Songs like The St. Louis Blues March - Remastered 2001 by Glenn Miller & The Army Air Force Band
Based on a tempo of (+/- 10%) and a similar genre
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Cliff Edwards
Good Little Bad Little You
117 bpm • C Maj • 02:39 • -11db
27% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Red Nichols & His Five Pennies
Battle Hymn Of The Republic - Remastered...
117 bpm • C Maj • 02:43 • -11db
16% Popularity • 53% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
16% Popularity • 53% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Paul Whiteman
Happy Feet
117 bpm • A# min • 02:55 • -11.22db
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
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Glenn Miller & The Army Air Force Band
Oh, What A Beautiful Mornin' * - Remaste...
117 bpm • D# Maj • 04:21 • -10.27db
5% Popularity • 47% Danceability • 42% Energy • 70% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 47% Danceability • 42% Energy • 70% Liveness
0% Instrumentalness • 47% Positiveness
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Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
27% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
27% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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Cass Daley
A Good Man Is Hard to Find
118 bpm • G min • 02:44 • -10.69db
19% Popularity • 71% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 71% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Henry Hall
It's Just the Time for Dancing
116 bpm • G Maj • 02:31 • -10db
24% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
24% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
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Blue Barron & His Orchestra
Bluebirds in the Moonlight
116 bpm • F min • 02:45 • -11.01db
21% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
21% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
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Glenn Miller & The Army Air Force Band
G.I. Jive - Remastered 2001
118 bpm • G min • 03:04 • -11db
18% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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Annette Hanshaw
Would You Like to Take a Walk
116 bpm • F# Maj • 03:41 • -7.66db
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Jack Hylton
Happy Days Are Here Again
119 bpm • G Maj • 03:10 • -9.64db
13% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
13% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
29% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
29% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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Glenn Miller & The Army Air Force Band
The St. Louis Blues March - Remastered 2...
118 bpm • A min • 04:25 • -9.91db
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
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Les Brown & His Orchestra
I'm Making Believe
119 bpm • C# Maj • 02:02 • -15.45db
23% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Winstone and His Band
I Walked In (With My Eyes Wide Open)
119 bpm • G min • 03:08 • -14.17db
10% Popularity • 56% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
10% Popularity • 56% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
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Ambrose & His Orchestra
Chickery Chick
115 bpm • A# Maj • 03:24 • -10db
9% Popularity • 59% Danceability • 30% Energy • 22% Liveness
1% Instrumentalness • 58% Positiveness
9% Popularity • 59% Danceability • 30% Energy • 22% Liveness
1% Instrumentalness • 58% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Glenn Miller & The Army Air Force Band
Enlisted Men's Mess - Remastered 2001
118 bpm • C min • 02:24 • -10.86db
6% Popularity • 69% Danceability • 65% Energy • 9% Liveness
20% Instrumentalness • 66% Positiveness
6% Popularity • 69% Danceability • 65% Energy • 9% Liveness
20% Instrumentalness • 66% Positiveness
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Kay Kyser
Who Wouldn't Love You
115 bpm • D# Maj • 02:41 • -13.19db
22% Popularity • 86% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
22% Popularity • 86% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
23% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
23% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Rudy Vallee and His Connecticut Yankees
I Can't Remember
120 bpm • A# Maj • 03:17 • -21db
28% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
28% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
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Glenn Miller & The Army Air Force Band
Carribean Clipper * - Remastered 2001
115 bpm • C# Maj • 02:59 • -9.58db
9% Popularity • 57% Danceability • 67% Energy • 81% Liveness
21% Instrumentalness • 73% Positiveness
9% Popularity • 57% Danceability • 67% Energy • 81% Liveness
21% Instrumentalness • 73% Positiveness
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Kay Kyser
Indian Summer
120 bpm • G# Maj • 02:55 • -12db
4% Popularity • 45% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
4% Popularity • 45% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Sidney Bechet
When The Sun Sets Down South
114 bpm • F min • 03:08 • -11db
28% Popularity • 51% Danceability • 30% Energy • 8% Liveness
39% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 30% Energy • 8% Liveness
39% Instrumentalness • 55% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Glenn Miller & The Army Air Force Band
Londonderry Air (Danny Boy)/Shoo-Shoo Ba...
119 bpm • G# Maj • 08:49 • -14.23db
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
25% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
25% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Glenn Miller & The Army Air Force Band
Tuxedo Junction - Remastered 2001
114 bpm • A# Maj • 03:46 • -12.22db
4% Popularity • 62% Danceability • 25% Energy • 33% Liveness
70% Instrumentalness • 48% Positiveness
4% Popularity • 62% Danceability • 25% Energy • 33% Liveness
70% Instrumentalness • 48% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Frankie Newton
There's No Two Ways About It
113 bpm • A# min • 02:57 • -8.09db
6% Popularity • 60% Danceability • 66% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
6% Popularity • 60% Danceability • 66% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Glenn Miller & The Army Air Force Band
There Are Yanks - Remastered 2001
121 bpm • G# Maj • 03:24 • -11.06db
5% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kay Starr
If I Could Be with You (One Hour Tonight...
