Songs like The Psalmist by Ryan Porter
Based on a tempo of (+/- 10%) and a similar genre
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Ryan Porter
The Black Flame
103 bpm • C# Maj • 07:02 • -10.43db
1% Popularity • 51% Danceability • 57% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
1% Popularity • 51% Danceability • 57% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
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Nérija
Riverfest
103 bpm • G min • 05:37 • -8.52db
18% Popularity • 62% Danceability • 68% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
18% Popularity • 62% Danceability • 68% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
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Chip Wickham
Route One
103 bpm • G Maj • 06:58 • -8.11db
17% Popularity • 44% Danceability • 70% Energy • 8% Liveness
7% Instrumentalness • 67% Positiveness
17% Popularity • 44% Danceability • 70% Energy • 8% Liveness
7% Instrumentalness • 67% Positiveness
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Binker and Moses
Fete by the River
103 bpm • C# min • 05:22 • -23.33db
23% Popularity • 58% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 71% Positiveness
23% Popularity • 58% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 71% Positiveness
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Ralph Thomas
Muscavado
103 bpm • F min • 04:01 • -13.68db
8% Popularity • 50% Danceability • 58% Energy • 13% Liveness
34% Instrumentalness • 80% Positiveness
8% Popularity • 50% Danceability • 58% Energy • 13% Liveness
34% Instrumentalness • 80% Positiveness
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Nubya Garcia
A Shade Of Jade
102 bpm • F min • 06:47 • -8.93db
17% Popularity • 60% Danceability • 61% Energy • 15% Liveness
93% Instrumentalness • 57% Positiveness
17% Popularity • 60% Danceability • 61% Energy • 15% Liveness
93% Instrumentalness • 57% Positiveness
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Ryan Porter
The Psalmist
103 bpm • C Maj • 06:33 • -9.52db
6% Popularity • 49% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
6% Popularity • 49% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Tristan Mélia Trio
No Problem
104 bpm • G# Maj • 07:02 • -12.96db
18% Popularity • 37% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 62% Positiveness
18% Popularity • 37% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 62% Positiveness
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Anson Yank
Jazz Shadow
104 bpm • G min • 03:06 • -4.02db
10% Popularity • 64% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 62% Positiveness
10% Popularity • 64% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 62% Positiveness
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Ray Angry
Drop Confetti Then We Jetti - Raydar Ell...
102 bpm • G# Maj • 02:31 • -13.36db
12% Popularity • 42% Danceability • 49% Energy • 11% Liveness
78% Instrumentalness • 17% Positiveness
12% Popularity • 42% Danceability • 49% Energy • 11% Liveness
78% Instrumentalness • 17% Positiveness
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Chris Dave and The Drumhedz
Dat Feelin'
102 bpm • D Maj • 03:38 • -11db
25% Popularity • 62% Danceability • 82% Energy • 38% Liveness
74% Instrumentalness • 48% Positiveness
25% Popularity • 62% Danceability • 82% Energy • 38% Liveness
74% Instrumentalness • 48% Positiveness
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Kurt Rosenwinkel
Fall
104 bpm • D Maj • 04:01 • -14db
36% Popularity • 78% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
36% Popularity • 78% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
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Ryan Porter
Impressions
103 bpm • A min • 15:45 • -10.12db
2% Popularity • 40% Danceability • 72% Energy • 11% Liveness
58% Instrumentalness • 54% Positiveness
2% Popularity • 40% Danceability • 72% Energy • 11% Liveness
58% Instrumentalness • 54% Positiveness
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Kenny Garrett
Hargrove
104 bpm • C# min • 05:13 • -7.68db
35% Popularity • 70% Danceability • 51% Energy • 17% Liveness
83% Instrumentalness • 50% Positiveness
35% Popularity • 70% Danceability • 51% Energy • 17% Liveness
83% Instrumentalness • 50% Positiveness
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Fred Nardin Trio
Colours
104 bpm • A# min • 04:05 • -9.89db
33% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
33% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
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Kenny Barron
Porto Alegre
104 bpm • D min • 05:20 • -17.02db
18% Popularity • 52% Danceability • 39% Energy • 11% Liveness
76% Instrumentalness • 52% Positiveness
18% Popularity • 52% Danceability • 39% Energy • 11% Liveness
76% Instrumentalness • 52% Positiveness
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Johnathan Blake
Rivers & Parks
102 bpm • E min • 07:59 • -9.58db
16% Popularity • 50% Danceability • 53% Energy • 12% Liveness
70% Instrumentalness • 37% Positiveness
16% Popularity • 50% Danceability • 53% Energy • 12% Liveness
70% Instrumentalness • 37% Positiveness
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Nicholas Payton
Six
101 bpm • A# min • 04:59 • -8.74db
12% Popularity • 63% Danceability • 68% Energy • 5% Liveness
72% Instrumentalness • 90% Positiveness
12% Popularity • 63% Danceability • 68% Energy • 5% Liveness
72% Instrumentalness • 90% Positiveness
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Ryan Porter
The Psalmnist (Live at New Morning, Pari...
