Songs like The Touch by Cathy Davey
Based on a tempo of (+/- 10%) and a similar genre
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Bell X1
Amelia
114 bpm • C min • 06:58 • -9db
17% Popularity • 74% Danceability • 58% Energy • 20% Liveness
6% Instrumentalness • 74% Positiveness
17% Popularity • 74% Danceability • 58% Energy • 20% Liveness
6% Instrumentalness • 74% Positiveness
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Fran Healy
Sing Me to Sleep
115 bpm • C Maj • 04:00 • -8.61db
21% Popularity • 65% Danceability • 63% Energy • 12% Liveness
18% Instrumentalness • 94% Positiveness
21% Popularity • 65% Danceability • 63% Energy • 12% Liveness
18% Instrumentalness • 94% Positiveness
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Natalie Merchant
Golden Boy
114 bpm • C# Maj • 04:08 • -10.12db
27% Popularity • 67% Danceability • 54% Energy • 9% Liveness
20% Instrumentalness • 33% Positiveness
27% Popularity • 67% Danceability • 54% Energy • 9% Liveness
20% Instrumentalness • 33% Positiveness
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Flip Grater
The Quit
115 bpm • C Maj • 03:59 • -10.15db
13% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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John Grant
Where Dreams Go To Die
115 bpm • C Maj • 06:04 • -7.21db
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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David Kitt
Dancing In the Monnlight
115 bpm • G min • 03:27 • -12.96db
18% Popularity • 77% Danceability • 41% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
18% Popularity • 77% Danceability • 41% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Duke Special
Everybody Wants A Little Something
115 bpm • A Maj • 03:07 • -6.86db
13% Popularity • 71% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 71% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Cathy Davey
Moving
113 bpm • A Maj • 03:44 • -7db
9% Popularity • 70% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
9% Popularity • 70% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
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Beth Orton
1973
115 bpm • C Maj • 02:53 • -6.3db
19% Popularity • 81% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 81% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Laura Marling
Failure
115 bpm • G Maj • 03:21 • -12.17db
35% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jesca Hoop
Whispering Light
113 bpm • C Maj • 04:00 • -9.68db
16% Popularity • 72% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 72% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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David Kitt
What I Ask
113 bpm • A min • 07:54 • -8db
14% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
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Elizabeth & the Catapult
More Than Enough
113 bpm • A Maj • 02:40 • -5db
14% Popularity • 53% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 53% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Camera Obscura
Forests & Sands
113 bpm • C# Maj • 04:16 • -5.82db
29% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Cathy Davey
Rubbish Ocean
112 bpm • A Maj • 04:17 • -7.44db
7% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Cat Power
Could We
116 bpm • G Maj • 02:21 • -8.34db
37% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Watson Twins
How Am I To Be
116 bpm • C Maj • 03:05 • -9.73db
13% Popularity • 66% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 66% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Jenny Lewis
You Are What You Love
112 bpm • E Maj • 02:54 • -7db
27% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Gemma Hayes
Undercover
112 bpm • C# min • 04:10 • -6.75db
12% Popularity • 57% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 57% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Serafina Steer
Night Before Mutiny
116 bpm • E min • 05:01 • -18.5db
15% Popularity • 34% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
15% Popularity • 34% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
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Ham Sandwich
Models
112 bpm • C# min • 03:05 • -8.3db
25% Popularity • 58% Danceability • 54% Energy • 22% Liveness
4% Instrumentalness • 36% Positiveness
25% Popularity • 58% Danceability • 54% Energy • 22% Liveness
4% Instrumentalness • 36% Positiveness
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The Audreys
Nothing Wrong with Me
112 bpm • E min • 05:40 • -9.84db
15% Popularity • 56% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
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The Watson Twins
Just Like Heaven
116 bpm • A Maj • 04:17 • -9.52db
31% Popularity • 46% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 46% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Laura Cantrell
Bees
116 bpm • C Maj • 04:09 • -16.97db
13% Popularity • 46% Danceability • 8% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
13% Popularity • 46% Danceability • 8% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Belle and Sebastian
Ever Had A Little Faith?
