Songs like The Times They Are a-Changin' - Live at Madison Square Garden, New York, NY - October 1992 by Tracy Chapman
Based on a tempo of (+/- 10%) and a similar genre
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Tanita Tikaram
I Might Be Crying
123 bpm • A Maj • 03:55 • -14.51db
40% Popularity • 67% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 67% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Townshend
Till The Rivers All Run Dry
123 bpm • E Maj • 03:52 • -22db
34% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
34% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Murray Head
My Back Pages
123 bpm • G# min • 03:31 • -4.27db
15% Popularity • 56% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 56% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Natalie Merchant
Where I Go
123 bpm • B Maj • 04:00 • -14db
41% Popularity • 83% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
41% Popularity • 83% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
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Tracy Chapman
The Times They Are a-Changin' - Live at ...
123 bpm • G Maj • 03:02 • -11db
43% Popularity • 50% Danceability • 40% Energy • 99% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 50% Danceability • 40% Energy • 99% Liveness
0% Instrumentalness • 36% Positiveness
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Loudon Wainwright III
One Man Guy
123 bpm • G Maj • 04:15 • -16db
15% Popularity • 58% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 58% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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The Milk Carton Kids
Wish You Were Here
123 bpm • F# Maj • 04:45 • -16.32db
46% Popularity • 46% Danceability • 28% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 46% Danceability • 28% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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R.E.M.
Country Feedback - with guest Neil Young
123 bpm • G Maj • 08:50 • -9db
31% Popularity • 46% Danceability • 56% Energy • 96% Liveness
1% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 56% Energy • 96% Liveness
1% Instrumentalness • 25% Positiveness
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Iris DeMent
Wasteland of the Free
123 bpm • C Maj • 05:15 • -5db
29% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ron Sexsmith
Strawberry Blonde
123 bpm • A Maj • 03:41 • -12db
31% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Tracy Chapman
Telling Stories
123 bpm • G Maj • 03:57 • -10db
54% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mike Scott
What Do You Want Me to Do
122 bpm • C# min • 03:01 • -10.33db
38% Popularity • 73% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 73% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Natalie Merchant
Owensboro - Remastered Version
122 bpm • F Maj • 04:25 • -11db
23% Popularity • 57% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
23% Popularity • 57% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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R.E.M.
Photograph
124 bpm • F# min • 03:31 • -5.25db
40% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Emily Barker
All Love Knows
124 bpm • A Maj • 03:45 • -8.39db
13% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Joan Armatrading
Willow
122 bpm • C Maj • 04:55 • -22db
42% Popularity • 56% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
42% Popularity • 56% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Eliza Gilkyson
Is It Like Today
122 bpm • G Maj • 05:49 • -9.57db
31% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Mary Gauthier
Between The Daylight And The Dark
122 bpm • E Maj • 04:15 • -11.3db
30% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Little Willies
Streets Of Baltimore
124 bpm • A Maj • 03:06 • -8db
31% Popularity • 68% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
31% Popularity • 68% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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Echo In The Canyon
Expecting To Fly (Jakob Dylan & Regina S...
124 bpm • C Maj • 03:32 • -12.46db
25% Popularity • 35% Danceability • 35% Energy • 32% Liveness
4% Instrumentalness • 22% Positiveness
25% Popularity • 35% Danceability • 35% Energy • 32% Liveness
4% Instrumentalness • 22% Positiveness
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Patti Scialfa
Looking For Elvis
125 bpm • D# Maj • 03:59 • -7.49db
10% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Joan Armatrading
Willow - Uk Single Edited Version
121 bpm • C Maj • 04:03 • -20db
36% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
36% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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Eliza Gilkyson
The Great Correction
122 bpm • E Maj • 05:04 • -12.29db
10% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tanita Tikaram
Valentine Heart
121 bpm • E Maj • 04:06 • -22db
33% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mary Gauthier
I Drink
125 bpm • C Maj • 04:30 • -11db
35% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Beautiful South
Don't Fear The Reaper
125 bpm • A min • 04:03 • -6db
35% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jakob Dylan
Valley of the Low Sun
121 bpm • E Maj • 03:57 • -12.16db
16% Popularity • 62% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 62% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Be Good Tanyas
In Spite Of All The Damage
125 bpm • D Maj • 03:59 • -15.67db
42% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
42% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
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Tracy Chapman
New Beginning
125 bpm • E min • 05:33 • -11db
43% Popularity • 63% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 76% Positiveness
43% Popularity • 63% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 76% Positiveness
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Lissie
To Ramona
121 bpm • E Maj • 04:36 • -8.89db
27% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Tanita Tikaram
To Drink the Rainbow (Acoustic)
120 bpm • G Maj • 03:31 • -10.14db
39% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jim Croce
Lover's Cross
120 bpm • C Maj • 03:04 • -15.24db
51% Popularity • 72% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 72% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The Be Good Tanyas
Scattered Leaves
121 bpm • C min • 04:47 • -8.56db
37% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
37% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Tracy Chapman
Unsung Psalm
120 bpm • E min • 04:19 • -15.91db
40% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Bruce Cockburn
Last Night Of The World
120 bpm • C Maj • 04:51 • -10db
34% Popularity • 72% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 18% Positiveness
34% Popularity • 72% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 18% Positiveness
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Diana Krall
If You Could Read My Mind
126 bpm • F Maj • 03:45 • -12.82db
45% Popularity • 58% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 58% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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KT Tunstall
White Bird
120 bpm • G Maj • 03:13 • -10.74db
34% Popularity • 76% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 76% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Stacey Earle
Simple Gearle
120 bpm • D Maj • 02:30 • -7.63db
14% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
33% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Tracy Chapman
Change
126 bpm • F Maj • 05:05 • -9.42db
53% Popularity • 76% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 76% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Cry Cry Cry
Fall On Me
126 bpm • F# min • 02:56 • -7.95db
24% Popularity • 56% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 56% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Tanita Tikaram
Don't Shake Me Up
120 bpm • D Maj • 02:59 • -12.96db
43% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Robert Plant
All the Kings Horses
126 bpm • C Maj • 04:19 • -10db
31% Popularity • 43% Danceability • 32% Energy • 16% Liveness
3% Instrumentalness • 16% Positiveness
31% Popularity • 43% Danceability • 32% Energy • 16% Liveness
3% Instrumentalness • 16% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kris Delmhorst
Since You Went Away
127 bpm • G Maj • 03:06 • -15db
29% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tracy Chapman
Say Hallelujah
126 bpm • F min • 02:08 • -10.04db
52% Popularity • 85% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 85% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Loudon Wainwright III
You Can't Fail Me Now
119 bpm • D Maj • 03:45 • -7.99db
29% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Christy Moore
Shine on You Crazy Diamond
127 bpm • F min • 05:06 • -15.98db
33% Popularity • 57% Danceability • 16% Energy • 13% Liveness
5% Instrumentalness • 12% Positiveness
33% Popularity • 57% Danceability • 16% Energy • 13% Liveness
5% Instrumentalness • 12% Positiveness
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Frazey Ford
You Got Religion
119 bpm • C# min • 03:50 • -11.76db
44% Popularity • 69% Danceability • 34% Energy • 8% Liveness
40% Instrumentalness • 28% Positiveness
44% Popularity • 69% Danceability • 34% Energy • 8% Liveness
40% Instrumentalness • 28% Positiveness
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Eric Andersen
Blue River
127 bpm • F Maj • 04:45 • -14.43db
19% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
19% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tracy Chapman
Across the Lines
126 bpm • A Maj • 03:24 • -15.73db
59% Popularity • 76% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 76% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Eddie Vedder and Natalie Maines
Golden State (Live)
119 bpm • G Maj • 03:08 • -5.43db
35% Popularity • 64% Danceability • 78% Energy • 92% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 64% Danceability • 78% Energy • 92% Liveness
0% Instrumentalness • 56% Positiveness
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Norah Jones
Seven Years
127 bpm • G Maj • 02:25 • -13.88db
66% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
66% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Wilco
I Shall Be Released - Live
128 bpm • E Maj • 03:33 • -9db
32% Popularity • 32% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 32% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 36% Positiveness
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Mary Coughlan
Double Cross
128 bpm • G Maj • 03:50 • -9.62db
26% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gillian Welch
Orphan Girl
118 bpm • G# Maj • 03:56 • -11.72db
26% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness
26% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness
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Tracy Chapman
I Am Yours
127 bpm • E Maj • 03:34 • -14.29db
42% Popularity • 74% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 74% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Harper
Waiting On An Angel
118 bpm • A# Maj • 03:53 • -21.97db
50% Popularity • 63% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 63% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jim Croce
Walkin’ Back to Georgia
128 bpm • F# min • 02:51 • -16.17db
71% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
71% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Kelly Joe Phelps
Goodnight Irene
118 bpm • F Maj • 05:39 • -18.16db
21% Popularity • 51% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 51% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Weepies
Learning to Fly
128 bpm • A# min • 03:09 • -9.2db
43% Popularity • 64% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
43% Popularity • 64% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
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Edie Brickell & New Bohemians
I Do
118 bpm • G Maj • 02:00 • -20.89db
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tracy Chapman
Sing for You
127 bpm • C Maj • 04:25 • -12.53db
50% Popularity • 67% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 67% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Shannon McNally
Banshee Moan
128 bpm • G min • 04:01 • -12.81db
31% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Hothouse Flowers
Trying to Get Through
129 bpm • G Maj • 04:24 • -19.72db
16% Popularity • 36% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 36% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Amos Lee
Colors
129 bpm • G Maj • 02:40 • -13.4db
63% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Beth Orton
Sisters Of Mercy
117 bpm • A Maj • 04:40 • -14.84db
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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k.d. lang
Helpless
129 bpm • D Maj • 04:17 • -8db
38% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Tracy Chapman
Talkin' Bout a Revolution
119 bpm • G Maj • 02:41 • -6.18db
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Ben Harper
Another Lonely Day
117 bpm • G min • 03:43 • -17.55db
46% Popularity • 63% Danceability • 14% Energy • 11% Liveness
16% Instrumentalness • 54% Positiveness
46% Popularity • 63% Danceability • 14% Energy • 11% Liveness
16% Instrumentalness • 54% Positiveness
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Joan Armatrading
Dry Land
117 bpm • A# Maj • 04:21 • -9.8db
25% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Be Good Tanyas
When Doves Cry
129 bpm • B min • 04:02 • -12db
44% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Stevie Wonder
Blowin' in the Wind - Live at Madison Sq...
129 bpm • A# Maj • 06:18 • -7.82db
25% Popularity • 33% Danceability • 78% Energy • 99% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 33% Danceability • 78% Energy • 99% Liveness
0% Instrumentalness • 61% Positiveness
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Eliza Gilkyson
Love Minus Zero/No Limit - Live
117 bpm • G Maj • 03:57 • -10.69db
7% Popularity • 50% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 50% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Tracy Chapman
Almost
128 bpm • F min • 03:46 • -10.89db
37% Popularity • 78% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 78% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Jones
Tower Of Song
117 bpm • B Maj • 03:56 • -11.7db
37% Popularity • 63% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 63% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Joan Armatrading
Spend A Little Time - 2015 Remastered Ve...
129 bpm • A# Maj • 02:24 • -9.96db
32% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Leo Kottke
Corinna, Corinna
117 bpm • E Maj • 04:19 • -14.29db
25% Popularity • 64% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 39% Positiveness
25% Popularity • 64% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 39% Positiveness
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Ray LaMontagne
Shelter
117 bpm • C Maj • 04:36 • -14.75db
46% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Graham Nash
Simple Man - 2008 Stereo Mix
130 bpm • C Maj • 02:21 • -11db
21% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Tracy Chapman
Bang Bang Bang
129 bpm • G Maj • 04:21 • -10.04db
43% Popularity • 75% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 75% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Hardin
Unforgiven
130 bpm • D Maj • 03:22 • -15.47db
40% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jennifer Warnes
Song of Bernadette - Digitally Remastere...
130 bpm • A# Maj • 03:54 • -14db
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Eliza Gilkyson
Peace in Our Hearts
116 bpm • E min • 03:56 • -10.69db
27% Popularity • 68% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 68% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Colvin & Earle
You Were On My Mind
130 bpm • E Maj • 02:56 • -7.81db
29% Popularity • 48% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 42% Positiveness
29% Popularity • 48% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 42% Positiveness
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Mike Scott
Sensitive Children
116 bpm • A Maj • 02:40 • -12.03db
33% Popularity • 40% Danceability • 41% Energy • 24% Liveness
42% Instrumentalness • 45% Positiveness
33% Popularity • 40% Danceability • 41% Energy • 24% Liveness
42% Instrumentalness • 45% Positiveness
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Amos Lee
Night Train
130 bpm • C Maj • 03:30 • -15.1db
42% Popularity • 73% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 73% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Edie Brickell & New Bohemians
Me By The Sea
130 bpm • A# Maj • 03:04 • -14.51db
30% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Hem
You Can't Always Get What You Want
116 bpm • D# Maj • 05:10 • -12db
19% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tracy Chapman
Material World
130 bpm • F# min • 03:05 • -12.93db
34% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Natalie Merchant
Soldier, Soldier
116 bpm • A# min • 03:45 • -8.24db
23% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Scott
City Full of Ghosts (Dublin)
130 bpm • A Maj • 02:47 • -9db
28% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Ray LaMontagne
Strong Enough
131 bpm • D Maj • 03:34 • -8.61db
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Greg Brown
Dream Café
131 bpm • F Maj • 05:57 • -16.78db
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Ralph McTell
First Song
115 bpm • C# Maj • 02:37 • -20.15db
31% Popularity • 65% Danceability • 8% Energy • 12% Liveness
8% Instrumentalness • 48% Positiveness
31% Popularity • 65% Danceability • 8% Energy • 12% Liveness
8% Instrumentalness • 48% Positiveness