122 bpm • A min • 02:44 • -11db
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
28% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
On The Sunny Side Of The Street
122 bpm • G min • 03:12 • -13.59db
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Boswell Sisters
When I Take My Sugar to Tea
122 bpm • A# Maj • 03:12 • -13db
16% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
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Big Band Orchestra
On The Alamo
112 bpm • G min • 02:24 • -16db
19% Popularity • 52% Danceability • 17% Energy • 14% Liveness
60% Instrumentalness • 26% Positiveness
19% Popularity • 52% Danceability • 17% Energy • 14% Liveness
60% Instrumentalness • 26% Positiveness
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Glenn Miller & The Army Air Force Band
Everybody Loves My Baby (But My Baby Don...
122 bpm • D Maj • 02:53 • -11.68db
4% Popularity • 70% Danceability • 54% Energy • 5% Liveness
52% Instrumentalness • 60% Positiveness
4% Popularity • 70% Danceability • 54% Energy • 5% Liveness
52% Instrumentalness • 60% Positiveness
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Rudy Vallee and His Connecticut Yankees
You're Driving Me Crazy (1931)
112 bpm • B Maj • 03:30 • -23.44db
15% Popularity • 33% Danceability • 8% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
15% Popularity • 33% Danceability • 8% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
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Carroll Gibbons & The Savoy Hotel Orpheans
Moonlight Becomes You
112 bpm • F Maj • 03:21 • -17db
14% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
14% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
Let's Do It (Let's Fall In Love) [altern...
122 bpm • D min • 02:18 • -11.83db
6% Popularity • 83% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
6% Popularity • 83% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Mildred Bailey
Doin' the Uptown Lowdown
112 bpm • D# min • 02:51 • -11.16db
36% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Desmond
The Last Time I Saw Paris
112 bpm • G# Maj • 02:15 • -9.02db
14% Popularity • 56% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 56% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Jean Goldkette & His Orchestra
In My Merry Oldsmobile
111 bpm • D Maj • 02:32 • -11db
27% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
27% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
19% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
19% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Billy Cotton & His Band
Puttin' On The Ritz
111 bpm • D# Maj • 03:02 • -19.73db
12% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
12% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
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Glenn Miller & The Army Air Force Band
Stormy Weather (Keeps Raining All The Ti...
111 bpm • D# Maj • 04:14 • -12.84db
10% Popularity • 31% Danceability • 25% Energy • 43% Liveness
5% Instrumentalness • 20% Positiveness
10% Popularity • 31% Danceability • 25% Energy • 43% Liveness
5% Instrumentalness • 20% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
37% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
37% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
25% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
25% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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Johnny Mercer & The Pied Pipers
Ac-cent-tchu-ate The Positive
124 bpm • F Maj • 02:46 • -10.6db
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Rudy Vallee and His Connecticut Yankees
Brother Can You Spare a Dime
123 bpm • G min • 03:40 • -19.74db
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Carroll Gibbons
A Lovely Way to Spend an Evening
111 bpm • D min • 03:26 • -9.8db
16% Popularity • 41% Danceability • 26% Energy • 33% Liveness
3% Instrumentalness • 39% Positiveness
16% Popularity • 41% Danceability • 26% Energy • 33% Liveness
3% Instrumentalness • 39% Positiveness
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Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
9% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
9% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
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Charlie Barnet
The Last Jump
124 bpm • A# Maj • 02:43 • -6.89db
19% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
19% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
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Benny Goodman Quartet
Dinah
124 bpm • F min • 02:39 • -14db
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
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Mildred Bailey
Please Be Kind
110 bpm • F# Maj • 02:33 • -7.86db
23% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
23% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
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Freddy Martin & His Orchestra
Managua, Nicaragua
124 bpm • G Maj • 02:53 • -8db
8% Popularity • 66% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Les Brown
Moonglow
124 bpm • E min • 02:28 • -16db
17% Popularity • 59% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
17% Popularity • 59% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
24% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
24% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Les Elgart
Zing! Went The Strings Of My Heart
110 bpm • F Maj • 01:46 • -13.4db
24% Popularity • 64% Danceability • 50% Energy • 14% Liveness
65% Instrumentalness • 89% Positiveness
24% Popularity • 64% Danceability • 50% Energy • 14% Liveness
65% Instrumentalness • 89% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
17% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
23% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Chick Webb
Crying My Heart Out For You
125 bpm • G min • 03:05 • -8.11db
22% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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The Merry Macs
Deep in the Heart of Texas
110 bpm • C# Maj • 03:10 • -14db
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jack Hylton & His Orchestra
Egyptian Ella
125 bpm • G min • 02:51 • -8.62db
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Bob Crosby & His Orchestra
Sugar Foot Stomp
109 bpm • C Maj • 02:23 • -8.41db
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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B. A. Rolfe & His Lucky Strike Orchestra
Makin' Whoopee!
109 bpm • G Maj • 03:17 • -12.4db
15% Popularity • 86% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 81% Positiveness
15% Popularity • 86% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 81% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
20% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
20% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Glenn Miller
Elmer's Tune - 2002 Remastered
109 bpm • A min • 03:06 • -12db
21% Popularity • 53% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 53% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
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Bunny Berigan
Sophisticated Swing
126 bpm • C# Maj • 03:32 • -10.66db
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
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Mildred Bailey
So Help Me - Remastered
109 bpm • D# Maj • 02:46 • -5.13db
16% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness