Songs like The Poor People Of Paris by Les Paul & Mary Ford
Based on a tempo of (+/- 10%) and a similar genre
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The Ames Brothers
Hawaiian War Chant
93 bpm • C Maj • 02:33 • -12.73db
13% Popularity • 83% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 83% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Frank Virture and The Virtues
Guitar Boogie Shuffle
93 bpm • E Maj • 02:36 • -7db
29% Popularity • 54% Danceability • 95% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
29% Popularity • 54% Danceability • 95% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Al Martino
My Cherie
93 bpm • G# Maj • 02:34 • -10db
34% Popularity • 20% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 20% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Cozy Cole/Savina
Topsy Part 2
93 bpm • G Maj • 03:34 • -8db
11% Popularity • 54% Danceability • 86% Energy • 18% Liveness
61% Instrumentalness • 50% Positiveness
11% Popularity • 54% Danceability • 86% Energy • 18% Liveness
61% Instrumentalness • 50% Positiveness
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Les Paul & His Trio
King's Serenade
94 bpm • G# Maj • 02:46 • -17.6db
29% Popularity • 66% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
29% Popularity • 66% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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The Rooftop Singers
San Francisco Bay Blues
94 bpm • G# Maj • 02:09 • -14.79db
18% Popularity • 77% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 77% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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The Ames Brothers
You, You, You
93 bpm • E Maj • 02:55 • -11db
26% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Josh White
One Meat Ball
92 bpm • C# Maj • 03:01 • -17.37db
13% Popularity • 54% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 54% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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The Browns
The Old Lamplighter
92 bpm • D Maj • 02:21 • -16.78db
36% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Les Paul & Mary Ford
Lonely Guitar
94 bpm • F# Maj • 02:36 • -10.85db
5% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Les Paul & His Trio
Aloha Oe
94 bpm • G# Maj • 02:46 • -18db
29% Popularity • 66% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
29% Popularity • 66% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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Sammy Kaye
The Old Lamp-Lighter
92 bpm • D Maj • 03:00 • -17.87db
12% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
12% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
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Tony Martin
There's No Tomorrow
94 bpm • A# Maj • 03:15 • -10.17db
14% Popularity • 27% Danceability • 21% Energy • 44% Liveness
3% Instrumentalness • 20% Positiveness
14% Popularity • 27% Danceability • 21% Energy • 44% Liveness
3% Instrumentalness • 20% Positiveness
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Harry Belafonte with Orchestra
Crawdad Song
94 bpm • G min • 03:36 • -8.57db
10% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Cozy Cole/Savina
Topsy Part 1
92 bpm • A min • 03:22 • -9db
6% Popularity • 59% Danceability • 59% Energy • 20% Liveness
46% Instrumentalness • 80% Positiveness
6% Popularity • 59% Danceability • 59% Energy • 20% Liveness
46% Instrumentalness • 80% Positiveness
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Della Reese
Don't Know You - Digitally Mastered 1988
92 bpm • D# Maj • 02:33 • -12.02db
24% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Teresa Brewer
Bo Weevil
94 bpm • A# Maj • 02:22 • -8db
20% Popularity • 85% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 85% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Acker Bilk
Stranger on the Shore
92 bpm • A# Maj • 02:49 • -17db
25% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
25% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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George Hamilton IV
They Will Understand
94 bpm • F Maj • 02:32 • -10db
19% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Danny Kaye
Ballin' The Jack
92 bpm • G Maj • 02:21 • -8.25db
11% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
11% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
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Les Paul & Mary Ford
Wonderful Rain - Remastered
94 bpm • G# min • 02:36 • -12.44db
4% Popularity • 61% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 61% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Kingston Trio
It Was A Very Good Year - Remastered
94 bpm • G min • 03:22 • -18.93db
12% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ray Conniff
Beyond The Reef
95 bpm • D Maj • 02:25 • -14.13db
21% Popularity • 33% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 33% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmie Davis
There's a New Moon Over My Shoulder
95 bpm • A Maj • 02:15 • -15.56db
23% Popularity • 82% Danceability • 21% Energy • 10% Liveness
40% Instrumentalness • 82% Positiveness
23% Popularity • 82% Danceability • 21% Energy • 10% Liveness
40% Instrumentalness • 82% Positiveness
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Frankie Avalon
Why
95 bpm • F Maj • 02:37 • -14.81db
33% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Joni James
There Goes My Heart
95 bpm • F# Maj • 02:33 • -8db
21% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Lionel Hampton
Rag Mop