112 bpm • C# min • 04:21 • -9.84db
26% Popularity • 56% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 56% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Anya Marina
High on the Ceiling
112 bpm • A Maj • 03:43 • -6.1db
18% Popularity • 83% Danceability • 73% Energy • 7% Liveness
66% Instrumentalness • 85% Positiveness
18% Popularity • 83% Danceability • 73% Energy • 7% Liveness
66% Instrumentalness • 85% Positiveness
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Karen Elson
Pretty Babies
116 bpm • A min • 03:25 • -7db
17% Popularity • 53% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 53% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Jolie Holland
A Crush In The Ghetto
117 bpm • C Maj • 03:01 • -13.45db
15% Popularity • 55% Danceability • 39% Energy • 6% Liveness
12% Instrumentalness • 18% Positiveness
15% Popularity • 55% Danceability • 39% Energy • 6% Liveness
12% Instrumentalness • 18% Positiveness
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Cat Power
Willie
117 bpm • C Maj • 05:57 • -9.44db
32% Popularity • 65% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 65% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Dawn Landes
Mud & Stars
117 bpm • A min • 02:37 • -7.57db
9% Popularity • 37% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 37% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Lia Ices
Love is Won
117 bpm • C# Maj • 05:23 • -9.2db
28% Popularity • 56% Danceability • 36% Energy • 19% Liveness
1% Instrumentalness • 18% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 19% Liveness
1% Instrumentalness • 18% Positiveness
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Cashier No. 9
Lost at Sea
117 bpm • E Maj • 04:07 • -5.84db
8% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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King Creosote
One Floor Down
117 bpm • D# Maj • 03:05 • -7.24db
20% Popularity • 57% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 57% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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The Late David Turpin
Deer Fable
117 bpm • E min • 03:35 • -17.75db
0% Popularity • 32% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 7% Positiveness
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Cat Power
Cherokee
117 bpm • E min • 04:45 • -8db
38% Popularity • 60% Danceability • 83% Energy • 36% Liveness
11% Instrumentalness • 32% Positiveness
38% Popularity • 60% Danceability • 83% Energy • 36% Liveness
11% Instrumentalness • 32% Positiveness
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Thao
When We Swam
117 bpm • C Maj • 02:58 • -5db
32% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Richard Hawley
Heart of Oak
111 bpm • D Maj • 04:26 • -10.4db
31% Popularity • 48% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 43% Positiveness
31% Popularity • 48% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 43% Positiveness
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Laura Marling
Devil's Spoke
118 bpm • D Maj • 03:38 • -9db
46% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jolie Holland
Tender Mirror
118 bpm • D Maj • 03:30 • -14.11db
10% Popularity • 52% Danceability • 25% Energy • 9% Liveness
14% Instrumentalness • 21% Positiveness
10% Popularity • 52% Danceability • 25% Energy • 9% Liveness
14% Instrumentalness • 21% Positiveness
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Caitlin Rose
Piledriver Waltz
111 bpm • C Maj • 03:54 • -9.04db
11% Popularity • 47% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
11% Popularity • 47% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Willy Mason
We Can Be Strong
110 bpm • C# min • 03:55 • -9db
31% Popularity • 51% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
31% Popularity • 51% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Tinpan Orange
Lovely
118 bpm • G Maj • 03:51 • -8.83db
8% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Suzanne Vega
I Never Wear White
118 bpm • A Maj • 03:08 • -8.76db
24% Popularity • 66% Danceability • 62% Energy • 23% Liveness
40% Instrumentalness • 63% Positiveness
24% Popularity • 66% Danceability • 62% Energy • 23% Liveness
40% Instrumentalness • 63% Positiveness
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Badly Drawn Boy
Above You Below Me
118 bpm • E min • 02:40 • -8.26db
24% Popularity • 50% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 50% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Seeker Lover Keeper
Theme I
118 bpm • E min • 04:58 • -12.21db
11% Popularity • 61% Danceability • 50% Energy • 25% Liveness
2% Instrumentalness • 66% Positiveness
11% Popularity • 61% Danceability • 50% Energy • 25% Liveness
2% Instrumentalness • 66% Positiveness
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Rachel Sermanni
Tractor
118 bpm • A Maj • 02:39 • -8.67db
8% Popularity • 80% Danceability • 54% Energy • 20% Liveness
