Songs like The Witch of Atlas: B. Lento misterioso by Granville Bantock
Based on a tempo of (+/- 10%) and a similar genre
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Granville Bantock
A Celtic Symphony: IV. Port-a-Bial. Alle...
136 bpm • D Maj • 01:28 • -28.41db
2% Popularity • 28% Danceability • 15% Energy • 54% Liveness
91% Instrumentalness • 37% Positiveness
2% Popularity • 28% Danceability • 15% Energy • 54% Liveness
91% Instrumentalness • 37% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Adam Carse
2 Sketches: A Northern Dance
136 bpm • A min • 02:36 • -18.84db
11% Popularity • 46% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
11% Popularity • 46% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
26% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
26% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Granville Bantock
Song to the Seals
138 bpm • D# Maj • 03:59 • -19.87db
1% Popularity • 33% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 33% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Peter Hope
Momentum
137 bpm • D Maj • 03:23 • -19db
11% Popularity • 28% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
11% Popularity • 28% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
28% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Ria Mbanefo
Love Sleeping Alone
134 bpm • G min • 02:24 • -22.2db
13% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
13% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Prelude
134 bpm • F Maj • 01:44 • -30.72db
43% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
43% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Granville Bantock
A Celtic Symphony: III. Andante con tene...
134 bpm • E min • 04:54 • -39.21db
2% Popularity • 15% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
37% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
37% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Granville Bantock
A Hebridean Symphony: III. [Untitled]
133 bpm • C Maj • 05:40 • -35.1db
2% Popularity • 16% Danceability • 2% Energy • 7% Liveness
61% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 2% Energy • 7% Liveness
61% Instrumentalness • 3% Positiveness
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Robert Schumann
Träumerei, Op. 15 No. 7
139 bpm • F Maj • 02:15 • -29db
17% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
17% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 - Arr. for ...
133 bpm • D Maj • 06:42 • -16db
25% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
25% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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Ermanno Wolf-Ferrari
I quatro rusteghi (Excerpts): Prelude
133 bpm • C Maj • 02:10 • -30.46db
17% Popularity • 22% Danceability • 4% Energy • 13% Liveness
8% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 13% Liveness
8% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Hebrides Overture "Fingal's Cave"
132 bpm • B min • 09:44 • -23.78db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Firebird Suite (1919): Finale
140 bpm • B Maj • 03:27 • -17.86db
7% Popularity • 16% Danceability • 21% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 21% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Granville Bantock
Hamabdil for Cello and Harp (Hebrew Melo...
140 bpm • G min • 05:04 • -27.74db
9% Popularity • 19% Danceability • 2% Energy • 8% Liveness
60% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 8% Liveness
60% Instrumentalness • 9% Positiveness
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Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Kyrie in D Major: IV. Versetto No.3, Sen...
141 bpm • D Maj • 01:02 • -26.43db
14% Popularity • 14% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
14% Popularity • 14% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
36% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
36% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: III. ...
131 bpm • C Maj • 02:02 • -37db
14% Popularity • 23% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Granville Bantock
The Witch of Atlas: IV. And Every Nymph ...
131 bpm • C# Maj • 01:31 • -44.99db
2% Popularity • 18% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 4 "L'automne": ...
141 bpm • A Maj • 04:26 • -27.79db
15% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Gustav Mahler
Calming Adagio
142 bpm • F# Maj • 02:53 • -33.46db
11% Popularity • 14% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
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Peter Warlock
Capriol Suite: V. Pieds-en-l'air
142 bpm • G Maj • 02:31 • -21.37db
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Impromptu for String Orchestra
130 bpm • E min • 05:11 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Divertissement pour une fete de nuit: VI...
129 bpm • C# Maj • 08:15 • -17.99db
8% Popularity • 27% Danceability • 13% Energy • 20% Liveness
81% Instrumentalness • 8% Positiveness
8% Popularity • 27% Danceability • 13% Energy • 20% Liveness
81% Instrumentalness • 8% Positiveness
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Granville Bantock
12 Piano Pieces: No. 9, Intermezzo
131 bpm • A# min • 02:12 • -30.29db
0% Popularity • 35% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
0% Popularity • 35% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
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Eric Coates
Cinderella: 2. Her Fairy Godmother calls...
143 bpm • G Maj • 01:35 • -31db
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Dance of the Dolls: Lyric Waltz (Orch. b...
144 bpm • F Maj • 03:24 • -28db
14% Popularity • 28% Danceability • 4% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 4% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: II. Adagio
128 bpm • D Maj • 03:10 • -28.77db
21% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Belkis, regina di Saba, P 171: III. Danz...
144 bpm • G# min • 02:53 • -16.65db
17% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
17% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Granville Bantock
12 Piano Pieces: No. 10, Serenade
143 bpm • C# Maj • 02:13 • -29.18db
0% Popularity • 49% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
0% Popularity • 49% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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Edvard Grieg
二つの悲しき旋律: 第2曲: 過�...