104 bpm • G# Maj • 11:56 • -7.76db
0% Popularity • 49% Danceability • 75% Energy • 49% Liveness
79% Instrumentalness • 46% Positiveness
0% Popularity • 49% Danceability • 75% Energy • 49% Liveness
79% Instrumentalness • 46% Positiveness
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Rob Luft
Life Is The Dancer
105 bpm • C# Maj • 07:34 • -13.24db
9% Popularity • 51% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 79% Positiveness
9% Popularity • 51% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 79% Positiveness
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Maurice Brown
Shenanigans
101 bpm • A# min • 07:39 • -5.97db
11% Popularity • 50% Danceability • 93% Energy • 8% Liveness
83% Instrumentalness • 69% Positiveness
11% Popularity • 50% Danceability • 93% Energy • 8% Liveness
83% Instrumentalness • 69% Positiveness
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Gary Bartz
Harlem to Haarlem
101 bpm • A# min • 08:25 • -12.05db
9% Popularity • 65% Danceability • 70% Energy • 6% Liveness
71% Instrumentalness • 86% Positiveness
9% Popularity • 65% Danceability • 70% Energy • 6% Liveness
71% Instrumentalness • 86% Positiveness
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wnbl
Strange Heat
101 bpm • C# Maj • 05:18 • -7.17db
22% Popularity • 47% Danceability • 74% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
22% Popularity • 47% Danceability • 74% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
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Fazer
Woody
101 bpm • G# min • 07:00 • -14db
23% Popularity • 65% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 48% Positiveness
23% Popularity • 65% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 48% Positiveness
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Ryan Porter
Mesosphere (Live at New Morning, Paris)
102 bpm • C# Maj • 10:59 • -14.43db
1% Popularity • 37% Danceability • 41% Energy • 38% Liveness
69% Instrumentalness • 28% Positiveness
1% Popularity • 37% Danceability • 41% Energy • 38% Liveness
69% Instrumentalness • 28% Positiveness
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Chip Wickham
Red Planet
105 bpm • C Maj • 05:44 • -9.62db
17% Popularity • 55% Danceability • 58% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
17% Popularity • 55% Danceability • 58% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
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Roy Hargrove
Proclamation
101 bpm • F# Maj • 06:12 • -9.76db
13% Popularity • 64% Danceability • 58% Energy • 8% Liveness
41% Instrumentalness • 84% Positiveness
13% Popularity • 64% Danceability • 58% Energy • 8% Liveness
41% Instrumentalness • 84% Positiveness
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Joe Armon-Jones
London's Face
101 bpm • G# min • 09:48 • -10.67db
15% Popularity • 41% Danceability • 59% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
15% Popularity • 41% Danceability • 59% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
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Brandon Coleman
Astral Walk
105 bpm • F min • 03:39 • -8.13db
9% Popularity • 48% Danceability • 79% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
9% Popularity • 48% Danceability • 79% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
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seed.
