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The Tale of Two Hearts
Songs like
The Tale of Two Hearts
by
Sigimund
Based on a tempo of (+/- 10%) and a similar genre
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Moux
with me, with you
141 bpm • F Maj • 03:19 • -22db
36% Popularity • 54% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Sophie Hutchings
Billow Gently
141 bpm • G min • 03:22 • -30db
32% Popularity • 33% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 47% Positiveness
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Mario Viñuela
Moods Anemoia
141 bpm • D# Maj • 02:32 • -22.07db
25% Popularity • 35% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Sigimund
The Tale of Two Hearts
141 bpm • C# min • 03:24 • -28.54db
36% Popularity • 40% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Luke Howard
Open
141 bpm • C min • 03:02 • -28.87db
48% Popularity • 26% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Lake Isabel
Crossing Paths
140 bpm • D Maj • 02:58 • -27.5db
46% Popularity • 27% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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praam
æfre
140 bpm • C Maj • 03:06 • -28.44db
26% Popularity • 38% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Peter Sandberg
Rise
140 bpm • D Maj • 03:10 • -30.21db
31% Popularity • 44% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Luke Faulkner
One Afternoon In Summer
140 bpm • A min • 03:39 • -20.02db
46% Popularity • 39% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Lo Mimieux
Exile
139 bpm • C min • 02:35 • -20.42db
32% Popularity • 40% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Jef Martens
What The Rain Whispered Softly
142 bpm • G# min • 02:00 • -26.06db
45% Popularity • 39% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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Dominique Marais
Le Saut
139 bpm • B min • 03:10 • -20db
33% Popularity • 36% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Jacco Wynia
From a dream
143 bpm • F# Maj • 02:52 • -23db
29% Popularity • 38% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Emmanuelle Rimbaud
Lonewolf
139 bpm • C Maj • 02:35 • -24.68db
33% Popularity • 25% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Angus MacRae
Camera Obscura
143 bpm • D min • 02:50 • -20.99db
36% Popularity • 42% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
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Franco Robert
Introspection
139 bpm • D# min • 02:56 • -25.02db
31% Popularity • 46% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 44% Positiveness
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Albert Riqueti
Comforting
143 bpm • D# Maj • 02:11 • -21.18db
30% Popularity • 32% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
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Rebecca Jean Rossi
Retrospective
143 bpm • C Maj • 02:03 • -30.17db
46% Popularity • 29% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
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Norman Dück
Reframe
139 bpm • A min • 02:07 • -29.23db
51% Popularity • 32% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Les Rêveries
The Distant Path
143 bpm • E min • 03:31 • -24.9db
32% Popularity • 34% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Tristan Eckerson
Farsight, Pt. 1
143 bpm • F Maj • 03:28 • -30.45db
31% Popularity • 35% Danceability • 5% Energy • 11% Liveness
77% Instrumentalness • 17% Positiveness
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Ever So Blue
Onthou
138 bpm • C Maj • 02:08 • -27.96db
46% Popularity • 31% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Virginio Aiello
Winter Snow
144 bpm • A# min • 02:12 • -22.7db
37% Popularity • 35% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Matteo de Grandis
Promise
138 bpm • C min • 02:20 • -21.16db
34% Popularity • 55% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Simeon Walker
Coda
144 bpm • F Maj • 02:13 • -25.62db
28% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
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Peter Sandberg
Ending (Scaled Down Version)
144 bpm • F# min • 02:15 • -20.08db
35% Popularity • 59% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Evelyn Stein
And The Flowers Were Gray
144 bpm • D Maj • 02:51 • -26.01db
38% Popularity • 44% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 24% Positiveness
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Treman
Lost In Thought
138 bpm • F# min • 01:30 • -31db
46% Popularity • 46% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
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Ian Wong
Fragile
138 bpm • G min • 02:52 • -21db
37% Popularity • 40% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Arden Forest
Alabaster
138 bpm • A# min • 01:53 • -23.05db
35% Popularity • 37% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Rhonda Holland
Callistea
138 bpm • A min • 02:31 • -20.46db
35% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Piano Novel
Vert tendre
