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The Winner Takes It All
Songs like
The Winner Takes It All (From "Mamma Mia")
by
Benedetta Caretta
Based on a tempo of (+/- 10%) and a similar genre
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Michael Learns To Rock
Walk With Me
134 bpm • D Maj • 04:05 • -7.86db
25% Popularity • 65% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Nicola Congiu
Oh Carol
134 bpm • A# Maj • 02:17 • -9.66db
38% Popularity • 72% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Alyona Yarushina
I Will Always Love You
134 bpm • E Maj • 04:05 • -14.97db
17% Popularity • 29% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Alexis Carlier
Let it flow
134 bpm • G Maj • 04:09 • -9.51db
21% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Whitney Houston
I Will Always Love You - Film Version
133 bpm • E Maj • 04:34 • -9.53db
52% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Benedetta
The Winner Takes It All
134 bpm • G Maj • 04:51 • -4.26db
30% Popularity • 39% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Benedetta Caretta
I Will Always Love You
135 bpm • E Maj • 03:11 • -13.41db
31% Popularity • 30% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Buzz-Tones
Captured
135 bpm • G# Maj • 03:28 • -6.52db
13% Popularity • 57% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Angelina Jordan
Fly Me to the Moon - Acoustic
135 bpm • G Maj • 02:47 • -11db
52% Popularity • 59% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Loren Allred
Last Thing I'll Ever Need (Diva Version)
133 bpm • G Maj • 02:40 • -5.36db
27% Popularity • 42% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Zoe Tyler
You Are Always In My Heart. Written By D...
133 bpm • D# Maj • 03:49 • -9.55db
25% Popularity • 36% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Benedetta
Gabriel's Oboe
133 bpm • G Maj • 04:29 • -4.19db
12% Popularity • 21% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Giulia Falcone
Lettre à mes parents
132 bpm • C# Maj • 02:58 • -7db
37% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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DREYA STARR
Hechizo de Amor
136 bpm • D min • 05:11 • -7.53db
23% Popularity • 46% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Eurika
From This Moment - Revival
136 bpm • D# Maj • 03:49 • -6db
51% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Noelle Johnson
Always Remember Us This Way
136 bpm • C Maj • 03:14 • -10db
61% Popularity • 36% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 11% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart - Orchestral
132 bpm • G# Maj • 04:52 • -8.02db
15% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Benedetta Caretta
Never Enough
132 bpm • G# Maj • 03:16 • -6.17db
27% Popularity • 40% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Demi Lee Moore
Rose Garden
132 bpm • D Maj • 02:45 • -5.7db
35% Popularity • 61% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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DREYA STARR
Evaechizo
136 bpm • D min • 05:12 • -7.32db
28% Popularity • 47% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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angela
Skyline Pigeon
132 bpm • A Maj • 03:29 • -7.51db
21% Popularity • 47% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Charlotte Summers
Can't Stand By
132 bpm • D Maj • 04:16 • -8.89db
15% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Karl Loxley
Come What May
136 bpm • C Maj • 04:52 • -5.88db
29% Popularity • 26% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Louie Smith
Can't Live If Living Is Without You
132 bpm • E Maj • 03:10 • -7.46db
55% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Tyler Rayn
Deceiver
131 bpm • F Maj • 05:31 • -8.52db
35% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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DREYA STARR
Evanescence
136 bpm • D min • 05:12 • -7.17db
23% Popularity • 48% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Barrett Noubar Yeretsian
Jealous of the Angels
131 bpm • D# Maj • 04:09 • -8.74db
29% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mark Masri
Window
137 bpm • C# Maj • 03:58 • -5.45db
15% Popularity • 49% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Karl Loxley
Never Enough
132 bpm • D Maj • 03:25 • -5.17db
40% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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L.A Band
She
131 bpm • C# Maj • 03:05 • -9.8db
26% Popularity • 36% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Giulia Falcone
Underwater
131 bpm • F# Maj • 02:56 • -6.96db
42% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Black
Wonderchild
131 bpm • C Maj • 03:45 • -15db
41% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Benedetta Caretta
Me Quedo Contigo
131 bpm • A min • 02:59 • -8.81db
41% Popularity • 38% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tanja Thomas
Gloria
131 bpm • A# Maj • 04:22 • -6.76db
27% Popularity • 75% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Bryan Adams
Everything I Do (I Do It For You) (Class...
