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The Reproaches
Songs like
The Reproaches
by
John Sanders
Based on a tempo of (+/- 10%) and a similar genre
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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John Sanders
Preces
79 bpm • D Maj • 01:10 • -26.69db
1% Popularity • 22% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
43% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
30% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Original London Cast Of The Wind In The Willows
A Place to Come Back To
78 bpm • C Maj • 03:48 • -10.93db
14% Popularity • 27% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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John Sanders
Festival Te Deum
80 bpm • D# Maj • 07:21 • -18.78db
0% Popularity • 15% Danceability • 10% Energy • 32% Liveness
4% Instrumentalness • 7% Positiveness
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Joe Dixon, The Prince of Egypt Original Cast Ensemble
One Weak Link
78 bpm • A# Maj • 01:31 • -12.48db
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Megan McGinnis
The Secret of Happiness
78 bpm • G Maj • 02:15 • -12.44db
24% Popularity • 32% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Brian D'Arcy James
No More
80 bpm • A# Maj • 04:13 • -12.76db
32% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Susan Blackwell
Die Vampire, Die!
78 bpm • C Maj • 04:58 • -9.33db
20% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
40% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Soundtrack/Cast Album
Finale Ultimo (Don't Feed The Plants)
80 bpm • C Maj • 03:30 • -8.71db
35% Popularity • 33% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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John Sanders
My Beloved Spake
78 bpm • F min • 03:05 • -21db
0% Popularity • 14% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Neil Bartram
Promise Me This
80 bpm • C Maj • 04:53 • -14.86db
25% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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John Sanders
Almibarado
78 bpm • G min • 07:16 • -19.09db
0% Popularity • 69% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Santino Fontana
Talk To Me Dorothy
81 bpm • A# Maj • 03:01 • -12.65db
13% Popularity • 36% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Christian Borle
What More Can I Say?
77 bpm • C Maj • 04:15 • -16.78db
38% Popularity • 34% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
28% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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John Sanders
Requiem: III. Pie Jesu
77 bpm • A Maj • 01:44 • -39db
0% Popularity • 16% Danceability • 1% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Peter Hurford
2 Dialogues for Organ: No. 1, —
81 bpm • G Maj • 01:35 • -26.81db
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 43% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
15% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Danny Burstein
If I Were a Rich Man
77 bpm • C# Maj • 04:39 • -8db
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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James Snyder
Hey, Kid
81 bpm • F Maj • 03:38 • -11.83db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Daisy Eagan
I Heard Someone Crying
76 bpm • A# min • 03:19 • -19.55db
25% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jeremy Jordan
The Schmuel Song
82 bpm • F# min • 07:42 • -8.6db
35% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Hurford
2 Dialogues for Organ: No. 2, —
82 bpm • G Maj • 01:45 • -24.47db
0% Popularity • 26% Danceability • 8% Energy • 40% Liveness
60% Instrumentalness • 31% Positiveness
► Preview
'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Phillipa Soo
No One Is Alone
82 bpm • C# Maj • 03:43 • -13.48db
42% Popularity • 33% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
34% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Pirates Of Penzance
Oh, False One, You Have Deceived
76 bpm • G Maj • 03:40 • -12db
21% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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David St. Louis
You Should Be Loved
82 bpm • F Maj • 05:20 • -9.8db
10% Popularity • 37% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Rebecca Luker
Come to My Garden / Lift Me Up
83 bpm • D# Maj • 02:51 • -19.81db
23% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Original London Cast Of The Wind In The Willows
A Friend is Still a Friend
76 bpm • G Maj • 03:19 • -7.33db
15% Popularity • 39% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Neil Bartram
Footprint
82 bpm • G Maj • 05:59 • -15.67db
21% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Maria Friedman
Loose Ends
83 bpm • G# Maj • 04:25 • -18.89db
16% Popularity • 36% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Kelli O'Hara
Say It Somehow
75 bpm • C Maj • 04:14 • -13.63db
23% Popularity • 26% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Rebecca Luker
How Could I Ever Know
83 bpm • C# Maj • 04:07 • -16.71db
28% Popularity • 15% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
20% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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John Sanders
O Praise God in His Holiness
75 bpm • A Maj • 02:32 • -17.6db
0% Popularity • 20% Danceability • 14% Energy • 15% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Krysten Cummings
Just a Housewife
75 bpm • A Maj • 03:25 • -11.55db
14% Popularity • 36% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Corey Cott
This Is Life
75 bpm • G# Maj • 02:55 • -12.16db
21% Popularity • 34% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Original Broadway Cast Of 'Curtains'
The Woman's Dead
84 bpm • C min • 03:36 • -14.97db
21% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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John Sanders
A Prayer of Cardinal Newman
83 bpm • G Maj • 03:27 • -28.97db
0% Popularity • 18% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
36% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
30% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Parrish
Save the People
84 bpm • G Maj • 03:36 • -8.65db
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Ross Lekites
I'll Go Home with Bonnie Jean
84 bpm • G Maj • 02:19 • -8.76db
12% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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John Sanders
China Bend
84 bpm • C min • 04:04 • -17.01db
0% Popularity • 82% Danceability • 24% Energy • 6% Liveness
89% Instrumentalness • 59% Positiveness
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Basil Harwood
Organ Sonata No. 1 in C-Sharp Minor, Op....
74 bpm • D Maj • 04:23 • -35.02db
0% Popularity • 6% Danceability • 0% Energy • 12% Liveness
83% Instrumentalness • 14% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Ensemble
The Happiest Town In Town
85 bpm • D Maj • 02:53 • -8.89db
24% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Francis Jackson
Toccata, Chorale & Fugue for Organ, Op. ...
84 bpm • B Maj • 04:51 • -17.53db
0% Popularity • 12% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Heidi Blickenstaff
Parents Lie
74 bpm • B Maj • 02:51 • -10db
28% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Damian Perkins
How I Know You
85 bpm • F Maj • 02:35 • -11.81db
31% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
25% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
John Sanders
Requiem: I. Introit
85 bpm • C# Maj • 03:42 • -25.25db
0% Popularity • 11% Danceability • 4% Energy • 5% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
John Hickok
Another Pyramid
73 bpm • F Maj • 03:35 • -7.9db
29% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Soundtrack/Cast Album
Somewhere That's Green
86 bpm • G Maj • 04:10 • -13.63db
41% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Reproaches