre
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River Whyless
Mama Take Your Time
88 bpm • D# Maj • 03:36 • -7.74db
24% Popularity • 70% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 70% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Drew Holcomb & The Neighbors
Without a Light
88 bpm • G Maj • 02:22 • -12.33db
53% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Middleton
The Walker
88 bpm • E Maj • 03:40 • -14.43db
29% Popularity • 63% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
29% Popularity • 63% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Ryan Montbleau
I Don't Want to Go
88 bpm • C# min • 05:04 • -9.6db
28% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Guest and the Host
Looking out for You
88 bpm • C Maj • 02:30 • -14.68db
29% Popularity • 58% Danceability • 28% Energy • 14% Liveness
8% Instrumentalness • 20% Positiveness
29% Popularity • 58% Danceability • 28% Energy • 14% Liveness
8% Instrumentalness • 20% Positiveness
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Lord Huron
La Belle Fleur Sauvage
87 bpm • F Maj • 05:41 • -7db
43% Popularity • 53% Danceability • 66% Energy • 38% Liveness
9% Instrumentalness • 20% Positiveness
43% Popularity • 53% Danceability • 66% Energy • 38% Liveness
9% Instrumentalness • 20% Positiveness
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River Whyless
The Pool
88 bpm • G Maj • 04:02 • -9db
47% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
47% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jamestown Revival
Bluebird
88 bpm • G Maj • 03:04 • -12.19db
38% Popularity • 56% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
38% Popularity • 56% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Tré Burt
Sweet Misery
87 bpm • D Maj • 03:09 • -6.86db
36% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Paper Kites
Tenenbaum
89 bpm • C# Maj • 03:39 • -18.46db
41% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
41% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
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Joan Shelley
The Fading
89 bpm • A Maj • 03:09 • -10db
39% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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John Vincent III
Bluebird Singing
178 bpm • A# Maj • 04:00 • -7.1db
46% Popularity • 38% Danceability • 48% Energy • 66% Liveness
2% Instrumentalness • 36% Positiveness
46% Popularity • 38% Danceability • 48% Energy • 66% Liveness
2% Instrumentalness • 36% Positiveness
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The Barr Brothers
Hideous Glorious Part 2
87 bpm • G Maj • 01:47 • -14db
43% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
43% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
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Mipso
Train Down the Line
87 bpm • G Maj • 02:55 • -9db
33% Popularity • 48% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 48% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Head And The Heart
Library Magic
90 bpm • E Maj • 03:13 • -7.59db
46% Popularity • 42% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 42% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Paper Kites
Leopold Street
87 bpm • D Maj • 03:26 • -9.95db
31% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Nathaniel Rateliff
You Need Me
90 bpm • D Maj • 03:30 • -12db
43% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
43% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
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Jon Middleton
Nobody Knows but Me
86 bpm • D Maj • 03:03 • -14.2db
22% Popularity • 69% Danceability • 24% Energy • 9% Liveness
13% Instrumentalness • 31% Positiveness
22% Popularity • 69% Danceability • 24% Energy • 9% Liveness
13% Instrumentalness • 31% Positiveness
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The Bones of J.R. Jones
Hearts Racing
90 bpm • G Maj • 03:43 • -8.74db
44% Popularity • 68% Danceability • 56% Energy • 13% Liveness
60% Instrumentalness • 36% Positiveness
44% Popularity • 68% Danceability • 56% Energy • 13% Liveness
60% Instrumentalness • 36% Positiveness
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Birdtalker
Better Days
90 bpm • D Maj • 03:21 • -12db
37% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
37% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Slow Leaves
Sentimental Teardrops
90 bpm • E Maj • 04:51 • -11.59db
26% Popularity • 38% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
26% Popularity • 38% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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The Paper Kites
Tin Lover
90 bpm • C# Maj • 03:19 • -22.24db
42% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
42% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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Caamp
Snowshoes
90 bpm • B Maj • 03:24 • -9db
64% Popularity • 41% Danceability • 55% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
64% Popularity • 41% Danceability • 55% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
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River Whyless
Mourning Dove
91 bpm • G min • 02:58 • -7.44db
22% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Austin Basham
Willow
91 bpm • E Maj • 03:03 • -8.81db
19% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Blitzen Trapper
Requiem
85 bpm • G Maj • 03:33 • -7db
44% Popularity • 61% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 61% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Staples
Park Bench
85 bpm • F# Maj • 02:44 • -11.61db
49% Popularity • 60% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
49% Popularity • 60% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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John Vincent III
In My Sheets
91 bpm • A Maj • 04:10 • -8.69db
55% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
55% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Cale Tyson
Not Healthy Anymore
85 bpm • F min • 04:01 • -13db
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ocie Elliott
A Place
85 bpm • A Maj • 03:45 • -14db
47% Popularity • 40% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
47% Popularity • 40% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Liz Cooper
Month of June
91 bpm • E Maj • 03:04 • -9.8db
27% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Robby Hecht
Damn Good Advice
91 bpm • D# Maj • 02:15 • -14.13db
42% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Nathaniel Rateliff
Oil & Lavender
85 bpm • G# min • 03:14 • -16.76db
28% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Joshua Burnside
Grapes
92 bpm • D Maj • 04:00 • -17.8db
14% Popularity • 51% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Horse Feathers
Albina
92 bpm • B Maj • 02:17 • -13.27db
40% Popularity • 50% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 53% Positiveness
40% Popularity • 50% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 53% Positiveness
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The Paper Kites
Nothing More Than That
84 bpm • B min • 03:01 • -20db
41% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
41% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
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Anna Ash
Earthquake
84 bpm • D Maj • 03:10 • -7.45db
28% Popularity • 59% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
28% Popularity • 59% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Beta Radio
On Your Horizon
92 bpm • C Maj • 04:52 • -15db
43% Popularity • 36% Danceability • 29% Energy • 9% Liveness
27% Instrumentalness • 24% Positiveness
43% Popularity • 36% Danceability • 29% Energy • 9% Liveness
27% Instrumentalness • 24% Positiveness
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Shannon Lay
Recording 15
92 bpm • B Maj • 04:02 • -18.22db
48% Popularity • 55% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
48% Popularity • 55% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
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Chris Staples
Common Enemies
92 bpm • A min • 03:03 • -12.32db
30% Popularity • 66% Danceability • 31% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 66% Danceability • 31% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
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Mountain Man
Around and Around
84 bpm • G Maj • 02:00 • -14.75db
21% Popularity • 63% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 63% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Mipso
Moonlight
92 bpm • A Maj • 03:24 • -10db
31% Popularity • 57% Danceability • 38% Energy • 6% Liveness
2% Instrumentalness • 54% Positiveness
31% Popularity • 57% Danceability • 38% Energy • 6% Liveness
2% Instrumentalness • 54% Positiveness
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Fruit Bats
Cazadera
84 bpm • C min • 03:25 • -12db
48% Popularity • 68% Danceability • 31% Energy • 8% Liveness
7% Instrumentalness • 37% Positiveness
48% Popularity • 68% Danceability • 31% Energy • 8% Liveness
7% Instrumentalness • 37% Positiveness
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Sumbuck
Are You Dreaming
84 bpm • B Maj • 02:51 • -11.79db
33% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Tallest Man On Earth
I Love You. It’s A Fever Dream.
