Songs like The September by Aurora Crichton
Based on a tempo of (+/- 10%) and a similar genre
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Dar Williams
Let the Wind Blow
107 bpm • G# Maj • 03:34 • -7.8db
12% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Judie Tzuke
Sunflowers
107 bpm • C Maj • 04:12 • -8.33db
16% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Aurora Crichton
The September
107 bpm • A Maj • 03:54 • -21.63db
20% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rachel Tucker
Whole of the Moon
106 bpm • E Maj • 04:06 • -6.88db
13% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Rosilind Stevenson
He Loved Me
107 bpm • E Maj • 02:48 • -6.65db
12% Popularity • 54% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 54% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Vonda Shepard
Like a Hemisphere
108 bpm • G# Maj • 04:46 • -13.94db
9% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Petula Clark
Endgame
108 bpm • F# Maj • 03:10 • -13.16db
12% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Blenda Nieto
Olden Times
106 bpm • F min • 03:00 • -11.92db
16% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Katie Noonan
Circle Game (Bonus Track)
106 bpm • B Maj • 05:25 • -17.55db
9% Popularity • 51% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 51% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Ceberano
Courage
106 bpm • D Maj • 04:45 • -15.2db
15% Popularity • 39% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 39% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Rosilind Stevenson
Feelings
106 bpm • C# Maj • 02:12 • -9.96db
12% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mayan Fox
Feed Me
105 bpm • G# Maj • 03:00 • -15.08db
8% Popularity • 53% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 53% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Vincent LaRussa
Before the Storm
109 bpm • C Maj • 04:46 • -10.24db
11% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Sheri Watinski
Melody Rain
109 bpm • G Maj • 02:42 • -8.86db
21% Popularity • 52% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 52% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Daisy K. Meadows
Kind of a Mess
105 bpm • F Maj • 03:18 • -5.92db
14% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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TEGAN AND THE TUMBLEWEEDS
OLD FASHIONED LOVE AFFAIR
105 bpm • D# Maj • 03:24 • -5.48db
12% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Brittany Jean
The Mirror Go Machine II: Lavender Skies
105 bpm • F Maj • 04:42 • -10.64db
24% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ferdinand Shah
Smile On My Face
105 bpm • F Maj • 02:16 • -11.38db
22% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jaanika Ventsel
In the Rain
105 bpm • C min • 03:31 • -19.1db
14% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Dominic Jimmy
You Will Be Mine
110 bpm • E Maj • 03:35 • -11.05db
33% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Reginald Bellamy
Girl
104 bpm • A Maj • 04:19 • -12.29db
26% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Lichael Dayberry
Communication
104 bpm • B min • 04:28 • -14.23db
26% Popularity • 54% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 54% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Emma Bunton
Here Comes the Sun
110 bpm • D Maj • 03:07 • -8.24db
9% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Marc Patch & His Twin Cities Singers
I Want You
110 bpm • E Maj • 02:08 • -11.44db
16% Popularity • 80% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 80% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Desert Laws
Little Lies
110 bpm • A Maj • 03:41 • -7.96db
8% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Caroline Parke
Walk Me Through Your Garden
110 bpm • A Maj • 03:50 • -6.9db
12% Popularity • 64% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 64% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Mama's Kitchen
Dance With Me
110 bpm • C Maj • 03:07 • -7.41db
9% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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The Turn
Up Yonder
110 bpm • D Maj • 04:13 • -8db
11% Popularity • 89% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 89% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Shaney McCoy
Scars
110 bpm • D Maj • 04:24 • -13.74db
12% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Florence Foxwell
My Alberta - 2005 Centennial
110 bpm • A Maj • 02:10 • -5.88db
11% Popularity • 65% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 65% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Rudelie Perez
Right Between
104 bpm • A Maj • 02:44 • -7.89db
21% Popularity • 50% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 50% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
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Kimberly Genauer
Save Me
104 bpm • E min • 02:46 • -9.97db
12% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jeremy Kerzman
Wishful Thinking
104 bpm • G Maj • 02:36 • -8.67db
21% Popularity • 51% Danceability • 70% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 51% Danceability • 70% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Eileen Ahlstrom
Long Time
104 bpm • D# Maj • 02:55 • -7.45db
12% Popularity • 32% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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ShuiT
時とともに
110 bpm • E min • 03:58 • -14.51db
15% Popularity • 52% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 52% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Kristina Train
Deadbeat
110 bpm • A Maj • 02:48 • -7.52db
13% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Hannah Gomez
It's an Honor
111 bpm • G Maj • 03:41 • -7.43db
38% Popularity • 25% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 25% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Nanna Larsen
Waking Up Slowly With You
111 bpm • A# Maj • 03:29 • -7.65db
13% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mary Black
The Moon & St. Christopher - Live
103 bpm • G# Maj • 04:19 • -12.42db
11% Popularity • 38% Danceability • 30% Energy • 98% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 38% Danceability • 30% Energy • 98% Liveness
0% Instrumentalness • 9% Positiveness
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Chelsie Young
All to You
111 bpm • G# Maj • 03:40 • -7.81db
6% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
6% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Mary Uhlig
Speak to Me
111 bpm • D Maj • 04:07 • -9.07db
8% Popularity • 54% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 54% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Elizabeth Glaiser
Three Mates Diary
111 bpm • F Maj • 01:59 • -10.13db
22% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Guillermo Mutierreu
The Sea
103 bpm • F# min • 02:38 • -23.05db
16% Popularity • 44% Danceability • 7% Energy • 10% Liveness
30% Instrumentalness • 13% Positiveness
16% Popularity • 44% Danceability • 7% Energy • 10% Liveness
30% Instrumentalness • 13% Positiveness
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Adolph Sapir
Bye Blue Eyes
111 bpm • G min • 04:01 • -16.15db
20% Popularity • 51% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 51% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Melissa Etheridge
Wild Wild Wild
112 bpm • E min • 03:22 • -10.07db
8% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Reginald Bellamy
Pride
112 bpm • F# Maj • 03:44 • -14.93db
26% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Kim Carnes
Where Is The Boy? (Chris' Song)
112 bpm • C Maj • 04:04 • -6.87db
8% Popularity • 59% Danceability • 67% Energy • 45% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 59% Danceability • 67% Energy • 45% Liveness
0% Instrumentalness • 43% Positiveness
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Star Smiley
For Better or for Worse
112 bpm • E Maj • 02:48 • -7.35db
35% Popularity • 62% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Aurora Crichton
Deep
112 bpm • C# Maj • 04:30 • -14.58db
20% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Aydin Reijenga
Cry If You Want
102 bpm • F# Maj • 03:21 • -12.66db
21% Popularity • 64% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 64% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Mayan Fox
Single Kiss
112 bpm • G Maj • 03:13 • -12.93db
26% Popularity • 72% Danceability • 36% Energy • 19% Liveness
3% Instrumentalness • 16% Positiveness
26% Popularity • 72% Danceability • 36% Energy • 19% Liveness
3% Instrumentalness • 16% Positiveness
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Suzy Bogguss
Can You Still See Me Like That
102 bpm • C# Maj • 04:00 • -9.82db
18% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Florence Foxwell
The Ride
102 bpm • A# Maj • 02:46 • -6.53db
11% Popularity • 42% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 42% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Shindig Society
Anticipation
102 bpm • D Maj • 03:20 • -15.94db
3% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
3% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Aurora Crichton
TaleDream
112 bpm • D Maj • 04:46 • -15.75db
20% Popularity • 70% Danceability • 36% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 70% Danceability • 36% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Eileen Ahlstrom
Brewed Coffee
112 bpm • G# min • 02:15 • -7.04db
13% Popularity • 60% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 60% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Joy Dorothea
The Trapeze Waltz
113 bpm • E Maj • 04:28 • -11.3db
25% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Blanche Craigie
Precious Lives
113 bpm • C Maj • 02:42 • -12.48db
17% Popularity • 31% Danceability • 13% Energy • 13% Liveness
7% Instrumentalness • 24% Positiveness
17% Popularity • 31% Danceability • 13% Energy • 13% Liveness
7% Instrumentalness • 24% Positiveness
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Edie Doreen
Sun
113 bpm • E Maj • 03:49 • -11.92db
25% Popularity • 48% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
25% Popularity • 48% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Barbara Eliezer
The Only Choice
102 bpm • G Maj • 03:11 • -8.21db
21% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Cynthia Inson
Kitchen Table
113 bpm • F# Maj • 02:38 • -4db
8% Popularity • 38% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 38% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Tasha Blackmore
Confessions by Candlelight
101 bpm • C# Maj • 03:22 • -11.77db
14% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jose Pimiento
Tender Heart, Humble Mind
101 bpm • F Maj • 02:37 • -8.23db
12% Popularity • 63% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 63% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Margaret Oliver
The Same Way You Came In
101 bpm • F min • 03:36 • -9.66db
37% Popularity • 70% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 70% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Tonia Ager
Comes With Kisses
114 bpm • D# Maj • 03:02 • -12db
10% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Dominic Jimmy
Seize The Opportunity
114 bpm • D Maj • 05:20 • -9.8db
