Songs like The Time Has Come by Shirley & Lee
Based on a tempo of (+/- 10%) and a similar genre
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Dee Clark
Nobody but You - Bonus Track
118 bpm • C min • 02:23 • -11.62db
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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The Rays
Silhouettes (Alternate Take)
118 bpm • G Maj • 02:45 • -9.56db
15% Popularity • 68% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 68% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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The Cleftones
For Sentimental Reasons
118 bpm • G# Maj • 02:36 • -10.94db
21% Popularity • 62% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 62% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Dick & Dee Dee
The Mountain's High
118 bpm • C# Maj • 02:17 • -7.05db
19% Popularity • 68% Danceability • 80% Energy • 23% Liveness
35% Instrumentalness • 93% Positiveness
19% Popularity • 68% Danceability • 80% Energy • 23% Liveness
35% Instrumentalness • 93% Positiveness
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Little Eva
Keep Your Hands off My Baby
118 bpm • C Maj • 02:32 • -6.66db
21% Popularity • 58% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 58% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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The Falcons
You're So Fine
118 bpm • C# Maj • 02:26 • -8.85db
6% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Huey "Piano" Smith
Rockin Pneumonia and the Boogie Woogie F...
117 bpm • C Maj • 02:14 • -7db
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Varetta Dillard
Easy, Easy Baby
119 bpm • A# Maj • 02:38 • -8.02db
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Chuck Willis
My Crying Eyes
117 bpm • D# Maj • 02:33 • -8.51db
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Clarence "Frogman" Henry
Your Picture
119 bpm • D# Maj • 02:48 • -0.67db
14% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Major Lance
Um, Um, Um, Um, Um, Um
117 bpm • B min • 02:19 • -12db
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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The Moonglows
I Knew from the Start
119 bpm • A# Maj • 02:05 • -7.1db
21% Popularity • 65% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 65% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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The Crystals
He's a Rebel
117 bpm • F# Maj • 02:30 • -6.45db
43% Popularity • 71% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 71% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 87% Positiveness
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Dee Clark
Nobody But You
117 bpm • D min • 02:27 • -12.51db
28% Popularity • 71% Danceability • 32% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 71% Danceability • 32% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Shirley & Lee
Baby
117 bpm • G Maj • 02:25 • -8.82db
1% Popularity • 78% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 72% Positiveness
1% Popularity • 78% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 72% Positiveness
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The Marathons
Peanut Butter
119 bpm • D Maj • 02:03 • -8.76db
12% Popularity • 59% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 59% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Hank Ballard
Annie Had A Baby
119 bpm • D# Maj • 02:41 • -7.66db
13% Popularity • 76% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 76% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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The Tams
What Kind Of Fool (Do You Think I Am)
117 bpm • C# Maj • 02:04 • -13.96db
28% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Wilbert Harrison
Poison Ivy
119 bpm • C# Maj • 02:46 • -6.3db
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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The Olympics
Hully Gully
117 bpm • G Maj • 02:04 • -14.22db
18% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
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Shirley & Lee
Baby
117 bpm • G Maj • 02:24 • -11.79db
1% Popularity • 81% Danceability • 34% Energy • 38% Liveness
1% Instrumentalness • 66% Positiveness
1% Popularity • 81% Danceability • 34% Energy • 38% Liveness
1% Instrumentalness • 66% Positiveness
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The Five Keys
Close Your Eyes
117 bpm • F Maj • 02:19 • -11.55db
12% Popularity • 36% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 36% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Rays
Silhouettes
119 bpm • G Maj • 02:42 • -8.76db
27% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Falcons
You're So Fine - Hi-Fi Remastered
116 bpm • C# Maj • 02:24 • -5.52db
32% Popularity • 60% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 60% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Lloyd Price
I'm Gonna Get Married
120 bpm • G Maj • 02:20 • -12.75db
38% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Huey "Piano" Smith
Rocking Pneumonia and the Boogie Woogie ...