95 bpm • C Maj • 02:49 • -11.61db
35% Popularity • 72% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 72% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Acker Bilk
Stranger on the Shore
95 bpm • A# Maj • 02:55 • -12.2db
17% Popularity • 33% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 28% Positiveness
17% Popularity • 33% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 28% Positiveness
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Johnnie Ray
Such a Night
95 bpm • A Maj • 02:13 • -16.71db
28% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmie Rodgers
Oh-Oh, I'm Falling In Love Again
95 bpm • C# Maj • 02:15 • -10.69db
26% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Mel Tormé
Yesterday, When I Was Young
91 bpm • C min • 02:47 • -12db
18% Popularity • 39% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 39% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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George Hamilton IV
A Rose and a Baby Ruth
91 bpm • A Maj • 02:25 • -12.34db
21% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fats Waller
I Can't Give You Anything but Love
95 bpm • F min • 02:56 • -23.1db
34% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Dave "Baby" Cortez
The Happy Organ
91 bpm • C# Maj • 02:02 • -15db
17% Popularity • 62% Danceability • 64% Energy • 6% Liveness
48% Instrumentalness • 96% Positiveness
17% Popularity • 62% Danceability • 64% Energy • 6% Liveness
48% Instrumentalness • 96% Positiveness
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Buddy Knox
Hula Love
95 bpm • C# Maj • 02:23 • -11.97db
27% Popularity • 67% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 67% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Floyd Tillman
This Cold War with You
95 bpm • D# Maj • 02:51 • -10db
13% Popularity • 51% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 51% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Joanie Sommers
(Theme From) A Summer Place
95 bpm • C Maj • 02:24 • -15.34db
15% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sandy Nelson
Teen Beat
95 bpm • A Maj • 02:26 • -12.65db
25% Popularity • 47% Danceability • 75% Energy • 13% Liveness
88% Instrumentalness • 61% Positiveness
25% Popularity • 47% Danceability • 75% Energy • 13% Liveness
88% Instrumentalness • 61% Positiveness
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Gale Storm
Dark Moon
91 bpm • E Maj • 02:29 • -10.53db
15% Popularity • 48% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 48% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Ace Cannon
Honkey Tonk Song
96 bpm • G min • 02:16 • -11.67db
14% Popularity • 78% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
14% Popularity • 78% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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michael holliday
Palace of Love
91 bpm • A Maj • 02:13 • -12.35db
10% Popularity • 75% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 75% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Cats & The Fiddle
Please Don't Leave Me Now
96 bpm • D min • 03:06 • -10.84db
12% Popularity • 78% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
12% Popularity • 78% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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The Fleetwoods
Graduation's Here
96 bpm • C# Maj • 01:58 • -18.69db
10% Popularity • 53% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 53% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Linda Scott
This Is My Prayer
96 bpm • F# Maj • 03:00 • -13.29db
24% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Golden Gate Quartet
Casey Jones
90 bpm • F Maj • 01:56 • -9.72db
12% Popularity • 75% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 75% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
90 bpm • C Maj • 02:49 • -13.13db
44% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Don Cornell
Hold My Hand
90 bpm • F Maj • 02:35 • -17db
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Guy Mitchell
Music, Music, Music
96 bpm • D Maj • 02:51 • -12.91db
11% Popularity • 82% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 82% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Anne Shelton
Seven Days
90 bpm • D Maj • 02:29 • -8db
14% Popularity • 49% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 49% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Les Paul
Wabash Blues
97 bpm • E Maj • 03:07 • -12.89db
15% Popularity • 66% Danceability • 21% Energy • 14% Liveness
67% Instrumentalness • 33% Positiveness
15% Popularity • 66% Danceability • 21% Energy • 14% Liveness
67% Instrumentalness • 33% Positiveness
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The Brothers Four
Frogg
89 bpm • C# Maj • 02:41 • -13.31db
13% Popularity • 74% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 74% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Johnnie Ray
Whiskey And Gin
90 bpm • G min • 02:42 • -16.82db
10% Popularity • 56% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Raul Malo
Love
97 bpm • F# Maj • 02:06 • -14.86db
15% Popularity • 76% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 94% Positiveness
15% Popularity • 76% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 94% Positiveness
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Lonnie Johnson
Tomorrow night
89 bpm • F Maj • 03:05 • -4.72db
10% Popularity • 66% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 66% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Merle Travis
On A Bicycle Built For Two - Instrumenta...