5% Instrumentalness • 72% Positiveness
8% Popularity • 80% Danceability • 54% Energy • 20% Liveness
5% Instrumentalness • 72% Positiveness
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Yeah Yeah Yeahs
Hysteric - acoustic
118 bpm • C# Maj • 03:51 • -9.81db
27% Popularity • 42% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 42% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Holly Throsby
Things Between People
118 bpm • G# Maj • 04:05 • -9db
11% Popularity • 37% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 37% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Meg Washington
Welcome Stranger
118 bpm • D Maj • 03:58 • -9db
12% Popularity • 64% Danceability • 41% Energy • 18% Liveness
4% Instrumentalness • 56% Positiveness
12% Popularity • 64% Danceability • 41% Energy • 18% Liveness
4% Instrumentalness • 56% Positiveness
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Cathy Davey
All of You
110 bpm • E min • 03:39 • -14.65db
4% Popularity • 63% Danceability • 27% Energy • 27% Liveness
16% Instrumentalness • 41% Positiveness
4% Popularity • 63% Danceability • 27% Energy • 27% Liveness
16% Instrumentalness • 41% Positiveness
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Jessica Lea Mayfield
Blue Skies Again
118 bpm • C Maj • 03:48 • -6.51db
21% Popularity • 67% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
21% Popularity • 67% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Turin Brakes
Sea Change
110 bpm • E min • 04:02 • -10db
26% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
26% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jen Cloher
Better Off Dancing
110 bpm • A# min • 03:51 • -6.68db
20% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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First Aid Kit
Walk Unafraid
110 bpm • B min • 05:17 • -7.89db
39% Popularity • 52% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 52% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Laura Marling
Darkness Descends
118 bpm • D Maj • 03:40 • -10.37db
30% Popularity • 40% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 40% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jessica Lea Mayfield
Kiss Me Again
118 bpm • G min • 03:23 • -7.47db
18% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Turin Brakes
Feeling Oblivion
110 bpm • G Maj • 03:41 • -12.03db
32% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Beth Orton
Worms
118 bpm • F min • 02:04 • -16.26db
25% Popularity • 84% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 84% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Rufus Wainwright
The One You Love
119 bpm • A min • 03:42 • -5.64db
32% Popularity • 52% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 52% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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First Aid Kit
Dance to Another Tune
119 bpm • C min • 04:50 • -7.88db
25% Popularity • 31% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 31% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Cat Power
Breathless
110 bpm • C Maj • 05:05 • -10.84db
17% Popularity • 42% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 42% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Blue Roses
I Am Leaving
119 bpm • C Maj • 03:26 • -10.64db
12% Popularity • 49% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
12% Popularity • 49% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Holly Throsby
Making A Fire
109 bpm • A# Maj • 03:39 • -9.62db
13% Popularity • 70% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 70% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Laura Marling
The Captain And The Hourglass
109 bpm • D# Maj • 03:09 • -8.83db
35% Popularity • 60% Danceability • 56% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 60% Danceability • 56% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Emmy The Great
Part of Me
109 bpm • D Maj • 02:23 • -10.7db
11% Popularity • 65% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 65% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Fionn Regan
Put a Penny in the Slot
119 bpm • C# Maj • 03:59 • -9.31db
28% Popularity • 74% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 74% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Cathy Davey
Birdie
120 bpm • A min • 02:52 • -9.1db
2% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kathryn Williams
Flicker - Remastered
108 bpm • C Maj • 03:29 • -15.42db
12% Popularity • 54% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 54% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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She & Him
Thieves
120 bpm • G Maj • 04:07 • -4.82db
1% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Audreys
Banjo and Violin
120 bpm • D min • 03:02 • -7db
26% Popularity • 63% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Lizzie West
Chariot's Rise - EP Version
