Songs like The Wind Beneath My Wings by Jeffrey Michael
Based on a tempo of (+/- 10%) and a similar genre
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Jason Wright
Children Of The Heavenly Father
116 bpm • A Maj • 03:23 • -21db
36% Popularity • 37% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
36% Popularity • 37% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Keith Martinson
The Hands of Time (Brian's Song)
116 bpm • G Maj • 02:20 • -21db
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Royal Wedding Orchestra
Mozart - Ave Veram Wedding Hymns
116 bpm • F Maj • 01:37 • -22.51db
35% Popularity • 47% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
35% Popularity • 47% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Steve Hall & Mary Beth Carlson
Hardin County
116 bpm • E Maj • 02:55 • -18.82db
8% Popularity • 37% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
8% Popularity • 37% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Joe Bongiorno
Always With You
116 bpm • C Maj • 03:52 • -18.49db
27% Popularity • 38% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 38% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Brad Jacobsen
By the Banks (Loch Lomond)
116 bpm • F Maj • 03:33 • -19db
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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Jennifer Haines
Nothing But The Blood
116 bpm • F# min • 02:59 • -17.02db
16% Popularity • 37% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
16% Popularity • 37% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Jeffrey Michael
The Wind Beneath My Wings
116 bpm • G# Maj • 04:18 • -18.72db
16% Popularity • 42% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
16% Popularity • 42% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
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Keith Martinson
Let It Be Me
115 bpm • D Maj • 03:18 • -20db
24% Popularity • 39% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
24% Popularity • 39% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Michele McLaughlin
Scarborough Fair
115 bpm • A min • 02:15 • -21.93db
36% Popularity • 41% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 60% Positiveness
36% Popularity • 41% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 60% Positiveness
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Attila Fias
All My Life - Piano Instrumental
115 bpm • A min • 04:55 • -18.92db
33% Popularity • 39% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
33% Popularity • 39% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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James Horner
Braveheart (Piano Music From The Motion ...
115 bpm • B Maj • 07:08 • -20db
26% Popularity • 32% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 32% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Solomon Keal
Thoughtfulness
117 bpm • C Maj • 05:02 • -21db
18% Popularity • 49% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
18% Popularity • 49% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
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Jeffrey Michael
Braveheart
115 bpm • A min • 07:08 • -20.43db
7% Popularity • 31% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
7% Popularity • 31% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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David Lanz
Variations On A Theme From Pachelbel's C...
117 bpm • D Maj • 09:25 • -23db
28% Popularity • 34% Danceability • 7% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 34% Danceability • 7% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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David Tobin
Salenity
115 bpm • C Maj • 03:50 • -18.82db
20% Popularity • 45% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
20% Popularity • 45% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Attila Fias
I Just Called to Say I Love You
115 bpm • C# Maj • 03:42 • -13.99db
23% Popularity • 62% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
23% Popularity • 62% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
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Jennifer Haines
Thoughts And Dreams
118 bpm • G Maj • 03:25 • -18.89db
18% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
18% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Meditation Nation
Relaxation Music
118 bpm • F Maj • 02:18 • -25.3db
42% Popularity • 41% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
42% Popularity • 41% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Jeffrey Michael
Titanic
118 bpm • F# Maj • 06:01 • -18db
19% Popularity • 32% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 32% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Brad Jacobsen
My Father's World
118 bpm • D Maj • 03:43 • -17.61db
34% Popularity • 32% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Jim Chappell
Gone
118 bpm • D# Maj • 05:03 • -16db
34% Popularity • 36% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
34% Popularity • 36% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Attila Fias
Against All Odds (Take a Look at Me Now)...
118 bpm • D Maj • 03:22 • -15.73db
26% Popularity • 49% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
26% Popularity • 49% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Tami Briggs
Surrounded by Angels
114 bpm • F Maj • 04:08 • -26.36db
12% Popularity • 32% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
12% Popularity • 32% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Steve Hall & Mary Beth Carlson
Solace
113 bpm • F Maj • 01:33 • -21.02db
9% Popularity • 54% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 31% Positiveness
9% Popularity • 54% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 31% Positiveness
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Jeffrey Michael
Sun and Sand
114 bpm • D Maj • 02:36 • -24.63db
29% Popularity • 39% Danceability • 4% Energy • 15% Liveness
61% Instrumentalness • 16% Positiveness
29% Popularity • 39% Danceability • 4% Energy • 15% Liveness
61% Instrumentalness • 16% Positiveness
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Brad Jacobsen
When Through the Woods (How Great Thou A...
