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The Proeletarian Shuffle
Songs like
The Proeletarian Shuffle
by
Bill Bartels
Based on a tempo of (+/- 10%) and a similar genre
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Six Organs Of Admittance
Wolves' Pup
111 bpm • A Maj • 01:50 • -17.81db
28% Popularity • 44% Danceability • 2% Energy • 14% Liveness
78% Instrumentalness • 17% Positiveness
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Sarah Louise
Home over Yonder Variations Pt. 2
111 bpm • F# Maj • 02:33 • -12.77db
21% Popularity • 28% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Bill Bartels
The Proeletarian Shuffle
111 bpm • E Maj • 04:07 • -14.8db
8% Popularity • 38% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
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Cat with no fur
Ducks from Tomorrow
111 bpm • D Maj • 00:59 • -10.5db
12% Popularity • 55% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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NSS Music
The Nightingale's Descent
111 bpm • G# Maj • 02:55 • -27.88db
19% Popularity • 48% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
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Hayden Pedigo
Ramble for Peter Walker
111 bpm • F# min • 02:10 • -12.27db
13% Popularity • 24% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 35% Positiveness
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Carl Jackson
When We All Get to Heaven
111 bpm • B Maj • 02:03 • -17.1db
3% Popularity • 28% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Mark Fosson
Mister Perkins
112 bpm • A Maj • 02:12 • -11.31db
17% Popularity • 48% Danceability • 33% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
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Dobrotto
Lemonade
110 bpm • D Maj • 02:16 • -19.42db
10% Popularity • 61% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Bill Bartels
High Places
110 bpm • G Maj • 03:41 • -13.39db
0% Popularity • 45% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Pale Weigh
Excellent Dump
110 bpm • G min • 02:03 • -13.23db
17% Popularity • 64% Danceability • 33% Energy • 23% Liveness
94% Instrumentalness • 38% Positiveness
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Bamwaves
Dancing Souls
110 bpm • D Maj • 02:19 • -12.54db
7% Popularity • 70% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Arlo Vega
Cut out of the Sun
112 bpm • C# Maj • 01:57 • -13.66db
13% Popularity • 62% Danceability • 30% Energy • 12% Liveness
48% Instrumentalness • 27% Positiveness
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Marcel Barsotti
Little Heroes
110 bpm • C Maj • 01:33 • -22.75db
22% Popularity • 63% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Tyler Ramsey
Elizabeth Brown
112 bpm • D Maj • 02:27 • -10.68db
8% Popularity • 48% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Riptider Red
Ascending Leaves
112 bpm • C# Maj • 01:26 • -16db
23% Popularity • 66% Danceability • 46% Energy • 9% Liveness
70% Instrumentalness • 95% Positiveness
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Tenos Sound
Costellazioni al Planetario
110 bpm • C Maj • 01:14 • -20.5db
23% Popularity • 43% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
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Dalton Mills
Flyin
112 bpm • D Maj • 04:09 • -10.79db
11% Popularity • 34% Danceability • 34% Energy • 8% Liveness
66% Instrumentalness • 29% Positiveness
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Bryan Rahija
How the Grape Ripens
112 bpm • C Maj • 03:11 • -10.56db
7% Popularity • 53% Danceability • 34% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
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Al Petteway
Shadows On The Marsh
112 bpm • D min • 02:13 • -17.95db
20% Popularity • 62% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
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Alan Gogoll
Autumn Melodies, Chapter Three
110 bpm • C# Maj • 01:37 • -14.21db
15% Popularity • 48% Danceability • 26% Energy • 16% Liveness
21% Instrumentalness • 18% Positiveness
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Peter Lang
Last Day At The Lodge
110 bpm • F Maj • 02:26 • -17.31db
8% Popularity • 32% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 38% Positiveness
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Bill Bartels
Parking Lot Rag
112 bpm • D Maj • 03:05 • -13.55db
0% Popularity • 68% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 74% Positiveness
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Beautiful Death
House of the Witch
109 bpm • D Maj • 04:52 • -12.35db
7% Popularity • 48% Danceability • 35% Energy • 31% Liveness
