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The Vampires
Songs like
The Vampires
by
Paul Simon
Based on a tempo of (+/- 10%) and a similar genre
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Paul Simon
Born in Puerto Rico
99 bpm • D min • 04:54 • -13.3db
24% Popularity • 60% Danceability • 32% Energy • 24% Liveness
1% Instrumentalness • 43% Positiveness
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David Byrne
Independence Day
99 bpm • A Maj • 05:43 • -12.87db
28% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Carole King
Bitter with the Sweet
99 bpm • C min • 02:27 • -13.68db
56% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Louis Armstrong
Skokiaan (South African Song)
99 bpm • A# Maj • 04:59 • -6db
29% Popularity • 60% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Donovan
Hey Gyp (Dig The Slowness)
99 bpm • C Maj • 03:09 • -10db
22% Popularity • 76% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Leonard Cohen
Democracy
99 bpm • C# Maj • 07:12 • -11.74db
34% Popularity • 73% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Simon
The Vampires
99 bpm • G min • 05:05 • -8.16db
25% Popularity • 67% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Kinks
Nothin' in the World Can Stop Me Worryin...
99 bpm • D min • 02:42 • -15.66db
49% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Band
King Harvest (Has Surely Come)
100 bpm • C Maj • 03:37 • -8db
44% Popularity • 58% Danceability • 69% Energy • 7% Liveness
14% Instrumentalness • 73% Positiveness
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Leon Russell
This Masquerade
100 bpm • A# Maj • 04:25 • -18.51db
33% Popularity • 52% Danceability • 13% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Donovan
Universal Soldier
100 bpm • F# Maj • 02:11 • -13db
44% Popularity • 60% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Ibrahim Ferrer
Boquiñeñe
98 bpm • E Maj • 03:34 • -12.62db
29% Popularity • 59% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Leonard Cohen
Darkness
100 bpm • F min • 04:29 • -13.97db
44% Popularity • 64% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Paul Simon
Virgil
98 bpm • D Maj • 02:49 • -11.51db
15% Popularity • 70% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Titi Robin
La petite mer
101 bpm • G Maj • 06:54 • -9.22db
32% Popularity • 49% Danceability • 71% Energy • 9% Liveness
46% Instrumentalness • 90% Positiveness
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Crosby, Stills & Nash
Dark Star
101 bpm • A min • 04:45 • -15.13db
50% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Donovan
Barabajagal
100 bpm • B min • 03:20 • -17db
38% Popularity • 67% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Elvis Costello
Jimmie Standing In The Rain
97 bpm • C# min • 04:15 • -11.16db
10% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Leonard Cohen
Tower of Song
100 bpm • E Maj • 05:39 • -21db
45% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Simon
Quality
98 bpm • A# Maj • 04:10 • -8.45db
19% Popularity • 39% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Simon & Garfunkel
Bleecker Street
101 bpm • E Maj • 02:43 • -16.22db
57% Popularity • 41% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 48% Positiveness
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Anonymous
Flor de venganza
97 bpm • G min • 04:17 • -6.84db
9% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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RodrÃguez
A Most Disgusting Song
97 bpm • E Maj • 04:49 • -7.64db
40% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
46% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Elvis Costello
God's Comic
97 bpm • E min • 05:31 • -12db
28% Popularity • 70% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Blood, Sweat & Tears
Spinning Wheel
97 bpm • G Maj • 04:07 • -9.31db
52% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Mose Allison
My Brain
97 bpm • A# Maj • 02:59 • -9.1db
23% Popularity • 81% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
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John Lee Hooker
Chill Out (Things Gonna Change) (2007 -...
97 bpm • C min • 04:47 • -11.29db
50% Popularity • 66% Danceability • 52% Energy • 7% Liveness
20% Instrumentalness • 72% Positiveness
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Naomi Shelton
What Have You Done
102 bpm • A# min • 03:45 • -5db
33% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Crosby, Stills & Nash
Cathedral
102 bpm • B Maj • 05:17 • -16db
43% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
72% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Peter, Paul and Mary
Don't Think Twice, It's All Right
102 bpm • D# Maj • 03:16 • -22.53db
58% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Yusuf / Cat Stevens
The First Cut Is The Deepest - Stereo Ve...