131 bpm • C# Maj • 06:27 • -6.64db
53% Popularity • 34% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Kevin Simm
Hard to Say I’m Sorry - Acoustic
131 bpm • D Maj • 03:37 • -10.93db
40% Popularity • 61% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Arpi Alto
You Are so Beautiful
131 bpm • C# Maj • 02:20 • -18.26db
32% Popularity • 33% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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DREYA STARR
Honey Vida
130 bpm • F Maj • 04:16 • -7.45db
20% Popularity • 49% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Hylton Chilchik
I'll Always Remember Us This Way
130 bpm • C Maj • 02:55 • -10.48db
32% Popularity • 64% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Benedetta Caretta
Now We Are Free (Gladiator)
138 bpm • A Maj • 03:13 • -14.51db
46% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Italian Tenors
Caruso
130 bpm • E min • 04:24 • -8db
24% Popularity • 35% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Sinead O Brien
Today
138 bpm • A# Maj • 03:53 • -9.34db
15% Popularity • 30% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Luke Silva
Oceans
130 bpm • D Maj • 04:24 • -13.69db
44% Popularity • 47% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Juliet Lloyd
High Road
138 bpm • C Maj • 04:31 • -8.68db
23% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Brandon Jenner
Save the Last Dance for Me
130 bpm • C# Maj • 02:31 • -8.96db
38% Popularity • 76% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Susan Wong
The Winner Takes It All
138 bpm • C min • 03:34 • -12.77db
34% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Felicity Saxophonist
Always Remember Us This Way
130 bpm • C Maj • 03:24 • -7.81db
27% Popularity • 56% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 17% Positiveness
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Katherine Jenkins
Jealous Of The Angels
130 bpm • D# Maj • 03:48 • -10.06db
45% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Samuel Warburton
Anybody Else
138 bpm • C Maj • 03:30 • -7.9db
20% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Marcelito Pomoy
Let the Love Begin
138 bpm • D Maj • 04:15 • -5.61db
26% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Shayne Ward
Someone to Love
130 bpm • A# Maj • 04:07 • -6.62db
43% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Bretan
Arrows
130 bpm • A# min • 03:42 • -6.53db
28% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Tom Ball
I (Who Have Nothing)
138 bpm • D Maj • 02:59 • -8.27db
39% Popularity • 33% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Benedetta
Unchained Melody
138 bpm • D# Maj • 03:47 • -3.09db
29% Popularity • 22% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Peterson
You're Never Far From My Broken Heart
130 bpm • B min • 02:56 • -6.22db
19% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Natalie Taylor
Love Is The Answer
130 bpm • A Maj • 03:32 • -9db
57% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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DREYA STARR
Honeywine
130 bpm • D min • 04:17 • -8.85db
19% Popularity • 49% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Ennah
Remember Us This Way
130 bpm • C Maj • 04:02 • -9.3db
18% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Isaac And The Soul Company
Back To Your Heart
130 bpm • G# Maj • 03:42 • -4.96db
29% Popularity • 54% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Benedetta Caretta
slipping through my fingers
139 bpm • D Maj • 03:01 • -11.37db
38% Popularity • 52% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Da Boss Baby
It will rain
130 bpm • D Maj • 05:00 • -8.56db
17% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Kim Kwanghan
To the Sky High (Up where we Belong)
139 bpm • D Maj • 03:54 • -15.09db
10% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Arpi Alto
Close to You
139 bpm • G Maj • 03:04 • -16.83db
31% Popularity • 44% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Simon Casey
I'll Have To Say I Love You In A Song
130 bpm • C Maj • 02:06 • -13db
38% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Loren Allred
Rainbow
129 bpm • D# Maj • 03:11 • -8.35db
36% Popularity • 58% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Benedetta Caretta
Always Remember Us This Way
130 bpm • C Maj • 02:05 • -10.96db
44% Popularity • 48% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Melanie C
I Know Him So Well
139 bpm • B Maj • 04:24 • -8.7db
40% Popularity • 42% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Beverley Craven
I Miss You
139 bpm • G Maj • 04:35 • -10db