98 bpm • E Maj • 02:10 • -11.86db
17% Popularity • 73% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 88% Positiveness
17% Popularity • 73% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 88% Positiveness
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Les Paul
Blues Stay Away From Me
97 bpm • F Maj • 02:16 • -13.6db
16% Popularity • 65% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 65% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
39% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
97 bpm • F Maj • 02:37 • -17db
51% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Four Lads
No Not Much
88 bpm • G# Maj • 03:16 • -11db
27% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Gale Storm
I Hear You Knokin'
98 bpm • C# Maj • 02:22 • -8.91db
16% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Reg Owen
Manhattan Spiritual
98 bpm • G# Maj • 02:45 • -14.89db
18% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
18% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
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Les Paul & Mary Ford
Take Me In Your Arms
98 bpm • C Maj • 02:13 • -18.77db
4% Popularity • 60% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
4% Popularity • 60% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Tommy Edwards
Now And Then There's A Fool Such As I
88 bpm • A# Maj • 02:11 • -18.72db
36% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Teresa Brewer
Till I Waltz Again with You
88 bpm • D# Maj • 03:00 • -13db
23% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Ames Brothers
You, You, You
98 bpm • E Maj • 02:55 • -19.04db
16% Popularity • 35% Danceability • 10% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
16% Popularity • 35% Danceability • 10% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
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The Fontane Sisters
Chanson D'amour
99 bpm • G min • 02:14 • -12db
22% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Eddie Cochran
Have I Told You Lately That I Love You
87 bpm • G Maj • 02:36 • -16db
31% Popularity • 47% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 29% Positiveness
31% Popularity • 47% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 29% Positiveness
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Les Paul & Mary Ford
Via Con Dios
99 bpm • E Maj • 02:50 • -14.42db
30% Popularity • 58% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
30% Popularity • 58% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Don Robertson
The Happy Whistler
99 bpm • G# Maj • 02:27 • -11.42db
20% Popularity • 77% Danceability • 86% Energy • 31% Liveness
65% Instrumentalness • 89% Positiveness
20% Popularity • 77% Danceability • 86% Energy • 31% Liveness
65% Instrumentalness • 89% Positiveness
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Teresa Brewer
Till I Waltz Again With You
87 bpm • D Maj • 03:01 • -11db
33% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
37% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
37% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Joni James
How Important Can It Be - Remastered
87 bpm • C# Maj • 02:35 • -9db
22% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Louis Jordan & His Tympany Five
What's The Use Of Getting Sober (When Yo...
87 bpm • C Maj • 02:49 • -15.3db
16% Popularity • 64% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 64% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Les Paul & Mary Ford
I Really Don't Want To Know
88 bpm • E Maj • 02:51 • -15.64db
4% Popularity • 54% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
4% Popularity • 54% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Morris Stoloff
Moonglow / Theme From "Picnic"
100 bpm • F Maj • 02:47 • -15.13db
19% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
19% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Teresa Brewer
(Put Another Nickel In) Music! Music! Mu...
