Songs like The Road To Rock 'N' Roll - Demo by Joe Strummer
Based on a tempo of (+/- 10%) and a similar genre
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Joe Strummer
The Road To Rock ‘N’ Roll (Demo)
104 bpm • C Maj • 04:25 • -6.44db
9% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Leonard Cohen
Everybody Knows
104 bpm • C# min • 05:34 • -13.83db
55% Popularity • 78% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 78% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Kitty, Daisy & Lewis
Suspicion
104 bpm • C# min • 03:49 • -6.5db
32% Popularity • 68% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 68% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Love
Everybody's Gotta Live
104 bpm • A min • 03:24 • -11.88db
60% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Grinderman
Palaces of Montezuma
104 bpm • E Maj • 03:32 • -7.45db
45% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Sparklehorse
Wish You Were Here
105 bpm • D Maj • 06:58 • -16db
37% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
37% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
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Joe Strummer
Brooding Six
104 bpm • E min • 05:17 • -22.24db
8% Popularity • 72% Danceability • 17% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
8% Popularity • 72% Danceability • 17% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
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Ian Dury
Sex & Drugs & Rock & Roll
105 bpm • A Maj • 03:06 • -11.27db
49% Popularity • 83% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 83% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Charlotte Gainsbourg
Heaven Can Wait
105 bpm • D Maj • 02:40 • -4db
46% Popularity • 77% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 77% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Shivaree
Bossa Nova
103 bpm • G Maj • 03:28 • -9.27db
29% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Harper
Burn One Down
105 bpm • F Maj • 03:31 • -10.67db
58% Popularity • 86% Danceability • 40% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
58% Popularity • 86% Danceability • 40% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
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Bryan Ferry
Casanova
103 bpm • D# Maj • 02:46 • -9db
39% Popularity • 74% Danceability • 59% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
39% Popularity • 74% Danceability • 59% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
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Joe Strummer
The Brooding Side Of Madness
104 bpm • E min • 03:04 • -21.17db
12% Popularity • 72% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 52% Positiveness
12% Popularity • 72% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 52% Positiveness
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The Velvet Underground
Sweet Jane
105 bpm • D Maj • 03:17 • -10.63db
49% Popularity • 63% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 63% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Franco Battiato
Ruby Tuesday
105 bpm • C Maj • 03:36 • -12db
38% Popularity • 55% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 55% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Hot 8 Brass Band
Sexual Healing
103 bpm • G# Maj • 08:53 • -3.42db
44% Popularity • 56% Danceability • 60% Energy • 7% Liveness
7% Instrumentalness • 37% Positiveness
44% Popularity • 56% Danceability • 60% Energy • 7% Liveness
7% Instrumentalness • 37% Positiveness
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Holly Golightly
Wherever You Were
105 bpm • E Maj • 02:39 • -5db
28% Popularity • 61% Danceability • 84% Energy • 34% Liveness
6% Instrumentalness • 84% Positiveness
28% Popularity • 61% Danceability • 84% Energy • 34% Liveness
6% Instrumentalness • 84% Positiveness
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Richard Thompson
Oops! I Did It Again
103 bpm • A min • 03:36 • -6.73db
26% Popularity • 68% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 68% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Strummer
Cool 'N' Out
103 bpm • E min • 04:17 • -4.57db
23% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Pogues
A Rainy Night in Soho
106 bpm • C Maj • 04:43 • -12db
52% Popularity • 38% Danceability • 45% Energy • 17% Liveness
24% Instrumentalness • 49% Positiveness
52% Popularity • 38% Danceability • 45% Energy • 17% Liveness
24% Instrumentalness • 49% Positiveness
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Townes Van Zandt
Waitin' Around to Die
102 bpm • A min • 02:25 • -11.99db
37% Popularity • 60% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 60% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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DEVO
(I Can't Get No) Satisfaction
102 bpm • A min • 02:40 • -12db
46% Popularity • 88% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
46% Popularity • 88% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Luna
Sweet Child o' Mine
102 bpm • G Maj • 04:25 • -9.46db
21% Popularity • 60% Danceability • 56% Energy • 14% Liveness
10% Instrumentalness • 8% Positiveness