Afronaut
101 bpm • F min • 08:31 • -10.08db
10% Popularity • 50% Danceability • 76% Energy • 6% Liveness
13% Instrumentalness • 67% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 6% Liveness
13% Instrumentalness • 67% Positiveness
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Ryan Porter
Midnight Earl
104 bpm • F# min • 07:03 • -10.88db
1% Popularity • 56% Danceability • 47% Energy • 24% Liveness
85% Instrumentalness • 42% Positiveness
1% Popularity • 56% Danceability • 47% Energy • 24% Liveness
85% Instrumentalness • 42% Positiveness
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LEX STONE
Jazz time
105 bpm • A min • 02:08 • -7.08db
12% Popularity • 50% Danceability • 78% Energy • 51% Liveness
77% Instrumentalness • 72% Positiveness
12% Popularity • 50% Danceability • 78% Energy • 51% Liveness
77% Instrumentalness • 72% Positiveness
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Amanda Whiting
The Feist
105 bpm • D# Maj • 04:04 • -14.91db
10% Popularity • 45% Danceability • 42% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 42% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Joe Armon-Jones
Gnawa Sweet
101 bpm • B Maj • 06:24 • -10.4db
18% Popularity • 51% Danceability • 55% Energy • 14% Liveness
85% Instrumentalness • 37% Positiveness
18% Popularity • 51% Danceability • 55% Energy • 14% Liveness
85% Instrumentalness • 37% Positiveness
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Tenderlonious
Togo
101 bpm • A# min • 07:06 • -13.67db
12% Popularity • 53% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
12% Popularity • 53% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
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Darryl Reeves
Retrograde
106 bpm • G# Maj • 06:18 • -8.02db
11% Popularity • 71% Danceability • 63% Energy • 12% Liveness
83% Instrumentalness • 62% Positiveness
11% Popularity • 71% Danceability • 63% Energy • 12% Liveness
83% Instrumentalness • 62% Positiveness
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Matthew Halsall
The Journey Home - Special Edition
106 bpm • C# Maj • 06:54 • -9.84db
16% Popularity • 39% Danceability • 56% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
16% Popularity • 39% Danceability • 56% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
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Ryan Porter
Ants Go Marching One By One
105 bpm • C# Maj • 02:25 • -6.86db
0% Popularity • 55% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 55% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Mark Kavuma
Papa Joe
100 bpm • G# Maj • 04:12 • -10.75db
7% Popularity • 66% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 68% Positiveness
7% Popularity • 66% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 68% Positiveness
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Sam Fribush
Swingin' at the Haven
100 bpm • A# min • 05:05 • -10.83db
10% Popularity • 57% Danceability • 54% Energy • 19% Liveness
86% Instrumentalness • 66% Positiveness
10% Popularity • 57% Danceability • 54% Energy • 19% Liveness
86% Instrumentalness • 66% Positiveness
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Javier Santiago
Alive
100 bpm • A Maj • 05:29 • -6.44db
13% Popularity • 57% Danceability • 65% Energy • 17% Liveness
93% Instrumentalness • 34% Positiveness
13% Popularity • 57% Danceability • 65% Energy • 17% Liveness
93% Instrumentalness • 34% Positiveness
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Kamasi Washington
The Rhythm Changes
100 bpm • G# Maj • 01:43 • -13.88db
34% Popularity • 65% Danceability • 52% Energy • 12% Liveness
77% Instrumentalness • 90% Positiveness
34% Popularity • 65% Danceability • 52% Energy • 12% Liveness
77% Instrumentalness • 90% Positiveness
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Nate Smith
Spiracles
106 bpm • A# Maj • 05:26 • -10.92db
22% Popularity • 54% Danceability • 49% Energy • 78% Liveness
13% Instrumentalness • 29% Positiveness
22% Popularity • 54% Danceability • 49% Energy • 78% Liveness
13% Instrumentalness • 29% Positiveness
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Ebi Soda
Daughter of Doris
106 bpm • C# min • 03:05 • -8.1db
20% Popularity • 64% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 48% Positiveness
20% Popularity • 64% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 48% Positiveness
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Chris Dave and The Drumhedz
Trippy Tipsy
100 bpm • B min • 02:26 • -14db
26% Popularity • 58% Danceability • 63% Energy • 51% Liveness
89% Instrumentalness • 70% Positiveness
26% Popularity • 58% Danceability • 63% Energy • 51% Liveness
89% Instrumentalness • 70% Positiveness
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Maurice Brown
Serendipity
100 bpm • F# Maj • 03:29 • -6.37db
29% Popularity • 73% Danceability • 70% Energy • 11% Liveness
78% Instrumentalness • 54% Positiveness
29% Popularity • 73% Danceability • 70% Energy • 11% Liveness
78% Instrumentalness • 54% Positiveness
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corto.alto
Mayday
100 bpm • A# min • 04:48 • -10.44db
23% Popularity • 71% Danceability • 58% Energy • 16% Liveness
82% Instrumentalness • 75% Positiveness
23% Popularity • 71% Danceability • 58% Energy • 16% Liveness
82% Instrumentalness • 75% Positiveness
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Amaro Freitas
Ayeye
100 bpm • G min • 06:15 • -12.85db
24% Popularity • 62% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
24% Popularity • 62% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Munyungo Jackson
Desert Crossing
100 bpm • G# Maj • 04:54 • -10.12db
2% Popularity • 69% Danceability • 45% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
2% Popularity • 69% Danceability • 45% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
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The Bad Plus
Avail
100 bpm • C Maj • 03:15 • -8db
21% Popularity • 45% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 56% Positiveness
21% Popularity • 45% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 56% Positiveness
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Nate Smith
Small Moves: Interlude
106 bpm • A# min • 02:30 • -7.18db
44% Popularity • 69% Danceability • 54% Energy • 12% Liveness
62% Instrumentalness • 69% Positiveness
44% Popularity • 69% Danceability • 54% Energy • 12% Liveness
62% Instrumentalness • 69% Positiveness
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Ryan Porter
ABC Song
100 bpm • C min • 02:56 • -7.7db
1% Popularity • 78% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 78% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Ruby Rushton
Eleven Grapes
100 bpm • D min • 04:44 • -7db
19% Popularity • 51% Danceability • 53% Energy • 15% Liveness
49% Instrumentalness • 42% Positiveness
19% Popularity • 51% Danceability • 53% Energy • 15% Liveness
49% Instrumentalness • 42% Positiveness
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Brandee Younger
Linda Lee
100 bpm • A min • 04:43 • -9.67db
10% Popularity • 51% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 71% Positiveness
10% Popularity • 51% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 71% Positiveness
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Steve Coleman and Five Elements
Drop Kick
106 bpm • F# Maj • 04:51 • -10.47db
11% Popularity • 79% Danceability • 52% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
11% Popularity • 79% Danceability • 52% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
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Billy Childs
Leimert Park
106 bpm • F min • 05:57 • -9.28db
9% Popularity • 58% Danceability • 80% Energy • 10% Liveness
87% Instrumentalness • 73% Positiveness
9% Popularity • 58% Danceability • 80% Energy • 10% Liveness
87% Instrumentalness • 73% Positiveness
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Braxton Cook
Fjyd
100 bpm • B Maj • 06:25 • -8.51db
16% Popularity • 58% Danceability • 64% Energy • 20% Liveness
66% Instrumentalness • 51% Positiveness
16% Popularity • 58% Danceability • 64% Energy • 20% Liveness
66% Instrumentalness • 51% Positiveness
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Kamasi Washington
Connections
106 bpm • F Maj • 08:24 • -8.44db
22% Popularity • 41% Danceability • 71% Energy • 15% Liveness
85% Instrumentalness • 40% Positiveness
22% Popularity • 41% Danceability • 71% Energy • 15% Liveness
85% Instrumentalness • 40% Positiveness
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Joe Armon-Jones
(To) Know Where You're Coming From
100 bpm • C min • 06:10 • -8.86db
14% Popularity • 59% Danceability • 66% Energy • 64% Liveness
89% Instrumentalness • 56% Positiveness
14% Popularity • 59% Danceability • 66% Energy • 64% Liveness
89% Instrumentalness • 56% Positiveness
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Greg Foat
Nikinakinu
107 bpm • E min • 05:20 • -12db
21% Popularity • 49% Danceability • 63% Energy • 14% Liveness
89% Instrumentalness • 42% Positiveness
21% Popularity • 49% Danceability • 63% Energy • 14% Liveness
89% Instrumentalness • 42% Positiveness
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Matthew Halsall
Mudita - Special Edition
107 bpm • B min • 05:22 • -12.2db
25% Popularity • 39% Danceability • 48% Energy • 30% Liveness
75% Instrumentalness • 50% Positiveness
25% Popularity • 39% Danceability • 48% Energy • 30% Liveness
75% Instrumentalness • 50% Positiveness
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Alfa Mist
Errors
99 bpm • C min • 10:01 • -11db
33% Popularity • 49% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