96 bpm • G Maj • 03:00 • -7db
61% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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B.B. King
Better Not Look Down
102 bpm • C# Maj • 03:22 • -11.18db
48% Popularity • 73% Danceability • 74% Energy • 4% Liveness
4% Instrumentalness • 78% Positiveness
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The Duke Of Iron
Loving Woman Is Waste of Time
96 bpm • E min • 03:02 • -9.62db
12% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby McFerrin
Thinkin' About Your Body - Live
96 bpm • C min • 03:15 • -19.34db
31% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Simon & Garfunkel
Kathy's Song
102 bpm • F# Maj • 03:17 • -16.67db
59% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Art Garfunkel
A Heart In New York
96 bpm • D min • 03:11 • -18.94db
38% Popularity • 44% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Yusuf / Cat Stevens
Lady D'Arbanville
102 bpm • E min • 03:45 • -13db
59% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Zap Mama
Brrlak!
96 bpm • F Maj • 03:30 • -11.69db
22% Popularity • 76% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Neil Young
Journey Through the Past
96 bpm • C Maj • 02:21 • -13db
56% Popularity • 52% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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The Doors
Queen of the Highway - Alternative Take ...
96 bpm • C Maj • 03:32 • -13.48db
13% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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John Boutté
Treme Song
103 bpm • G Maj • 04:23 • -10.29db
34% Popularity • 62% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Simon & Garfunkel
Cecilia
103 bpm • C Maj • 02:54 • -8.87db
74% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Orchestra Baobab
Cabral
95 bpm • C Maj • 04:32 • -7.93db
29% Popularity • 79% Danceability • 55% Energy • 9% Liveness
9% Instrumentalness • 94% Positiveness
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Donovan
Jersey Thursday
103 bpm • C min • 02:11 • -17.87db
46% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Rickie Lee Jones
Easy Money
103 bpm • E min • 03:19 • -12.87db
38% Popularity • 78% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Drew Gonsalves
Tick Tock Goes the Clock
95 bpm • C# min • 05:45 • -6.88db
10% Popularity • 87% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Joan As Police Woman
The Classic
103 bpm • G Maj • 03:26 • -8.14db
22% Popularity • 73% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Dion
New York Is My Home
95 bpm • E min • 04:31 • -10.82db
26% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Joan Armatrading
Water With The Wine
103 bpm • A Maj • 02:48 • -14.11db
33% Popularity • 70% Danceability • 48% Energy • 16% Liveness
1% Instrumentalness • 79% Positiveness
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Robert Palmer
Hey Julia
95 bpm • G Maj • 02:24 • -14.06db
35% Popularity • 79% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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John Boutté
Treme Song - Main Title Version
104 bpm • G Maj • 01:43 • -7.27db
32% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Paul Simon
Sure Don't Feel Like Love
104 bpm • G Maj • 03:57 • -8.37db
18% Popularity • 81% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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Dion
Song For Sam Cooke (Here In America)
104 bpm • G Maj • 04:24 • -7.53db
23% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Elvis Costello
Don't Let Me Be Misunderstood
94 bpm • B min • 03:21 • -9.27db
43% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Touré Kunda
Rapada
104 bpm • B min • 03:50 • -4db
18% Popularity • 88% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Robert Palmer
Every Kinda People
94 bpm • F# Maj • 03:18 • -12.64db
57% Popularity • 57% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Vieja Trova Santiaguera
El Tren
104 bpm • E Maj • 03:38 • -10.39db
13% Popularity • 55% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Simon
Trailways Bus
94 bpm • A Maj • 05:15 • -11.94db
19% Popularity • 60% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Leonard Cohen
I'm Your Man
94 bpm • B min • 04:25 • -16db
58% Popularity • 71% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Elvis Costello
Toledo
105 bpm • D Maj • 04:34 • -11.1db
41% Popularity • 74% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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C.W. Stoneking
I Heard The Marching Of The Drum
105 bpm • C# min • 03:56 • -6.6db
28% Popularity • 65% Danceability • 36% Energy • 11% Liveness
23% Instrumentalness • 81% Positiveness
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10cc
Dreadlock Holiday
105 bpm • G min • 05:01 • -10db
45% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Jethro Tull
A Song for Jeffrey - Mono
93 bpm • C Maj • 03:24 • -14.48db
45% Popularity • 52% Danceability • 52% Energy • 9% Liveness
34% Instrumentalness • 86% Positiveness
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Paul Simon
