Songs like The Way You Look Tonight (feat. Keelan Donovan) by Tenille Townes
Based on a tempo of (+/- 10%) and a similar genre
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Caroline Jones
Chasin' Me
108 bpm • F Maj • 04:09 • -4.7db
33% Popularity • 71% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 71% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Kassi Ashton
Pretty Shiny Things
108 bpm • C Maj • 03:08 • -10.82db
28% Popularity • 58% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 58% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tenille Townes
The Way You Look Tonight
108 bpm • F Maj • 04:17 • -4.17db
29% Popularity • 68% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 68% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Lauren Alaina
In My Veins
108 bpm • E Maj • 02:46 • -6.19db
33% Popularity • 65% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 65% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Ingrid Andress
Waste of Lime
108 bpm • A Maj • 03:08 • -5.35db
42% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Runaway June
We Were Rich
107 bpm • B Maj • 03:38 • -6.66db
31% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Keelan Donovan
I Don't Want This Night To End
107 bpm • F Maj • 03:00 • -4.57db
5% Popularity • 60% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 60% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Brett Eldredge
Crowd My Mind
109 bpm • D# Maj • 03:08 • -8.95db
39% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Hall
Half Past You
110 bpm • G# Maj • 02:51 • -4db
27% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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MacKenzie Porter
Drinkin' Songs
110 bpm • C Maj • 03:27 • -3.53db
29% Popularity • 57% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 57% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
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Runaway June
We Were Rich (New Version)
107 bpm • B Maj • 03:37 • -6.16db
30% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Ingrid Andress
Life of the Party
110 bpm • B Maj • 02:56 • -6.28db
33% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wade
Last Cigarette
110 bpm • A min • 02:49 • -5.03db
42% Popularity • 61% Danceability • 60% Energy • 46% Liveness
3% Instrumentalness • 70% Positiveness
42% Popularity • 61% Danceability • 60% Energy • 46% Liveness
3% Instrumentalness • 70% Positiveness
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Eric Church
Through My Ray-Bans
110 bpm • F Maj • 04:33 • -11.39db
43% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Nate Smith
I Don’t Want to Go To Heaven
105 bpm • C Maj • 03:25 • -6.06db
44% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Alee
No One Like You
105 bpm • F Maj • 03:01 • -5.77db
21% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Kassi Ashton
Black Motorcycle
110 bpm • E min • 03:16 • -5.8db
41% Popularity • 55% Danceability • 64% Energy • 30% Liveness
4% Instrumentalness • 32% Positiveness
41% Popularity • 55% Danceability • 64% Energy • 30% Liveness
4% Instrumentalness • 32% Positiveness
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Kelsea Ballerini
hole in the bottle - ballerini album ver...
105 bpm • E Maj • 02:32 • -6.38db
33% Popularity • 67% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 67% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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The Washboard Union
Dock Rock
105 bpm • A Maj • 03:09 • -4db
38% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Stephanie Quayle
Whatcha Drinkin 'Bout
105 bpm • G# Maj • 02:46 • -1.57db
22% Popularity • 72% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 72% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Trisha Yearwood
Every Girl in This Town
112 bpm • G Maj • 02:59 • -7.25db
22% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Townes
Home to Me
105 bpm • F Maj • 03:25 • -7.54db
25% Popularity • 67% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 67% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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The Washboard Union
Never Run Outta Road
105 bpm • A# Maj • 03:28 • -3.66db
27% Popularity • 50% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 50% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Tenille Arts
Somebody Like That (Acoustic)
105 bpm • F# Maj • 03:14 • -5.14db
35% Popularity • 73% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 73% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Niko Moon
DANCE WITH ME
112 bpm • F# Maj • 03:38 • -9.23db
43% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Kylie Morgan
Cuss A Little
112 bpm • A# Maj • 02:48 • -7.5db
43% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
33% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Charles Esten
Sweet Summer Saturday Night
104 bpm • A Maj • 03:17 • -4.93db
17% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Devin Dawson
I Got a Truck
104 bpm • E Maj • 03:43 • -5.28db
23% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Miranda Lambert
Fooled Around and Fell in Love
112 bpm • F Maj • 04:09 • -4.89db
47% Popularity • 58% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 58% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Laci Kaye Booth
Don't Call Me
113 bpm • B Maj • 05:00 • -5.43db
22% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Mae Estes
Roses
103 bpm • A Maj • 03:17 • -6.24db
29% Popularity • 62% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 62% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Brett Eldredge
Fall For Me
103 bpm • F Maj • 03:35 • -7.81db
28% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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The Reklaws
I Do Too
103 bpm • B Maj • 03:13 • -5.75db
41% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Bryce Merritt
Electric Love
103 bpm • C# Maj • 03:33 • -11.24db
0% Popularity • 63% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 63% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Laci Kaye Booth
I'm Over You
113 bpm • C Maj • 03:01 • -4.53db
15% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Lauren Alaina
It Was Me
114 bpm • F# Maj • 04:43 • -5.97db
23% Popularity • 37% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 37% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Meghan Patrick
Be Country with Me
103 bpm • G Maj • 03:55 • -3.37db
25% Popularity • 48% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 48% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Ross Ellis
Buy and Buy
114 bpm • B Maj • 03:47 • -5.99db
38% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Adam Hambrick
The Longer I Lay Here
102 bpm • G Maj • 02:39 • -4.34db
29% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Keelan Donovan
This Is Our Story
102 bpm • G Maj • 03:12 • -7.68db
2% Popularity • 57% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 57% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Tenille Townes
When's It Gonna Happen
102 bpm • C Maj • 03:37 • -4.55db
28% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
33% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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The Shires
Lightning Strikes
102 bpm • E Maj • 02:53 • -5.56db
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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ALISSA GRIFFITH
Feathers
115 bpm • F# Maj • 03:26 • -6.25db
9% Popularity • 79% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 79% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Abby Anderson
Don't Matter Now
115 bpm • D Maj • 03:43 • -7.36db
27% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Emily Reid
Stay Golden
115 bpm • G Maj • 03:08 • -3.81db
27% Popularity • 72% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 72% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Kelsea Ballerini
love me like a girl
115 bpm • F Maj • 02:57 • -3.19db
35% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Julia Cole
Last Kiss
115 bpm • B min • 03:06 • -5.46db
19% Popularity • 62% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 62% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Avenue Beat
Ruin That For Me - 2020 edit
115 bpm • F# Maj • 02:43 • -4db
21% Popularity • 69% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 69% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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The Reklaws
Roots - World Junior Song
115 bpm • C Maj • 03:26 • -4.59db
36% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
36% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Tenille Townes
The Most Beautiful Things - Story Behind...