118 bpm • F Maj • 04:42 • -16.45db
29% Popularity • 39% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
29% Popularity • 39% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Mike Strickland
Think Of Me
114 bpm • G# Maj • 04:45 • -17.49db
23% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
23% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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Serge de Saint Laurent
Saving All My Love for You
119 bpm • A Maj • 03:12 • -22db
26% Popularity • 34% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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William Rhapsody
A Ripple in Time - For Relaxation and So...
113 bpm • D Maj • 01:33 • -18db
30% Popularity • 49% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 49% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Kevin Kern
I Am Always Right Here
119 bpm • C# Maj • 03:17 • -21.06db
29% Popularity • 49% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
29% Popularity • 49% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Jeffrey Michael
St. Elmo's Fire
113 bpm • C# Maj • 02:48 • -18.83db
10% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
10% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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The Aardvark
Fur Elise
113 bpm • A min • 01:15 • -21db
47% Popularity • 40% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
47% Popularity • 40% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Mike Strickland
Forest Gump Suite
113 bpm • G Maj • 02:40 • -20.86db
28% Popularity • 47% Danceability • 16% Energy • 6% Liveness
90% Instrumentalness • 28% Positiveness
28% Popularity • 47% Danceability • 16% Energy • 6% Liveness
90% Instrumentalness • 28% Positiveness
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Guitarist
The Rose
119 bpm • C Maj • 03:48 • -13db
33% Popularity • 57% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
33% Popularity • 57% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
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William Rhapsody
Images and Memories
113 bpm • A# Maj • 02:28 • -27.44db
33% Popularity • 64% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
33% Popularity • 64% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Ballet L'école
Allegro Tendu - Hungarian Dance #5 for B...
120 bpm • A min • 01:10 • -19.95db
40% Popularity • 49% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 52% Positiveness
40% Popularity • 49% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 52% Positiveness
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Jeffrey Michael
Forrest Gump
113 bpm • G# Maj • 04:02 • -21.83db
23% Popularity • 42% Danceability • 7% Energy • 17% Liveness
91% Instrumentalness • 14% Positiveness
23% Popularity • 42% Danceability • 7% Energy • 17% Liveness
91% Instrumentalness • 14% Positiveness
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Marco Gonella
Memories
120 bpm • C# Maj • 05:14 • -18.43db
15% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
15% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Jon Sarta
Someday My Prince Will Come
120 bpm • F Maj • 03:18 • -16.5db
48% Popularity • 70% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 25% Positiveness
48% Popularity • 70% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 25% Positiveness
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Louis Landon
Court Dances
120 bpm • F Maj • 03:13 • -21db
22% Popularity • 35% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
22% Popularity • 35% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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William Rhapsody
Flickering Candles - For Health and Well...
112 bpm • A# Maj • 02:30 • -27.47db
32% Popularity • 63% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 63% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Helen Jane Long
Renewed
120 bpm • E min • 02:59 • -19.22db
44% Popularity • 55% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Jeffrey Michael
Keystone
120 bpm • B Maj • 02:50 • -15.44db
3% Popularity • 38% Danceability • 15% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
3% Popularity • 38% Danceability • 15% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Isaac Shepard
Good Company
120 bpm • C Maj • 03:21 • -21.69db
44% Popularity • 72% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
44% Popularity • 72% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
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ピアノ
モーツァルト - Sonata No. 16 C maj...
120 bpm • C Maj • 04:56 • -23db
25% Popularity • 61% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
25% Popularity • 61% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
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Yanni
To Take ...To Hold
112 bpm • G Maj • 04:02 • -18.98db
46% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
46% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Andy Tallent
A Dream Is a Wish Your Heart Makes - Ar...