21% Popularity • 60% Danceability • 56% Energy • 14% Liveness
10% Instrumentalness • 8% Positiveness
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Ben Harper
Glory And Consequence
102 bpm • C Maj • 05:40 • -8.9db
32% Popularity • 60% Danceability • 85% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
32% Popularity • 60% Danceability • 85% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
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Joe Strummer
Mondo Bongo
106 bpm • B min • 06:12 • -11.06db
56% Popularity • 82% Danceability • 49% Energy • 27% Liveness
4% Instrumentalness • 87% Positiveness
56% Popularity • 82% Danceability • 49% Energy • 27% Liveness
4% Instrumentalness • 87% Positiveness
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J.J. Cale
Tijuana
106 bpm • F Maj • 03:53 • -18.77db
38% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Hanni El Khatib
Heartbreak Hotel
107 bpm • A# Maj • 03:11 • -9.57db
29% Popularity • 72% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
29% Popularity • 72% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
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Camille Yarbrough
Take Yo' Praise
101 bpm • C# Maj • 04:13 • -14.49db
60% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
60% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Beck
Jack-Ass
107 bpm • D Maj • 04:01 • -7.05db
34% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Roxy Music
Mother Of Pearl
101 bpm • A Maj • 06:52 • -8db
42% Popularity • 45% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 45% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Finley Quaye
Sunday Shining
101 bpm • D Maj • 03:42 • -5.5db
48% Popularity • 60% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 60% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Tito & Tarantula
After Dark - 2015 Remaster
101 bpm • A Maj • 03:44 • -7.71db
56% Popularity • 62% Danceability • 51% Energy • 34% Liveness
2% Instrumentalness • 21% Positiveness
56% Popularity • 62% Danceability • 51% Energy • 34% Liveness
2% Instrumentalness • 21% Positiveness
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Mick Jagger
Strange Game
107 bpm • C min • 03:33 • -3.77db
43% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dandy Livingstone
Rudy, a Message to You
107 bpm • A min • 02:42 • -11.14db
61% Popularity • 93% Danceability • 38% Energy • 9% Liveness
5% Instrumentalness • 91% Positiveness
61% Popularity • 93% Danceability • 38% Energy • 9% Liveness
5% Instrumentalness • 91% Positiveness
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The Lemonheads
Mrs. Robinson - Remastered
107 bpm • E min • 03:44 • -7db
62% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Cat Power
The Greatest
107 bpm • C Maj • 03:22 • -9.68db
60% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Bill Callahan
America!
107 bpm • D min • 05:33 • -11.39db
31% Popularity • 59% Danceability • 47% Energy • 7% Liveness
12% Instrumentalness • 68% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 7% Liveness
12% Instrumentalness • 68% Positiveness
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Dawn Landes
Bodyguard
108 bpm • G min • 03:54 • -9.36db
14% Popularity • 70% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
14% Popularity • 70% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Emilíana Torrini
Me and Armini
100 bpm • F Maj • 04:17 • -10db
37% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Rodríguez
Like Janis
108 bpm • D# Maj • 02:36 • -3.85db
54% Popularity • 54% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 54% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Cat Power
(I Can't Get No) Satisfaction
100 bpm • A min • 03:05 • -16.74db
46% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Morphine
Let's Take a Trip Together
108 bpm • G min • 03:00 • -12.07db
37% Popularity • 76% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 76% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Leonard Cohen
Nevermind
108 bpm • B min • 04:39 • -13.97db
49% Popularity • 84% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 84% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Kevin Morby
Beautiful Strangers
100 bpm • E Maj • 06:15 • -11.13db
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
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Townes Van Zandt
Black Widow Blues
108 bpm • F# Maj • 02:25 • -6.32db
37% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ben Harper And The Innocent Criminals
Fight Outta You
108 bpm • A Maj • 04:10 • -9.51db
35% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Cat Power
Hate
100 bpm • A min • 03:38 • -14.8db
39% Popularity • 68% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 68% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Bobbie Gentry
Reunion
100 bpm • C Maj • 02:37 • -11db
34% Popularity • 69% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 69% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Leonard Cohen
Tower of Song
100 bpm • E Maj • 05:39 • -21db
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Shane MacGowan & The Popes
Haunted
109 bpm • E Maj • 04:11 • -12.57db
