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The War Is Over
Songs like
The War Is Over
by
William Clarke
Based on a tempo of (+/- 10%) and a similar genre
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Bob Margolin
Big Tree Blues
105 bpm • A min • 03:23 • -16.67db
10% Popularity • 75% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Matt "Guitar" Murphy
Thump Tyme
105 bpm • A Maj • 03:38 • -13.39db
18% Popularity • 55% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 84% Positiveness
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Rick Estrin & The Nightcats
Nothing But Love
105 bpm • G min • 03:02 • -1.18db
28% Popularity • 49% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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William Clarke
The War Is Over
105 bpm • A Maj • 04:14 • -5.49db
3% Popularity • 35% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Rogers
You're Sweet
105 bpm • A Maj • 03:46 • -14.57db
35% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Carlos Del Junco
Diddle It
105 bpm • F min • 05:12 • -7.06db
8% Popularity • 60% Danceability • 87% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Jerry "Boogie" McCain
Honky Tonk Parts 1 & 2
106 bpm • F Maj • 03:50 • -9db
13% Popularity • 52% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Eddy Clearwater
A Good Leavin' Alone
105 bpm • G Maj • 04:12 • -2.59db
15% Popularity • 51% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
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Gary Primich
Brown Derby Liquor
104 bpm • F min • 03:38 • -7.24db
12% Popularity • 64% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Lynwood Slim
Found Love
106 bpm • A Maj • 04:05 • -8db
13% Popularity • 60% Danceability • 62% Energy • 24% Liveness
1% Instrumentalness • 60% Positiveness
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Jimmy Rogers
You're The One - Single Version
104 bpm • A# Maj • 02:32 • -13db
36% Popularity • 74% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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William Clarke
Must Be Jelly
104 bpm • C Maj • 07:03 • -15db
19% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Louisiana Red
Driftin'
106 bpm • C Maj • 05:44 • -7db
24% Popularity • 44% Danceability • 64% Energy • 10% Liveness
12% Instrumentalness • 55% Positiveness
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Johnnie Bassett
Love Lessons
104 bpm • D Maj • 03:36 • -7.81db
14% Popularity • 78% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Hubert Sumlin
I Could be You
106 bpm • C Maj • 03:43 • -7.42db
14% Popularity • 61% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Earl Hooker
Blue Guitar
104 bpm • A min • 02:39 • -7db
41% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
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Matt "Guitar" Murphy
Low Down and Dirty
107 bpm • A Maj • 05:22 • -12.14db
14% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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William Clarke
Must Be Jelly
104 bpm • C Maj • 07:01 • -14.05db
3% Popularity • 78% Danceability • 34% Energy • 15% Liveness
1% Instrumentalness • 61% Positiveness
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Jimmy Thackery And The Drivers
Chained To The Blues Line
103 bpm • C Maj • 05:01 • -6.8db
21% Popularity • 67% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
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Rick Estrin & The Nightcats
Zonin'
107 bpm • F Maj • 03:31 • -6db
16% Popularity • 64% Danceability • 61% Energy • 5% Liveness
9% Instrumentalness • 88% Positiveness
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Mark Hummel
Hand Jive
107 bpm • C Maj • 04:48 • -7.48db
7% Popularity • 56% Danceability • 72% Energy • 11% Liveness
84% Instrumentalness • 35% Positiveness
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Sam Myers
Coming From The Old School
103 bpm • C Maj • 04:28 • -6.42db
10% Popularity • 55% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Fenton Robinson
I've Changed - Remastered
107 bpm • C# Maj • 04:22 • -4.31db
35% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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William Clarke
The Boss
106 bpm • B min • 04:26 • -7.59db
14% Popularity • 45% Danceability • 68% Energy • 32% Liveness
7% Instrumentalness • 55% Positiveness
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The Jimmy Rogers All Stars
Bright Lights Big City
107 bpm • D Maj • 03:41 • -8.5db
14% Popularity • 64% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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James Harman
Ain't It Crazy
107 bpm • E Maj • 03:16 • -8.2db
11% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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A.C. Reed
Moving Out Of The Ghetto
103 bpm • F Maj • 03:53 • -13.65db
27% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Snooky Pryor
Can I Get a Witness?
