Songs like The Weekenders by The Hold Steady
Based on a tempo of (+/- 10%) and a similar genre
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Constantines
Nighttime/Anytime (It's Alright)
128 bpm • G Maj • 04:13 • -7.57db
13% Popularity • 37% Danceability • 84% Energy • 46% Liveness
2% Instrumentalness • 22% Positiveness
13% Popularity • 37% Danceability • 84% Energy • 46% Liveness
2% Instrumentalness • 22% Positiveness
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Tarkio
Neapolitan Bridesmaid
128 bpm • G Maj • 02:37 • -6.85db
31% Popularity • 51% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 51% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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The Long Winters
Nora
128 bpm • A min • 04:22 • -5.72db
10% Popularity • 45% Danceability • 50% Energy • 24% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 45% Danceability • 50% Energy • 24% Liveness
1% Instrumentalness • 16% Positiveness
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Jets To Brazil
Air Traffic Control
128 bpm • C Maj • 02:45 • -6db
21% Popularity • 61% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 61% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Grandaddy
Now It's On
128 bpm • A Maj • 04:08 • -8.85db
35% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Crooked Fingers
Weary Arms
128 bpm • F Maj • 02:29 • -7.33db
14% Popularity • 41% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 41% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Japandroids
For the Love of Ivy
128 bpm • E Maj • 04:13 • -3.22db
25% Popularity • 25% Danceability • 99% Energy • 62% Liveness
82% Instrumentalness • 20% Positiveness
25% Popularity • 25% Danceability • 99% Energy • 62% Liveness
82% Instrumentalness • 20% Positiveness
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Lifter Puller
To Live And Die In LBI
128 bpm • D Maj • 03:12 • -7.55db
8% Popularity • 58% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 58% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Cheap Girls
Ruby
127 bpm • D Maj • 03:39 • -4.96db
13% Popularity • 41% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 41% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Deer Tick
Easy
127 bpm • E min • 03:52 • -3.98db
29% Popularity • 32% Danceability • 92% Energy • 4% Liveness
33% Instrumentalness • 53% Positiveness
29% Popularity • 32% Danceability • 92% Energy • 4% Liveness
33% Instrumentalness • 53% Positiveness
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The Wrens
I've Made Enough Friends
127 bpm • G Maj • 02:48 • -6.59db
17% Popularity • 48% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 48% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Ted Leo and the Pharmacists
Under the Hedge
129 bpm • E min • 03:20 • -4.58db
20% Popularity • 39% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 39% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Lucero
That Much Further West
127 bpm • B Maj • 04:25 • -7.66db
20% Popularity • 52% Danceability • 74% Energy • 12% Liveness
28% Instrumentalness • 5% Positiveness
20% Popularity • 52% Danceability • 74% Energy • 12% Liveness
28% Instrumentalness • 5% Positiveness
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Lifter Puller
Lonely In A Limousine
127 bpm • G Maj • 02:11 • -9.11db
14% Popularity • 56% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 56% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Craig Finn
The Amarillo Kid
129 bpm • C# Maj • 04:36 • -7.65db
22% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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John K. Samson
Fellow Traveller
129 bpm • F Maj • 03:38 • -10.49db
18% Popularity • 76% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 76% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Cheap Girls
Pure Hate
129 bpm • E Maj • 03:54 • -1.55db
8% Popularity • 43% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 43% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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The New Pornographers
Sing Me Spanish Techno
129 bpm • A Maj • 04:16 • -3.85db
31% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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The Long Winters
Pushover
127 bpm • A Maj • 02:37 • -5.5db
31% Popularity • 37% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 37% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Frightened Rabbit
Head Rolls Off
129 bpm • A Maj • 03:46 • -6db
18% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Tarkio
Goodbye Girl
127 bpm • G Maj • 04:00 • -7.95db
10% Popularity • 58% Danceability • 79% Energy • 14% Liveness
27% Instrumentalness • 89% Positiveness
10% Popularity • 58% Danceability • 79% Energy • 14% Liveness
27% Instrumentalness • 89% Positiveness
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The Weakerthans
One Great City!
127 bpm • B Maj • 02:54 • -13db
40% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jets To Brazil
Wish List
129 bpm • E Maj • 04:18 • -9.1db
19% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Westerberg
World Class Fad
129 bpm • F Maj • 03:30 • -3db
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Centro-matic
Parade of Choosers
127 bpm • C# Maj • 02:44 • -5.79db
11% Popularity • 38% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 38% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Cheap Girls
Gone All Summer
129 bpm • C min • 04:02 • -5.13db
23% Popularity • 35% Danceability • 85% Energy • 6% Liveness
45% Instrumentalness • 37% Positiveness
23% Popularity • 35% Danceability • 85% Energy • 6% Liveness
45% Instrumentalness • 37% Positiveness
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Superchunk
Unbelievable Things
130 bpm • B min • 05:21 • -5.71db
9% Popularity • 51% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 51% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Weakerthans
Time's Arrow
129 bpm • F Maj • 02:52 • -8.68db
27% Popularity • 63% Danceability • 78% Energy • 21% Liveness
8% Instrumentalness • 54% Positiveness
27% Popularity • 63% Danceability • 78% Energy • 21% Liveness
8% Instrumentalness • 54% Positiveness
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Superdrag
Baby's Waiting
126 bpm • D Maj • 03:08 • -5.02db
20% Popularity • 35% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 35% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Jenny Lewis
The Charging Sky
130 bpm • C Maj • 02:58 • -6db
15% Popularity • 54% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 54% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Frightened Rabbit
Fast Blood
130 bpm • G Maj • 03:50 • -4.24db
14% Popularity • 39% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 39% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Thrush Hermit
From the Back of the Film
126 bpm • F# min • 02:04 • -3.78db
18% Popularity • 46% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 46% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 58% Positiveness
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Wilco
A Shot in the Arm - Remix
126 bpm • D Maj • 03:54 • -4.52db
25% Popularity • 57% Danceability • 79% Energy • 4% Liveness
10% Instrumentalness • 61% Positiveness
25% Popularity • 57% Danceability • 79% Energy • 4% Liveness
10% Instrumentalness • 61% Positiveness
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The Weakerthans
The Reasons
126 bpm • G Maj • 02:50 • -6.55db
34% Popularity • 36% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
34% Popularity • 36% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Greg MacPherson
Slow Stroke
130 bpm • C Maj • 03:49 • -8.61db
9% Popularity • 39% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 39% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Son Volt
Jet Pilot
126 bpm • D Maj • 03:13 • -7.67db
15% Popularity • 64% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 64% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Pernice Brothers
7:30
130 bpm • F# min • 03:03 • -3.74db
12% Popularity • 48% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 48% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Hold Steady
Soft In the Center
130 bpm • B Maj • 03:50 • -3.88db
1% Popularity • 50% Danceability • 76% Energy • 20% Liveness
10% Instrumentalness • 59% Positiveness
1% Popularity • 50% Danceability • 76% Energy • 20% Liveness
10% Instrumentalness • 59% Positiveness
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Wilco
Outtasite (Outta Mind) - 2017 Remaster
130 bpm • A Maj • 02:34 • -5.44db
30% Popularity • 41% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 41% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Gord Downie
Budget Shoes
130 bpm • G min • 02:43 • -5.18db
20% Popularity • 51% Danceability • 89% Energy • 27% Liveness
5% Instrumentalness • 50% Positiveness
20% Popularity • 51% Danceability • 89% Energy • 27% Liveness
5% Instrumentalness • 50% Positiveness
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Superdrag
The Staggering Genius
130 bpm • D Maj • 04:02 • -5.91db
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Guided By Voices
Chasing Heather Crazy
126 bpm • C Maj • 02:53 • -4.44db
28% Popularity • 48% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 48% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Okkervil River
Down Down The Deep River
130 bpm • B Maj • 06:32 • -5db
29% Popularity • 54% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 54% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Silver Jews
Punks In The Beerlight
126 bpm • A min • 03:30 • -6db
41% Popularity • 46% Danceability • 83% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
41% Popularity • 46% Danceability • 83% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
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The Thermals
An Ear For Baby
126 bpm • D Maj • 03:36 • -3.04db
25% Popularity • 51% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 51% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Gord Downie
Crater
130 bpm • C Maj • 02:46 • -3.15db
19% Popularity • 26% Danceability • 98% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
19% Popularity • 26% Danceability • 98% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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The Hold Steady
Party Pit
131 bpm • G Maj • 03:56 • -4.27db
