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The Streets of Dublin
Songs like
The Streets of Dublin
by
Steven Pasquale
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
28% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Jake Gyllenhaal
Finishing the Hat
141 bpm • F# Maj • 03:33 • -10.95db
28% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Steven Pasquale
The Streets of Dublin
141 bpm • E Maj • 03:25 • -9db
26% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Victoria Clark
Great Adventure
141 bpm • A Maj • 03:02 • -8.56db
34% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Anthony Rapp
You Don't Need to Love Me
141 bpm • G# Maj • 02:57 • -14.17db
25% Popularity • 39% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
44% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Nathan Lane
We Can Do It
142 bpm • D# Maj • 03:35 • -12.35db
28% Popularity • 50% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Annaleigh Ashford
Color and Light
140 bpm • G Maj • 08:34 • -13db
22% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
36% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
26% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Rosalie Craig
Company
144 bpm • D Maj • 05:08 • -11.65db
30% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Steven Pasquale
Steal with Style
143 bpm • D Maj • 03:10 • -6.15db
12% Popularity • 44% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Vicki Simon
I Cain't Say No
139 bpm • F Maj • 02:53 • -10db
25% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
39% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Kantor
Miracle of Miracles
138 bpm • C min • 02:19 • -7db
26% Popularity • 45% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Idina Menzel
Always Starting Over
138 bpm • G Maj • 04:42 • -9db
32% Popularity • 32% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
39% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
28% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Mykal Kilgore
Flying Home
144 bpm • B Maj • 05:21 • -6.64db
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
30% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Cast Recording
Role of A Lifetime
144 bpm • D min • 03:33 • -12.13db
31% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Michael X. Martin
When I'm Gone
138 bpm • A Maj • 03:49 • -8.55db
16% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Steven Pasquale
My Funny Valentine
145 bpm • C# Maj • 04:34 • -12.65db
3% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
43% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Ernie Sabella
I Really Like Him
137 bpm • F Maj • 02:03 • -14db
22% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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'Brigadoon' 2017 New York City Center Ensemble
Brigadoon / Vendors' Calls / MacConnachy...
136 bpm • G# Maj • 05:30 • -6.95db
11% Popularity • 41% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Cast Recording
Bare
146 bpm • E Maj • 02:58 • -11.77db
28% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Steven Pasquale
Where Oh Where
136 bpm • G Maj • 02:15 • -6.06db
4% Popularity • 44% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Patrick Wilson
There But For You Go I
136 bpm • C Maj • 03:17 • -8.97db
16% Popularity • 34% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Ensemble
Facade
146 bpm • D min • 03:54 • -7.75db
33% Popularity • 44% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
33% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Platt
How Can I Call This Home?
136 bpm • D Maj • 02:42 • -7.49db
35% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Lauren Ambrose
I Could Have Danced All Night
136 bpm • C Maj • 03:48 • -6.46db
24% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Mary Elizabeth Mastrantonio
Aldonza
146 bpm • A# min • 03:20 • -8.86db
24% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Working: A Musical (Original London Cast)
Something to Point To
136 bpm • A Maj • 03:42 • -13db
12% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
29% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Platt
This Is Not Over Yet
135 bpm • A Maj • 02:52 • -6db
43% Popularity • 54% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
29% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Steven Pasquale
Young At Heart
135 bpm • F Maj • 03:14 • -17.28db
6% Popularity • 48% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Jekyll
This Is the Moment
135 bpm • D# Maj • 03:14 • -8.69db
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
17% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
32% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Sean Palmer as Prince Eric
Her Voice
134 bpm • D Maj • 03:15 • -17.71db
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Scott Frankel
Once a Year
134 bpm • F Maj • 01:29 • -12.58db
0% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
41% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
49% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
31% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
32% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Chess In Concert
Pity the Child #2
133 bpm • D# Maj • 04:55 • -9.82db
23% Popularity • 45% Danceability • 34% Energy • 97% Liveness
0% Instrumentalness • 21% Positiveness
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Damon Daunno
The Surrey With The Fringe On Top
133 bpm • A Maj • 05:18 • -11.9db
25% Popularity • 52% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Sherie Rene Scott
Still Hurting
133 bpm • C Maj • 05:01 • -13.04db
35% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
39% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
36% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Lance Roberts
Marriage Is Riches
132 bpm • B Maj • 02:36 • -7.04db
4% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Andy Karl
Nobody Cares
132 bpm • G Maj • 05:13 • -5.32db
32% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Lindsay Mendez
Prelude: Take Me Back
151 bpm • G Maj • 02:02 • -10db
28% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Laura Osnes
Dyin' Ain't so Bad
131 bpm • C Maj • 03:30 • -14db
36% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Shoshana Bean
Maybe It Starts With Me
131 bpm • G# Maj • 02:50 • -6db
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Sarah Uriarte Berry
A Boy with a Camera
131 bpm • A min • 04:51 • -8.61db
0% Popularity • 43% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
31% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Megan McGinnis
The Color of Your Eyes
131 bpm • F Maj • 03:01 • -10db
27% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
32% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Streets of Dublin