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The Thief of Ideals
Songs like
The Thief of Ideals
by
Joe Volk
Based on a tempo of (+/- 10%) and a similar genre
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Ryan LeVine
Afterlife
127 bpm • F# Maj • 02:54 • -12.79db
23% Popularity • 76% Danceability • 36% Energy • 8% Liveness
9% Instrumentalness • 73% Positiveness
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Misha Makhviladze
Close to My Heart
128 bpm • E Maj • 02:52 • -28.88db
11% Popularity • 50% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Mark Colety
Gram of Love (Remastered 2022)
128 bpm • C min • 04:52 • -8.24db
26% Popularity • 50% Danceability • 45% Energy • 13% Liveness
20% Instrumentalness • 29% Positiveness
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Cedar & Soil
By the Sea
128 bpm • E Maj • 03:24 • -14.39db
13% Popularity • 61% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Joe Volk
Toecutter (Our Lady)
126 bpm • A min • 04:07 • -13.58db
0% Popularity • 65% Danceability • 31% Energy • 10% Liveness
52% Instrumentalness • 16% Positiveness
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thehideview
etched
128 bpm • C Maj • 04:13 • -9.54db
8% Popularity • 54% Danceability • 42% Energy • 14% Liveness
74% Instrumentalness • 45% Positiveness
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Simeon Ball
The world fell silent
126 bpm • C Maj • 03:16 • -16.98db
7% Popularity • 73% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Treehouse Society
Separate Ways
128 bpm • G min • 03:43 • -12.87db
9% Popularity • 70% Danceability • 50% Energy • 28% Liveness
16% Instrumentalness • 55% Positiveness
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Odrsk
Deep Sea
126 bpm • F# min • 01:57 • -18.14db
14% Popularity • 63% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Tobias
What Would I Do
128 bpm • G# Maj • 03:38 • -14.07db
15% Popularity • 67% Danceability • 39% Energy • 33% Liveness
64% Instrumentalness • 24% Positiveness
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Joe Volk
Whitesheet
128 bpm • E min • 05:24 • -10.97db
1% Popularity • 63% Danceability • 76% Energy • 6% Liveness
82% Instrumentalness • 81% Positiveness
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Theobald Boswell
But Me
126 bpm • G Maj • 03:11 • -11.19db
22% Popularity • 76% Danceability • 34% Energy • 9% Liveness
13% Instrumentalness • 46% Positiveness
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Raoul Vignal
Side by Side
126 bpm • E Maj • 03:01 • -12.94db
12% Popularity • 43% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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TV Dinner
lil bitch interlude
126 bpm • D min • 04:04 • -16.51db
8% Popularity • 45% Danceability • 30% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Sage Hatfield
Velvet in Auburn
128 bpm • C# Maj • 02:58 • -11.49db
26% Popularity • 66% Danceability • 49% Energy • 34% Liveness
24% Instrumentalness • 55% Positiveness
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Leonardo Boim
I Still Remember
125 bpm • D Maj • 04:47 • -7.11db
14% Popularity • 24% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Cecil Ted
Like Anything
125 bpm • E Maj • 02:56 • -15.23db
31% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Bartels
Myths and Mold
125 bpm • A# Maj • 02:47 • -13.63db
17% Popularity • 43% Danceability • 42% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
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Fanny Julian
Whether Together
125 bpm • G# Maj • 04:04 • -11.79db
21% Popularity • 62% Danceability • 45% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
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Finn Ronsdorf
Please No Roses At Our Graveyard
125 bpm • G Maj • 04:40 • -11.35db
17% Popularity • 35% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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In Transit
Fever Dream 1 - Demo version
125 bpm • B Maj • 03:02 • -10.04db
16% Popularity • 30% Danceability • 44% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Chester Jonson
19th Street Best
124 bpm • A# min • 04:04 • -13db
27% Popularity • 53% Danceability • 63% Energy • 63% Liveness
82% Instrumentalness • 21% Positiveness
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Benedict October
Never Said Goodbye With Words
130 bpm • B Maj • 05:18 • -13.36db
8% Popularity • 70% Danceability • 23% Energy • 11% Liveness
