Songs like The Swan by Camille Saint-Saëns
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XII. Fo...
123 bpm • D# Maj • 01:14 • -19db
33% Popularity • 66% Danceability • 28% Energy • 35% Liveness
20% Instrumentalness • 87% Positiveness
33% Popularity • 66% Danceability • 28% Energy • 35% Liveness
20% Instrumentalness • 87% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Kerry Muzzey
The Secret History
124 bpm • D# min • 05:02 • -14.03db
58% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
58% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Franz Gordon
Airy-Fairy Heart
122 bpm • G Maj • 03:29 • -21.17db
48% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
48% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Prelude in C Major, BWV 846
122 bpm • C Maj • 02:28 • -27db
50% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
50% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
124 bpm • E min • 05:37 • -21.19db
51% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
51% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Camille Saint-Saëns
The Swan
123 bpm • G Maj • 02:54 • -18.17db
62% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
62% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Justin Hurwitz
Hurwitz / Arr. Bouchard: La la land: Mia...
121 bpm • B min • 02:41 • -22db
33% Popularity • 22% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
33% Popularity • 22% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Emile Mosseri
Infinite Love
125 bpm • D# Maj • 02:25 • -18db
62% Popularity • 25% Danceability • 22% Energy • 21% Liveness
96% Instrumentalness • 10% Positiveness
62% Popularity • 25% Danceability • 22% Energy • 21% Liveness
96% Instrumentalness • 10% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Johannes Bornlöf
The Rose And The Thorn
121 bpm • F min • 05:49 • -15.81db
48% Popularity • 37% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
48% Popularity • 37% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Javi Lobe
Lost Time
125 bpm • D min • 02:20 • -24.46db
58% Popularity • 48% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
58% Popularity • 48% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
126 bpm • D Maj • 05:16 • -25.26db
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Joep Beving
Etude
126 bpm • A min • 04:35 • -28db
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Prelude In C Minor, BWV 999 : Prelude In...
120 bpm • G min • 01:08 • -27.43db
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
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AntonÃn Dvořák
Humoresque
127 bpm • G Maj • 02:45 • -16db
26% Popularity • 34% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 34% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 34% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Aashi
If Melancholy Were Music
128 bpm • F# min • 02:48 • -34.26db
47% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Stephan Moccio
Sea Change
118 bpm • G# Maj • 02:51 • -34.76db
53% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
53% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
33% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Sherwood Roberts
You in the Rain
118 bpm • D# Maj • 03:38 • -17.45db
44% Popularity • 38% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 38% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Justin Hurwitz
Planetarium
129 bpm • G Maj • 04:17 • -15.44db
61% Popularity • 25% Danceability • 14% Energy • 55% Liveness
73% Instrumentalness • 4% Positiveness
61% Popularity • 25% Danceability • 14% Energy • 55% Liveness
73% Instrumentalness • 4% Positiveness
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Joep Beving
An Amalgamation Waltz 1839
128 bpm • D min • 04:06 • -30.37db
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Jóhann Jóhannsson
Camping
129 bpm • A min • 01:18 • -20db
66% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
66% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Allegro Appassionato Op. 43
127 bpm • E min • 03:54 • -25db
20% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Stephan Moccio
Lumière
117 bpm • G Maj • 04:11 • -32.13db
48% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
48% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Miamariella
Mia & Sebastian's Theme x Je Te Laissera...
117 bpm • D Maj • 01:27 • -16.56db
52% Popularity • 44% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Invadable Harmony
A Fragment of My Soul
130 bpm • C min • 02:06 • -23.58db
56% Popularity • 62% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
56% Popularity • 62% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Justin Hurwitz
Mia & Sebastian’s Theme
117 bpm • A Maj • 01:38 • -15.75db
73% Popularity • 48% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
73% Popularity • 48% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Evgeny Grinko
See You Tomorrow
130 bpm • F# min • 01:31 • -29.73db
67% Popularity • 64% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 40% Positiveness
67% Popularity • 64% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Bacch...
128 bpm • D Maj • 07:18 • -15.64db
2% Popularity • 33% Danceability • 25% Energy • 53% Liveness
90% Instrumentalness • 21% Positiveness
2% Popularity • 33% Danceability • 25% Energy • 53% Liveness
90% Instrumentalness • 21% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Benny Martin
Bundle of Joy
130 bpm • A min • 02:51 • -30.45db
48% Popularity • 57% Danceability • 1% Energy • 9% Liveness
37% Instrumentalness • 14% Positiveness
48% Popularity • 57% Danceability • 1% Energy • 9% Liveness
37% Instrumentalness • 14% Positiveness
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Joshua Kyan Aalampour
The Hidden Library
130 bpm • B min • 01:32 • -29.26db
54% Popularity • 46% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
54% Popularity • 46% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Maurice Jarre
Carpe Diem
116 bpm • A# Maj • 04:48 • -22.29db
42% Popularity • 35% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
42% Popularity • 35% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 5. Le jardin fée...
116 bpm • C Maj • 03:00 • -24db
43% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
43% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Nuvo Orchestra
Merry-Go-Round of Life - Live (Remaster...
