Songs like The Punisher End Title by Tyler Bates
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Bates
The Punisher End Title
154 bpm • D Maj • 01:11 • -6.91db
37% Popularity • 53% Danceability • 65% Energy • 36% Liveness
46% Instrumentalness • 44% Positiveness
37% Popularity • 53% Danceability • 65% Energy • 36% Liveness
46% Instrumentalness • 44% Positiveness
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The British National T.V. Orchestra
Banshee
154 bpm • D Maj • 02:17 • -6db
15% Popularity • 45% Danceability • 83% Energy • 12% Liveness
95% Instrumentalness • 33% Positiveness
15% Popularity • 45% Danceability • 83% Energy • 12% Liveness
95% Instrumentalness • 33% Positiveness
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Stephen Baysted
Pressure - 2017
155 bpm • D Maj • 03:22 • -13.3db
11% Popularity • 29% Danceability • 31% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 31% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Hellboy
155 bpm • G min • 01:27 • -8.35db
8% Popularity • 20% Danceability • 64% Energy • 17% Liveness
85% Instrumentalness • 15% Positiveness
8% Popularity • 20% Danceability • 64% Energy • 17% Liveness
85% Instrumentalness • 15% Positiveness
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James Horner
Lighting the Fuse
155 bpm • D Maj • 01:21 • -22db
16% Popularity • 59% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 59% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Dave Porter
Breaking Bad Main Title Theme (Extended)
153 bpm • D min • 01:15 • -11.79db
51% Popularity • 63% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
51% Popularity • 63% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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Hi-Finesse
Event Horizon
156 bpm • G min • 02:46 • -8db
34% Popularity • 15% Danceability • 71% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
34% Popularity • 15% Danceability • 71% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
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Henry Jackman
Captain America
153 bpm • F min • 09:41 • -20.36db
39% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
39% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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David Stephen Goldsmith
Trained To Kill
156 bpm • A min • 03:04 • -11.5db
7% Popularity • 47% Danceability • 30% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
7% Popularity • 47% Danceability • 30% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
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Benjamin Wallfisch
Big Red
155 bpm • A Maj • 05:29 • -12.03db
13% Popularity • 33% Danceability • 58% Energy • 35% Liveness
78% Instrumentalness • 9% Positiveness
13% Popularity • 33% Danceability • 58% Energy • 35% Liveness
78% Instrumentalness • 9% Positiveness
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Nathan Furst
You Always Go Back
157 bpm • G min • 03:42 • -24.12db
18% Popularity • 17% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Dave Porter
Dimple Pinch Neat
153 bpm • D# Maj • 02:29 • -20db
21% Popularity • 34% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 34% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Ludwig Göransson
Casino Brawl
157 bpm • F min • 03:32 • -11.3db
28% Popularity • 26% Danceability • 47% Energy • 9% Liveness
78% Instrumentalness • 18% Positiveness
28% Popularity • 26% Danceability • 47% Energy • 9% Liveness
78% Instrumentalness • 18% Positiveness
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Chris Benstead
Dangerous Job
151 bpm • C# Maj • 02:17 • -22.88db
25% Popularity • 28% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 28% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
48% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
48% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Christopher Young
The West Was Built on Legends
157 bpm • A# Maj • 03:59 • -15.84db
19% Popularity • 13% Danceability • 40% Energy • 6% Liveness
82% Instrumentalness • 6% Positiveness
19% Popularity • 13% Danceability • 40% Energy • 6% Liveness
82% Instrumentalness • 6% Positiveness
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John Ottman
The Transference
150 bpm • A# Maj • 03:50 • -15.95db
23% Popularity • 25% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
23% Popularity • 25% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Brand X Music
Decimate
158 bpm • D Maj • 02:16 • -5.73db
11% Popularity • 48% Danceability • 81% Energy • 11% Liveness
53% Instrumentalness • 29% Positiveness
11% Popularity • 48% Danceability • 81% Energy • 11% Liveness
53% Instrumentalness • 29% Positiveness
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Graeme Revell
Daredevil Theme
150 bpm • D Maj • 04:40 • -18.93db
16% Popularity • 17% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Steven Price
Mitch Rapp
158 bpm • E min • 04:14 • -14.03db
14% Popularity • 44% Danceability • 53% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 44% Danceability • 53% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Le Castle Vania
The Drowning
150 bpm • F min • 02:24 • -4.51db
42% Popularity • 57% Danceability • 86% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
42% Popularity • 57% Danceability • 86% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
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Joseph Trapanese
Assemble the Crew
150 bpm • B Maj • 04:01 • -9.26db
12% Popularity • 64% Danceability • 56% Energy • 56% Liveness
50% Instrumentalness • 71% Positiveness
12% Popularity • 64% Danceability • 56% Energy • 56% Liveness
50% Instrumentalness • 71% Positiveness
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Rupert Gregson-Williams
Wonder Woman's Wrath
158 bpm • A Maj • 04:06 • -12.92db
48% Popularity • 17% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Really Slow Motion
Shredder
160 bpm • F Maj • 01:58 • -11.46db
18% Popularity • 48% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
18% Popularity • 48% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Aleksandar Dimitrijevic
Luminous and Unstoppable (As Featured in...