108 bpm • A Maj • 04:08 • -11.53db
22% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Johnnie Johnson
Blues #572
107 bpm • G Maj • 03:31 • -14.24db
16% Popularity • 61% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 48% Positiveness
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William Clarke
Fine Little Mama
107 bpm • A Maj • 03:14 • -5.84db
1% Popularity • 66% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmy Dawkins
Welfare Blues
108 bpm • F# min • 04:31 • -11.96db
20% Popularity • 52% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Lazy Lester
Raining In My Heart
102 bpm • G Maj • 04:08 • -13.04db
21% Popularity • 58% Danceability • 40% Energy • 11% Liveness
52% Instrumentalness • 76% Positiveness
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Lil Ed & The Blues Imperials
I Love My Baby
108 bpm • D Maj • 03:44 • -6.03db
23% Popularity • 55% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Margolin
Goin' Back Out On The Road
108 bpm • D Maj • 03:15 • -9.96db
17% Popularity • 58% Danceability • 80% Energy • 28% Liveness
4% Instrumentalness • 97% Positiveness
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Rick Estrin & The Nightcats
Looking For A Woman
108 bpm • C min • 05:21 • -6.35db
22% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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William Clarke
Diggin My Potatoes
108 bpm • A Maj • 03:54 • -5.85db
5% Popularity • 67% Danceability • 85% Energy • 30% Liveness
2% Instrumentalness • 81% Positiveness
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Jimmy Dawkins
Off Business
102 bpm • A# Maj • 06:01 • -15.05db
12% Popularity • 45% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Lazy Lester
Strange Things Happen
108 bpm • E Maj • 03:34 • -7.1db
30% Popularity • 57% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Fenton Robinson
Directly From My Heart To You - Remaster...
108 bpm • G Maj • 04:19 • -3.62db
35% Popularity • 51% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Cephas & Wiggins
Ain't Seen My Baby
108 bpm • A Maj • 03:22 • -6.91db
24% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Billy Boy Arnold
Worried Life Blues
108 bpm • C Maj • 03:25 • -15.63db
25% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Tony Holiday
Pickpocket Fingers
108 bpm • A Maj • 03:50 • -7.43db
16% Popularity • 70% Danceability • 45% Energy • 32% Liveness
13% Instrumentalness • 60% Positiveness
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Jimmy Rogers
Goin' Away Baby - Single Version
102 bpm • G Maj • 02:46 • -14.97db
29% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Homesick James
Nothing But Trouble
102 bpm • F Maj • 03:02 • -13.89db
8% Popularity • 44% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 93% Positiveness
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Jerry "Boogie" McCain
Steady (Fifties Classic)
109 bpm • A# Maj • 02:07 • -9.89db
11% Popularity • 66% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Bonnie Lee
That's All Right
109 bpm • C Maj • 05:39 • -9.51db
28% Popularity • 56% Danceability • 53% Energy • 22% Liveness
4% Instrumentalness • 76% Positiveness
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A.C. Reed
Party With Y'all
109 bpm • G Maj • 03:12 • -9.53db
9% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Otis Grand
Guitars On Fire
101 bpm • G Maj • 02:10 • -5.32db
10% Popularity • 48% Danceability • 91% Energy • 34% Liveness
76% Instrumentalness • 76% Positiveness
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Fenton Robinson
Texas Flood - Remastered
109 bpm • A Maj • 04:21 • -4.81db
36% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Byther Smith
All For Business
109 bpm • C Maj • 03:19 • -8.12db
24% Popularity • 72% Danceability • 65% Energy • 38% Liveness
30% Instrumentalness • 89% Positiveness
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Luther Johnson
You Told Me You Love Me
109 bpm • E Maj • 03:39 • -8.67db
13% Popularity • 70% Danceability • 59% Energy • 6% Liveness
2% Instrumentalness • 86% Positiveness
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Little Charlie & The Nightcats
Wildcattin'
101 bpm • F# Maj • 05:05 • -16.4db
9% Popularity • 67% Danceability • 55% Energy • 74% Liveness
62% Instrumentalness • 70% Positiveness
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A.C. Reed
Going To New York
109 bpm • G Maj • 04:03 • -5.22db
10% Popularity • 69% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Lonnie Mack
Double Whammy aka Wham!
110 bpm • E Maj • 03:38 • -7.64db
19% Popularity • 30% Danceability • 97% Energy • 16% Liveness
90% Instrumentalness • 67% Positiveness
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Matt "Guitar" Murphy
Gonna Be Some Changes Made
101 bpm • B min • 03:23 • -12.83db
11% Popularity • 67% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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William Clarke
Deal the Cards
110 bpm • D Maj • 07:20 • -10.59db
11% Popularity • 59% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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Roomful Of Blues
That's Right!
110 bpm • F min • 02:26 • -3.52db
22% Popularity • 55% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Guitar Shorty
Let My Guitar Do The Talking
100 bpm • E min • 04:50 • -5db
33% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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A.C. Reed
Big Woman
109 bpm • C Maj • 03:27 • -9.15db
13% Popularity • 59% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Jimmy Johnson
Drowning On Dry Land
100 bpm • E Maj • 05:37 • -10.53db
22% Popularity • 61% Danceability • 49% Energy • 21% Liveness
2% Instrumentalness • 55% Positiveness
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Son Seals
Cotton Picking Blues
100 bpm • C Maj • 04:41 • -13db
30% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Magic Sam
I Need You so Bad
100 bpm • A Maj • 04:56 • -12db
16% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Dennis Gruenling
You Got It
110 bpm • A# Maj • 03:14 • -5.52db
12% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Earl Hooker
End Of The Blues
100 bpm • G Maj • 04:27 • -11db
28% Popularity • 59% Danceability • 34% Energy • 21% Liveness
72% Instrumentalness • 56% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
32% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmy Johnson
Serves Me Right To Suffer aka Memory Pai...