120 bpm • E Maj • 02:35 • -21db
50% Popularity • 39% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
50% Popularity • 39% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
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Steven Anderson
You Are The Way
120 bpm • D# Maj • 02:03 • -20.43db
22% Popularity • 41% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
22% Popularity • 41% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Jeffrey Michael
The Rose
120 bpm • C Maj • 03:49 • -20db
17% Popularity • 52% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
17% Popularity • 52% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Mike Strickland
My Heart Will Go On
120 bpm • E Maj • 04:23 • -16.43db
20% Popularity • 42% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
20% Popularity • 42% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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The Piano Guys
All of Me
112 bpm • C# Maj • 03:03 • -9.45db
39% Popularity • 42% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
39% Popularity • 42% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Maria Paloma
Intouchables
120 bpm • G# Maj • 02:31 • -17.83db
19% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
19% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Greg Maroney
Spring Breeze
112 bpm • D# Maj • 04:01 • -15.79db
11% Popularity • 25% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
11% Popularity • 25% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Ballet L'école
Tendu - Turkish March for Ballet Class
112 bpm • D Maj • 02:21 • -20db
37% Popularity • 57% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 68% Positiveness
37% Popularity • 57% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 68% Positiveness
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Jeffrey Michael
Finding a Fairytale
120 bpm • A# min • 04:32 • -27.59db
7% Popularity • 31% Danceability • 3% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
7% Popularity • 31% Danceability • 3% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
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Mark Andrew Hansen
Fairy Tales of Love
112 bpm • C Maj • 02:37 • -21.52db
35% Popularity • 52% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
35% Popularity • 52% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Anne Trenning
Silent Night II
111 bpm • F Maj • 03:06 • -19.12db
23% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
23% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Thad Fiscella
Wedding Song
121 bpm • A Maj • 05:03 • -18.79db
33% Popularity • 38% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
33% Popularity • 38% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Pilates L'école
Pilates Concentration Music
121 bpm • C Maj • 02:17 • -11db
38% Popularity • 27% Danceability • 22% Energy • 15% Liveness
63% Instrumentalness • 18% Positiveness
38% Popularity • 27% Danceability • 22% Energy • 15% Liveness
63% Instrumentalness • 18% Positiveness
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Joe Bongiorno
Once a Child
111 bpm • C Maj • 03:01 • -26.19db
30% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
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Jeffrey Michael
Memory
112 bpm • E min • 04:12 • -20.96db
7% Popularity • 40% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 40% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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David Lanz
Dreamer's Waltz
121 bpm • C Maj • 04:38 • -17.5db
12% Popularity • 44% Danceability • 20% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
12% Popularity • 44% Danceability • 20% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Sherrie Shepherd
On The River
111 bpm • G Maj • 03:33 • -22db
19% Popularity • 29% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
19% Popularity • 29% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Ann Sweeten
Shepherd Me
122 bpm • C Maj • 04:15 • -19db
20% Popularity • 32% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
20% Popularity • 32% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Stephen Petrunak
God's Grace
122 bpm • E Maj • 04:45 • -11db
20% Popularity • 23% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
20% Popularity • 23% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Kevin Kern
Light Spirit
110 bpm • E Maj • 04:23 • -16.03db
37% Popularity • 60% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
37% Popularity • 60% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
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Jeffrey Michael
Phantom Overture
112 bpm • B Maj • 04:00 • -19.15db
5% Popularity • 37% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 37% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Attila Fias
Your Song - Piano Instrumental
122 bpm • D# Maj • 04:12 • -15db
33% Popularity • 48% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
33% Popularity • 48% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Fiona Joy Hawkins
Portrait of a Waterfall Reprise
110 bpm • D Maj • 03:10 • -22.59db
16% Popularity • 35% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
16% Popularity • 35% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Steven Anderson
Brightest And Best
110 bpm • G Maj • 01:34 • -20.3db
39% Popularity • 74% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 45% Positiveness
39% Popularity • 74% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 45% Positiveness
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Jennifer Haines