115 bpm • F Maj • 01:03 • -23.63db
2% Popularity • 76% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 76% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
35% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Rascal Flatts
Feel It In The Morning
115 bpm • E Maj • 03:13 • -4.36db
26% Popularity • 60% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 60% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Tim & The Glory Boys
Right Back Atcha
101 bpm • A Maj • 02:50 • -4.52db
21% Popularity • 56% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 56% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Keelan Donovan
Tonight Feels Different
101 bpm • D Maj • 03:19 • -5.45db
5% Popularity • 56% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 56% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Hunter Kaine
Long Way from Lonely
116 bpm • G# Maj • 03:39 • -7.76db
17% Popularity • 52% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 52% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Hall
Runs In The Family
116 bpm • D# Maj • 02:25 • -7.38db
13% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Griffin
Right Here Right Now
100 bpm • D Maj • 03:15 • -4.76db
28% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Lauren Alaina
Seen You In Your Hometown
100 bpm • G# Maj • 03:18 • -5.29db
26% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Tenille Townes
The Thing That Wrecks You
100 bpm • E Maj • 03:40 • -7db
48% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
37% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Temecula Road
Everything I Love
100 bpm • G# Maj • 02:59 • -4.28db
24% Popularity • 60% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 60% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Gone West
Gone West
100 bpm • G# Maj • 03:21 • -6db
38% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Alex Hall
Last One To Leave
117 bpm • C# Maj • 03:58 • -4.37db
21% Popularity • 48% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 48% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Cam
The Otherside
117 bpm • G Maj • 02:55 • -4.23db
37% Popularity • 75% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 75% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -8.23db
33% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Keith Urban
Polaroid
117 bpm • G# Maj • 02:31 • -5.82db
41% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Caleb Lee Hutchinson
Better Now
117 bpm • D Maj • 04:44 • -5.21db
34% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Eldredge
Gabrielle
99 bpm • A# Maj • 03:36 • -6.72db
48% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Callista Clark
It’s ‘Cause I Am
99 bpm • A# min • 02:46 • -5db
36% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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ERNEST
I Think I Love You
118 bpm • G# Maj • 02:58 • -5.99db
43% Popularity • 82% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 82% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Tenille Townes
Same Road Home
118 bpm • C Maj • 03:22 • -3.94db
23% Popularity • 63% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 63% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Brandon Lay
For My Money
118 bpm • F# min • 03:10 • -7.16db
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Laci Kaye Booth
Treasure
118 bpm • D Maj • 03:06 • -5.27db
25% Popularity • 65% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 65% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Stell
Look at Me Now
118 bpm • A# Maj • 02:50 • -4.26db
26% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Waterloo Revival
Like I Miss You
98 bpm • E Maj • 02:45 • -7db
21% Popularity • 66% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 66% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Melton
Staycation
119 bpm • E Maj • 03:14 • -4.51db
26% Popularity • 81% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 81% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Tenille Townes
The Most Beautiful Things
99 bpm • G Maj • 03:59 • -11.3db
35% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Allie Colleen
Along the Way
98 bpm • D Maj • 03:48 • -7db
10% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Laci Kaye Booth
You Can Try
119 bpm • E min • 03:15 • -3db
10% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Maddie & Tae
Tourist In This Town
120 bpm • G# min • 03:25 • -5.5db
29% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Walker County
Bits & Pieces
97 bpm • C# Maj • 02:41 • -4.39db
23% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Tucker Beathard
I Ain't Without You
120 bpm • B Maj • 03:38 • -8db
26% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tenille Townes
Same Road Home - Live Sessions
118 bpm • C Maj • 03:58 • -6.7db
10% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Tenille Arts
Slow It Down
120 bpm • B Maj • 03:23 • -6.48db
35% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
39% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
41% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Walker County
Shovel
120 bpm • A Maj • 02:47 • -5db
20% Popularity • 62% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 62% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Abby Anderson
Guy Like You
121 bpm • D# Maj • 02:45 • -5db
26% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Tenille Townes
White Horse - Acoustic
120 bpm • F Maj • 03:58 • -10db
16% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ingrid Andress
We're Not Friends
121 bpm • D Maj • 03:12 • -6.3db
41% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