99 bpm • D Maj • 02:40 • -14.39db
32% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Merle Travis
I'll See You In My Dreams
87 bpm • F Maj • 01:57 • -11.62db
18% Popularity • 53% Danceability • 29% Energy • 10% Liveness
49% Instrumentalness • 61% Positiveness
18% Popularity • 53% Danceability • 29% Energy • 10% Liveness
49% Instrumentalness • 61% Positiveness
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Joni James
How Important Can It Be?
87 bpm • C# Maj • 02:33 • -15db
17% Popularity • 42% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 42% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Sandy Nelson
Drums Are My Beat
100 bpm • C Maj • 02:13 • -11.96db
24% Popularity • 77% Danceability • 82% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
24% Popularity • 77% Danceability • 82% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
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Les Paul & Mary Ford
Blue Hawaii
87 bpm • F Maj • 02:29 • -13.14db
10% Popularity • 64% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
10% Popularity • 64% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
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The Kingston Trio
A Worried Man - Remastered
100 bpm • D Maj • 03:27 • -17db
28% Popularity • 62% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 62% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Four Aces
Stranger in Paradise
86 bpm • F Maj • 02:58 • -11db
29% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
29% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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Big Maybelle
Blues Early, Early, Pts. 1 & 2
100 bpm • G# Maj • 04:32 • -9.98db
30% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Barber
Down by the Riverside
101 bpm • C Maj • 01:49 • -12db
24% Popularity • 74% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 74% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Chris Barber's Jazz Band
I Can't Give You Anything but Love
101 bpm • C Maj • 03:53 • -4.86db
14% Popularity • 59% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
14% Popularity • 59% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Les Paul & Mary Ford
Tennessee Waltz
86 bpm • D# Maj • 03:08 • -12.82db
7% Popularity • 53% Danceability • 16% Energy • 30% Liveness
1% Instrumentalness • 34% Positiveness
7% Popularity • 53% Danceability • 16% Energy • 30% Liveness
1% Instrumentalness • 34% Positiveness
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Joni James
Your Cheatin' Heart
86 bpm • G# Maj • 02:51 • -10db
24% Popularity • 32% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 32% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Buddy Clark
Linda
101 bpm • F Maj • 03:18 • -19db
15% Popularity • 55% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
15% Popularity • 55% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Les Paul
Baby, Won't You Please Come Home
85 bpm • F min • 02:03 • -10.31db
16% Popularity • 69% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 69% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Phil Phillips
Sea of Love
86 bpm • G Maj • 02:22 • -10db
47% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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The Three Suns
Twilight Time
85 bpm • G Maj • 02:35 • -6.4db
18% Popularity • 35% Danceability • 39% Energy • 12% Liveness
55% Instrumentalness • 19% Positiveness
18% Popularity • 35% Danceability • 39% Energy • 12% Liveness
55% Instrumentalness • 19% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Earl Grant
Swingin' Gently
101 bpm • G# Maj • 02:41 • -10.52db
16% Popularity • 62% Danceability • 54% Energy • 9% Liveness
83% Instrumentalness • 79% Positiveness
16% Popularity • 62% Danceability • 54% Energy • 9% Liveness
83% Instrumentalness • 79% Positiveness
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Bobby Vinton
P.S I Love You
85 bpm • D# Maj • 02:19 • -19.17db
33% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Chet Atkins and his Guitar Pickers
Telling My Troubles To My Old Guitar - B...
102 bpm • D Maj • 02:45 • -14.4db
14% Popularity • 84% Danceability • 37% Energy • 20% Liveness
18% Instrumentalness • 77% Positiveness
14% Popularity • 84% Danceability • 37% Energy • 20% Liveness
18% Instrumentalness • 77% Positiveness
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Ethel Waters
Stormy Weather
85 bpm • C Maj • 03:12 • -14db
31% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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The Ames Brothers
It Only Hurts for a Little While
85 bpm • A Maj • 02:42 • -11.53db
16% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
16% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
