Songs like The Scorcher by Errol Dunkley
Based on a tempo of (+/- 10%) and a similar genre
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Keith
Leaving on the Train
167 bpm • A min • 03:04 • -15db
23% Popularity • 73% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
23% Popularity • 73% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Errol Dunkley
The Scorcher
167 bpm • F Maj • 02:43 • -12.16db
21% Popularity • 67% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
21% Popularity • 67% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Joe Higgs
You Hurt My Soul
167 bpm • A# Maj • 01:57 • -7.09db
18% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dawn Penn
I'll Let You Go - Let You Go Boy (Mi Nev...
168 bpm • C# Maj • 02:27 • -8.46db
22% Popularity • 79% Danceability • 57% Energy • 5% Liveness
24% Instrumentalness • 85% Positiveness
22% Popularity • 79% Danceability • 57% Energy • 5% Liveness
24% Instrumentalness • 85% Positiveness
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Tommy McCook
Dancing Version
166 bpm • A# Maj • 02:22 • -8db
36% Popularity • 53% Danceability • 62% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
36% Popularity • 53% Danceability • 62% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
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Phyllis Dillon
Don't Touch Me Tomato
166 bpm • F Maj • 02:58 • -8.85db
30% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Lizzy
Love Is a Treasure
168 bpm • A# Maj • 02:38 • -3.76db
34% Popularity • 75% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 75% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Errol Dunkley
Please Stop Your Lying
167 bpm • C Maj • 02:54 • -9.39db
26% Popularity • 71% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 88% Positiveness
26% Popularity • 71% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 88% Positiveness
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The Melodians
It Comes and Goes
168 bpm • C# Maj • 02:38 • -10.93db
26% Popularity • 67% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
26% Popularity • 67% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Dennis Alcapone
Teach the Children
168 bpm • G# Maj • 02:24 • -10.15db
27% Popularity • 77% Danceability • 50% Energy • 13% Liveness
18% Instrumentalness • 93% Positiveness
27% Popularity • 77% Danceability • 50% Energy • 13% Liveness
18% Instrumentalness • 93% Positiveness
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Dandy Livingstone
Suzanne Beware of the Devil
166 bpm • A# Maj • 02:35 • -7.52db
46% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Lone Ranger
Automatic
165 bpm • E Maj • 03:02 • -10.52db
27% Popularity • 76% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 76% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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The Uniques
Let Me Go Girl
164 bpm • C# Maj • 02:22 • -8.08db
19% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Errol Dunkley
For My Sweet
165 bpm • C# Maj • 03:35 • -9.03db
3% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
3% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Sizzla
Champion Sound - Skeptical Remix
170 bpm • D Maj • 05:03 • -2.77db
0% Popularity • 69% Danceability • 93% Energy • 9% Liveness
9% Instrumentalness • 30% Positiveness
0% Popularity • 69% Danceability • 93% Energy • 9% Liveness
9% Instrumentalness • 30% Positiveness
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Joya Landis
Angel of the Morning
173 bpm • G# Maj • 03:06 • -8.43db
39% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Melodians
You Have Caught Me
174 bpm • D# Maj • 03:14 • -11.74db
28% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Chopstick Dubplate
Black Cinderella - Original Mix
174 bpm • A# min • 04:55 • -3.1db
2% Popularity • 65% Danceability • 91% Energy • 26% Liveness
12% Instrumentalness • 94% Positiveness
2% Popularity • 65% Danceability • 91% Energy • 26% Liveness
12% Instrumentalness • 94% Positiveness
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BB Seaton
Forgive Them Lord
159 bpm • C# Maj • 02:21 • -8.6db
10% Popularity • 79% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
10% Popularity • 79% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Errol Dunkley
Darling Are You Ready
169 bpm • C Maj • 03:55 • -9.25db
3% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
3% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Sizzla
Champion Sound - Dub Phizix Remix
174 bpm • D Maj • 04:56 • -1.67db
1% Popularity • 70% Danceability • 91% Energy • 45% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 70% Danceability • 91% Energy • 45% Liveness
0% Instrumentalness • 31% Positiveness
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Keith
Tonight
158 bpm • C Maj • 02:54 • -19.81db
24% Popularity • 67% Danceability • 16% Energy • 7% Liveness
8% Instrumentalness • 39% Positiveness
24% Popularity • 67% Danceability • 16% Energy • 7% Liveness
8% Instrumentalness • 39% Positiveness
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Hortense Ellis
Unexpected Places
176 bpm • G Maj • 04:18 • -10db
16% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Chopstick Dubplate
Black Cinderella - Cinderella Version
174 bpm • F# Maj • 04:52 • -2.99db