62% Instrumentalness • 21% Positiveness
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Paris Street
Screen Prints
130 bpm • E min • 02:13 • -12.99db
8% Popularity • 70% Danceability • 39% Energy • 8% Liveness
38% Instrumentalness • 47% Positiveness
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Fanny Julian
Baby Bird
129 bpm • C Maj • 04:06 • -9.39db
21% Popularity • 40% Danceability • 54% Energy • 10% Liveness
41% Instrumentalness • 22% Positiveness
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Louisa Stancioff
Quarantine
130 bpm • C# min • 04:44 • -13.73db
11% Popularity • 62% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Gawshock
Key
124 bpm • C Maj • 01:09 • -17.52db
24% Popularity • 71% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Simeon Ball
Breathe in breathe out
130 bpm • C Maj • 02:40 • -20.3db
7% Popularity • 83% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Ambivalent Roads
Learn to Downsize
130 bpm • F# min • 03:05 • -11.67db
23% Popularity • 57% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Post-Party
Suffice
124 bpm • G Maj • 04:00 • -10.35db
16% Popularity • 42% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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The Cuban Cowboys
Ariadne On Avenue A
130 bpm • G Maj • 04:16 • -6.63db
33% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Zane McWilliams
Dopamine
130 bpm • A# min • 02:10 • -22.19db
8% Popularity • 57% Danceability • 7% Energy • 12% Liveness
28% Instrumentalness • 18% Positiveness
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Ther
the future and
124 bpm • C Maj • 03:50 • -16.84db
10% Popularity • 36% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Jonathan Twain
I'm Bleeding
124 bpm • D Maj • 03:40 • -4.23db
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Cecil Ted
Burn Down This House
131 bpm • A# Maj • 03:40 • -15.28db
31% Popularity • 45% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Pet Twin
He Sits In His Attic
123 bpm • D Maj • 01:30 • -17.38db
19% Popularity • 39% Danceability • 31% Energy • 25% Liveness
10% Instrumentalness • 29% Positiveness
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B.J Salyer
The Darkness in You Acoustic
123 bpm • G Maj • 03:29 • -33.54db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Joe Volk
Let the Kings In
123 bpm • A min • 06:48 • -12.16db
1% Popularity • 51% Danceability • 35% Energy • 9% Liveness
41% Instrumentalness • 13% Positiveness
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Bourbon Jockey
Riding 'Round With Jeannie
123 bpm • B min • 02:45 • -12.01db
8% Popularity • 53% Danceability • 55% Energy • 19% Liveness
89% Instrumentalness • 54% Positiveness
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Aspens Pyramid
lift
123 bpm • E min • 03:57 • -10.85db
10% Popularity • 40% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 10% Positiveness
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Ariella Quinn
Push
132 bpm • F min • 05:14 • -10.04db
27% Popularity • 43% Danceability • 46% Energy • 15% Liveness
19% Instrumentalness • 26% Positiveness
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Brainwashed Proper Citizens
Alien Scars
132 bpm • F# min • 05:04 • -9.16db
6% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Dana Smedley
Innocent Li
132 bpm • F# min • 02:08 • -8.06db
25% Popularity • 54% Danceability • 74% Energy • 66% Liveness
64% Instrumentalness • 55% Positiveness
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Edwyn Collins
The Muzjiks' Waltz
132 bpm • D min • 02:28 • -11.82db
12% Popularity • 56% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
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Joe Volk
The Lives of Others
122 bpm • D Maj • 06:31 • -10.18db
0% Popularity • 42% Danceability • 51% Energy • 9% Liveness
12% Instrumentalness • 11% Positiveness
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Jay Viola
A Ticket Home
132 bpm • E Maj • 03:16 • -23.13db
16% Popularity • 56% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Lorenzo Valdesalici
lovers - Radio Edit
132 bpm • C min • 01:52 • -15.77db
11% Popularity • 54% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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The No Brothers
Middle of the Frozen Lake
122 bpm • A min • 02:23 • -14.27db
10% Popularity • 77% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 29% Positiveness
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Adult Matters