128 bpm • G Maj • 04:37 • -21.22db
8% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Remersaro Trío
Sargent Rag
145 bpm • G# Maj • 02:36 • -16.41db
11% Popularity • 37% Danceability • 26% Energy • 67% Liveness
95% Instrumentalness • 37% Positiveness
11% Popularity • 37% Danceability • 26% Energy • 67% Liveness
95% Instrumentalness • 37% Positiveness
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Granville Bantock
12 Piano Pieces: No. 11, Caprice
128 bpm • B Maj • 02:01 • -31.03db
0% Popularity • 31% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
0% Popularity • 31% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:01 • -15.36db
19% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Fela Sowande
African Suite: V. Akinla
125 bpm • C Maj • 03:20 • -23.59db
12% Popularity • 46% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Granville Bantock
2 Scottish Pieces: No. 1, The Hills of G...
125 bpm • D Maj • 03:41 • -25.21db
0% Popularity • 45% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
0% Popularity • 45% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
44% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
44% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Edvard Grieg
二つの悲しき旋律: 第1曲: 傷�...
124 bpm • G# Maj • 03:16 • -20.15db
9% Popularity • 19% Danceability • 10% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Paul Reade
Suite from The Victorian Kitchen Garden:...
124 bpm • F min • 01:05 • -34db
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
28% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
28% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Franz Schmidt
Notre Dame, Op. 2: Intermezzo. Sehr zur�...
123 bpm • C# Maj • 03:38 • -24.31db
8% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Danke Timi Briggs
Billabong
150 bpm • G min • 02:12 • -15.02db
17% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
17% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Ignacy Jan Paderewski
Suite in G Major: II. Andante
152 bpm • G Maj • 02:55 • -24db
13% Popularity • 12% Danceability • 8% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 8% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Granville Bantock
The Witch of Atlas: VII. And Then She Ca...
122 bpm • F min • 01:52 • -27.19db
1% Popularity • 20% Danceability • 6% Energy • 30% Liveness
26% Instrumentalness • 5% Positiveness
1% Popularity • 20% Danceability • 6% Energy • 30% Liveness
26% Instrumentalness • 5% Positiveness
► Preview
Carl Maria von Weber
Aufforderung zum Tanz, Op. 65 (Orch. Ber...
122 bpm • D Maj • 08:47 • -18db
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
The Gerst Ensemble
12 Melodische Tonstücke for Piano, Op. ...
121 bpm • G min • 01:02 • -29.13db
26% Popularity • 20% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 20% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Various Artists
La jota aragonese
121 bpm • D Maj • 03:50 • -24.62db
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
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Danke Timi Briggs
Rivulet of Truth
121 bpm • G min • 02:29 • -18.68db
16% Popularity • 38% Danceability • 20% Energy • 20% Liveness
77% Instrumentalness • 25% Positiveness
16% Popularity • 38% Danceability • 20% Energy • 20% Liveness
77% Instrumentalness • 25% Positiveness
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Anthony Collins
Vanity Fair
120 bpm • F Maj • 03:53 • -40.09db
12% Popularity • 44% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
12% Popularity • 44% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Max Richtar
Forgive My Error
120 bpm • C min • 02:15 • -23.43db
12% Popularity • 51% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
12% Popularity • 51% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Felix Klieser
Hedwig's Theme
154 bpm • A min • 04:11 • -22.51db
27% Popularity • 27% Danceability • 7% Energy • 6% Liveness
7% Instrumentalness • 12% Positiveness
27% Popularity • 27% Danceability • 7% Energy • 6% Liveness
7% Instrumentalness • 12% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 2. Menuetto I
155 bpm • A min • 01:40 • -24db
29% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
29% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
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Valery Gergiev
Piano Concerto No. 1 in B-Flat Minor, Op...
120 bpm • C# Maj • 06:34 • -37.5db
10% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
10% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
33% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
33% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Robert Fuchs
Serenade No. 3 in E Minor, Op. 21: IV. F...
156 bpm • E min • 04:15 • -17.9db
8% Popularity • 41% Danceability • 17% Energy • 11% Liveness
73% Instrumentalness • 31% Positiveness
8% Popularity • 41% Danceability • 17% Energy • 11% Liveness
73% Instrumentalness • 31% Positiveness
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Peter Warlock
Capriol Suite: 4. Bransles
156 bpm • G Maj • 01:59 • -19.75db
31% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
31% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
36% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
36% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 4, Ständche...
119 bpm • D Maj • 04:42 • -32.34db
0% Popularity • 22% Danceability • 3% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Alexander Borodin
Petite Suite: iii. Mazurka
117 bpm • C# Maj • 04:03 • -23.88db
10% Popularity • 20% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
117 bpm • C min • 02:01 • -18db
18% Popularity • 32% Danceability • 31% Energy • 13% Liveness
97% Instrumentalness • 37% Positiveness
18% Popularity • 32% Danceability • 31% Energy • 13% Liveness
97% Instrumentalness • 37% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: VII. Second Int...
116 bpm • E Maj • 02:22 • -26.03db
19% Popularity • 18% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
19% Popularity • 18% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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David Measham
Sorochinsky Fair: Gopak
116 bpm • G Maj • 01:53 • -15.93db
8% Popularity • 59% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 48% Positiveness
8% Popularity • 59% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 48% Positiveness
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Nikos Skalkottas
5 Greek Dances, AK 11b (Arr. for String ...
160 bpm • G min • 02:11 • -20.19db
18% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
18% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Jules Massenet
Les Érinnyes: Invocation
166 bpm • E min • 02:06 • -26.72db
22% Popularity • 9% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
22% Popularity • 9% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
