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The Water Is Wide
Songs like
The Water Is Wide
by
Eleanor Tomlinson
Based on a tempo of (+/- 10%) and a similar genre
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Cerys Matthews
Myfanwy
132 bpm • C Maj • 03:17 • -13.36db
28% Popularity • 46% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rowenda Taheny
Early One Morning
132 bpm • D Maj • 03:48 • -14.54db
9% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Eleanor Tomlinson
The Water Is Wide
132 bpm • D# Maj • 03:08 • -10.83db
13% Popularity • 24% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Dolores Keane
Will Ye Go To Flanders
132 bpm • C Maj • 03:39 • -16db
22% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Chloë
Like an Angel
132 bpm • C# Maj • 04:29 • -7.58db
10% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Calum Stewart
The Bell of Ardclach
132 bpm • F Maj • 05:53 • -11.62db
30% Popularity • 39% Danceability • 37% Energy • 28% Liveness
97% Instrumentalness • 47% Positiveness
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Siobhan Miller
Bonny Light Horseman
133 bpm • C Maj • 05:12 • -12.68db
27% Popularity • 35% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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John Haywood
Invincible
131 bpm • D Maj • 03:44 • -9db
14% Popularity • 32% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Eleanor Tomlinson
Hushabye Mountain
132 bpm • B min • 02:59 • -13.48db
34% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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The Corries
Shenendoah
131 bpm • C# Maj • 03:48 • -22db
21% Popularity • 36% Danceability • 10% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
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Kate Rusby
The Mermaid
131 bpm • D min • 04:30 • -11.56db
30% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ella Roberts
The Bonnie Banks of Loch Lomond
131 bpm • E Maj • 04:27 • -10.32db
44% Popularity • 32% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Cathie Ryan
Walk the Road
131 bpm • D# Maj • 04:05 • -8.8db
13% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Katie Kirk
The Snow It Melts the Soonest
133 bpm • B min • 04:09 • -9.73db
20% Popularity • 54% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Siobhan Miller
Tranent
133 bpm • A Maj • 03:06 • -10db
30% Popularity • 57% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Karen Matheson
Chi Mi Bhuam
134 bpm • C Maj • 04:27 • -19.52db
29% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Julie Fowlis
Dh’èirich Mi Moch, b' Fheà rr Nach Do...
130 bpm • G Maj • 03:46 • -9.84db
29% Popularity • 23% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Karan Casey
The Nightingale
130 bpm • C# min • 04:05 • -13.5db
9% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Mediæval Bæbes
Lavender's Blue
130 bpm • A# Maj • 03:00 • -14.55db
15% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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KasÃr
Moonrise
135 bpm • A# Maj • 03:58 • -16.69db
40% Popularity • 42% Danceability • 10% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
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Eleanor Tomlinson
Who Knows Where the Time Goes?
130 bpm • D# Maj • 04:17 • -12.19db
8% Popularity • 35% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Heather Dale
The Trial of Lancelot
129 bpm • D Maj • 06:20 • -8.77db
24% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Julie Fowlis
Òran Fir Heisgeir (Gura Mis' Tha Fo Mh�...
135 bpm • B min • 03:54 • -12.3db
19% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Eleanor Shanley
Gorgeous and Bright
135 bpm • D Maj • 03:01 • -10.6db
23% Popularity • 70% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Cathie Ryan
Slan Abhaile
129 bpm • G Maj • 03:49 • -10.31db
25% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Karine Polwart
Travel These Ways
129 bpm • A# Maj • 03:17 • -14.93db
24% Popularity • 52% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Josie Duncan
The Great Escape
129 bpm • G# Maj • 03:41 • -16.35db
8% Popularity • 45% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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John McCutcheon
Rambling Irishman
129 bpm • D Maj • 05:22 • -9.59db
27% Popularity • 34% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Julie Fowlis
Piuthrag Nam Piuth'r
129 bpm • C# Maj • 04:05 • -8.7db
20% Popularity • 37% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Outside Track
Sweet Lover of Mine
136 bpm • C Maj • 03:38 • -14.62db
19% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Capercaillie
Maideanan na h-Airidh
136 bpm • E Maj • 01:28 • -14.86db
27% Popularity • 22% Danceability • 16% Energy • 12% Liveness
10% Instrumentalness • 16% Positiveness
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Ella Roberts
Elluria's Lament
136 bpm • D# Maj • 04:09 • -8.13db
24% Popularity • 25% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Eleanor Tomlinson
Tapestry
128 bpm • F Maj • 03:15 • -11.73db
9% Popularity • 35% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Karan Casey
Bright Winter's Day
137 bpm • D min • 03:36 • -16.88db
28% Popularity • 54% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Julie Fowlis
Òran an Ròin
136 bpm • D# Maj • 02:35 • -12.57db
40% Popularity • 36% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Kate Price
Peaceweaver
128 bpm • A min • 04:13 • -12.09db
13% Popularity • 44% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Capercaillie
Fear a Bhata
128 bpm • G Maj • 01:54 • -10.23db
38% Popularity • 26% Danceability • 32% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
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Sam Kelly
If I Were a Blackbird
127 bpm • F Maj • 04:51 • -11.53db
17% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Danú
County Down
127 bpm • F Maj • 04:50 • -14.23db
26% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Smith
The Mermaid of Galloway
127 bpm • B min • 05:49 • -13.62db
8% Popularity • 73% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Julie Fowlis
The Hill Burns (River Dee)
137 bpm • C min • 03:57 • -16.02db
16% Popularity • 33% Danceability • 26% Energy • 34% Liveness
1% Instrumentalness • 24% Positiveness
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Deirdre Connolly
Erin Grá Ma Chrói (Ireland Of My Heart...