160 bpm • F Maj • 02:14 • -9db
27% Popularity • 32% Danceability • 72% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 72% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Steven Price
This Is My Home
150 bpm • F Maj • 03:43 • -19db
32% Popularity • 20% Danceability • 25% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 25% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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John Paesano
Stick
160 bpm • G Maj • 02:11 • -15.13db
22% Popularity • 39% Danceability • 56% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
22% Popularity • 39% Danceability • 56% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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John Powell
Escape From Embassy
160 bpm • A min • 03:13 • -12.86db
28% Popularity • 60% Danceability • 50% Energy • 19% Liveness
92% Instrumentalness • 18% Positiveness
28% Popularity • 60% Danceability • 50% Energy • 19% Liveness
92% Instrumentalness • 18% Positiveness
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Rupert Gregson-Williams
Action Reaction
160 bpm • A Maj • 05:54 • -11.65db
30% Popularity • 60% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 20% Positiveness
30% Popularity • 60% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 20% Positiveness
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Nostalghia
Who You Talkin' To Man?
160 bpm • A Maj • 04:41 • -5db
44% Popularity • 48% Danceability • 94% Energy • 24% Liveness
80% Instrumentalness • 57% Positiveness
44% Popularity • 48% Danceability • 94% Energy • 24% Liveness
80% Instrumentalness • 57% Positiveness
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Joseph Loduca
Rebel Army
148 bpm • F min • 03:23 • -13.28db
13% Popularity • 20% Danceability • 66% Energy • 7% Liveness
93% Instrumentalness • 13% Positiveness
13% Popularity • 20% Danceability • 66% Energy • 7% Liveness
93% Instrumentalness • 13% Positiveness
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Steven Price
The Worst of the Worst
149 bpm • D min • 04:11 • -11.18db
19% Popularity • 40% Danceability • 46% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
19% Popularity • 40% Danceability • 46% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Emmanuel David Lipszyc
Black Hole Ceremony
160 bpm • C# Maj • 03:21 • -13db
30% Popularity • 32% Danceability • 43% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
30% Popularity • 32% Danceability • 43% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Alain Johannes
On the Move
160 bpm • A# min • 01:53 • -10.24db
16% Popularity • 57% Danceability • 56% Energy • 25% Liveness
52% Instrumentalness • 14% Positiveness
16% Popularity • 57% Danceability • 56% Energy • 25% Liveness
52% Instrumentalness • 14% Positiveness
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Michael Maas
Ascension Fear
160 bpm • D Maj • 02:46 • -8.81db
12% Popularity • 41% Danceability • 67% Energy • 7% Liveness
52% Instrumentalness • 12% Positiveness
12% Popularity • 41% Danceability • 67% Energy • 7% Liveness
52% Instrumentalness • 12% Positiveness
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Sh4d0wStrider
The Batman Trailer Music (The Batman Sou...
160 bpm • A min • 02:41 • -10.59db
15% Popularity • 38% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
15% Popularity • 38% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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2WEI
Mission Zero
160 bpm • A min • 03:50 • -10.97db
30% Popularity • 32% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 32% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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John Murphy
Breaking into Jotunheim
147 bpm • E Maj • 01:37 • -8.41db
15% Popularity • 35% Danceability • 78% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
15% Popularity • 35% Danceability • 78% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Tyler Bates
Hell Bent
161 bpm • C# Maj • 03:33 • -7.95db
8% Popularity • 33% Danceability • 68% Energy • 14% Liveness
82% Instrumentalness • 15% Positiveness
8% Popularity • 33% Danceability • 68% Energy • 14% Liveness
82% Instrumentalness • 15% Positiveness
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Tenth Dimension
Something to Fight For
147 bpm • D# min • 03:04 • -13db
23% Popularity • 15% Danceability • 30% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 30% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Henry Jackman
Tornado in a Trailer Park
147 bpm • D Maj • 02:30 • -10db
27% Popularity • 25% Danceability • 52% Energy • 11% Liveness
63% Instrumentalness • 20% Positiveness
27% Popularity • 25% Danceability • 52% Energy • 11% Liveness
63% Instrumentalness • 20% Positiveness
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Blake Neely
Not Black and White
146 bpm • A min • 04:46 • -17db
17% Popularity • 28% Danceability • 29% Energy • 5% Liveness
96% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 29% Energy • 5% Liveness
96% Instrumentalness • 7% Positiveness
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Christopher Drake
A Death In the Family
162 bpm • C# Maj • 04:51 • -18.91db
19% Popularity • 16% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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John Murphy
Mayhem on the Beach
148 bpm • A Maj • 02:13 • -7.84db
21% Popularity • 37% Danceability • 86% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
21% Popularity • 37% Danceability • 86% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Hunted
146 bpm • C Maj • 01:58 • -12db
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Nathan Furst
Crazy Little Tart
146 bpm • C min • 05:17 • -20db
19% Popularity • 30% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
19% Popularity • 30% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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John Powell
The New Plan
163 bpm • C# Maj • 05:08 • -12.86db
17% Popularity • 46% Danceability • 49% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
17% Popularity • 46% Danceability • 49% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Trailerhead
Sanctus Immortale
145 bpm • D Maj • 03:34 • -9.12db
23% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Scott Shields
Gas Station
164 bpm • B min • 02:19 • -17.14db
9% Popularity • 43% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 43% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Tyler Bates
Catacombs
145 bpm • C# Maj • 03:49 • -7.95db
27% Popularity • 30% Danceability • 89% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
27% Popularity • 30% Danceability • 89% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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David Arnold
How It Was Done
144 bpm • A Maj • 02:44 • -11.72db
4% Popularity • 51% Danceability • 84% Energy • 23% Liveness
67% Instrumentalness • 50% Positiveness
4% Popularity • 51% Danceability • 84% Energy • 23% Liveness
67% Instrumentalness • 50% Positiveness
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Nathan Furst
Motor City Mayhem
145 bpm • F min • 02:09 • -11db
16% Popularity • 57% Danceability • 77% Energy • 59% Liveness
83% Instrumentalness • 41% Positiveness
16% Popularity • 57% Danceability • 77% Energy • 59% Liveness
83% Instrumentalness • 41% Positiveness
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Jim Bonney
Going Down Slow
164 bpm • G Maj • 04:22 • -6.75db
13% Popularity • 56% Danceability • 69% Energy • 14% Liveness
82% Instrumentalness • 45% Positiveness
13% Popularity • 56% Danceability • 69% Energy • 14% Liveness
82% Instrumentalness • 45% Positiveness
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John Sponsler
World Without End
144 bpm • B min • 03:21 • -12db
31% Popularity • 48% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
31% Popularity • 48% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Tina Guo
Wonder Woman Main Theme
144 bpm • B min • 03:43 • -9.5db
41% Popularity • 42% Danceability • 78% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
41% Popularity • 42% Danceability • 78% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Tyler Bates
Hotel Throw Down
163 bpm • D Maj • 02:55 • -9.39db
21% Popularity • 29% Danceability • 78% Energy • 24% Liveness
81% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 78% Energy • 24% Liveness
81% Instrumentalness • 10% Positiveness
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Mark Petrie
Torsion
144 bpm • A min • 02:57 • -13.93db