22% Popularity • 37% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 37% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Uncle Tupelo
The Long Cut
130 bpm • G Maj • 03:20 • -9db
30% Popularity • 44% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
30% Popularity • 44% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
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Wilco
Monday - 2017 Remaster
131 bpm • C Maj • 03:32 • -4.47db
23% Popularity • 52% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 52% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Archers Of Loaf
Wrong
131 bpm • A Maj • 03:40 • -7.77db
35% Popularity • 38% Danceability • 92% Energy • 32% Liveness
68% Instrumentalness • 80% Positiveness
35% Popularity • 38% Danceability • 92% Energy • 32% Liveness
68% Instrumentalness • 80% Positiveness
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Fountains Of Wayne
Red Dragon Tattoo
125 bpm • A Maj • 03:32 • -5.23db
31% Popularity • 66% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 66% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Limbeck
Silver Things
131 bpm • C Maj • 02:57 • -5.8db
18% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Damien Jurado
Paperwings
125 bpm • G Maj • 02:53 • -6.45db
15% Popularity • 40% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 40% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Japandroids
Evil's Sway
125 bpm • A Maj • 04:26 • -4.1db
28% Popularity • 39% Danceability • 99% Energy • 12% Liveness
7% Instrumentalness • 9% Positiveness
28% Popularity • 39% Danceability • 99% Energy • 12% Liveness
7% Instrumentalness • 9% Positiveness
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Spoon
Nefarious
125 bpm • C Maj • 02:47 • -5.13db
18% Popularity • 56% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 56% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Cheap Girls
Communication Blues
131 bpm • A# Maj • 03:19 • -5.02db
9% Popularity • 40% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 40% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Craig Finn
Messing with the Settings
131 bpm • A Maj • 05:42 • -10db
23% Popularity • 52% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 52% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Baseball Project
Don't Call Them Twinkies
125 bpm • G Maj • 04:26 • -4.66db
11% Popularity • 44% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 44% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Wilco
Box Full of Letters - 2017 Remaster
125 bpm • E Maj • 03:04 • -5db
27% Popularity • 46% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 46% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Ike Reilly
Hip Hop Thighs #17
131 bpm • A# Maj • 02:38 • -5.93db
16% Popularity • 42% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 42% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 39% Positiveness
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The Weakerthans
Civil Twilight
131 bpm • F Maj • 03:17 • -4db
32% Popularity • 65% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 65% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Spoon
The Two Sides of Monsieur Valentine
125 bpm • A min • 02:58 • -6.13db
34% Popularity • 64% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 64% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Titus Andronicus
Fatal Flaw
125 bpm • A Maj • 03:27 • -3.7db
19% Popularity • 44% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 44% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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The Long Winters
New Girl
125 bpm • C Maj • 02:31 • -3.53db
18% Popularity • 47% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 47% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Whiskeytown
Drank Like A River
131 bpm • G Maj • 02:57 • -5.06db
27% Popularity • 51% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 51% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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The Hold Steady
Spices
131 bpm • D Maj • 03:46 • -5.33db
22% Popularity • 41% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 41% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Pedro The Lion
Big Trucks
125 bpm • D Maj • 02:33 • -8db
30% Popularity • 66% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 61% Positiveness
30% Popularity • 66% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 61% Positiveness
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Paul Westerberg
As Far As I Know
132 bpm • D# Maj • 03:01 • -6.23db
22% Popularity • 42% Danceability • 88% Energy • 35% Liveness
58% Instrumentalness • 66% Positiveness
22% Popularity • 42% Danceability • 88% Energy • 35% Liveness
58% Instrumentalness • 66% Positiveness
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The Thermals
When I Died
132 bpm • B Maj • 03:21 • -8.06db
18% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Gord Downie
The Conquering Sun
124 bpm • F# min • 03:09 • -5db
11% Popularity • 25% Danceability • 95% Energy • 31% Liveness
2% Instrumentalness • 42% Positiveness
11% Popularity • 25% Danceability • 95% Energy • 31% Liveness
2% Instrumentalness • 42% Positiveness
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Frank Black
Headache
132 bpm • B Maj • 02:52 • -4.87db
37% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
37% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