80% Instrumentalness • 11% Positiveness
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Hayden Pedigo
If I Could Go Back
113 bpm • F# Maj • 02:28 • -13.02db
10% Popularity • 21% Danceability • 34% Energy • 10% Liveness
84% Instrumentalness • 11% Positiveness
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Sam Grassie
Return to Fingal
113 bpm • G Maj • 03:11 • -17.02db
12% Popularity • 36% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Andrea Benfks
Classic Atmosphere
113 bpm • D# Maj • 01:33 • -15.71db
23% Popularity • 75% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 68% Positiveness
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Leo Kottke
Ice Miner
109 bpm • G# Maj • 01:52 • -22.73db
23% Popularity • 44% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
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Michael Gulezian
Ian And Nisa - Instrumental
109 bpm • D Maj • 02:49 • -20.14db
8% Popularity • 46% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 64% Positiveness
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Herman Düne
Two Dark Horses
113 bpm • B min • 01:23 • -9.72db
8% Popularity • 45% Danceability • 38% Energy • 21% Liveness
97% Instrumentalness • 79% Positiveness
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Hayden Pedigo
L'Hannah
109 bpm • E Maj • 02:50 • -10.87db
11% Popularity • 46% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Glenn Jones
In Durance Vile
109 bpm • A Maj • 04:36 • -17.51db
13% Popularity • 40% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 21% Positiveness
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Chuck Johnson
Vastopol
113 bpm • D Maj • 03:16 • -9.75db
7% Popularity • 29% Danceability • 48% Energy • 13% Liveness
65% Instrumentalness • 34% Positiveness
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Campfire Stalker
S.T.A.L.K.E.R. ost guitar 4
113 bpm • C Maj • 00:55 • -13.19db
10% Popularity • 60% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
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Daniel Bachman
Song For The Setting Sun I
109 bpm • B min • 08:16 • -8.55db
9% Popularity • 31% Danceability • 55% Energy • 20% Liveness
90% Instrumentalness • 11% Positiveness
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Andrew Weathers
Fossil Water
113 bpm • C Maj • 06:03 • -12.49db
8% Popularity • 40% Danceability • 22% Energy • 8% Liveness
57% Instrumentalness • 8% Positiveness
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Golden Brown
Finisterre
109 bpm • D Maj • 04:20 • -14.34db
21% Popularity • 43% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Gary O'Slide
Plénitude
114 bpm • E Maj • 03:07 • -29.33db
13% Popularity • 39% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 29% Positiveness
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DJ Drewby
Annie
114 bpm • B Maj • 01:05 • -23.16db
16% Popularity • 69% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
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Robbie Basho
Pavan Hindustan - Instrumental
114 bpm • F# Maj • 06:13 • -10.84db
16% Popularity • 30% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Glenn Jones
Flower Turned Inside-Out
114 bpm • F Maj • 04:20 • -13db
23% Popularity • 43% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Russell James
The Gathering of Curiosities
114 bpm • D min • 03:42 • -14.68db
7% Popularity • 44% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Michael Houser
The Music Box
108 bpm • A min • 03:57 • -13.18db
10% Popularity • 42% Danceability • 42% Energy • 19% Liveness
88% Instrumentalness • 20% Positiveness
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Jessica Comeau
Scarborough Fair
108 bpm • C Maj • 03:45 • -18.26db
8% Popularity • 33% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
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Bill Bartels
Stampede
114 bpm • F Maj • 03:10 • -14.89db
0% Popularity • 38% Danceability • 43% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
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Riptider Red
Silver
108 bpm • D Maj • 01:56 • -4.73db
5% Popularity • 58% Danceability • 75% Energy • 9% Liveness
88% Instrumentalness • 75% Positiveness
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Glenn Jones
Everything Ends
108 bpm • E min • 03:21 • -18.24db
13% Popularity • 46% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Al Petteway
Wintertide
108 bpm • A Maj • 02:41 • -17.09db
7% Popularity • 48% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Headlund
First Hibernation
115 bpm • A# min • 02:33 • -20db
12% Popularity • 44% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Hugo Linns