My Body
132 bpm • D# Maj • 02:45 • -10.2db
7% Popularity • 50% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Fatrick Neffley
Devil
122 bpm • G Maj • 03:07 • -12.46db
22% Popularity • 52% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Edgar Hearst
Flash Of Light
122 bpm • D Maj • 04:49 • -13.77db
28% Popularity • 49% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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The River Otters
Lyra's Mad Dance
133 bpm • F Maj • 02:26 • -8.25db
9% Popularity • 42% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
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Marine Grandperrin
Last Day
133 bpm • A Maj • 04:38 • -13.96db
27% Popularity • 54% Danceability • 24% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
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Oscar Budd
You And Me
133 bpm • F Maj • 05:05 • -26.11db
20% Popularity • 43% Danceability • 8% Energy • 11% Liveness
47% Instrumentalness • 21% Positiveness
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Ward Katte
Masks
121 bpm • D min • 04:35 • -11.4db
29% Popularity • 72% Danceability • 43% Energy • 27% Liveness
7% Instrumentalness • 25% Positiveness
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Fatrick Neffley
I Hurt Your
121 bpm • C Maj • 02:51 • -11.99db
21% Popularity • 59% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
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Benji Skye
Shine Bright
121 bpm • G Maj • 02:35 • -18.22db
13% Popularity • 45% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 24% Positiveness
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Paralisis
melancholic
121 bpm • D Maj • 02:11 • -19.23db
13% Popularity • 71% Danceability • 15% Energy • 34% Liveness
91% Instrumentalness • 5% Positiveness
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KC WOONG
Never Look Back
134 bpm • D min • 02:10 • -15.83db
10% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Claude Fahey
No One
134 bpm • A# Maj • 03:18 • -14.71db
21% Popularity • 41% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Ward Katte
Silent
121 bpm • A# min • 04:39 • -11.64db
28% Popularity • 61% Danceability • 38% Energy • 11% Liveness
20% Instrumentalness • 7% Positiveness
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Hour
A Good Beanpot
120 bpm • B Maj • 03:23 • -14.09db
8% Popularity • 50% Danceability • 26% Energy • 10% Liveness
45% Instrumentalness • 15% Positiveness
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Catsssss
Petunia Jazzz
120 bpm • E min • 02:10 • -11.12db
9% Popularity • 71% Danceability • 0% Energy • 20% Liveness
53% Instrumentalness • 92% Positiveness
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Jack Wotton
Fishcombe Cove
134 bpm • A Maj • 03:34 • -11.51db
14% Popularity • 48% Danceability • 48% Energy • 9% Liveness
8% Instrumentalness • 14% Positiveness
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Olin Janusz
No One Here Will Harm You
120 bpm • E Maj • 04:40 • -11.71db
8% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Joe Volk
Pioneer of Colour
120 bpm • F Maj • 04:07 • -18.69db
0% Popularity • 48% Danceability • 14% Energy • 10% Liveness
47% Instrumentalness • 22% Positiveness
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Spurts
Jeff Tweedy
120 bpm • G Maj • 01:56 • -8.24db
14% Popularity • 64% Danceability • 45% Energy • 32% Liveness
15% Instrumentalness • 25% Positiveness
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Rover
King Tree
120 bpm • F# min • 02:08 • -19.45db
18% Popularity • 42% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Ariella Quinn
Naught
134 bpm • A# Maj • 05:13 • -12.29db
27% Popularity • 57% Danceability • 66% Energy • 10% Liveness
30% Instrumentalness • 57% Positiveness
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Mojo Bros
Emo Void Inside
120 bpm • A Maj • 01:08 • -15.03db
13% Popularity • 65% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Idiot Robot
Why Must I
120 bpm • G Maj • 04:05 • -10.08db
9% Popularity • 59% Danceability • 54% Energy • 15% Liveness
10% Instrumentalness • 28% Positiveness
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Wade Hamilton
Killer Leaving Club
134 bpm • C Maj • 02:42 • -11.1db
18% Popularity • 68% Danceability • 55% Energy • 30% Liveness
39% Instrumentalness • 53% Positiveness
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Melo Anon
Reflecting on the Outer World (I'm Refle...