36% Popularity • 26% Danceability • 43% Energy • 11% Liveness
66% Instrumentalness • 18% Positiveness
36% Popularity • 26% Danceability • 43% Energy • 11% Liveness
66% Instrumentalness • 18% Positiveness
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Dominic Lewis
A Modern Plague
143 bpm • A# Maj • 01:54 • -14.27db
33% Popularity • 47% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
33% Popularity • 47% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Trevor Morris
The Iron Fist
166 bpm • A# min • 02:44 • -9db
10% Popularity • 24% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Twilight of the Gods
143 bpm • F# Maj • 06:14 • -17.64db
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Joseph Loduca
Tuck & Roll
143 bpm • F min • 02:08 • -15.34db
20% Popularity • 38% Danceability • 32% Energy • 48% Liveness
81% Instrumentalness • 29% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 48% Liveness
81% Instrumentalness • 29% Positiveness
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Tyler Bates
Every Ending Has A Beginning
144 bpm • D Maj • 01:30 • -19db
33% Popularity • 13% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Ghostwriter
In for the Kill
142 bpm • A Maj • 01:11 • -9db
13% Popularity • 14% Danceability • 30% Energy • 8% Liveness
21% Instrumentalness • 13% Positiveness
13% Popularity • 14% Danceability • 30% Energy • 8% Liveness
21% Instrumentalness • 13% Positiveness
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Blake Neely
Train and Hunt
141 bpm • C Maj • 02:38 • -16.24db
20% Popularity • 40% Danceability • 36% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
20% Popularity • 40% Danceability • 36% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
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Joseph Trapanese
Heavy as a Feather
168 bpm • G Maj • 03:30 • -11db
18% Popularity • 59% Danceability • 84% Energy • 54% Liveness
55% Instrumentalness • 60% Positiveness
18% Popularity • 59% Danceability • 84% Energy • 54% Liveness
55% Instrumentalness • 60% Positiveness
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Harry Gregson-Williams
Money Run
167 bpm • D Maj • 01:07 • -9.09db
14% Popularity • 47% Danceability • 74% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
14% Popularity • 47% Danceability • 74% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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Alain Johannes
Take a Break
168 bpm • E min • 04:23 • -12.66db
25% Popularity • 34% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
25% Popularity • 34% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Leo Birenberg & Zach Robinson
Quiver
168 bpm • F# Maj • 01:08 • -13.01db
35% Popularity • 67% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
35% Popularity • 67% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Christopher Lennertz
Shootout
140 bpm • G Maj • 02:01 • -8.15db
13% Popularity • 29% Danceability • 70% Energy • 18% Liveness
82% Instrumentalness • 14% Positiveness
13% Popularity • 29% Danceability • 70% Energy • 18% Liveness
82% Instrumentalness • 14% Positiveness
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Hi-Finesse
Sky Dream
140 bpm • A min • 03:13 • -8.25db
34% Popularity • 44% Danceability • 51% Energy • 5% Liveness
92% Instrumentalness • 10% Positiveness
34% Popularity • 44% Danceability • 51% Energy • 5% Liveness
92% Instrumentalness • 10% Positiveness
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Tyler Bates
Frank's Choice
140 bpm • E min • 03:36 • -7.92db
49% Popularity • 46% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
49% Popularity • 46% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Jared Moreno Luna
Assassin's Creed: Ezio's Family
140 bpm • E min • 03:19 • -7.97db
15% Popularity • 44% Danceability • 84% Energy • 13% Liveness
79% Instrumentalness • 9% Positiveness
15% Popularity • 44% Danceability • 84% Energy • 13% Liveness
79% Instrumentalness • 9% Positiveness
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Jeff Beal
Nothing To Be Afraid Of
140 bpm • G Maj • 02:40 • -19db
13% Popularity • 51% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 9% Positiveness
13% Popularity • 51% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 9% Positiveness
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Harry Gregson-Williams
Concerned Citizen
140 bpm • G# Maj • 02:44 • -16.27db
23% Popularity • 57% Danceability • 30% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
23% Popularity • 57% Danceability • 30% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Daniel Pemberton
The Darklands
140 bpm • D Maj • 02:43 • -10.91db
32% Popularity • 65% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 65% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Hi-Finesse
Radius
140 bpm • A Maj • 02:52 • -9.62db
31% Popularity • 53% Danceability • 71% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
31% Popularity • 53% Danceability • 71% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Nico Vega
Beast - Extended Version
140 bpm • D Maj • 05:00 • -4.4db
41% Popularity • 51% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 51% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Tyler Bates
To Victory
140 bpm • C# Maj • 02:33 • -11.78db
45% Popularity • 44% Danceability • 83% Energy • 26% Liveness
84% Instrumentalness • 28% Positiveness