116 bpm • G min • 03:33 • -12db
55% Popularity • 26% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 12% Positiveness
55% Popularity • 26% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 12% Positiveness
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Thomas Adès
Colette
131 bpm • C# Maj • 04:09 • -25.18db
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Justin Hurwitz
Armstrong Cabin
116 bpm • G min • 01:15 • -27.18db
67% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
67% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Million Eyes
Lily's Dance
131 bpm • F# Maj • 02:09 • -25.67db
52% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
52% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Arcade Fire
Song on the Beach
132 bpm • F Maj • 03:35 • -31.41db
59% Popularity • 60% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
59% Popularity • 60% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
129 bpm • C Maj • 09:02 • -26db
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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János Starker
The Swan
132 bpm • G Maj • 02:51 • -25.54db
24% Popularity • 16% Danceability • 5% Energy • 7% Liveness
79% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 7% Liveness
79% Instrumentalness • 5% Positiveness
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Max Richter
Vladimir's Blues
115 bpm • A Maj • 01:18 • -22db
66% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
66% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Jean-Michel Blais
amour
132 bpm • F# Maj • 04:37 • -14db
54% Popularity • 18% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
54% Popularity • 18% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Million Eyes
There Will Be Rain
115 bpm • E Maj • 02:02 • -21.96db
61% Popularity • 89% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
61% Popularity • 89% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
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Stephan Moccio
Le Jardin de Monsieur Monet
132 bpm • D Maj • 05:13 • -25.46db
45% Popularity • 36% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Hymne d...
129 bpm • F Maj • 05:57 • -24.98db
2% Popularity • 18% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 18% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
54% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Fabrizio Paterlini
Distractions
114 bpm • E Maj • 01:15 • -38.53db
63% Popularity • 12% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
63% Popularity • 12% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Stacey Bassetti
Photograph
114 bpm • F Maj • 02:45 • -24db
55% Popularity • 23% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
55% Popularity • 23% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Patrick Watson
Ode to Vivian - Rework
133 bpm • C min • 01:36 • -29.37db
69% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
69% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Der Karneval der Tiere, R. 125: IV. Der ...
129 bpm • G Maj • 03:25 • -30.58db
23% Popularity • 17% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Metamorphose String Orchestra
A Time for Us - Love Theme from "Romeo a...
133 bpm • E min • 02:58 • -17db
37% Popularity • 17% Danceability • 19% Energy • 16% Liveness
82% Instrumentalness • 14% Positiveness
37% Popularity • 17% Danceability • 19% Energy • 16% Liveness
82% Instrumentalness • 14% Positiveness
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Javier Navarrete
Liebestraum
113 bpm • D# Maj • 01:00 • -19.14db
50% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
50% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
134 bpm • E Maj • 11:15 • -30.42db
41% Popularity • 16% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Danny Elfman
The Piano Duet
134 bpm • D min • 01:53 • -20.77db
57% Popularity • 48% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
57% Popularity • 48% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R. 125: No....
129 bpm • F Maj • 02:40 • -13.65db
15% Popularity • 23% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Anonimo Anonimo
Romanza (Spanish Romance)
113 bpm • E min • 02:31 • -18.78db
51% Popularity • 30% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
51% Popularity • 30% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Patrick Watson
Ode to Vivian
134 bpm • C min • 01:29 • -22.42db
68% Popularity • 50% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 46% Positiveness
68% Popularity • 50% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 46% Positiveness
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Joep Beving
Zoetrope
134 bpm • D min • 03:53 • -28db
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Ben Crosland
The Hourglass
113 bpm • E Maj • 02:00 • -22.78db
62% Popularity • 44% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
62% Popularity • 44% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Franz Gordon
The Beggar
135 bpm • F min • 03:05 • -20.54db
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 12. Fos...
116 bpm • D# Maj • 01:19 • -16db
37% Popularity • 57% Danceability • 29% Energy • 28% Liveness
12% Instrumentalness • 68% Positiveness
37% Popularity • 57% Danceability • 29% Energy • 28% Liveness
12% Instrumentalness • 68% Positiveness
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Million Eyes
My Love, My Love
112 bpm • C# Maj • 02:05 • -22db
44% Popularity • 21% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
44% Popularity • 21% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Julius Pythoneus
What Falling In Love Feels Like
112 bpm • G# min • 03:03 • -16.75db
59% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
59% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Ólafur Arnalds
Reminiscence
112 bpm • C# min • 04:28 • -17.79db
53% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
53% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Franz Gordon
The Art Teacher
112 bpm • B min • 03:35 • -18.84db
53% Popularity • 47% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
53% Popularity • 47% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
135 bpm • C# Maj • 05:30 • -32db
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Andre Kostelanetz
Carmen: Habanera - Instrumental
136 bpm • D Maj • 01:54 • -15db
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
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aspidistrafly
Landscape With a Fairy
111 bpm • F Maj • 04:25 • -12.93db
54% Popularity • 30% Danceability • 29% Energy • 36% Liveness
82% Instrumentalness • 20% Positiveness
54% Popularity • 30% Danceability • 29% Energy • 36% Liveness
82% Instrumentalness • 20% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Alexandre Desplat
Amy
136 bpm • C Maj • 01:25 • -22db
52% Popularity • 58% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
52% Popularity • 58% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Edith Whiskers
Lights Are On - Instrumental
136 bpm • D# Maj • 03:12 • -20.37db
66% Popularity • 27% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
66% Popularity • 27% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Franz Schubert
Ständchen
111 bpm • D min • 04:35 • -21.82db
18% Popularity • 28% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
18% Popularity • 28% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Max Richter
Written on the Sky
136 bpm • A# min • 01:40 • -25.23db
62% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
62% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
136 bpm • C min • 03:14 • -29.89db
54% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
54% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Andy Morris
Victor's Piano Solo Chopin Style
137 bpm • C# min • 01:21 • -20.36db
53% Popularity • 31% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
53% Popularity • 31% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
64% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
64% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Unaccompanied Cello Suite No. 1 in G maj...
137 bpm • G Maj • 02:30 • -22db
59% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
59% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 7....
138 bpm • F Maj • 01:05 • -34db
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