127 bpm • A Maj • 05:16 • -12.13db
11% Popularity • 29% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Capercaillie
Tighinn Air A'mhuir Am Fear A Phosas Mi
136 bpm • F min • 03:47 • -9.18db
29% Popularity • 52% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Deanta
The Benedy Glen
127 bpm • E min • 05:53 • -15db
18% Popularity • 33% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Goitse
An Bonnán BuÃ
137 bpm • G Maj • 04:02 • -8db
9% Popularity • 48% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jackie Oates
The Worthy Wood Carol
138 bpm • G min • 03:57 • -14.85db
12% Popularity • 39% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Eleanor Tomlinson
I Can't Make You Love Me
126 bpm • C Maj • 04:23 • -13.13db
10% Popularity • 34% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Kathleen MacInnes
Gur Milis Mòrag
126 bpm • G Maj • 03:26 • -14.81db
18% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Karine Polwart
Follow The Heron
126 bpm • A Maj • 03:11 • -9.08db
32% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lúnasa
The Dregs of Birch
138 bpm • A# Maj • 03:51 • -9.41db
16% Popularity • 45% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Niamh Parsons
An Paistin Fionn
139 bpm • F Maj • 05:06 • -12db
17% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jackie Oates
Hail! Hail! the First of May
138 bpm • D Maj • 02:38 • -9.63db
26% Popularity • 68% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Eleanor Tomlinson
If You Could Read My Mind
126 bpm • A# Maj • 04:01 • -9.12db
11% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Corries
The Skye Boat Song
139 bpm • D# Maj • 03:16 • -18.64db
37% Popularity • 40% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Alan Reid
O, Were I on Parnassus Hill
139 bpm • C min • 03:28 • -11.72db
29% Popularity • 39% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Iona Fyfe
Bonnie Lass of Fyvie
125 bpm • D# Maj • 05:31 • -10db
19% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Clamavi De Profundis
The Castle of Dromore
125 bpm • C Maj • 04:19 • -15.56db
18% Popularity • 28% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Mairead Nesbitt
The Dawn
125 bpm • E min • 04:53 • -10.59db
14% Popularity • 31% Danceability • 60% Energy • 6% Liveness
22% Instrumentalness • 43% Positiveness
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Ella Roberts
Errigal
125 bpm • F Maj • 04:09 • -8.49db
27% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Clydesiders
I Once Loved A Lass
125 bpm • G Maj • 05:26 • -10db
14% Popularity • 42% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Ashley Serena
Too-Ra-Loo-Ra-Loo-Ral
140 bpm • D# Maj • 03:25 • -15.47db
25% Popularity • 36% Danceability • 10% Energy • 6% Liveness
2% Instrumentalness • 36% Positiveness
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Cathie Ryan
Somewhere Along The Road
125 bpm • C Maj • 04:23 • -15db
29% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Libera
Wayfaring Stranger
124 bpm • D min • 04:03 • -14.51db
28% Popularity • 21% Danceability • 16% Energy • 6% Liveness
2% Instrumentalness • 16% Positiveness
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Siobhan Miller
Cold Blows the Rainy Night
125 bpm • D Maj • 03:16 • -7.28db
24% Popularity • 38% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Arcady
The Boys Of Barr Na Sraide
140 bpm • F Maj • 04:46 • -16.79db
28% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Spell Songs
Selkie-boy
124 bpm • A Maj • 05:05 • -13db
30% Popularity • 51% Danceability • 25% Energy • 70% Liveness
0% Instrumentalness • 10% Positiveness
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Emily Smith
The Final Trawl
140 bpm • C Maj • 04:11 • -9.27db
17% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Rachel Walker
Braighe Lochiall
124 bpm • C Maj • 03:37 • -11db
14% Popularity • 41% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Bill Whelan
Lift The Wings
124 bpm • A Maj • 04:25 • -16.61db
32% Popularity • 35% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Siobhan Miller
While the Whole World Sleeps
124 bpm • B Maj • 04:00 • -11.9db
24% Popularity • 46% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 26% Positiveness
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De Dannan
Let It Be
124 bpm • D Maj • 03:29 • -19db
35% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Bear McCreary