0% Popularity • 66% Danceability • 93% Energy • 12% Liveness
85% Instrumentalness • 89% Positiveness
0% Popularity • 66% Danceability • 93% Energy • 12% Liveness
85% Instrumentalness • 89% Positiveness
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Prince Buster
All My Loving
157 bpm • C min • 01:50 • -5.84db
55% Popularity • 77% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 77% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Errol Dunkley
Girl You Cried
172 bpm • A# Maj • 03:00 • -12.7db
12% Popularity • 67% Danceability • 36% Energy • 7% Liveness
24% Instrumentalness • 90% Positiveness
12% Popularity • 67% Danceability • 36% Energy • 7% Liveness
24% Instrumentalness • 90% Positiveness
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Tommy McCook
Special Version
177 bpm • G Maj • 02:46 • -9.26db
35% Popularity • 74% Danceability • 43% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
35% Popularity • 74% Danceability • 43% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
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Phyllis Dillon
Love Is All I Had
157 bpm • G Maj • 02:52 • -9.04db
25% Popularity • 74% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
25% Popularity • 74% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
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Lloyd Charmers
Oh Me Oh My (I’m a Fool for You, Baby)
157 bpm • C Maj • 03:19 • -10.01db
16% Popularity • 60% Danceability • 42% Energy • 13% Liveness
72% Instrumentalness • 74% Positiveness
16% Popularity • 60% Danceability • 42% Energy • 13% Liveness
72% Instrumentalness • 74% Positiveness
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The Ethiopians
I'll Never Get Burnt
178 bpm • F# min • 02:57 • -12.48db
23% Popularity • 73% Danceability • 44% Energy • 8% Liveness
19% Instrumentalness • 84% Positiveness
23% Popularity • 73% Danceability • 44% Energy • 8% Liveness
19% Instrumentalness • 84% Positiveness
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Lloyd Parks
Slaving (Every Day)
156 bpm • A min • 02:59 • -7.02db
20% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Errol Dunkley
Please Stop Your Lying
172 bpm • C# Maj • 02:47 • -9.52db
41% Popularity • 75% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 75% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Al Brown
Here I Am Baby (Come And Take Me)
179 bpm • F min • 03:27 • -5.58db
27% Popularity • 64% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 64% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Conscious Minds
Africa Is Paradise
155 bpm • C Maj • 03:15 • -12.29db
30% Popularity • 63% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 63% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Kingstonians
Sufferer
155 bpm • C Maj • 03:27 • -8.55db
33% Popularity • 76% Danceability • 68% Energy • 10% Liveness
63% Instrumentalness • 93% Positiveness
33% Popularity • 76% Danceability • 68% Energy • 10% Liveness
63% Instrumentalness • 93% Positiveness
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King Stitt
Herbsman Shuffle
180 bpm • C Maj • 02:41 • -15.02db
28% Popularity • 56% Danceability • 31% Energy • 20% Liveness
58% Instrumentalness • 60% Positiveness
28% Popularity • 56% Danceability • 31% Energy • 20% Liveness
58% Instrumentalness • 60% Positiveness
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Sylford Walker
Chant Down Babylon
154 bpm • A min • 03:23 • -6.65db
29% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Errol Dunkley
Love Love Everyday
172 bpm • G# min • 02:32 • -8.49db
15% Popularity • 47% Danceability • 61% Energy • 44% Liveness
4% Instrumentalness • 87% Positiveness
15% Popularity • 47% Danceability • 61% Energy • 44% Liveness
4% Instrumentalness • 87% Positiveness
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Lester Sterling
Bangarang
154 bpm • F min • 03:10 • -7.46db
29% Popularity • 67% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
29% Popularity • 67% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
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Roland Alphonso
1000 Tons of Megaton
154 bpm • F min • 02:14 • -3db
22% Popularity • 54% Danceability • 87% Energy • 18% Liveness
51% Instrumentalness • 96% Positiveness
22% Popularity • 54% Danceability • 87% Energy • 18% Liveness
51% Instrumentalness • 96% Positiveness
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The Gaylettes
Silent River Runs Deep
182 bpm • C# Maj • 02:39 • -5db
22% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Slim Smith
Everybody Needs Love
153 bpm • F min • 02:15 • -5db
32% Popularity • 53% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 53% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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The Jamaicans
Early in the Morning
153 bpm • D Maj • 03:16 • -8db
10% Popularity • 69% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Errol Dunkley
I Am Going Home
177 bpm • G Maj • 02:43 • -14.59db
9% Popularity • 62% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 78% Positiveness
9% Popularity • 62% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 78% Positiveness
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Lester Sterling
Afrikaan Beat
153 bpm • B Maj • 02:56 • -8db
