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The Weakness
Songs like
The Weakness
by
Ruston Kelly
Based on a tempo of (+/- 10%) and a similar genre
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Michigan Rattlers
Desert Heat
150 bpm • E Maj • 03:34 • -6db
20% Popularity • 53% Danceability • 81% Energy • 16% Liveness
13% Instrumentalness • 67% Positiveness
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Andrew Duhon
Still Holding On
150 bpm • C# Maj • 04:01 • -7.63db
31% Popularity • 51% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Five Islands
No More Dancing
150 bpm • A Maj • 03:22 • -6db
19% Popularity • 45% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Dead Horses
On and On
150 bpm • G Maj • 03:37 • -9db
29% Popularity • 54% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Watchhouse
Rounder
149 bpm • D# Maj • 03:46 • -12db
42% Popularity • 60% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Ian Noe
Tom Barrett
151 bpm • F Maj • 03:13 • -9.63db
52% Popularity • 39% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Ruston Kelly
Asshole - Demo
149 bpm • G Maj • 03:12 • -7.19db
28% Popularity • 40% Danceability • 43% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Tommy Prine
Ships in the Harbor
151 bpm • D Maj • 03:32 • -15db
34% Popularity • 48% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Humbird
January
148 bpm • C Maj • 02:15 • -6.68db
27% Popularity • 55% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Steinbock
13 September
148 bpm • C Maj • 03:36 • -12db
8% Popularity • 56% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 45% Positiveness
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Paul McDonald
New Lovers
148 bpm • B Maj • 04:09 • -9db
29% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Daniel Rodriguez
Sojourn of a Burning Sun
152 bpm • E Maj • 02:10 • -10.27db
22% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Ruston Kelly
Mockingbird
148 bpm • A# Maj • 04:37 • -4.66db
52% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Marc Scibilia
Seed of Joy
148 bpm • A Maj • 03:30 • -10db
40% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Parker Ainsworth
Fire Swing
148 bpm • G Maj • 03:57 • -9.87db
15% Popularity • 52% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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Wilder Adkins
Dancing In The Dark
148 bpm • G Maj • 04:12 • -13db
29% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Wesley Schultz
My City of Ruins
148 bpm • C Maj • 04:16 • -15db
37% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Anthony da Costa
You're Free Now
148 bpm • E Maj • 04:19 • -13.52db
35% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ruston Kelly
Teenage Dirtbag - Live From Washington D...
152 bpm • C Maj • 04:35 • -8.42db
20% Popularity • 22% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 33% Positiveness
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The Dead Tongues
Peaceful Ambassador
153 bpm • C Maj • 04:15 • -9.76db
19% Popularity • 45% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Joy Williams
All I Need
153 bpm • C# Maj • 03:53 • -11db
31% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sean McConnell
Secondhand Smoke
147 bpm • D Maj • 04:14 • -12.07db
19% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Mulligan Brothers
Loving You Is Easy
147 bpm • C Maj • 04:29 • -6.63db
9% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Nathaniel Rateliff
Summer's End
153 bpm • D# Maj • 03:38 • -10db
43% Popularity • 55% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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The Avett Brothers
The Fire
147 bpm • D Maj • 06:22 • -11.64db
28% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Andrew Duhon
Go It Alone
147 bpm • C Maj • 03:16 • -9.83db
14% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tommy Prine
I Love You, Always
147 bpm • B Maj • 02:23 • -9.34db
21% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sean McConnell
Nothing Anymore
147 bpm • C# Maj • 04:28 • -9.61db
8% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Watchhouse