An Fhìdeag Airgid
124 bpm • G min • 01:35 • -24.77db
34% Popularity • 37% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Magpie Lane
Oxford City
141 bpm • C# Maj • 04:01 • -13.27db
20% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Wailin' Jennys
By Way of Sorrow
141 bpm • D Maj • 03:35 • -7.55db
27% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Corries
Tiree Love Song
141 bpm • G Maj • 03:14 • -17.35db
17% Popularity • 40% Danceability • 23% Energy • 14% Liveness
3% Instrumentalness • 80% Positiveness
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Ella Roberts
The Skye Boat Song
123 bpm • F Maj • 04:16 • -9.05db
35% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Kate Rusby
The Witch of the Westmorland
123 bpm • C# Maj • 06:34 • -12.2db
22% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Aoife Ni Fhearraigh
CailÃn Na Gruaige Báine
141 bpm • C Maj • 05:28 • -14db
13% Popularity • 18% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Capercaillie
At the Heart of It All
142 bpm • G Maj • 04:59 • -9db
29% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Niamh Parsons
Clohinne Winds
142 bpm • A min • 04:48 • -13db
14% Popularity • 40% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Colm Keegan
Found the One
122 bpm • D Maj • 03:10 • -9.42db
14% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Ella Roberts
Wild Mountain Thyme
142 bpm • D Maj • 04:35 • -8.08db
35% Popularity • 22% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Rebecca Winckworth
Mists of Islay
122 bpm • D min • 03:06 • -15.75db
10% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Emily Smith
Craigieburn Wood
122 bpm • G# Maj • 04:37 • -9.43db
32% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Karan Casey
The Creggan White Hare
122 bpm • D Maj • 04:17 • -9db
12% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Niamh Parsons
West Coast of Clare
121 bpm • F# min • 04:47 • -17.56db
8% Popularity • 45% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Frances Black
Sky Road
122 bpm • G Maj • 04:28 • -11.17db
31% Popularity • 70% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Mairead Nesbitt
The First Sheaf
121 bpm • A min • 01:49 • -10.15db
27% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Dreamers
Boolavogue
144 bpm • B Maj • 03:13 • -7.08db
17% Popularity • 35% Danceability • 48% Energy • 16% Liveness
6% Instrumentalness • 36% Positiveness
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Darby DeVon
Daydreams
144 bpm • D Maj • 03:50 • -11.84db
23% Popularity • 48% Danceability • 49% Energy • 11% Liveness
68% Instrumentalness • 72% Positiveness
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Caladh Nua
Song - Craigie Hills
144 bpm • A Maj • 03:42 • -10.52db
32% Popularity • 59% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Mary Fahl
Gravity (Move Mountains, Turn Rivers Aro...
121 bpm • A Maj • 04:04 • -10.77db
19% Popularity • 39% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Kathleen MacInnes
Oran na Cloiche
145 bpm • C# Maj • 03:30 • -9.3db
30% Popularity • 51% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mairead Nesbitt
Becoming
121 bpm • A min • 02:48 • -10.92db
10% Popularity • 53% Danceability • 51% Energy • 30% Liveness
8% Instrumentalness • 67% Positiveness
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Davy Steele
O Once I Lov'd a Bonnie Lass
145 bpm • D Maj • 03:27 • -16.09db
29% Popularity • 28% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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NATI.
When You Come Home Again
120 bpm • A Maj • 04:27 • -7db
32% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Outside Track
The Banks of Sweet Dundee
120 bpm • F Maj • 05:17 • -9.61db
14% Popularity • 45% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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The Celtic Tenors
In My Daughter's Eyes
120 bpm • C# Maj • 03:46 • -6.69db
32% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Kathleen MacInnes
Gaol Ise Gaol I (She's My Love)
120 bpm • C Maj • 02:47 • -6.53db
35% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Mairead Nesbitt
Belles of Tipperary / The Star of Munste...
120 bpm • G Maj • 02:33 • -9.16db
25% Popularity • 56% Danceability • 53% Energy • 12% Liveness
17% Instrumentalness • 79% Positiveness
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The Water Is Wide