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The Tyger
Songs like
The Tyger
by
The Singers - Minnesota Choral Artists
Based on a tempo of (+/- 10%) and a similar genre
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
12% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
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Vytautas Miškinis
Angelis suis Deus
134 bpm • A min • 03:51 • -33.53db
10% Popularity • 16% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Judith Weir
My Guardian Angel
134 bpm • D Maj • 02:12 • -19.45db
7% Popularity • 17% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
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Arvo Pärt
Nunc Dimittis: Nunc dimittis
134 bpm • C# min • 05:06 • -28.51db
9% Popularity • 16% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
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Susan LaBarr
Grace Before Sleep (Live)
134 bpm • C# Maj • 04:14 • -27.58db
7% Popularity • 19% Danceability • 12% Energy • 70% Liveness
40% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
The Tyger
134 bpm • A min • 03:21 • -21.54db
3% Popularity • 24% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
135 bpm • A Maj • 04:05 • -25.76db
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Bob Chilcott
O Danny boy - SATB
135 bpm • D Maj • 03:04 • -26.47db
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
The Singers - Minnesota Choral Artists
El Rorro
132 bpm • G Maj • 03:12 • -33.42db
1% Popularity • 20% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
► Preview
Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
► Preview
Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Josquin des Prez
Ave Maria
136 bpm • C Maj • 06:07 • -25.7db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
136 bpm • E Maj • 00:39 • -29.15db
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
► Preview
Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
► Preview
Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Sven-David Sandström
Four Songs of Love: II. Until the Daybre...
137 bpm • G# Maj • 02:23 • -34.11db
8% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Canticle of Praise
136 bpm • F Maj • 05:03 • -20.12db
1% Popularity • 17% Danceability • 11% Energy • 7% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
The Concordia Choir
Pilgrim's Chorus
137 bpm • A Maj • 04:03 • -27.64db
13% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Pärt Uusberg
Muusika
131 bpm • F Maj • 02:55 • -27db
8% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
17% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
39% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Gwyneth Van Anden Walker
Crossing the Bar
137 bpm • C Maj • 05:22 • -22.03db
8% Popularity • 22% Danceability • 8% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
The University Of Utah Singers
All That Hath Life And Breath Praise Ye ...
131 bpm • G min • 02:47 • -18.42db
8% Popularity • 29% Danceability • 24% Energy • 34% Liveness
19% Instrumentalness • 13% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
18% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
The Singers - Minnesota Choral Artists
All Things Are Passing
131 bpm • C min • 06:18 • -16.29db
1% Popularity • 21% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
15% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
17% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Three Whitman Settings: 1. A Noiseless P...
131 bpm • A Maj • 03:26 • -25.2db
0% Popularity • 21% Danceability • 6% Energy • 10% Liveness
62% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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The Singers - Minnesota Choral Artists
I Will Lift Up Mine Eyes
138 bpm • E Maj • 03:36 • -29.45db
4% Popularity • 16% Danceability • 3% Energy • 15% Liveness
46% Instrumentalness • 3% Positiveness
► Preview
Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
8% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
The University Of Utah Singers
My Spirit Sang All Day
139 bpm • G Maj • 01:30 • -17.25db
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
Into Thy Hands
129 bpm • E Maj • 05:44 • -23.15db
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Alleluia
130 bpm • A min • 05:12 • -18.66db
1% Popularity • 18% Danceability • 7% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
► Preview
John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
23% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
► Preview
Dominick Argento
Seasons: No. 2, Winter
140 bpm • A min • 03:17 • -23.61db
0% Popularity • 22% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
O Come, Let Us Sing Unto The Lord
139 bpm • D# Maj • 03:05 • -19.86db
4% Popularity • 31% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Bogoroditse Dyevo
128 bpm • A Maj • 01:04 • -20.81db
2% Popularity • 29% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
Richte mich Gott (Psalm 43)
128 bpm • F Maj • 04:55 • -25.58db
21% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
16% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Tyger