Cordões
115 bpm • C min • 01:14 • -14.95db
25% Popularity • 66% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 59% Positiveness
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Andrea Benfks
Guitar Music
107 bpm • C# min • 01:38 • -15.84db
24% Popularity • 76% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 73% Positiveness
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Riptider Red
Sundaze
115 bpm • D# Maj • 01:02 • -16.77db
32% Popularity • 70% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 27% Positiveness
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Glenn Jones
Mother's Day
107 bpm • D# min • 05:09 • -16.59db
14% Popularity • 39% Danceability • 16% Energy • 11% Liveness
80% Instrumentalness • 26% Positiveness
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Isato Nakagawa
箕面 6-5-2
115 bpm • D Maj • 02:47 • -20.19db
10% Popularity • 31% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Kevin Olson
Empty Street
115 bpm • F# Maj • 03:20 • -13.33db
10% Popularity • 81% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 39% Positiveness
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Bryan Rahija
Storm Queen
107 bpm • F Maj • 02:38 • -9.09db
8% Popularity • 56% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 37% Positiveness
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Andrea Benfks
Relax
107 bpm • A# min • 01:38 • -15.47db
23% Popularity • 79% Danceability • 42% Energy • 11% Liveness
74% Instrumentalness • 64% Positiveness
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Racial Judgment
Juvenile Platform
115 bpm • A Maj • 02:10 • -9.31db
16% Popularity • 61% Danceability • 41% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
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Glenn Jones
The Was And The Is
115 bpm • D min • 02:08 • -13.56db
12% Popularity • 52% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Riptider Red
We'll Never Meet Again
115 bpm • G# Maj • 01:16 • -11.28db
27% Popularity • 73% Danceability • 69% Energy • 9% Liveness
87% Instrumentalness • 93% Positiveness
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Bill Bartels
Crayfish
107 bpm • G Maj • 03:48 • -16.68db
0% Popularity • 57% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
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Dusty Polanco
Dog Waltz
107 bpm • E Maj • 02:29 • -17.19db
11% Popularity • 62% Danceability • 23% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
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Miramar
Estocolmo
106 bpm • F Maj • 03:33 • -12.63db
7% Popularity • 49% Danceability • 38% Energy • 19% Liveness
79% Instrumentalness • 39% Positiveness
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Kendl Winter
Arthur's Modal Trains
116 bpm • C min • 03:45 • -14.6db
9% Popularity • 46% Danceability • 42% Energy • 18% Liveness
93% Instrumentalness • 98% Positiveness
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Glenn Jones
Away
115 bpm • F# Maj • 04:02 • -17.68db
8% Popularity • 40% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Riptider Red
Audio One
107 bpm • G# Maj • 01:14 • -15.39db
30% Popularity • 76% Danceability • 53% Energy • 10% Liveness
67% Instrumentalness • 87% Positiveness
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Andrew Murray
Next Weak
106 bpm • C Maj • 03:57 • -19.11db
8% Popularity • 50% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Bill Bartels
39 Bond St.
116 bpm • B min • 03:50 • -12.89db
0% Popularity • 65% Danceability • 31% Energy • 10% Liveness
71% Instrumentalness • 33% Positiveness
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Nora Brown
Miner's Dream
106 bpm • F# Maj • 02:01 • -17.44db
33% Popularity • 49% Danceability • 38% Energy • 25% Liveness
95% Instrumentalness • 91% Positiveness
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Scarlet Knight
Soul Of Heroes
106 bpm • A# Maj • 01:12 • -26.24db
7% Popularity • 53% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
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Glenn Jones
Of Its Own Kind
107 bpm • G# Maj • 07:25 • -14db
29% Popularity • 27% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Riptider Red
Red Light
106 bpm • C# Maj • 01:22 • -11.36db
18% Popularity • 73% Danceability • 65% Energy • 7% Liveness
82% Instrumentalness • 36% Positiveness
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Murray Charles Paterson
Starling
116 bpm • C Maj • 01:54 • -16.39db
9% Popularity • 50% Danceability • 5% Energy • 9% Liveness
65% Instrumentalness • 10% Positiveness
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G. Will-K.