Blue Ruin
153 bpm • C# Maj • 05:17 • -14.31db
33% Popularity • 47% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Rob Baird
I Tried
146 bpm • F Maj • 03:15 • -8.42db
41% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Avett Brothers
Untitled #4
147 bpm • A# Maj • 04:04 • -8.29db
46% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ruston Kelly
Teenage Dirtbag - Acoustic
146 bpm • C Maj • 04:35 • -10.07db
40% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ken Yates
Two Wrongs
154 bpm • G Maj • 04:00 • -15.09db
28% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Five Islands
Lonely
156 bpm • G Maj • 02:38 • -7.25db
10% Popularity • 52% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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John Moreland
God's Medicine
145 bpm • C# Maj • 03:07 • -8.8db
28% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Wild Rivers
Call It a Night
144 bpm • A Maj • 04:07 • -7.4db
45% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Will Hoge
Even the River Runs out of This Town
156 bpm • G Maj • 03:19 • -9.2db
21% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Duhon
Comin' around
156 bpm • F Maj • 03:32 • -8db
40% Popularity • 58% Danceability • 67% Energy • 9% Liveness
5% Instrumentalness • 57% Positiveness
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Ken Yates
When We Came Home
155 bpm • G Maj • 03:31 • -9.16db
26% Popularity • 58% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Thomas Csorba
Murmur of Yearning
144 bpm • F# Maj • 03:50 • -10.23db
30% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ruston Kelly
St. Jupiter
144 bpm • G Maj • 02:21 • -5.53db
30% Popularity • 61% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Travis Meadows
Better Boat
144 bpm • G Maj • 04:53 • -8.89db
23% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Donovan Woods
Whatever Keeps You Going
144 bpm • F# Maj • 03:26 • -8.09db
20% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Wilderado
Sorrow - Acoustic
144 bpm • C Maj • 03:00 • -10.56db
37% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Liz Longley
Send You My Love
144 bpm • F Maj • 02:58 • -6.09db
27% Popularity • 72% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Sean McConnell
I Built You Up
144 bpm • D Maj • 03:56 • -7.21db
10% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Wild Rivers
Left Off - Acoustic
143 bpm • D Maj • 03:20 • -11.92db
35% Popularity • 63% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Ruston Kelly
Heaven Made The Darkness
143 bpm • E Maj • 03:26 • -10.03db
31% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
34% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Joy Williams
No Place Like You
143 bpm • G Maj • 02:55 • -12db
37% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dead Horses
Darling Dear
158 bpm • E Maj • 03:45 • -9.66db
20% Popularity • 56% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Sean McConnell
The Devil's Ball
157 bpm • A# Maj • 05:04 • -12.07db
10% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Michigan Rattlers
That Kind of Life
142 bpm • G Maj • 03:34 • -6.05db
25% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Paper Wings
Troubled Soul
142 bpm • C Maj • 03:54 • -9.06db
22% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Forest Sun
On My Way to You
142 bpm • D# Maj • 03:12 • -14.61db
17% Popularity • 42% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Dead Horses
A Petal Here, a Petal There
142 bpm • G Maj • 03:26 • -7.9db
26% Popularity • 45% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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John Moreland
Blacklist
141 bpm • C# Maj • 05:01 • -8.48db
26% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Jamie McDell
Worst Crime
160 bpm • A min • 04:06 • -9.6db
19% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ruston Kelly
Dammit
160 bpm • E Maj • 03:27 • -9.22db
23% Popularity • 37% Danceability • 52% Energy • 50% Liveness
0% Instrumentalness • 75% Positiveness
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Watchhouse
Amsterdam (Recorded at Spotify Studios N...
141 bpm • C Maj • 03:13 • -11db
48% Popularity • 53% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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The Avett Brothers
Back Into The Light
141 bpm • D Maj • 03:50 • -11.67db
33% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Liz Rose
Swimming Alone
160 bpm • D Maj • 03:40 • -6.86db
41% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Michigan Rattlers
Didn't You Know
160 bpm • E Maj • 03:25 • -5.05db
30% Popularity • 49% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Donovan Woods
I Ain't Ever Loved No One
160 bpm • D# Maj • 03:14 • -21db
28% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ruston Kelly
Black Magic
160 bpm • A# Maj • 03:13 • -6.27db
30% Popularity • 39% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Anderson East
Josephine
140 bpm • B Maj • 03:42 • -11.56db
31% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Madison Hughes
Meet Me in the Woods
140 bpm • A Maj • 03:38 • -13.21db
37% Popularity • 71% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 32% Positiveness
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Jill Andrews
River Swimming
140 bpm • B Maj • 03:26 • -13.05db
35% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Rob Baird
When I Go
140 bpm • E Maj • 04:26 • -11.38db
30% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Donovan Woods
I Ain't Ever Loved No One - Acoustic
160 bpm • A# min • 03:19 • -14.92db
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ruston Kelly
Radio Cloud
140 bpm • G# Maj • 03:32 • -4.82db
29% Popularity • 50% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Gregory Alan Isakov
The Stable Song
140 bpm • D Maj • 06:09 • -12.16db
48% Popularity • 52% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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AHI
Until You
140 bpm • A Maj • 03:18 • -10.18db
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Stephen Kellogg
If Anyone Is Listening
140 bpm • C Maj • 03:38 • -10.66db
13% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Wesley Schultz
Downtown Train
140 bpm • A# Maj • 03:47 • -11.38db
12% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Elise Davis
Married Young
140 bpm • B Maj • 03:39 • -10.63db
21% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ruston Kelly
Michael Keaton
161 bpm • F# Maj • 03:19 • -6.37db
28% Popularity • 48% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Burchfield
When We Get Through (Acoustic Version)
161 bpm • A# Maj • 03:27 • -10.59db
20% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tenille Townes
Where You Are - Acoustic
161 bpm • D Maj • 04:03 • -14.77db
50% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Combs
I Envy the Wind
139 bpm • C Maj • 03:14 • -15.14db
27% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Duhon
They Don't Make 'em...
139 bpm • D Maj • 03:48 • -11db
32% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Nathaniel Rateliff
Kissing Our Friends
139 bpm • C Maj • 03:03 • -12.44db
32% Popularity • 53% Danceability • 22% Energy • 23% Liveness
11% Instrumentalness • 26% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jake Etheridge
Only Everything
138 bpm • D Maj • 03:27 • -6db
22% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Josh Ritter
Miles Away
138 bpm • D# Maj • 03:53 • -7.17db
38% Popularity • 56% Danceability • 58% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
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Molly Tuttle
When You're Ready
138 bpm • C min • 03:47 • -8db
29% Popularity • 56% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Penny and Sparrow
Eloise
138 bpm • G min • 02:48 • -8.32db
54% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Ruston Kelly
Brave
164 bpm • C# Maj • 03:13 • -14.87db
50% Popularity • 49% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Duhon
Just Another Beautiful Girl
164 bpm • F# Maj • 04:01 • -6.51db
33% Popularity • 50% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Ivan & Alyosha
Whiskey & Wine
137 bpm • A Maj • 04:53 • -5.86db
13% Popularity • 48% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Sean McConnell
Beautiful Rose
164 bpm • B Maj • 03:46 • -11.24db
28% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Brent Cobb
Feet Off The Ground
137 bpm • A Maj • 04:18 • -6.5db
45% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Peter Bradley Adams
Good Man
137 bpm • G# Maj • 03:28 • -14db
40% Popularity • 77% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Ruston Kelly
Son Of A Highway Daughter
137 bpm • D Maj • 03:36 • -6.48db
24% Popularity • 40% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Ira Wolf
Sunscreen
137 bpm • G min • 02:58 • -14db
54% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Riverside
Ole Montana
165 bpm • D# Maj • 04:32 • -9.77db
14% Popularity • 33% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 22% Positiveness
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Carolina Story
Lay Me Down Easy
136 bpm • E Maj • 03:49 • -10.04db
23% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Wesley Schultz
Mrs. Potters Lullaby
136 bpm • A Maj • 05:06 • -11.33db
11% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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I'm With Her
Overland
136 bpm • D Maj • 03:25 • -14db
39% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Weakness