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The Hold Steady
The Sweet Part of the City
124 bpm • G Maj • 04:24 • -5.64db
3% Popularity • 53% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 53% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Bright Eyes
Four Winds
132 bpm • A# Maj • 04:16 • -5.53db
43% Popularity • 50% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 50% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Superchunk
Me & You & Jackie Mittoo
132 bpm • E Maj • 01:58 • -4.48db
21% Popularity • 61% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 61% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Uncle Tupelo
Graveyard Shift
132 bpm • D Maj • 04:43 • -9.55db
27% Popularity • 37% Danceability • 83% Energy • 41% Liveness
31% Instrumentalness • 66% Positiveness
27% Popularity • 37% Danceability • 83% Energy • 41% Liveness
31% Instrumentalness • 66% Positiveness
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Cheap Girls
Knock Me Over
124 bpm • A# Maj • 03:31 • -1.85db
15% Popularity • 50% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 50% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Portastatic
I Wanna Know Girls
124 bpm • F Maj • 04:56 • -5db
18% Popularity • 49% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 49% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Slobberbone
Springfield, IL
132 bpm • G Maj • 04:38 • -4.61db
6% Popularity • 36% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 36% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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The Hold Steady
Lanyards
132 bpm • B Maj • 03:54 • -6.82db
22% Popularity • 47% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 37% Positiveness
22% Popularity • 47% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 37% Positiveness
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Crooked Fingers
Call to Love
124 bpm • D Maj • 03:25 • -7db
33% Popularity • 45% Danceability • 84% Energy • 34% Liveness
69% Instrumentalness • 92% Positiveness
33% Popularity • 45% Danceability • 84% Energy • 34% Liveness
69% Instrumentalness • 92% Positiveness
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Superdrag
Keep It Close to Me
132 bpm • F Maj • 03:50 • -5.72db
25% Popularity • 38% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 38% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Cheap Girls
Slow Nod
132 bpm • C Maj • 03:26 • -1.85db
9% Popularity • 39% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 39% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Okkervil River
Unless It's Kicks
124 bpm • E Maj • 04:38 • -5db
37% Popularity • 36% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 36% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Wolf Parade
Shine a Light
133 bpm • A Maj • 03:47 • -5.32db
42% Popularity • 47% Danceability • 99% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
42% Popularity • 47% Danceability • 99% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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The New Pornographers
Mutiny, I Promise You
133 bpm • F Maj • 04:12 • -5.17db
22% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Crooked Fingers
Andalucia
133 bpm • F# min • 02:51 • -6.07db
9% Popularity • 45% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 45% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Marah
It's Only Money, Tyrone
133 bpm • G# min • 03:26 • -12.53db
20% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Spoon
Sister Jack
133 bpm • G Maj • 03:35 • -4.11db
29% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Westerberg
Gun Shy
124 bpm • B min • 03:12 • -5.12db
12% Popularity • 52% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 52% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Kweller
No Reason
123 bpm • C Maj • 03:51 • -6.09db
17% Popularity • 46% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 46% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Craig Finn
Jester & June
133 bpm • C Maj • 03:59 • -5.85db
16% Popularity • 47% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 47% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Deer Tick
Jumpstarting
133 bpm • C Maj • 03:26 • -3.82db
28% Popularity • 34% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 34% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Superdrag
Baby Goes to 11
133 bpm • D Maj • 04:01 • -7.45db
19% Popularity • 44% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 44% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sloan
She Says What She Means
123 bpm • A Maj • 03:01 • -4.98db
24% Popularity • 40% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 40% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Westerberg
Only Lie Worth Telling
123 bpm • B Maj • 04:46 • -7.46db
15% Popularity • 63% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 63% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Two Cow Garage
No Shame
123 bpm • G Maj • 03:05 • -5.31db
10% Popularity • 42% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 42% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Marah
Round Eye Blues
123 bpm • E Maj • 04:12 • -10.97db
24% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Wilco
Dawned On Me
123 bpm • C Maj • 03:43 • -6.25db
32% Popularity • 61% Danceability • 89% Energy • 40% Liveness
15% Instrumentalness • 76% Positiveness
32% Popularity • 61% Danceability • 89% Energy • 40% Liveness
15% Instrumentalness • 76% Positiveness