32% Popularity • 52% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 52% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
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Corina Gootkin
Excuses
114 bpm • A min • 02:21 • -7.71db
13% Popularity • 55% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 55% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Dar Williams
Berkeley
114 bpm • F min • 03:38 • -7.04db
9% Popularity • 43% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 43% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Best Acoustic Voices
Walk Around Downtown
114 bpm • E Maj • 04:03 • -13.51db
9% Popularity • 72% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
9% Popularity • 72% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Janet Sereno
Saved the Best for Last
101 bpm • C# Maj • 03:53 • -14.01db
12% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ramona Sulen
You give me love
114 bpm • G Maj • 03:34 • -10.03db
22% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Jennifer Blickham
I Will Never Be Your Valentine
101 bpm • A# Maj • 02:29 • -9.67db
11% Popularity • 66% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 66% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Eileen Ahlstrom
Better Life
114 bpm • B Maj • 02:19 • -8.98db
14% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Andi Marie
DTs
100 bpm • D Maj • 02:13 • -10.1db
11% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Rosabella Gregory
Can't Help Falling in Love
100 bpm • C Maj • 04:02 • -15.34db
26% Popularity • 36% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 36% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Jenah Ross Shank
Breathe
114 bpm • G Maj • 04:12 • -16.86db
26% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Geneva Awad
The Oasis
100 bpm • A Maj • 02:16 • -12.78db
22% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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J. Tinner
Runnin' Like The Wolf
100 bpm • G Maj • 03:02 • -11.03db
14% Popularity • 59% Danceability • 50% Energy • 6% Liveness
2% Instrumentalness • 37% Positiveness
14% Popularity • 59% Danceability • 50% Energy • 6% Liveness
2% Instrumentalness • 37% Positiveness
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Joan Project
Haunted
100 bpm • C# Maj • 03:32 • -9.71db
32% Popularity • 36% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 36% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Laura Manfreda
Long Heights
114 bpm • C# Maj • 02:39 • -11.84db
22% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Amelia Dumbrique
Million Reasons
115 bpm • G Maj • 02:41 • -9.05db
21% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Diane Zeigler
Listen to the Timber Fall
100 bpm • F Maj • 03:19 • -11.1db
12% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Victoria Sorensen
Just Like You
100 bpm • A Maj • 03:38 • -7.78db
21% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Reginald Bellamy
The Last Days Of Summer
115 bpm • F# min • 04:55 • -12.64db
26% Popularity • 66% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 66% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Rebekah Gilbert
All Things New
100 bpm • F min • 03:57 • -6.87db
11% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Blenda Nieto
Take Me Back
100 bpm • G# min • 02:20 • -7.65db
17% Popularity • 58% Danceability • 82% Energy • 46% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 82% Energy • 46% Liveness
1% Instrumentalness • 76% Positiveness
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Herrick
Some Kind of Lonesome
115 bpm • B Maj • 03:28 • -8.93db
21% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Toni Childs
Amethyst Garden
115 bpm • D Maj • 04:16 • -12.85db
23% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Trevor Horn
Slave to the Rhythm
99 bpm • B Maj • 03:14 • -10.36db
12% Popularity • 21% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 21% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Shania Hamill
Good Guy
116 bpm • A Maj • 04:25 • -10.32db
27% Popularity • 28% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 28% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Talinor
Dark Water
116 bpm • F# min • 03:35 • -7.21db
11% Popularity • 73% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 73% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
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Annie Boxell & the Vicious Circle
Sunset
116 bpm • D Maj • 04:39 • -13.77db
13% Popularity • 64% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 64% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Jenah Ross Shank
Never Been
99 bpm • A min • 02:53 • -11.43db
17% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ashley E. Norton
Every Woman I Know
116 bpm • G Maj • 03:24 • -7.78db
11% Popularity • 68% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 68% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Christopher Cross
Angry Young Men
116 bpm • E min • 05:06 • -19.98db
11% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Mary Mittendorf
Letter Home
99 bpm • G# Maj • 02:52 • -8.58db
21% Popularity • 49% Danceability • 73% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 49% Danceability • 73% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Adams
Heavy Fog
98 bpm • C Maj • 04:17 • -11.31db
17% Popularity • 68% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 68% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Cynthia Inson
Couldnt Sleep Without You
117 bpm • B min • 02:37 • -7db
8% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