137 bpm • F Maj • 04:55 • -23.4db
30% Popularity • 30% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Carlos Cipa
senna's joy (Solo Piano Version)
145 bpm • G min • 06:16 • -30.58db
23% Popularity • 30% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Gabriel Parker
Fractions
145 bpm • F min • 02:15 • -18.06db
35% Popularity • 38% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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GUIDO
Attesa
137 bpm • C Maj • 04:48 • -21.63db
27% Popularity • 27% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Teodor Wolgers
nostalgia
137 bpm • A# min • 03:11 • -17.34db
41% Popularity • 35% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Brique a Braq
Le sable doré
145 bpm • G Maj • 02:37 • -20.74db
41% Popularity • 55% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Niall Byrne
Sonder
137 bpm • F min • 02:17 • -36.49db
39% Popularity • 34% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Robin Bennich
Mirage
137 bpm • A Maj • 02:56 • -21db
24% Popularity • 26% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Arden Forest
Coal
137 bpm • C Maj • 02:58 • -21.52db
27% Popularity • 59% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
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Elliot Ziegler
Guarda
136 bpm • A# min • 01:38 • -23.17db
38% Popularity • 33% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 31% Positiveness
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Jensine Fleischer
Dalliance
136 bpm • A# min • 02:57 • -26.14db
33% Popularity • 37% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Manos Milonakis
Margarette
146 bpm • C min • 01:55 • -28.95db
28% Popularity • 51% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Domenik Kalinsky
Vigilance
146 bpm • A# min • 02:06 • -24.33db
24% Popularity • 24% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Charles Weathersby
Longing For Yesterday
136 bpm • D min • 03:37 • -33.47db
36% Popularity • 42% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Jef Martens
Inventing Light
135 bpm • G min • 03:02 • -25.04db
29% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
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Smolenka
Eternal recall
147 bpm • B min • 02:16 • -23.03db
30% Popularity • 30% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Muriël Bostdorp
You Must Not Miss
135 bpm • A# Maj • 03:20 • -31.49db
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Piano Novel
Imaginary Traces
135 bpm • A# min • 02:22 • -24.88db
37% Popularity • 38% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Arelius
Wonder
135 bpm • F# Maj • 02:42 • -18.91db
40% Popularity • 22% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Thomas E Rouch
Alone In A Crowd
135 bpm • G Maj • 03:27 • -22.73db
20% Popularity • 43% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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Patrik Berg Almkvisth
Her Eyes the Stars
148 bpm • C# min • 02:10 • -19.54db
59% Popularity • 44% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Luis Berra
Seeds Don't Ask for Permission
148 bpm • F# Maj • 02:00 • -24db
48% Popularity • 31% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
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Annelie
Lost
134 bpm • A# min • 02:41 • -22.46db
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Jacob LaVallee
The Mist That Surrounds
134 bpm • A Maj • 02:25 • -15.84db
29% Popularity • 46% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Karin Borg
Norrsken
134 bpm • C min • 01:35 • -22.4db
47% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Laurent
Lanes Mill
133 bpm • C# min • 03:04 • -20.33db
31% Popularity • 43% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Ben Laver
Sleep
149 bpm • G# Maj • 02:17 • -29.96db
28% Popularity • 32% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Pêtr Aleksänder
Triptych 1 for Piano
133 bpm • F Maj • 02:39 • -24.41db
45% Popularity • 29% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Arelius
Water
150 bpm • F# Maj • 01:57 • -23.44db
55% Popularity • 33% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Ali Toygar
Roots
133 bpm • D Maj • 02:47 • -22.18db
26% Popularity • 34% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Doeke
Morgen
133 bpm • F Maj • 02:45 • -26.83db
40% Popularity • 44% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 15% Positiveness
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by Gunnarsson
Water
133 bpm • D# Maj • 03:12 • -20.61db
43% Popularity • 28% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Virginio Aiello
Sunrise of a New Day
150 bpm • F# min • 03:21 • -21.45db
32% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Andrea Vanzo
Fire Burns Inside Me
150 bpm • E min • 03:33 • -28.11db
43% Popularity • 43% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Jef Martens
Stars Swirling In The Night Sky
132 bpm • G# min • 02:44 • -26.63db
13% Popularity • 39% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Angus MacRae
Mirror Lake