33% Popularity • 49% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
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Oliver Nelson
Baja Bossa
107 bpm • D min • 07:22 • -11db
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
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Kamasi Washington
The Secret of Jinsinson
99 bpm • C# min • 08:07 • -8.45db
25% Popularity • 36% Danceability • 83% Energy • 15% Liveness
83% Instrumentalness • 28% Positiveness
25% Popularity • 36% Danceability • 83% Energy • 15% Liveness
83% Instrumentalness • 28% Positiveness
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Kenny Garrett
Happy People
99 bpm • D Maj • 05:12 • -8db
29% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Avishai Cohen
Old Soul
107 bpm • F min • 05:44 • -10.76db
8% Popularity • 43% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 23% Positiveness
8% Popularity • 43% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 23% Positiveness
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Nick Walters
Dear Old Thing
107 bpm • C Maj • 06:28 • -11.58db
8% Popularity • 56% Danceability • 46% Energy • 10% Liveness
74% Instrumentalness • 65% Positiveness
8% Popularity • 56% Danceability • 46% Energy • 10% Liveness
74% Instrumentalness • 65% Positiveness
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Ruby Rushton
Sun Khosi
107 bpm • C# min • 03:56 • -11db
34% Popularity • 52% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
34% Popularity • 52% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
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Yussef Kamaal
Joint 17
99 bpm • F# min • 08:19 • -10.9db
35% Popularity • 58% Danceability • 60% Energy • 6% Liveness
46% Instrumentalness • 52% Positiveness
35% Popularity • 58% Danceability • 60% Energy • 6% Liveness
46% Instrumentalness • 52% Positiveness
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Kamasi Washington
Tiffakonkae
99 bpm • G min • 09:24 • -10.27db
22% Popularity • 32% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 38% Positiveness
22% Popularity • 32% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 38% Positiveness
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Moses Boyd
Axis Blue
99 bpm • C# Maj • 05:10 • -9.17db
16% Popularity • 63% Danceability • 44% Energy • 38% Liveness
86% Instrumentalness • 24% Positiveness
16% Popularity • 63% Danceability • 44% Energy • 38% Liveness
86% Instrumentalness • 24% Positiveness
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The Greg Foat Group
The Dancers Waltz
98 bpm • B min • 01:50 • -9.82db
10% Popularity • 36% Danceability • 70% Energy • 17% Liveness
83% Instrumentalness • 49% Positiveness
10% Popularity • 36% Danceability • 70% Energy • 17% Liveness
83% Instrumentalness • 49% Positiveness
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Tenderlonious
SV Disco
98 bpm • A# min • 04:43 • -12.99db
18% Popularity • 66% Danceability • 54% Energy • 8% Liveness
72% Instrumentalness • 64% Positiveness
18% Popularity • 66% Danceability • 54% Energy • 8% Liveness
72% Instrumentalness • 64% Positiveness
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Christian McBride
Seek The Source
98 bpm • B Maj • 07:21 • -11.79db
8% Popularity • 57% Danceability • 43% Energy • 15% Liveness
87% Instrumentalness • 33% Positiveness
8% Popularity • 57% Danceability • 43% Energy • 15% Liveness
87% Instrumentalness • 33% Positiveness
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Ryan Porter
Strasbourg / St. Denis (Live at New Morn...
108 bpm • G# Maj • 12:33 • -8.3db
11% Popularity • 50% Danceability • 67% Energy • 78% Liveness
70% Instrumentalness • 52% Positiveness
11% Popularity • 50% Danceability • 67% Energy • 78% Liveness
70% Instrumentalness • 52% Positiveness
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Sarah Tandy
Nursery Rhyme
98 bpm • D# min • 06:38 • -12.65db
12% Popularity • 34% Danceability • 50% Energy • 27% Liveness
86% Instrumentalness • 12% Positiveness
12% Popularity • 34% Danceability • 50% Energy • 27% Liveness
86% Instrumentalness • 12% Positiveness
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Young Jazz Giants
Stephen's Song
98 bpm • D Maj • 06:08 • -8.39db
10% Popularity • 55% Danceability • 53% Energy • 11% Liveness
18% Instrumentalness • 52% Positiveness
10% Popularity • 55% Danceability • 53% Energy • 11% Liveness
18% Instrumentalness • 52% Positiveness
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The RH Factor
Pastor "T"
108 bpm • A min • 05:44 • -10.16db
32% Popularity • 73% Danceability • 62% Energy • 24% Liveness
73% Instrumentalness • 70% Positiveness
32% Popularity • 73% Danceability • 62% Energy • 24% Liveness
73% Instrumentalness • 70% Positiveness
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Keyon Harrold
Playing Catch Up - Raydar Ellis Remix / ...