93 bpm • G# Maj • 03:38 • -10db
41% Popularity • 58% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 58% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Caamp
Iffy
93 bpm • A# Maj • 03:56 • -11db
54% Popularity • 52% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 52% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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M. Ward
One Hundred Million Years
93 bpm • D Maj • 02:11 • -14.14db
14% Popularity • 61% Danceability • 30% Energy • 11% Liveness
52% Instrumentalness • 61% Positiveness
14% Popularity • 61% Danceability • 30% Energy • 11% Liveness
52% Instrumentalness • 61% Positiveness
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Beta Radio
Hope You Change Your Mind
93 bpm • G Maj • 03:02 • -10.1db
40% Popularity • 52% Danceability • 44% Energy • 12% Liveness
17% Instrumentalness • 30% Positiveness
40% Popularity • 52% Danceability • 44% Energy • 12% Liveness
17% Instrumentalness • 30% Positiveness
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River Whyless
New Beliefs
83 bpm • D Maj • 04:38 • -5.22db
23% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Sumbuck
Tigersharks
83 bpm • C# min • 04:17 • -9db
46% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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The Brother Brothers
Cairo, Il
83 bpm • D# Maj • 03:42 • -7.94db
22% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Wonderfool
Swimming
83 bpm • F Maj • 03:19 • -14.21db
17% Popularity • 65% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
17% Popularity • 65% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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John Vincent III
Untitled #2
94 bpm • F# Maj • 05:14 • -12db
46% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Burchfield
Hold My Hand
94 bpm • C Maj • 04:17 • -5.54db
46% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jon Middleton
That Summer
94 bpm • C Maj • 05:05 • -11.53db
18% Popularity • 74% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 74% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Liz Cooper
Monsters
94 bpm • B Maj • 03:47 • -10.62db
23% Popularity • 50% Danceability • 48% Energy • 11% Liveness
17% Instrumentalness • 23% Positiveness
23% Popularity • 50% Danceability • 48% Energy • 11% Liveness
17% Instrumentalness • 23% Positiveness
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Wild Child
My Favorite Picture of You
94 bpm • C Maj • 02:53 • -10.74db
20% Popularity • 62% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 62% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Humbird
May
82 bpm • D Maj • 03:58 • -10.86db
32% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ivan & Alyosha
The Worth Of The Wait
82 bpm • D Maj • 02:51 • -7.34db
37% Popularity • 46% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 46% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Field Guide
You Were
82 bpm • G Maj • 03:13 • -12.56db
48% Popularity • 64% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
48% Popularity • 64% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
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Rayland Baxter
Olivia
82 bpm • G Maj • 03:53 • -9.44db
50% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jon Middleton
Overseas
82 bpm • E Maj • 03:31 • -18.02db
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
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Daughter of Swords
Fields of Gold
82 bpm • E Maj • 03:31 • -12.53db
20% Popularity • 48% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
20% Popularity • 48% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
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Courtney Hartman
Moontalk
95 bpm • F Maj • 03:11 • -14db
9% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Beta Radio
Destined to Pretend
95 bpm • D Maj • 03:12 • -10.29db
38% Popularity • 51% Danceability • 52% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
38% Popularity • 51% Danceability • 52% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
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Penny and Sparrow
Adeline
95 bpm • A min • 03:08 • -13db
38% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Layup
Favorite Place to Go
95 bpm • G Maj • 02:54 • -13.71db
59% Popularity • 57% Danceability • 27% Energy • 13% Liveness
8% Instrumentalness • 28% Positiveness
59% Popularity • 57% Danceability • 27% Energy • 13% Liveness
8% Instrumentalness • 28% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
75% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
75% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Raye Zaragoza
He Calls Me River
95 bpm • B Maj • 03:27 • -10db
29% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Runnner
Vines to Make It All Worth It
95 bpm • A Maj • 01:36 • -11.5db
38% Popularity • 57% Danceability • 63% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
38% Popularity • 57% Danceability • 63% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