132 bpm • G# Maj • 04:31 • -21db
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
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Lambert
Balcony Hotel
132 bpm • G# min • 02:48 • -22.5db
45% Popularity • 50% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Gabriel Parker
Devil In Disguise
132 bpm • E min • 02:19 • -25.21db
35% Popularity • 48% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
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Frozen Silence
In Between
151 bpm • F Maj • 02:40 • -33.19db
32% Popularity • 36% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Jacob LaVallee
In This Way
132 bpm • E min • 03:09 • -17.81db
40% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Matti Bye
Faller Snö
151 bpm • C min • 02:15 • -26.76db
22% Popularity • 26% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Emil Friis
Mirrors
131 bpm • B Maj • 02:04 • -23.96db
19% Popularity • 44% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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Charles Bolt
Hush Now
152 bpm • D min • 01:49 • -21.68db
36% Popularity • 46% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
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Lucas Vendrai
Pas de deux
131 bpm • C# min • 02:18 • -17.37db
40% Popularity • 55% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Davignon
Soar
131 bpm • F# min • 02:24 • -28db
36% Popularity • 29% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Tristan Eckerson
Cartographer
131 bpm • D min • 03:00 • -19db
21% Popularity • 67% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 69% Positiveness
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Jan Uve
Beto
131 bpm • D min • 04:48 • -10.7db
18% Popularity • 22% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Francesco Le Metre
Falling For
131 bpm • G min • 02:00 • -26db
42% Popularity • 43% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Tosh Møller
Længsel
131 bpm • C# Maj • 01:55 • -26.89db
37% Popularity • 34% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Lama House
Secrets of the Earth
130 bpm • G min • 02:24 • -17db
40% Popularity • 38% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Morieux
Pain Au Chocolat
130 bpm • D min • 03:05 • -25db
30% Popularity • 48% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Ever So Blue
Cessura
153 bpm • A Maj • 03:05 • -28.38db
47% Popularity • 37% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
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Peter Sandberg
Synesthesia (Scaled Down Version)
130 bpm • A Maj • 01:54 • -22db
52% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Léon Branche
After The Silence
130 bpm • C min • 02:23 • -23.12db
36% Popularity • 34% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Figaro Castello
Escape In The Night
130 bpm • A min • 03:04 • -18db
27% Popularity • 58% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Hiroko Murakami
Everlasting Oath
130 bpm • F min • 02:50 • -29.63db
28% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Ali Toygar
Silfra
153 bpm • B min • 02:56 • -24.85db
14% Popularity • 27% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Moux
heart pieces
130 bpm • E Maj • 02:29 • -31.95db
54% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Teodor Wolgers
lament
130 bpm • C# min • 03:03 • -27db
30% Popularity • 32% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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DeLange
Pleiades
129 bpm • C min • 02:59 • -26.72db
18% Popularity • 58% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Eric Wilhelm
Voyage
154 bpm • G min • 02:36 • -22db
30% Popularity • 48% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
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Arelius
Winter
129 bpm • C min • 01:32 • -20.95db
38% Popularity • 34% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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S.A. Karl
Castor
129 bpm • A# Maj • 02:48 • -21db
40% Popularity • 41% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 70% Positiveness
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SigrÃður
Welcome Home
129 bpm • D min • 04:12 • -27.25db
36% Popularity • 23% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Anon Berg
In The Dark Hours
129 bpm • F min • 02:55 • -28.29db
35% Popularity • 41% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Tristan Eckerson
In Ordina
129 bpm • A# min • 04:15 • -25db
27% Popularity • 46% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
► Preview
Mike Lazarev
Serenity
129 bpm • F min • 02:35 • -23.41db
34% Popularity • 38% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Lambert
Otis
128 bpm • E Maj • 02:17 • -28db
42% Popularity • 53% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
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Sumsar
Stairs
128 bpm • A# min • 03:37 • -23.07db
28% Popularity • 33% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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The Tale of Two Hearts