120 bpm • G# Maj • 03:16 • -5.6db
19% Popularity • 82% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 82% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Rachel Sermanni
Wine Sweet Wine
120 bpm • C Maj • 04:06 • -9.53db
8% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Cathy Davey
New Forest
120 bpm • A# min • 04:29 • -11.15db
2% Popularity • 48% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
2% Popularity • 48% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Gemma Hayes
Back Of My Hand
120 bpm • F# min • 03:46 • -7.87db
21% Popularity • 63% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 63% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Admiral Fallow
Beetle In The Box
108 bpm • A Maj • 03:35 • -6.82db
18% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Bell X1
Alphabet Soup
120 bpm • A Maj • 04:50 • -5.01db
26% Popularity • 55% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 55% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Aimee Mann
Patient Zero
108 bpm • A Maj • 03:41 • -9.63db
32% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Rilo Kiley
Let Me Back In
120 bpm • A Maj • 04:23 • -10db
29% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Cat Power
Dark End of the Street
120 bpm • G Maj • 04:01 • -12db
33% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Marika Hackman
Ophelia
108 bpm • E min • 03:33 • -12db
39% Popularity • 66% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 66% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Tinpan Orange
Barcelona
108 bpm • F# min • 03:39 • -7db
11% Popularity • 47% Danceability • 92% Energy • 27% Liveness
2% Instrumentalness • 50% Positiveness
11% Popularity • 47% Danceability • 92% Energy • 27% Liveness
2% Instrumentalness • 50% Positiveness
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Lily & Madeleine
Rabbit
121 bpm • D Maj • 03:03 • -6.85db
12% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 73% Positiveness
12% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 73% Positiveness
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Dawn Landes
Bodyguard
108 bpm • G min • 03:54 • -9.36db
15% Popularity • 70% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
15% Popularity • 70% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Laura Marling
Crawled Out Of The Sea (Interlude)
121 bpm • G Maj • 01:16 • -8.1db
42% Popularity • 41% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 41% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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The Staves
Tongue Behind My Teeth
107 bpm • B min • 03:27 • -10.98db
23% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Goldfrapp
Happiness
121 bpm • D# min • 04:16 • -6.12db
38% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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First Aid Kit
Blue
107 bpm • B Maj • 03:12 • -5.69db
36% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Cathy Davey
Cold Man's Nightmare
121 bpm • E min • 03:39 • -5.18db
8% Popularity • 54% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 54% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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Ham Sandwich
Illuminate
107 bpm • B min • 03:40 • -6.26db
26% Popularity • 69% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 69% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Printer Clips
The Dolphins and the World's Tallest Man
107 bpm • C Maj • 03:21 • -17.59db
3% Popularity • 63% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 63% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Audreys
Paradise City
122 bpm • C# min • 05:04 • -10.56db
13% Popularity • 62% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
13% Popularity • 62% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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Jesca Hoop
Havoc in Heaven
122 bpm • G# min • 04:09 • -10.7db
11% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Smoke Fairies
Eclipse Them All
122 bpm • C Maj • 04:05 • -11.09db
14% Popularity • 68% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
14% Popularity • 68% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Cerys Matthews
Open Roads
122 bpm • G# Maj • 03:46 • -8.8db
9% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bell X1
West Of Her Spine
122 bpm • G Maj • 03:19 • -9.96db
21% Popularity • 61% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 61% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jem
Beachwood Canyon
122 bpm • D Maj • 03:47 • -9.65db
15% Popularity • 44% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 44% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lost In The Trees
Walk Around the Lake
122 bpm • E min • 02:57 • -6.19db
19% Popularity • 47% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 47% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