110 bpm • B min • 03:59 • -9.96db
28% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Steve Bailey & The Blue Flames
Eyesight to the Blind
110 bpm • D Maj • 03:39 • -10.52db
18% Popularity • 67% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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The Kilborn Alley Blues Band
Ntohin' Left To Stimulate
100 bpm • E Maj • 03:35 • -4db
11% Popularity • 49% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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A.C. Reed
Mojo Hand
110 bpm • G Maj • 04:30 • -12.76db
18% Popularity • 87% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Johnny Copeland
Rolling With The Punches
100 bpm • G# Maj • 06:34 • -8.25db
32% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
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Billy Boy Arnold
High Fashion Woman
110 bpm • D Maj • 03:18 • -14.47db
21% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Eddie Taylor
Blues In The Rain
111 bpm • E min • 03:41 • -14db
14% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Hound Dog Taylor
Talk To My Baby aka I Can't Hold Out - R...
111 bpm • F# Maj • 03:15 • -6.53db
13% Popularity • 62% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmy Rogers
Left Me With A Broken Heart - Single Ver...
111 bpm • C min • 02:58 • -8db
29% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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A.C. Reed
Going To New York
110 bpm • E min • 03:39 • -12.83db
26% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Elmore James
Standing at the Crossroads
100 bpm • G Maj • 02:58 • -4.62db
20% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Snooky Pryor
Crazy 'Bout My Baby
111 bpm • D Maj • 03:34 • -12db
26% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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Eddie Taylor
Big Town Playboy
100 bpm • E Maj • 02:59 • -7.58db
28% Popularity • 57% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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B.B. & The Blues Shacks
Pardon Me
111 bpm • A Maj • 03:44 • -6db
17% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Little Charlie & The Nightcats
Nervous
111 bpm • D Maj • 03:18 • -12.58db
23% Popularity • 65% Danceability • 61% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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Jimmy Reed
Take Out Some Insurance
111 bpm • A Maj • 02:23 • -14db
51% Popularity • 75% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hubert Sumlin
Happy With My French Friends
111 bpm • C Maj • 04:00 • -12.65db
40% Popularity • 65% Danceability • 49% Energy • 13% Liveness
80% Instrumentalness • 82% Positiveness
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Snooky Pryor
Stick Way out Behind
111 bpm • C Maj • 03:23 • -12.55db
26% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Cash Box Kings
Poison In My Whiskey
99 bpm • D Maj • 04:43 • -2.82db
11% Popularity • 45% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Louisiana Red
Freight Train to Ride
99 bpm • G Maj • 03:28 • -15db
29% Popularity • 57% Danceability • 22% Energy • 6% Liveness
10% Instrumentalness • 36% Positiveness
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Son Seals
I Believe To My Soul
112 bpm • G Maj • 04:13 • -7.54db
34% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Harmonica Shah
She Used to Be Beautiful
99 bpm • G min • 04:38 • -5.99db
13% Popularity • 47% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Hubert Sumlin
Jerking In Paris
112 bpm • G Maj • 03:59 • -9.25db
19% Popularity • 70% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 75% Positiveness
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Sean Costello
Those Lonely Lonely Nights
99 bpm • E Maj • 02:40 • -4.71db
11% Popularity • 74% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Lil Ed & The Blues Imperials
Whiskey Flavored Tears
112 bpm • D Maj • 02:50 • -3.03db
28% Popularity • 52% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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William Clarke
Trying To Stretch My Money
112 bpm • D Maj • 04:00 • -11.69db
11% Popularity • 59% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
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Luther "Guitar Junior" Johnson
Somebody Have Mercy
112 bpm • G Maj • 03:05 • -13db
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lafayette Leake
Fine Little Angel (Take 1)
112 bpm • F Maj • 03:39 • -11.05db
12% Popularity • 57% Danceability • 50% Energy • 12% Liveness
18% Instrumentalness • 82% Positiveness
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Katie Webster
I'm Bad
112 bpm • E min • 04:36 • -13.56db
20% Popularity • 76% Danceability • 39% Energy • 35% Liveness
13% Instrumentalness • 36% Positiveness
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Fenton Robinson
Going To Chicago - Remastered
98 bpm • F min • 03:47 • -6.17db
41% Popularity • 59% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Nick Moss & The Flip Tops
Ain't Times Hard
98 bpm • D Maj • 04:01 • -4db
28% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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William Clarke
Cash Money
112 bpm • G Maj • 03:39 • -11.63db
25% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
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Roomful Of Blues
Phone Zombies
98 bpm • G min • 03:35 • -4.37db
34% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Little Charlie & The Nightcats
Eyes Like A Cat
113 bpm • F# min • 03:20 • -12.77db
17% Popularity • 58% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Sonny Boy Williamson II
Nine Below Zero - 1961 Single Version
98 bpm • C Maj • 03:28 • -5db
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The War Is Over