117 bpm • C Maj • 02:23 • -7.14db
19% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
19% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
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Johnny Maestro
In the Still of the Night
120 bpm • F# Maj • 02:36 • -11.4db
19% Popularity • 58% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 58% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Little Anthony
Shimmy Shimmy Ko Ko Bop (Alternate Take)
116 bpm • G min • 02:09 • -9.5db
22% Popularity • 70% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 70% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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The Clovers
Nip Sip
120 bpm • B min • 02:59 • -15db
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Olympics
Western Movies
120 bpm • G Maj • 02:24 • -10db
19% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
19% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
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The Velvets
Tonight Could Be the Night
120 bpm • E Maj • 02:07 • -6db
33% Popularity • 41% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 41% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Larry Williams
Rockin Pneumonia And The Boogie Woogie F...
120 bpm • C Maj • 02:14 • -11.39db
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Johnny Maestro
In the Still Of the Night (Unreleased Ve...
116 bpm • F# Maj • 02:52 • -11.78db
19% Popularity • 63% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 63% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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The Collegians
Zoom Zoom Zoom
115 bpm • F Maj • 02:29 • -9db
18% Popularity • 47% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 47% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
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Lloyd Price
Have You Ever Had The Blues?
121 bpm • A# Maj • 02:09 • -12db
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
Crazy Crazy Crazy
115 bpm • A# min • 02:40 • -9.7db
11% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Wilbert Harrison
Kansas City
115 bpm • C# Maj • 02:30 • -6.45db
44% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
44% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
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The Bobbettes
Mr. Johnny Q
121 bpm • A Maj • 02:17 • -7.28db
8% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Clarence "Frogman" Henry
A Little Too Much
115 bpm • C Maj • 01:55 • -0.52db
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Esther Phillips
Release Me
114 bpm • C# Maj • 03:19 • -12.46db
53% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
53% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
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Betty Everett
The Shoop Shoop Song (It's in His Kiss)
122 bpm • A Maj • 02:12 • -8.56db
29% Popularity • 64% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 64% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
5-10-15 Hours
122 bpm • F Maj • 03:15 • -13.4db
43% Popularity • 86% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 86% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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The Five Discs
I Remember
114 bpm • G# Maj • 02:00 • -8db
20% Popularity • 69% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Smiley Lewis
One Night
122 bpm • C# Maj • 02:26 • -9.39db
23% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Lloyd Price
Just Because
114 bpm • D# Maj • 02:46 • -9.29db
33% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dee Clark
Raindrops
114 bpm • G Maj • 02:59 • -7.61db
27% Popularity • 38% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 38% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
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The Del-Vikings
Can't Wait
122 bpm • D# Maj • 02:30 • -12.11db
18% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Maestro
16 Candles
114 bpm • A# Maj • 02:54 • -10.08db
45% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The Moonglows
Sincerely
122 bpm • D# Maj • 03:09 • -9.87db
32% Popularity • 49% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 49% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Hank Ballard
Work With Me Annie
122 bpm • E Maj • 02:47 • -8.87db
27% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Lloyd Price
Lady Luck
122 bpm • F Maj • 02:18 • -6.68db
22% Popularity • 62% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 62% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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The Edsels
Rama Lama Ding Dong
123 bpm • C# Maj • 02:27 • -5.78db
31% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Shirley & Lee
I'll Thrill You
123 bpm • G Maj • 02:34 • -8.53db
0% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Varetta Dillard
Mercy Mr Percy
123 bpm • C Maj • 02:49 • -5.21db
11% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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The Magnificents
Up On The Mountain
123 bpm • G# Maj • 02:50 • -13.45db
14% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Clarence "Frogman" Henry
Just My Baby and Me
113 bpm • A# Maj • 02:39 • 1.59db
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Ruth Brown
Mama He Treats Your Daughter Mean
123 bpm • G# Maj • 02:56 • -15.55db
33% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Chandler
Stand By Me
123 bpm • F min • 02:24 • -12.45db
27% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Solitaires
Walking Along
123 bpm • F Maj • 02:33 • -9.92db
9% Popularity • 66% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 66% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Shirley & Lee
Takes Money
113 bpm • C Maj • 02:20 • -7.81db
1% Popularity • 68% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 68% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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The Chanters
No, No, No
113 bpm • F Maj • 02:15 • -6.16db
15% Popularity • 65% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 65% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Barbara George
I know (You Don't Love Me No More)
124 bpm • F Maj • 02:24 • -10.76db
28% Popularity • 85% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
28% Popularity • 85% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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The Del-Vikings
A Sunday Kind of Love
112 bpm • F Maj • 02:23 • -10.74db
19% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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The Solitaires
Walking Along - Remastered
123 bpm • D min • 02:34 • -9.67db
26% Popularity • 72% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Cookies
Don't Say Nothin' Bad (About My Baby)
124 bpm • D Maj • 02:45 • -6db
18% Popularity • 62% Danceability • 64% Energy • 57% Liveness
1% Instrumentalness • 92% Positiveness
18% Popularity • 62% Danceability • 64% Energy • 57% Liveness
1% Instrumentalness • 92% Positiveness
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Betty Everett
It's in the Kiss (The Shoop Shoop Song)
124 bpm • B min • 02:09 • -8.08db
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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Shirley & Lee
I'm Gone
112 bpm • E min • 02:20 • -11.32db
28% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Barbara George
I Know (You Don't Love Me No More)
124 bpm • F Maj • 02:25 • -10.15db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Little Willie John
Talk To Me, Talk To Me
112 bpm • G min • 02:44 • -9.14db
20% Popularity • 26% Danceability • 57% Energy • 22% Liveness
7% Instrumentalness • 38% Positiveness
20% Popularity • 26% Danceability • 57% Energy • 22% Liveness
7% Instrumentalness • 38% Positiveness
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Clarence "Frogman" Henry
You Always Hurt the One You Love
112 bpm • A# Maj • 02:30 • -1.33db
16% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Orlons
Mama Didn't Lie
125 bpm • B Maj • 02:07 • -7.31db
30% Popularity • 84% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
30% Popularity • 84% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Larry Williams
Just Because
112 bpm • D# Maj • 02:48 • -13.04db
12% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Clyde McPhatter
Let's Forget About The Past
112 bpm • F Maj • 02:31 • -6.86db
13% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Clovers
Easy Lovin'
111 bpm • G Maj • 02:01 • -5.19db
12% Popularity • 47% Danceability • 53% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 47% Danceability • 53% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
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Shirley & Lee
Don't Leave Me Here to Cry
125 bpm • C Maj • 02:29 • -9.44db
0% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Clarence "Frogman" Henry
Long Lost And Worried
112 bpm • G# Maj • 02:08 • -6.32db
12% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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The Orlons
Don't Hang Up - Remastered
112 bpm • G Maj • 02:16 • -9.09db
18% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:03 • -8.33db
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Flares
Foot Stomping - Pt. 1
125 bpm • G Maj • 02:17 • -6db
18% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
18% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
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The Cadillacs
Speedoo
125 bpm • G# Maj • 02:21 • -12.04db
6% Popularity • 57% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 57% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Clanton
Just a Dream
125 bpm • G Maj • 02:32 • -4.07db
41% Popularity • 44% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 44% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Dubs
Please Don't Ask Me to Be Lonely
111 bpm • F Maj • 02:21 • -10.98db
27% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Chantels
Every Night (I Pray)
111 bpm • A# Maj • 02:06 • -8.49db
20% Popularity • 47% Danceability • 36% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
20% Popularity • 47% Danceability • 36% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
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Randy & The Rainbows
Denise
126 bpm • F min • 01:58 • -10db
45% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Marcels
Summertime
126 bpm • A# Maj • 02:13 • -6.38db
21% Popularity • 55% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 55% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The "5" Royales
Think
126 bpm • F min • 02:36 • -12db
22% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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The Cadillacs
Speedoo (Alternative Take)
126 bpm • D# Maj • 02:21 • -9.23db
33% Popularity • 49% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 49% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Impalas
Sorry (I Ran All the Way Home)
126 bpm • D# Maj • 02:34 • -7db
30% Popularity • 46% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 46% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Shirley & Lee
So In Love
110 bpm • G Maj • 02:03 • -10.51db
1% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Orlons
Mashed Potato Time
126 bpm • D Maj • 02:30 • -6db
26% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
Oh What a Dream
110 bpm • G Maj • 02:52 • -17.59db
19% Popularity • 68% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 68% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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The "5" Royales
Dedicated To The One I Love
110 bpm • F min • 02:45 • -10.76db
22% Popularity • 46% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 46% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Chantels
Look in My Eyes (Alternative Take)
110 bpm • F# Maj • 02:19 • -9.16db
22% Popularity • 51% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 51% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