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Waterboys
This Is the Sea - 2004 Remaster
109 bpm • E Maj • 06:29 • -7.28db
46% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Cave & The Bad Seeds
Bring It On
109 bpm • A min • 05:23 • -7db
45% Popularity • 33% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 33% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Terry Callier
You Goin' Miss Your Candyman
99 bpm • A min • 07:19 • -12.8db
45% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
45% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
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Morphine
Cure for Pain
109 bpm • D Maj • 03:14 • -9db
50% Popularity • 58% Danceability • 57% Energy • 26% Liveness
15% Instrumentalness • 53% Positiveness
50% Popularity • 58% Danceability • 57% Energy • 26% Liveness
15% Instrumentalness • 53% Positiveness
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Leonard Cohen
Darkness
100 bpm • F min • 04:29 • -13.97db
43% Popularity • 64% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
43% Popularity • 64% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Joe Strummer
Gamma Ray
99 bpm • F min • 06:54 • -9.12db
20% Popularity • 73% Danceability • 55% Energy • 37% Liveness
61% Instrumentalness • 63% Positiveness
20% Popularity • 73% Danceability • 55% Energy • 37% Liveness
61% Instrumentalness • 63% Positiveness
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Ry Cooder
Chinito Chinito
99 bpm • A# min • 04:52 • -10db
35% Popularity • 78% Danceability • 77% Energy • 8% Liveness
2% Instrumentalness • 91% Positiveness
35% Popularity • 78% Danceability • 77% Energy • 8% Liveness
2% Instrumentalness • 91% Positiveness
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The Bees
A Minha Menina
99 bpm • A min • 02:50 • -8.2db
38% Popularity • 52% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 83% Positiveness
38% Popularity • 52% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 83% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Link Wray
Fire And Brimstone
110 bpm • G# Maj • 04:18 • -11.36db
47% Popularity • 60% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 80% Positiveness
47% Popularity • 60% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 80% Positiveness
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Leonard Cohen
You Want It Darker
109 bpm • E min • 04:44 • -16.99db
62% Popularity • 67% Danceability • 33% Energy • 8% Liveness
20% Instrumentalness • 49% Positiveness
62% Popularity • 67% Danceability • 33% Energy • 8% Liveness
20% Instrumentalness • 49% Positiveness
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The Police
Bring On The Night
110 bpm • D Maj • 04:15 • -11.7db
61% Popularity • 73% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 73% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Modern Lovers
Pablo Picasso
110 bpm • D Maj • 04:21 • -9.17db
41% Popularity • 62% Danceability • 73% Energy • 11% Liveness
13% Instrumentalness • 84% Positiveness
41% Popularity • 62% Danceability • 73% Energy • 11% Liveness
13% Instrumentalness • 84% Positiveness
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Joe Strummer
Rudie Can't Fail (Live)
99 bpm • A Maj • 03:09 • -4.06db
17% Popularity • 60% Danceability • 93% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 60% Danceability • 93% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
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Ondara
American Dream
110 bpm • C# Maj • 04:00 • -9db
40% Popularity • 75% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 75% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Gogol Bordello
Through the Roof 'n' Underground
99 bpm • A min • 05:29 • -12db
40% Popularity • 47% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 47% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Devendra Banhart
I Feel Just Like a Child
110 bpm • G Maj • 04:46 • -8db
35% Popularity • 66% Danceability • 74% Energy • 60% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 66% Danceability • 74% Energy • 60% Liveness
0% Instrumentalness • 54% Positiveness
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Pearl Jam
Man of the Hour
110 bpm • C Maj • 03:43 • -8db
49% Popularity • 53% Danceability • 42% Energy • 12% Liveness
13% Instrumentalness • 7% Positiveness
49% Popularity • 53% Danceability • 42% Energy • 12% Liveness
13% Instrumentalness • 7% Positiveness
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Billy Bragg
California Stars
110 bpm • A Maj • 04:58 • -9db
62% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Strummer
Omotepe
98 bpm • G Maj • 03:48 • -16.9db
13% Popularity • 77% Danceability • 37% Energy • 6% Liveness
72% Instrumentalness • 66% Positiveness
13% Popularity • 77% Danceability • 37% Energy • 6% Liveness
72% Instrumentalness • 66% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Eels
Railroad Man
98 bpm • F Maj • 04:16 • -11.06db
37% Popularity • 56% Danceability • 42% Energy • 7% Liveness
37% Instrumentalness • 51% Positiveness
37% Popularity • 56% Danceability • 42% Energy • 7% Liveness
37% Instrumentalness • 51% Positiveness