28% Popularity • 33% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Mark Masri
Sorry
129 bpm • C# min • 04:19 • -7.76db
15% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Petar Markoski
Caruso
129 bpm • G min • 03:46 • -11.64db
28% Popularity • 26% Danceability • 25% Energy • 14% Liveness
70% Instrumentalness • 8% Positiveness
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Forsvarets Stabsmusikkorps
Can't Help Falling in Love
139 bpm • C Maj • 03:01 • -14db
36% Popularity • 23% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Luke Silva
Always Remember Us This Way
129 bpm • C Maj • 03:43 • -6.56db
37% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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OctaSounds
Thank You for Being You - Guitar Version
140 bpm • C Maj • 04:13 • -8.37db
38% Popularity • 74% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Doc Reinhart
I'll Turn the Light Out for You
140 bpm • F Maj • 03:31 • -9.11db
32% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Mark Masri
It Must Have Been Love
140 bpm • A# Maj • 04:38 • -8db
38% Popularity • 40% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Bretan
Leave the Past
140 bpm • A# Maj • 04:48 • -6.93db
21% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Bonnie Tyler
Making Love (Out of Nothing at All)
140 bpm • G Maj • 07:50 • -9.7db
34% Popularity • 62% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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David Howarth
In My Heart
140 bpm • G# Maj • 04:01 • -10.15db
29% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Liezel Pieters
Making Love Out of Nothing At All
140 bpm • G Maj • 05:13 • -7db
25% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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OctaSounds
Thank You for Being You
140 bpm • C Maj • 04:14 • -9.8db
50% Popularity • 62% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Luke Silva
The Love That We Had
140 bpm • F# Maj • 03:31 • -9.37db
39% Popularity • 43% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Mark Masri
The Painter
140 bpm • D Maj • 04:18 • -8db
27% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Mirusia
I Know Him So Well
140 bpm • C Maj • 03:59 • -5.61db
16% Popularity • 35% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Sébastien Izambard
Have I Told You Lately
140 bpm • E Maj • 04:09 • -7db
22% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Alexis Carlier
Don't forget me
140 bpm • F min • 03:59 • -14.88db
31% Popularity • 32% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Pharos
Hold Me Till The Morning Comes
128 bpm • C# Maj • 04:19 • -9.82db
14% Popularity • 54% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Benedetta Caretta
Lambada
128 bpm • D min • 02:58 • -8.62db
31% Popularity • 70% Danceability • 65% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
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Mark Masri
Vivere
128 bpm • F# min • 04:14 • -6.03db
11% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jesika
Words Don't Come Easy
128 bpm • C Maj • 03:42 • -7.91db
32% Popularity • 72% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Chris Norman
Stay One More Night
128 bpm • G Maj • 04:03 • -6db
38% Popularity • 44% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Hilary Weeks
Love Your Life
128 bpm • C Maj • 03:37 • -7.45db
30% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Luke Silva
Say Your Prayers
128 bpm • A# Maj • 03:24 • -8.25db
38% Popularity • 57% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Jonathan Estabrooks
You Raise Me Up / Fields of Gold
141 bpm • D Maj • 03:01 • -14db
41% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tom Ball
Falling Slowly
141 bpm • D# Maj • 03:28 • -9.22db
37% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Angelina Jordan
Back to Black
127 bpm • D min • 04:01 • -11.47db
38% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Karl Loxley
I Dreamed a Dream
127 bpm • F# Maj • 03:13 • -7.02db
37% Popularity • 26% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Neal E. Boyd
Is Nothing Sacred
142 bpm • G# Maj • 04:09 • -9db
24% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Benedetta Caretta
The Power of Love
142 bpm • G# Maj • 04:26 • -4.11db
33% Popularity • 36% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Plamina
Don't Dream It's Over - Acoustic
142 bpm • D# Maj • 03:17 • -9.95db
54% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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The Serenad3
A Thousand Years
142 bpm • F Maj • 04:43 • -13db
19% Popularity • 26% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Winner Takes It All