Duncan
94 bpm • G Maj • 04:43 • -13.69db
44% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Rickie Lee Jones
Sympathy For The Devil
93 bpm • G Maj • 06:27 • -22.48db
13% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Leonard Cohen
Everybody Knows
104 bpm • C# min • 05:34 • -13.83db
56% Popularity • 78% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Elvis Costello
God Give Me Strength
105 bpm • D Maj • 06:10 • -9.97db
35% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
51% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Les Négresses Vertes
Leila
105 bpm • F# Maj • 05:08 • -8.38db
15% Popularity • 82% Danceability • 75% Energy • 21% Liveness
17% Instrumentalness • 91% Positiveness
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Paul Simon
Have a Good Time
105 bpm • F min • 03:26 • -11.38db
41% Popularity • 67% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Chuck E. Weiss
Congo Square at Midnight
105 bpm • C Maj • 04:31 • -7.91db
11% Popularity • 78% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Leonard Cohen
Different Sides
94 bpm • B Maj • 04:05 • -13.26db
31% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Orchestra Baobab
Ami Kita Bay
93 bpm • G min • 05:25 • -8.57db
27% Popularity • 72% Danceability • 88% Energy • 11% Liveness
38% Instrumentalness • 91% Positiveness
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Simon & Garfunkel
The Boxer
93 bpm • B Maj • 05:08 • -14.46db
72% Popularity • 44% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Buffalo Springfield
Kind Woman
105 bpm • A Maj • 04:15 • -16db
45% Popularity • 68% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Simon
Stranded in a Limosine
105 bpm • B min • 03:10 • -9.74db
26% Popularity • 72% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Maurice el Medioni
Oran Oran
93 bpm • A# min • 08:38 • -7.63db
9% Popularity • 69% Danceability • 63% Energy • 21% Liveness
1% Instrumentalness • 88% Positiveness
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Donovan
Mellow Yellow
105 bpm • D Maj • 03:47 • -12.39db
53% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
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Leonard Cohen
Banjo
105 bpm • C Maj • 03:22 • -13.82db
28% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Simon & Garfunkel
Homeward Bound
93 bpm • D# Maj • 02:29 • -11.77db
68% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tok Tok Tok
50 Ways To Leave Your Lover*
106 bpm • G# Maj • 03:40 • -20db
32% Popularity • 82% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Simon
Killer Wants to Go to College
105 bpm • A Maj • 01:51 • -12.91db
21% Popularity • 72% Danceability • 35% Energy • 18% Liveness
7% Instrumentalness • 67% Positiveness
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Rickie Lee Jones
The Moon Is Made of Gold
92 bpm • E min • 03:00 • -16.3db
56% Popularity • 65% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Burdon
Wait
92 bpm • A min • 03:46 • -10.52db
13% Popularity • 80% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The James Hunter Six
The Gypsy
92 bpm • D Maj • 03:25 • -9.29db
20% Popularity • 66% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Simon & Garfunkel
Wednesday Morning, 3 A.M.
106 bpm • F Maj • 02:13 • -17db
57% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Habib Koité
Oh My Way to Bamako
92 bpm • C Maj • 03:15 • -12db
28% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Simon
The Obvious Child
93 bpm • G# Maj • 04:10 • -11.61db
53% Popularity • 52% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Crosby, Stills & Nash
Long Time Gone - 2005 Remaster
107 bpm • D Maj • 04:16 • -11.85db
48% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Lovin' Spoonful
Coconut Grove - 2003 Remaster
107 bpm • B min • 02:41 • -21db
43% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Leon Russell
Dixie Lullaby
107 bpm • C Maj • 02:35 • -11.47db
32% Popularity • 65% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Simon & Garfunkel
Leaves That Are Green
106 bpm • E Maj • 02:21 • -15.62db
55% Popularity • 54% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Robert Mitchum
Jean And Dinah
107 bpm • D Maj • 02:44 • -8db
31% Popularity • 72% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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Paul Simon
Killer Wants to Go to College II
107 bpm • F# min • 02:09 • -12.64db
15% Popularity • 76% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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David Byrne
The Rose Tattoo
107 bpm • A min • 03:51 • -15.28db
23% Popularity • 60% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Harry Nilsson
Me and My Arrow
92 bpm • A# Maj • 02:05 • -14.08db
45% Popularity • 80% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Crosby, Stills, Nash & Young
Love the One You're With - Live
107 bpm • A min • 03:25 • -11.58db
30% Popularity • 46% Danceability • 74% Energy • 72% Liveness
0% Instrumentalness • 51% Positiveness
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The Vampires