Come, Thou Long Expected Jesus
110 bpm • D min • 03:01 • -15.54db
13% Popularity • 41% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
13% Popularity • 41% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Sally Harmon
Yesterday
110 bpm • F Maj • 03:25 • -16.65db
8% Popularity • 30% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Jeffrey Michael
All I Ask Of You
112 bpm • E Maj • 04:01 • -18.24db
7% Popularity • 34% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
7% Popularity • 34% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Andy Tallent
Chariots of Fire
110 bpm • D Maj • 03:44 • -21.83db
38% Popularity • 45% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
38% Popularity • 45% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Keith Martinson
Till There Was You
110 bpm • D Maj • 02:32 • -22db
33% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
33% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Wim Mertens
Humility
122 bpm • D min • 02:47 • -20.78db
30% Popularity • 33% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 33% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Michele McLaughlin
For The Lambs
110 bpm • C Maj • 03:04 • -19.63db
42% Popularity • 35% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
42% Popularity • 35% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Fiona Joy Hawkins
Escarpment Dreaming
110 bpm • E min • 03:25 • -21db
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Jeffrey Michael
Over The Rainbow
111 bpm • E Maj • 03:56 • -21.22db
25% Popularity • 40% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
25% Popularity • 40% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Kevin Kern
After the Rain
123 bpm • A# Maj • 04:09 • -17.37db
42% Popularity • 39% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Solomon Keal
Surrender
109 bpm • A min • 05:48 • -19db
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Jason Farnham
Summer In Athens, Ohio
109 bpm • D Maj • 04:00 • -11.15db
21% Popularity • 45% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
21% Popularity • 45% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Mike Strickland
Of Strange Lands And People
109 bpm • G Maj • 02:39 • -21.45db
13% Popularity • 46% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
13% Popularity • 46% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Jeffrey Michael
Tidal Wave
122 bpm • G Maj • 03:18 • -22.89db
6% Popularity • 44% Danceability • 12% Energy • 15% Liveness
91% Instrumentalness • 17% Positiveness
6% Popularity • 44% Danceability • 12% Energy • 15% Liveness
91% Instrumentalness • 17% Positiveness
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Ludovico Einaudi
Le onde
123 bpm • D Maj • 05:07 • -16.88db
25% Popularity • 32% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
25% Popularity • 32% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Solomon Keal
Memories
109 bpm • G Maj • 04:04 • -25db
12% Popularity • 41% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
12% Popularity • 41% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
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Jennifer Haines
Softly And Tenderly
109 bpm • G# Maj • 03:13 • -17db
13% Popularity • 42% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
13% Popularity • 42% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
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David Tolk
Grace
124 bpm • D Maj • 03:13 • -16.25db
42% Popularity • 32% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
42% Popularity • 32% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Gary Girouard
The Ring
124 bpm • D Maj • 03:57 • -22.43db
8% Popularity • 45% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 45% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Jeffrey Michael
Beach Walk
122 bpm • E min • 04:19 • -25.89db
5% Popularity • 26% Danceability • 4% Energy • 18% Liveness
75% Instrumentalness • 5% Positiveness
5% Popularity • 26% Danceability • 4% Energy • 18% Liveness
75% Instrumentalness • 5% Positiveness
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Attila Fias
Thank You - Piano Instrumental
124 bpm • C Maj • 04:07 • -17db
22% Popularity • 53% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
22% Popularity • 53% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Royal Wedding Orchestra
Enchanted River
109 bpm • C Maj • 03:14 • -24db
29% Popularity • 33% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 33% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Brad Jacobsen
The Arrow & the Song
124 bpm • G Maj • 03:34 • -19.92db
20% Popularity • 31% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
20% Popularity • 31% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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クラシックバレエ クラブ
Balances 4/4 for Ballet Class
109 bpm • D Maj • 01:29 • -14.93db
22% Popularity • 37% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 72% Positiveness
22% Popularity • 37% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 72% Positiveness
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Michael R. Hicks
Her Mother's Eyes
108 bpm • C Maj • 04:25 • -18.62db
8% Popularity • 40% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
8% Popularity • 40% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Jeffrey Michael
Sailing to the Stars
122 bpm • C# Maj • 04:28 • -24.81db
20% Popularity • 29% Danceability • 6% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 6% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