120 bpm • F Maj • 07:22 • -10.91db
13% Popularity • 64% Danceability • 42% Energy • 15% Liveness
70% Instrumentalness • 20% Positiveness
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Half Song
In The Rain
120 bpm • A min • 04:01 • -10.53db
18% Popularity • 70% Danceability • 43% Energy • 15% Liveness
84% Instrumentalness • 28% Positiveness
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Ariella Quinn
Two Of Our
120 bpm • D# Maj • 05:25 • -9.97db
27% Popularity • 43% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 40% Positiveness
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The Junies
Oct 1, 2003
120 bpm • C Maj • 05:06 • -15.04db
8% Popularity • 60% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 39% Positiveness
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Songs from the Cave
Siblings
120 bpm • E min • 04:17 • -13.71db
10% Popularity • 69% Danceability • 50% Energy • 16% Liveness
73% Instrumentalness • 42% Positiveness
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Rhythm Voyager
Oscillation Vertex
120 bpm • E min • 02:06 • -16.29db
7% Popularity • 61% Danceability • 55% Energy • 20% Liveness
86% Instrumentalness • 62% Positiveness
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Mot Furu
(surrounded)
120 bpm • C# Maj • 03:47 • -14.01db
8% Popularity • 64% Danceability • 31% Energy • 12% Liveness
46% Instrumentalness • 20% Positiveness
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James Hawken
Please, Lower the Hubbub
120 bpm • A min • 03:35 • -10.35db
10% Popularity • 63% Danceability • 53% Energy • 10% Liveness
17% Instrumentalness • 36% Positiveness
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Joe Volk
Timebombs
120 bpm • G# Maj • 04:13 • -14.47db
0% Popularity • 74% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
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EverythingWasBlue
Riverside
120 bpm • G min • 02:47 • -8db
10% Popularity • 35% Danceability • 65% Energy • 55% Liveness
57% Instrumentalness • 16% Positiveness
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March.
March.
120 bpm • A Maj • 09:33 • -10.14db
11% Popularity • 40% Danceability • 31% Energy • 9% Liveness
24% Instrumentalness • 10% Positiveness
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Cedar & Soil
Long Distance
120 bpm • B min • 04:16 • -16.51db
13% Popularity • 80% Danceability • 27% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
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June In Winter
Mercy Mornings (On Repeat)
120 bpm • G Maj • 03:48 • -6.58db
15% Popularity • 65% Danceability • 66% Energy • 6% Liveness
84% Instrumentalness • 25% Positiveness
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Grand Buffalo
Borderline
120 bpm • A min • 04:22 • -9.64db
7% Popularity • 44% Danceability • 62% Energy • 17% Liveness
94% Instrumentalness • 51% Positiveness
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Winston Clapper
Happy As I Could Be
120 bpm • C Maj • 03:52 • -11.22db
22% Popularity • 53% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
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Anthony Driscoll
Bloody Gold
120 bpm • F min • 04:59 • -13.88db
11% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nicolas Deutsch
Once
120 bpm • G Maj • 01:58 • -15.55db
12% Popularity • 63% Danceability • 15% Energy • 10% Liveness
10% Instrumentalness • 34% Positiveness
► Preview
Cedar & Soil
Video
120 bpm • A min • 02:57 • -19.45db
14% Popularity • 71% Danceability • 11% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
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trust blinks.
salem's song
120 bpm • D min • 03:55 • -11.91db
8% Popularity • 55% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
► Preview
Grand Buffalo
Bandwagon
120 bpm • B min • 03:52 • -10db
9% Popularity • 46% Danceability • 56% Energy • 22% Liveness
80% Instrumentalness • 57% Positiveness
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Fanny Julian
Madrid
120 bpm • F min • 05:23 • -10.38db
21% Popularity • 65% Danceability • 49% Energy • 10% Liveness
81% Instrumentalness • 41% Positiveness
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The Locker?
Cardinal
135 bpm • C Maj • 03:39 • -16.53db
22% Popularity • 55% Danceability • 48% Energy • 8% Liveness
81% Instrumentalness • 40% Positiveness
► Preview
Jon Alban
Going Round in Circles - Version 1
135 bpm • A Maj • 03:51 • -9.09db
8% Popularity • 42% Danceability • 70% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Driemar's Rose
Forgotten Memory
135 bpm • A Maj • 03:34 • -10.68db
11% Popularity • 64% Danceability • 45% Energy • 8% Liveness
10% Instrumentalness • 34% Positiveness
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The Reds, Pinks and Purples
We Only the Bad Things People Say
135 bpm • D# Maj • 03:26 • -12.91db
18% Popularity • 40% Danceability • 56% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
► Preview
Grand Buffalo
Skeleton
135 bpm • B min • 03:51 • -7.28db
8% Popularity • 39% Danceability • 47% Energy • 12% Liveness
75% Instrumentalness • 28% Positiveness
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Justin Lindsay
is it any wonder
119 bpm • D Maj • 01:56 • -17db
14% Popularity • 56% Danceability • 18% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
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Elysian Fields
Stop the Sun
136 bpm • G Maj • 03:42 • -9.45db
21% Popularity • 34% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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The Thief of Ideals