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Rodríguez
Sugar Man
98 bpm • F Maj • 03:49 • -6.54db
63% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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Nina Simone
Just Like Tom Thumb's Blues
98 bpm • G Maj • 04:48 • -20.34db
29% Popularity • 62% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 62% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Cowboy Junkies
Blue Moon Revisited (Song For Elvis)
111 bpm • C Maj • 04:28 • -22.4db
45% Popularity • 50% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
45% Popularity • 50% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Cassandra Wilson
Death Letter
98 bpm • G# min • 04:14 • -15.29db
39% Popularity • 77% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 77% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Nick Cave & The Bad Seeds
More News from Nowhere
111 bpm • F Maj • 07:58 • -7.54db
36% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Marianne Faithfull
It's All Over Now Baby Blue
111 bpm • D Maj • 03:49 • -11db
46% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mattiel
Count Your Blessings
97 bpm • D# min • 03:16 • -3.21db
48% Popularity • 38% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 38% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Rodríguez
A Most Disgusting Song
97 bpm • E Maj • 04:49 • -7.64db
39% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Doors
Peace Frog - 2020 Remaster
111 bpm • G Maj • 02:51 • -11.17db
39% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Thunder
I'm Alive
97 bpm • E Maj • 02:56 • -10.62db
51% Popularity • 52% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
51% Popularity • 52% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
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Moby
Run On
97 bpm • B Maj • 03:45 • -9.57db
53% Popularity • 76% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 76% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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The Be Good Tanyas
Waiting Around To Die
97 bpm • F min • 05:14 • -16.02db
57% Popularity • 63% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 47% Positiveness
57% Popularity • 63% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 47% Positiveness
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The Coasters
Down in Mexico
112 bpm • C# Maj • 03:16 • -8.67db
57% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Morphine
Buena
97 bpm • A# min • 03:19 • -12.24db
52% Popularity • 57% Danceability • 49% Energy • 13% Liveness
18% Instrumentalness • 59% Positiveness
52% Popularity • 57% Danceability • 49% Energy • 13% Liveness
18% Instrumentalness • 59% Positiveness
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The Dutchess & The Duke
Reservoir Park
97 bpm • A min • 03:39 • -4.43db
35% Popularity • 66% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 66% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Chip Taylor
F**K All the Perfect People
112 bpm • C Maj • 04:18 • -13db
43% Popularity • 57% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 57% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Love
Everybody's Gotta Live
96 bpm • E min • 04:03 • -7.32db
40% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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PJ Harvey
This Is Love
112 bpm • C Maj • 03:46 • -5.22db
50% Popularity • 59% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 59% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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David Bowie
'Helden' - German Version 1989 Remix; 20...
112 bpm • G Maj • 03:40 • -7.79db
42% Popularity • 44% Danceability • 67% Energy • 12% Liveness
25% Instrumentalness • 48% Positiveness
42% Popularity • 44% Danceability • 67% Energy • 12% Liveness
25% Instrumentalness • 48% Positiveness
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Holly Golightly
Tell Me Now So I Know
112 bpm • D min • 02:02 • -9.06db
36% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Fugs
CIA Man
112 bpm • A Maj • 03:28 • -10.9db
35% Popularity • 70% Danceability • 59% Energy • 76% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 70% Danceability • 59% Energy • 76% Liveness
0% Instrumentalness • 77% Positiveness
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Eels
Love Of The Loveless
96 bpm • F Maj • 03:31 • -7.12db
41% Popularity • 78% Danceability • 48% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
41% Popularity • 78% Danceability • 48% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
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J.J. Cale
After Midnight
96 bpm • D Maj • 02:23 • -19.32db
64% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
64% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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The Doors
Peace Frog / Blue Sunday
113 bpm • C Maj • 05:00 • -11.6db
25% Popularity • 53% Danceability • 52% Energy • 23% Liveness
1% Instrumentalness • 30% Positiveness
25% Popularity • 53% Danceability • 52% Energy • 23% Liveness
1% Instrumentalness • 30% Positiveness