Aloha Maui
116 bpm • F Maj • 01:30 • -15.68db
10% Popularity • 49% Danceability • 13% Energy • 28% Liveness
93% Instrumentalness • 53% Positiveness
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Sad Moses
Carry Me West
106 bpm • C Maj • 01:18 • -18.86db
33% Popularity • 60% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Habitual Advocate
Useless Refer
117 bpm • A Maj • 02:46 • -11.48db
16% Popularity • 57% Danceability • 30% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Glenn Jones
Cléo Awake
107 bpm • A Maj • 01:35 • -15.24db
34% Popularity • 52% Danceability • 21% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
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Riptider Red
Between the Lines
116 bpm • A# min • 01:30 • -8.45db
14% Popularity • 50% Danceability • 88% Energy • 18% Liveness
96% Instrumentalness • 31% Positiveness
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Spencer Lewis
Venus, Morning Star
106 bpm • D Maj • 01:54 • -13.82db
11% Popularity • 44% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Andrew Weathers
High Tide on the Land Ocean
117 bpm • C Maj • 04:51 • -8.92db
10% Popularity • 48% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
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Jack Rose
Dark Was The Night, Cold Was The Ground
106 bpm • D# Maj • 02:39 • -12.89db
8% Popularity • 44% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Mike Cooper
The Enchanted Moura
105 bpm • D Maj • 02:44 • -23.16db
8% Popularity • 34% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Glenn Jones
The Great Pacific Northwest
105 bpm • E Maj • 04:56 • -20.62db
23% Popularity • 29% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Bamwaves
One More Friend
105 bpm • C# Maj • 02:12 • -11.47db
7% Popularity • 80% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Bill Bartels
Wallermill Road
105 bpm • A Maj • 02:42 • -12.45db
0% Popularity • 54% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
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Open Road Folk Music
Golden Oak
117 bpm • F Maj • 03:19 • -21.35db
23% Popularity • 77% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Six Organs Of Admittance
They Fixed The Broken Windmill Today
105 bpm • F Maj • 07:18 • -15.6db
25% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Wood and Strings
Cloud Forest
105 bpm • C Maj • 02:12 • -12.83db
15% Popularity • 88% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Glenn Jones
Anchor Chain Blues
105 bpm • E Maj • 05:21 • -16.8db
13% Popularity • 30% Danceability • 21% Energy • 10% Liveness
62% Instrumentalness • 15% Positiveness
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Marcel Barsotti
Marit
105 bpm • G Maj • 01:30 • -12.11db
20% Popularity • 62% Danceability • 26% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
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Robbie Basho
The Polish Rider
118 bpm • G min • 02:25 • -12.75db
9% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Inna
guitar vol2
118 bpm • E min • 01:06 • -16.39db
35% Popularity • 72% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Bert Jansch
Morning Brings Sweet Peace of Mind - Alt...
118 bpm • A Maj • 03:00 • -20.72db
16% Popularity • 41% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 71% Positiveness
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Jack Rose
Tower Of Babel
104 bpm • F# Maj • 07:04 • -13.88db
8% Popularity • 29% Danceability • 27% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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Riptider Red
Introvenus
118 bpm • A min • 01:18 • -19.09db
24% Popularity • 81% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
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Aaron Percy
Whole Sky Blue - Instrumental
104 bpm • G Maj • 02:23 • -18.75db
16% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
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Ivan Vilela
Fada Madrinha
104 bpm • G min • 01:21 • -10.24db
10% Popularity • 41% Danceability • 50% Energy • 31% Liveness
95% Instrumentalness • 33% Positiveness
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Kendl Winter
Island Mantra
104 bpm • F Maj • 02:38 • -16.63db
12% Popularity • 41% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 96% Positiveness
► Preview
Mark McGuire
The Clock Strikes with Soft Rain
104 bpm • G# min • 01:45 • -14.84db
10% Popularity • 51% Danceability • 26% Energy • 35% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Luiza Wenz
acordes luiza wenz 60
104 bpm • D Maj • 01:02 • -28.67db
32% Popularity • 36% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
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The Proeletarian Shuffle