98 bpm • F# Maj • 01:29 • -12db
33% Popularity • 52% Danceability • 69% Energy • 15% Liveness
92% Instrumentalness • 72% Positiveness
33% Popularity • 52% Danceability • 69% Energy • 15% Liveness
92% Instrumentalness • 72% Positiveness
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Web Web
Journey to No End
98 bpm • A# min • 05:33 • -9.58db
13% Popularity • 41% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 88% Positiveness
13% Popularity • 41% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 88% Positiveness
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Logan Richardson
Mind Free
108 bpm • C Maj • 06:35 • -6.01db
8% Popularity • 39% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
8% Popularity • 39% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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Kenny Garrett
Sing a Song of Song
108 bpm • F# min • 07:22 • -10.42db
33% Popularity • 41% Danceability • 61% Energy • 18% Liveness
42% Instrumentalness • 54% Positiveness
33% Popularity • 41% Danceability • 61% Energy • 18% Liveness
42% Instrumentalness • 54% Positiveness
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Moses Boyd
Frontline
108 bpm • G# Maj • 06:15 • -6.55db
13% Popularity • 52% Danceability • 83% Energy • 13% Liveness
85% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 83% Energy • 13% Liveness
85% Instrumentalness • 70% Positiveness
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Nate Smith
Morning and Allison
98 bpm • C min • 05:06 • -10.48db
30% Popularity • 68% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
30% Popularity • 68% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
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Otis Sandsjö
Tremendoce
98 bpm • C# min • 04:14 • -11.26db
29% Popularity • 65% Danceability • 59% Energy • 18% Liveness
78% Instrumentalness • 24% Positiveness
29% Popularity • 65% Danceability • 59% Energy • 18% Liveness
78% Instrumentalness • 24% Positiveness
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Immanuel Wilkins
Grace And Mercy
98 bpm • G Maj • 06:49 • -11db
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
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Raffy Bushman
For Horace
98 bpm • A# min • 05:38 • -14.1db
28% Popularity • 56% Danceability • 45% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
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Brandee Younger
Soulris
109 bpm • E min • 04:53 • -9.51db
9% Popularity • 42% Danceability • 64% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
9% Popularity • 42% Danceability • 64% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
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Kenny Garrett
When the Days Were Different
109 bpm • G min • 08:08 • -7.74db
23% Popularity • 61% Danceability • 71% Energy • 24% Liveness
66% Instrumentalness • 51% Positiveness
23% Popularity • 61% Danceability • 71% Energy • 24% Liveness
66% Instrumentalness • 51% Positiveness
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Chip Wickham
The Hit
97 bpm • F min • 04:45 • -10.33db
16% Popularity • 42% Danceability • 62% Energy • 27% Liveness
78% Instrumentalness • 60% Positiveness
16% Popularity • 42% Danceability • 62% Energy • 27% Liveness
78% Instrumentalness • 60% Positiveness
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Joe Armon-Jones
You Didn't Care
109 bpm • F min • 05:10 • -5.68db
11% Popularity • 45% Danceability • 79% Energy • 45% Liveness
90% Instrumentalness • 58% Positiveness
11% Popularity • 45% Danceability • 79% Energy • 45% Liveness
90% Instrumentalness • 58% Positiveness
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Kendrick Scott
>>>>>>>>>>Windows
97 bpm • A Maj • 02:55 • -12.72db
14% Popularity • 50% Danceability • 44% Energy • 39% Liveness
70% Instrumentalness • 55% Positiveness
14% Popularity • 50% Danceability • 44% Energy • 39% Liveness
70% Instrumentalness • 55% Positiveness
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Vijay Iyer
Mystic Brew
97 bpm • B Maj • 04:56 • -10.31db
21% Popularity • 54% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
21% Popularity • 54% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
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Ryan Porter
Memory Band
109 bpm • C# Maj • 06:56 • -7.95db
13% Popularity • 48% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
13% Popularity • 48% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
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Le Deal
Jazz Traficantes
109 bpm • A# min • 05:06 • -11.56db
10% Popularity • 40% Danceability • 40% Energy • 14% Liveness
95% Instrumentalness • 53% Positiveness
10% Popularity • 40% Danceability • 40% Energy • 14% Liveness
95% Instrumentalness • 53% Positiveness
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Kenny Garrett
Backyard Groove
109 bpm • A# min • 06:56 • -9.08db
16% Popularity • 49% Danceability • 65% Energy • 6% Liveness
68% Instrumentalness • 64% Positiveness
16% Popularity • 49% Danceability • 65% Energy • 6% Liveness
68% Instrumentalness • 64% Positiveness
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Vels Trio
Tenderness
97 bpm • F# min • 05:01 • -14.02db
20% Popularity • 66% Danceability • 35% Energy • 18% Liveness
92% Instrumentalness • 16% Positiveness
20% Popularity • 66% Danceability • 35% Energy • 18% Liveness
92% Instrumentalness • 16% Positiveness
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Maurice Brown
It's A New Day
97 bpm • F min • 05:18 • -11.65db
9% Popularity • 73% Danceability • 30% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
9% Popularity • 73% Danceability • 30% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