45% Popularity • 44% Danceability • 83% Energy • 26% Liveness
84% Instrumentalness • 28% Positiveness
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Steven Price
Tiger Battle
140 bpm • G Maj • 06:17 • -11db
31% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
31% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
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John Paesano
Hallway Fight
140 bpm • C Maj • 04:26 • -17db
22% Popularity • 40% Danceability • 34% Energy • 16% Liveness
74% Instrumentalness • 4% Positiveness
22% Popularity • 40% Danceability • 34% Energy • 16% Liveness
74% Instrumentalness • 4% Positiveness
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Daniel Pemberton
The Power of Excalibur
140 bpm • D Maj • 04:03 • -13.67db
36% Popularity • 22% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
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Mark Petrie
Prime Directive
140 bpm • C# Maj • 02:15 • -13.3db
14% Popularity • 49% Danceability • 63% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
14% Popularity • 49% Danceability • 63% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
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Henry Jackman
Get Me The GI Joes
140 bpm • D Maj • 02:34 • -8.72db
15% Popularity • 31% Danceability • 76% Energy • 11% Liveness
67% Instrumentalness • 23% Positiveness
15% Popularity • 31% Danceability • 76% Energy • 11% Liveness
67% Instrumentalness • 23% Positiveness
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Tyler Bates
Keep It Running
140 bpm • F min • 01:40 • -12.86db
17% Popularity • 39% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
17% Popularity • 39% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Nathan Whitehead
We've All Done Things
140 bpm • A Maj • 03:36 • -14db
29% Popularity • 28% Danceability • 22% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
29% Popularity • 28% Danceability • 22% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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2WEI
Gangsta's Paradise
140 bpm • C Maj • 02:46 • -8.38db
56% Popularity • 16% Danceability • 55% Energy • 7% Liveness
76% Instrumentalness • 9% Positiveness
56% Popularity • 16% Danceability • 55% Energy • 7% Liveness
76% Instrumentalness • 9% Positiveness
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Ludwig Göransson
Killmonger
170 bpm • D min • 02:55 • -17.53db
44% Popularity • 25% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
44% Popularity • 25% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Ghostwriter
Sidewinder
140 bpm • A# Maj • 02:50 • -10db
33% Popularity • 35% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
33% Popularity • 35% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Alain Johannes
Wildlands
170 bpm • E Maj • 04:05 • -9.85db
26% Popularity • 21% Danceability • 59% Energy • 20% Liveness
81% Instrumentalness • 29% Positiveness
26% Popularity • 21% Danceability • 59% Energy • 20% Liveness
81% Instrumentalness • 29% Positiveness
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Christophe Beck
Arthropodie
170 bpm • G Maj • 04:16 • -15.72db
26% Popularity • 32% Danceability • 26% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
26% Popularity • 32% Danceability • 26% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Ryan Amon
Fire of Zeus
170 bpm • D Maj • 02:01 • -10.07db
20% Popularity • 50% Danceability • 83% Energy • 5% Liveness
20% Instrumentalness • 31% Positiveness
20% Popularity • 50% Danceability • 83% Energy • 5% Liveness
20% Instrumentalness • 31% Positiveness
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Really Slow Motion
Imminence
170 bpm • E min • 03:13 • -11db
27% Popularity • 28% Danceability • 59% Energy • 20% Liveness
97% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 59% Energy • 20% Liveness
97% Instrumentalness • 9% Positiveness
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Christopher Lennertz
Fake News
170 bpm • A# min • 02:09 • -11.4db
25% Popularity • 50% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
25% Popularity • 50% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Harry Gregson-Williams
The Equalizer
139 bpm • G Maj • 06:39 • -13.33db
38% Popularity • 40% Danceability • 42% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
38% Popularity • 40% Danceability • 42% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Thomas Newman
Full Chemical Gear
139 bpm • G Maj • 02:00 • -11.14db
21% Popularity • 70% Danceability • 57% Energy • 11% Liveness
99% Instrumentalness • 81% Positiveness
21% Popularity • 70% Danceability • 57% Energy • 11% Liveness
99% Instrumentalness • 81% Positiveness
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Daniel Pemberton
The Devil & The Daughter - Bonus Track
171 bpm • G Maj • 04:25 • -12.58db
33% Popularity • 27% Danceability • 42% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
33% Popularity • 27% Danceability • 42% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Ludwig Göransson
Eyes, Lungs, Pancreas
171 bpm • D# min • 02:45 • -15db
26% Popularity • 11% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Loduca
Six Against One
138 bpm • A Maj • 03:12 • -13db
23% Popularity • 35% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
23% Popularity • 35% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