29% Popularity • 77% Danceability • 64% Energy • 18% Liveness
89% Instrumentalness • 84% Positiveness
29% Popularity • 77% Danceability • 64% Energy • 18% Liveness
89% Instrumentalness • 84% Positiveness
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Im and Sound Dimension
Love Jah
152 bpm • E min • 02:36 • -8.92db
23% Popularity • 76% Danceability • 78% Energy • 18% Liveness
84% Instrumentalness • 96% Positiveness
23% Popularity • 76% Danceability • 78% Energy • 18% Liveness
84% Instrumentalness • 96% Positiveness
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Jimmy London
Cathy's Clown
152 bpm • B min • 02:40 • -6db
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Pat Kelly
I Am in the Mood
151 bpm • A min • 02:14 • -10.37db
24% Popularity • 79% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 79% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Jamaicans
Ba Ba Boom
152 bpm • D# Maj • 03:21 • -11.36db
45% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Errol Dunkley
Black Cinderella
151 bpm • B Maj • 03:15 • -11db
31% Popularity • 84% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
31% Popularity • 84% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
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Duke Reid
Ba Ba Boom
151 bpm • D# Maj • 03:01 • -7.77db
17% Popularity • 79% Danceability • 41% Energy • 12% Liveness
36% Instrumentalness • 54% Positiveness
17% Popularity • 79% Danceability • 41% Energy • 12% Liveness
36% Instrumentalness • 54% Positiveness
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Bob Andy
Life
150 bpm • B min • 03:42 • -10.33db
46% Popularity • 80% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 80% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Pablo Moses
A Song - 2010 Remastered Version
151 bpm • F# Maj • 04:26 • -7.38db
43% Popularity • 76% Danceability • 50% Energy • 6% Liveness
7% Instrumentalness • 71% Positiveness
43% Popularity • 76% Danceability • 50% Energy • 6% Liveness
7% Instrumentalness • 71% Positiveness
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Sizzla
Champion Sound - Hypha Remix
150 bpm • A min • 04:22 • -4.41db
0% Popularity • 70% Danceability • 67% Energy • 82% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 70% Danceability • 67% Energy • 82% Liveness
0% Instrumentalness • 61% Positiveness
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Ras Michael and The Sons Of Negus
None A Jah Jah Children No Cry
148 bpm • A min • 04:15 • -9.27db
34% Popularity • 86% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
34% Popularity • 86% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Errol Dunkley
You Are Going to Need Me
179 bpm • G Maj • 02:14 • -9.59db
33% Popularity • 76% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 76% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Osbourne
Rock And Come In
148 bpm • A# Maj • 03:16 • -13.49db
25% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Bunny Wailer
Blackheart Man
148 bpm • D Maj • 06:21 • -15.47db
34% Popularity • 79% Danceability • 39% Energy • 40% Liveness
2% Instrumentalness • 81% Positiveness
34% Popularity • 79% Danceability • 39% Energy • 40% Liveness
2% Instrumentalness • 81% Positiveness
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Josey Wales
It A Fi Burn
146 bpm • G# Maj • 03:17 • -15db
34% Popularity • 78% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 78% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Ernie Smith
Duppy Gun Man
146 bpm • G Maj • 03:20 • -2.55db
15% Popularity • 86% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 86% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Black Uhuru
I Love King Selassie
146 bpm • F min • 04:34 • -4.83db
29% Popularity • 63% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 63% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Errol Dunkley
People Make the World Go Round
179 bpm • B min • 03:33 • -7.24db
2% Popularity • 83% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 83% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Osbourne
Ready Or Not
146 bpm • G Maj • 02:59 • -4.12db
37% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Bunny Wailer
Armagideon (Armagedon)
146 bpm • A min • 06:46 • -14.36db
36% Popularity • 71% Danceability • 43% Energy • 3% Liveness
26% Instrumentalness • 72% Positiveness
36% Popularity • 71% Danceability • 43% Energy • 3% Liveness
26% Instrumentalness • 72% Positiveness
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Joe Higgs
There's A Reward
146 bpm • G Maj • 04:11 • -11.2db
30% Popularity • 81% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
30% Popularity • 81% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Jimmy London
Jimmy Say Hello
145 bpm • C# Maj • 03:01 • -13.42db
30% Popularity • 78% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 78% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Andy
Feeling Soul
145 bpm • C Maj • 02:12 • -18.59db
54% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
54% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
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Errol Dunkley
Age of Aquarius
179 bpm • C Maj • 03:32 • -7.61db
1% Popularity • 76% Danceability • 56% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 76% Danceability • 56% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Leroy Smart