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Caamp
Misty
95 bpm • A# Maj • 03:44 • -7.96db
56% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Penny and Sparrow
Alabama Haint
95 bpm • E min • 03:02 • -11db
46% Popularity • 59% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
46% Popularity • 59% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Elephant Revival
Birds and Stars
81 bpm • C Maj • 03:11 • -12.24db
45% Popularity • 46% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
45% Popularity • 46% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Humbird
Pharmakon
95 bpm • A Maj • 02:35 • -12.56db
51% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dead Horses
Turntable
95 bpm • C Maj • 03:16 • -10.33db
47% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Frances Luke Accord
Honeyguide
95 bpm • A Maj • 03:17 • -13.99db
20% Popularity • 59% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 59% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Whitney
Rainbows & Ridges
95 bpm • D# Maj • 02:19 • -9.49db
24% Popularity • 54% Danceability • 19% Energy • 14% Liveness
6% Instrumentalness • 26% Positiveness
24% Popularity • 54% Danceability • 19% Energy • 14% Liveness
6% Instrumentalness • 26% Positiveness
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River Whyless
It Ain't Me Babe
95 bpm • C# Maj • 03:40 • -11.16db
36% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Darlingside
A Light On In The Dark
95 bpm • G# Maj • 03:51 • -10.14db
24% Popularity • 40% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
24% Popularity • 40% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Layup
Every Mile
81 bpm • D Maj • 03:21 • -10db
52% Popularity • 52% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
52% Popularity • 52% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Wild Rivers
Already Gone
95 bpm • A# Maj • 03:42 • -13db
53% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lorkin O'Reilly
Twist
81 bpm • D Maj • 03:06 • -19.28db
47% Popularity • 54% Danceability • 8% Energy • 11% Liveness
35% Instrumentalness • 23% Positiveness
47% Popularity • 54% Danceability • 8% Energy • 11% Liveness
35% Instrumentalness • 23% Positiveness
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Ocie Elliott
Lone Rider
81 bpm • C# Maj • 03:23 • -11.94db
34% Popularity • 65% Danceability • 32% Energy • 8% Liveness
31% Instrumentalness • 30% Positiveness
34% Popularity • 65% Danceability • 32% Energy • 8% Liveness
31% Instrumentalness • 30% Positiveness
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River Whyless
Young Bird
81 bpm • B min • 01:36 • -13.66db
29% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sam Burchfield
Blue Ridge June
96 bpm • C Maj • 04:17 • -9db
40% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kelly McFarling
Both
81 bpm • G Maj • 03:44 • -12.37db
20% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Max GarcÃa Conover
5 to 4
96 bpm • G# Maj • 02:45 • -10.98db
28% Popularity • 32% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 32% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lowland Hum
A Drive Through the Countryside
96 bpm • F Maj • 02:14 • -9.4db
39% Popularity • 57% Danceability • 29% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
39% Popularity • 57% Danceability • 29% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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Aoife O'Donovan
IOWA
96 bpm • C# Maj • 04:35 • -11db
32% Popularity • 53% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 53% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Staples
Walking With a Stranger
81 bpm • D Maj • 02:48 • -15db
53% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
53% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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Jesse Woods
Ugly Dress
81 bpm • F# Maj • 02:29 • -9.57db
42% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Bendigo Fletcher
Pterodactyl
96 bpm • G Maj • 04:06 • -9.98db
31% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Mipso
Your Body
96 bpm • D# Maj • 03:24 • -9.27db
35% Popularity • 76% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 76% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Max GarcÃa Conover
Handsome Suit
96 bpm • G# Maj • 02:54 • -11.62db
30% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Caamp
Fall, Fall, Fall
80 bpm • F# Maj • 04:41 • -12.57db
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Kieran Campbell
Manitoba
96 bpm • B Maj • 01:58 • -11.25db
20% Popularity • 41% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 41% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Cicada Rhythm
Do Not Destroy
97 bpm • E Maj • 05:22 • -16.72db
24% Popularity • 39% Danceability • 15% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
24% Popularity • 39% Danceability • 15% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Bendigo Fletcher
Winter Strokes
80 bpm • F# Maj • 03:14 • -14.03db
22% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
