Songs like The Way You Make Me Feel by Ronan Keating
Based on a tempo of (+/- 10%) and a similar genre
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Ronan Keating
The Way You Make Me Feel
142 bpm • D Maj • 03:52 • -9.86db
45% Popularity • 50% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
45% Popularity • 50% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Backstreet Boys
Drowning
142 bpm • F# Maj • 04:27 • -5.97db
66% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Wilson Phillips
Flesh And Blood
142 bpm • G Maj • 05:35 • -14.3db
16% Popularity • 57% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 57% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Peter Cetera
Do You Love Me That Much
141 bpm • B Maj • 03:37 • -9.55db
41% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Kate Winslet
What If
141 bpm • G# Maj • 04:03 • -8db
48% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ronan Keating
The Way You Make Me Feel - Single Mix
142 bpm • D Maj • 03:38 • -7.51db
21% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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James Ingram
The Day I Fall In Love - Featuring Dolly...
143 bpm • G# Maj • 04:05 • -7.64db
49% Popularity • 43% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 43% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Wilson Phillips
Flesh And Blood - Single Edit
142 bpm • D Maj • 04:04 • -12.48db
26% Popularity • 60% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 60% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Peter Cetera
You're the Inspiration
143 bpm • A# Maj • 04:06 • -7.61db
57% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Spice Girls
2 Become 1
144 bpm • F# Maj • 04:01 • -7.88db
66% Popularity • 65% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 65% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Duncan James
Somebody Still Loves You
144 bpm • G Maj • 03:27 • -7db
11% Popularity • 50% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 50% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Pretenders
Forever Young
140 bpm • G Maj • 05:04 • -10.08db
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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S Club
Have You Ever
140 bpm • C Maj • 03:21 • -5.73db
55% Popularity • 58% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 58% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Lifehouse
You And Me
140 bpm • G Maj • 03:15 • -7.73db
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Lonestar
Amazed
140 bpm • C# Maj • 04:00 • -8db
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Hanson
I Will Come To You
140 bpm • C# Maj • 04:11 • -7.01db
50% Popularity • 44% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 44% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Martine McCutcheon
Talking In Your Sleep
140 bpm • G# Maj • 04:38 • -9.53db
25% Popularity • 31% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 31% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Eurythmics
When Tomorrow Comes
139 bpm • F Maj • 04:15 • -10.74db
46% Popularity • 52% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 52% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Chris de Burgh
Here Is Your Paradise
144 bpm • F Maj • 03:28 • -15db
43% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
74% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Lonestar
Amazed - Captain Mix
140 bpm • C# Maj • 04:28 • -6.25db
28% Popularity • 44% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 44% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Ronan Keating
The Long Goodbye
139 bpm • A# Maj • 04:43 • -7.57db
21% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Melanie C
I Know Him So Well
139 bpm • B Maj • 04:24 • -8.7db
38% Popularity • 42% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 42% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Anne Murray
Help Me Make It Through The Night
139 bpm • G Maj • 03:54 • -9db
42% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Dan Hill
Why Do We Always Hurt the Ones We Love
139 bpm • D Maj • 03:52 • -11db
41% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Barbra Streisand
I Finally Found Someone
139 bpm • F# Maj • 03:41 • -15.07db
64% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
64% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Chicago
I Don't Wanna Live Without Your Love
145 bpm • C Maj • 03:54 • -6.72db
50% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Wilson Phillips
A Reason To Believe
138 bpm • D Maj • 04:05 • -11db
35% Popularity • 57% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 57% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Moffatts
Crazy
138 bpm • F Maj • 03:37 • -7db
31% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Chesney Hawkes
Feel so Alive
146 bpm • C Maj • 04:48 • -12.14db
22% Popularity • 59% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 59% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Bette Midler
From a Distance
138 bpm • G Maj • 04:36 • -11.72db
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Bryan Adams
Where Angels Fear To Tread
138 bpm • C Maj • 03:47 • -9.18db
28% Popularity • 59% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 59% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Delta Goodrem
Lost Without You
146 bpm • G Maj • 04:08 • -6.68db
52% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Bublé
Lost
138 bpm • B Maj • 03:39 • -9.14db
59% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ronan Keating
Superman
138 bpm • G Maj • 04:19 • -10.83db
38% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Nick Lachey
This I Swear
147 bpm • G Maj • 04:33 • -6.97db
42% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lobo
Faithful
147 bpm • B Maj • 03:38 • -7.76db
35% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Starship
Wild Again - Rerecorded
137 bpm • A# Maj • 05:01 • -11db
31% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Air Supply
Two Less Lonely People In The World
148 bpm • E Maj • 04:03 • -12.68db
37% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Bangles
Eternal Flame - Acoustic Version
148 bpm • F# Maj • 03:50 • -5.35db
32% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Amanda Marshall
Let It Rain
148 bpm • E Maj • 04:31 • -7db
41% Popularity • 51% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 51% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Ronan Keating
All Over Again
148 bpm • C# Maj • 04:31 • -7.86db
32% Popularity • 53% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 53% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Lobo
Don’t Tell Me Goodnight - Rerecorded
137 bpm • G Maj • 03:05 • -10.69db
37% Popularity • 61% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 61% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Dan Hill
I Miss You Still
136 bpm • C Maj • 04:23 • -10.71db
24% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Spice Girls
Goodbye
136 bpm • E Maj • 04:35 • -4.49db
56% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Mike + The Mechanics
All I Need Is A Miracle '96 - Remastered...
136 bpm • C Maj • 05:42 • -5.77db
34% Popularity • 57% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 57% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Shania Twain
From This Moment On
136 bpm • G Maj • 04:41 • -8.25db
57% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
53% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Bad English
When I See You Smile
136 bpm • G Maj • 04:17 • -9.9db
64% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Bryan Adams
Star
135 bpm • G Maj • 03:42 • -8.16db
33% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Ronan Keating
Baby Can I Hold You - New Steve Mac
149 bpm • C Maj • 03:09 • -11db
37% Popularity • 58% Danceability • 27% Energy • 42% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 58% Danceability • 27% Energy • 42% Liveness
0% Instrumentalness • 27% Positiveness
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Chris de Burgh
Forevermore
150 bpm • D Maj • 04:17 • -10.67db
35% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Shania Twain
From This Moment On - Pop On-Tour Versio...
136 bpm • D Maj • 03:57 • -4.45db
67% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Boyzone
Baby Can I Hold You - Edit
150 bpm • C Maj • 03:14 • -10db
57% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Zucchero
Il Volo - The Flight
150 bpm • B Maj • 04:48 • -9.52db
36% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Delta Goodrem
Not Me, Not I
150 bpm • E min • 04:25 • -8db
38% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Sophie B. Hawkins
Lose Your Way
134 bpm • G Maj • 04:04 • -9.89db
36% Popularity • 56% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 56% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Luciano Pavarotti
All for love
150 bpm • D Maj • 05:24 • -10.89db
42% Popularity • 29% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 29% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
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Shania Twain
When You Kiss Me
135 bpm • A Maj • 04:06 • -6.15db
44% Popularity • 36% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 36% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Bublé
After All
134 bpm • E Maj • 03:37 • -3.41db
43% Popularity • 52% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 52% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Don Henley
That Old Flame
134 bpm • D Maj • 04:25 • -9.19db
33% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Delta Goodrem
Born to Try - Radio Edit
134 bpm • G# Maj • 03:51 • -6.51db
13% Popularity • 53% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 53% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Dr. Hook
Years From Now - Single Version
151 bpm • G# Maj • 02:58 • -12.39db
42% Popularity • 41% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 41% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Shania Twain
When You Kiss Me - Red Version
135 bpm • A Maj • 04:08 • -6.4db
45% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Backstreet Boys
Incomplete
134 bpm • E Maj • 03:59 • -4.83db
65% Popularity • 44% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
65% Popularity • 44% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Lady A
When You Got A Good Thing
133 bpm • G min • 04:57 • -6db
26% Popularity • 55% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 55% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Delta Goodrem
Born to Try
134 bpm • G# Maj • 04:11 • -6.81db
48% Popularity • 54% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 54% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Bon Jovi
Thank You For Loving Me
133 bpm • D Maj • 05:08 • -7.75db
65% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
65% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Curtis Stigers
Anything You Want
133 bpm • G Maj • 05:11 • -7.32db
8% Popularity • 43% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 43% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
74% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
74% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Daniel Bedingfield
Every Little Thing
152 bpm • G# Maj • 04:27 • -3.86db
0% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mike + The Mechanics
Another Cup Of Coffee - Remastered 2005
132 bpm • A# min • 04:18 • -7.48db
39% Popularity • 67% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 67% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Michael Bublé
Home - Remix
132 bpm • G Maj • 03:41 • -7.21db
41% Popularity • 60% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 60% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Amanda Marshall
If I Didn't Have You
132 bpm • A Maj • 05:31 • -4db
30% Popularity • 32% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 32% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Belinda Carlisle
Always Breaking My Heart
132 bpm • E Maj • 03:12 • -6.54db
29% Popularity • 59% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 59% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Shania Twain
You're Still The One - Remastered 2023
134 bpm • D# Maj • 03:17 • -3.7db
59% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Cetera
Have You Ever Been in Love
132 bpm • D Maj • 04:09 • -12.82db
38% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bon Jovi
These Days
131 bpm • E min • 06:27 • -5db
58% Popularity • 34% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 34% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Eric Clapton
Tears in Heaven
154 bpm • A Maj • 04:31 • -12.24db
69% Popularity • 50% Danceability • 24% Energy • 13% Liveness
54% Instrumentalness • 31% Positiveness
69% Popularity • 50% Danceability • 24% Energy • 13% Liveness
54% Instrumentalness • 31% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Shawn Colvin
Never Saw Blue Like That
131 bpm • E Maj • 04:38 • -10.04db
30% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Shania Twain
You've Got A Way
132 bpm • A Maj • 03:31 • -8.63db
58% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mike Ward
Mike Ward Don't Close Your Eyes (Single)
154 bpm • G Maj • 04:17 • -7.87db
21% Popularity • 46% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
21% Popularity • 46% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
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Patty Smyth
Sometimes Love Just Ain't Enough (Live)
154 bpm • A# Maj • 05:04 • -11.62db
27% Popularity • 46% Danceability • 18% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 46% Danceability • 18% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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Whitney Houston
One Moment in Time
155 bpm • C Maj • 04:44 • -8.13db
62% Popularity • 26% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 26% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Ronan Keating
Iris
155 bpm • C# Maj • 04:08 • -7.05db
45% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Amanda Marshall
Believe In You (Radio Edit) - Touched By...
155 bpm • G Maj • 04:29 • -4.46db
35% Popularity • 44% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 44% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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S Club
Say Goodbye
130 bpm • G Maj • 03:57 • -7.58db
26% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Paul Young
Everything Must Change
155 bpm • A# Maj • 05:35 • -10db
32% Popularity • 43% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 43% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Savage Garden
I Don't Know You Anymore
130 bpm • E Maj • 03:50 • -15db
38% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tina Turner
What You Get Is What You See
156 bpm • F Maj • 04:31 • -10.25db
50% Popularity • 62% Danceability • 63% Energy • 24% Liveness
2% Instrumentalness • 93% Positiveness
50% Popularity • 62% Danceability • 63% Energy • 24% Liveness
2% Instrumentalness • 93% Positiveness
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Dan Hill
Dance of Love
130 bpm • F# Maj • 03:29 • -9.43db
27% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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REO Speedwagon
Can't Fight This Feeling
156 bpm • A Maj • 04:54 • -11.02db
74% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
74% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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David Pomeranz
On This Day
128 bpm • C Maj • 04:14 • -7db
61% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