Mirror Mirror
145 bpm • D Maj • 03:34 • -8db
13% Popularity • 78% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 78% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Desmond Dekker
The First Time for a Long Time
145 bpm • E Maj • 02:29 • -14.3db
31% Popularity • 89% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 89% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Junior Murvin
Bad Man Possee
145 bpm • G Maj • 07:05 • -15db
22% Popularity • 78% Danceability • 30% Energy • 35% Liveness
26% Instrumentalness • 37% Positiveness
22% Popularity • 78% Danceability • 30% Energy • 35% Liveness
26% Instrumentalness • 37% Positiveness
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The Viceroys
Come Closer My Love
145 bpm • C min • 03:20 • -10.79db
31% Popularity • 78% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Osbourne
In Your Eyes
145 bpm • D Maj • 03:09 • -12.76db
48% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Errol Dunkley
Silver Rain
155 bpm • E min • 03:59 • -7.96db
1% Popularity • 81% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
1% Popularity • 81% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Chopstick Dubplate
Black Cinderella - Kion & Jacky Murda Re...
145 bpm • D# min • 05:22 • -5.82db
1% Popularity • 77% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
1% Popularity • 77% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Leroy Smart
Balistic Affair
145 bpm • B min • 03:03 • -9.88db
33% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Wailing Souls
Jah Give Us Life
145 bpm • D min • 03:52 • -12.17db
55% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Pioneers
Pusher Man
144 bpm • C Maj • 02:45 • -10.97db
20% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Riley
Sons of Negus
144 bpm • A min • 02:17 • -10.58db
18% Popularity • 83% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 83% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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Errol Dunkley
Drifter
148 bpm • G Maj • 03:03 • -8db
7% Popularity • 81% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 81% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Osbourne
Kiss Somebody
144 bpm • A Maj • 02:37 • -16.43db
33% Popularity • 71% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 71% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Lacksley Castell
Speak Softly
144 bpm • G# Maj • 03:14 • -13.44db
32% Popularity • 83% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 83% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Pat Kelly
Soulful Love
144 bpm • F min • 03:24 • -14.09db
16% Popularity • 88% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
16% Popularity • 88% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Moodie
Bloke On Coke
144 bpm • E min • 03:57 • -9.95db
0% Popularity • 76% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
0% Popularity • 76% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Leroy Smart
Pride & Ambition
144 bpm • B min • 02:39 • -6.84db
26% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Errol Dunkley
You'll Never Know (I'll Be Back)
147 bpm • D Maj • 03:34 • -11.37db
22% Popularity • 78% Danceability • 49% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
22% Popularity • 78% Danceability • 49% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
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The Itals
Don't Wake The Lion
144 bpm • C Maj • 02:28 • -5.95db
30% Popularity • 83% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 83% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Dillinger
Rizla Skank
143 bpm • A min • 05:08 • -8.34db
32% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Bunny Wailer
Dreamland
143 bpm • C# Maj • 02:45 • -16.27db
41% Popularity • 86% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 86% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Fred Locks
Vision Of Redemption
143 bpm • C# min • 03:03 • -9.23db
24% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Carlton Livingston
Fret Dem a Fret
143 bpm • G# Maj • 03:59 • -8.89db
37% Popularity • 91% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 91% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Errol Dunkley
I'll Be Back aka You'll Never Know
144 bpm • G Maj • 03:56 • -3.91db
10% Popularity • 77% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 77% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Burning Spear
Slavery Days
143 bpm • A# Maj • 03:33 • -9.43db
45% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Junior Murvin
Judas And Jesus
143 bpm • D Maj • 03:23 • -8.2db
22% Popularity • 78% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 78% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Lloyd Parks
We'll Get Over It
142 bpm • A min • 02:56 • -10db
21% Popularity • 79% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 79% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Earth & Stone
In Time To Come
142 bpm • A min • 02:21 • -4.72db
23% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Meditations
Tricked
142 bpm • D Maj • 03:11 • -11.35db
29% Popularity • 75% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 75% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
