Songs like The Young Messiah Theme (feat. Bethany Woods) by John Debney
Based on a tempo of (+/- 10%) and a similar genre
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Guy Farley
Wait For Me
82 bpm • C Maj • 01:20 • -32db
34% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Debney
Xan And Duma Say Goodbye
82 bpm • A Maj • 03:24 • -18.93db
10% Popularity • 27% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
48% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Chance Thomas
Theme for Rohan
82 bpm • C min • 03:27 • -18.79db
37% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Samuel Sim
Blind Endeavours
82 bpm • G Maj • 03:15 • -19db
28% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
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John Debney
The Young Messiah Theme
82 bpm • D min • 02:36 • -13.59db
16% Popularity • 33% Danceability • 40% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
16% Popularity • 33% Danceability • 40% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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Howard Shore
The Return Journey
82 bpm • E min • 04:18 • -20.76db
36% Popularity • 8% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Steven Price
They Work As A Team
81 bpm • A min • 03:41 • -13.75db
27% Popularity • 26% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
27% Popularity • 26% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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John Debney
Mary Reveals the Truth to Jesus / Jesus ...
82 bpm • F min • 07:37 • -18.39db
12% Popularity • 9% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
The Wardrobe
81 bpm • C# min • 02:54 • -26.4db
52% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
52% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
27% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Trevor Jones
Waterfall City
83 bpm • D# Maj • 06:14 • -21.04db
10% Popularity • 8% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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John Ottman
Just a Dream
83 bpm • G min • 01:15 • -42.45db
31% Popularity • 21% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 7% Positiveness
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John Debney
Father Talk - Score
81 bpm • C Maj • 01:00 • -33.42db
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Only The Beginning of The Adventure
83 bpm • G# Maj • 05:32 • -18.08db
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
41% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
19% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
19% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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John Debney
Reveal of Nazareth
81 bpm • D Maj • 01:33 • -18.04db
10% Popularity • 25% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 25% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Anne Dudley
Where the Land Meets the Sea
80 bpm • D Maj • 02:52 • -12.43db
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Jasha Klebe
March of the Millions
84 bpm • G min • 04:00 • -17.81db
19% Popularity • 12% Danceability • 17% Energy • 13% Liveness
83% Instrumentalness • 3% Positiveness
19% Popularity • 12% Danceability • 17% Energy • 13% Liveness
83% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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John Debney
Jesus Leaves Alone
80 bpm • B min • 02:26 • -20.8db
13% Popularity • 15% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
13% Popularity • 15% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Steven Price
A Rich Community Of Life
84 bpm • C Maj • 01:06 • -24.22db
19% Popularity • 40% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
19% Popularity • 40% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
39% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
39% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Harald Kloser
Evolet
84 bpm • A min • 02:43 • -27db
25% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Howard Shore
The Council of Elrond Assembles / "AnÃr...
80 bpm • G# Maj • 04:01 • -30.13db
45% Popularity • 8% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
45% Popularity • 8% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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John Debney
Bearing the Cross
80 bpm • C Maj • 03:42 • -19.31db
37% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
37% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Trevor Jones
To Speed You on Your Way
80 bpm • A min • 02:31 • -17.43db
21% Popularity • 7% Danceability • 14% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 14% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
33% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Tony Morales
Rose Dies & Johnse Mourns
80 bpm • D Maj • 02:55 • -21.54db
10% Popularity • 14% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 14% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Howard Shore
The Leave Taking
85 bpm • E min • 03:41 • -30.26db
42% Popularity • 11% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
42% Popularity • 11% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Mark Mancina
One Family
80 bpm • A# min • 03:48 • -24.07db
44% Popularity • 12% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Mychael Danna
Arlo's Vision
80 bpm • C Maj • 01:35 • -30db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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BBC Scottish Symphony Orchestra
The Legend Of Wallace
85 bpm • D min • 04:27 • -21.48db
27% Popularity • 19% Danceability • 7% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 7% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
36% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
36% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
The Door in the Air - Score
79 bpm • C Maj • 07:50 • -22.54db
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
28% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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John Debney
A Son Named Jesus
79 bpm • F min • 04:27 • -21.84db
18% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Mark McKenzie
Of My Heart To Thee I Give
85 bpm • C Maj • 01:43 • -18.2db
16% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Georges Delerue
Symphonic Suite For Chorus And Orchestra...
85 bpm • E min • 03:30 • -13.41db
8% Popularity • 10% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 4% Positiveness
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Guy Farley
Jeanne's Death
79 bpm • G min • 01:34 • -15.52db
35% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
35% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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John Debney
She Lies By The River
79 bpm • F Maj • 02:54 • -19.02db
14% Popularity • 22% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Stephen Warbeck
Fiona's Story
86 bpm • A# min • 03:43 • -21.9db
17% Popularity • 9% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
29% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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David Newman
Prep For Flight
86 bpm • D min • 01:33 • -26.64db
26% Popularity • 18% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Jeff Russo
Walking With Number One
86 bpm • G min • 01:16 • -19.26db
18% Popularity • 20% Danceability • 9% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 9% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
56% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
56% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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John Debney
The Messiah Will Save Us!
86 bpm • E min • 01:16 • -19.12db
18% Popularity • 26% Danceability • 14% Energy • 35% Liveness
89% Instrumentalness • 8% Positiveness
18% Popularity • 26% Danceability • 14% Energy • 35% Liveness
89% Instrumentalness • 8% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Panu Aaltio
Tale of a Lake
78 bpm • D# Maj • 02:16 • -13.06db
26% Popularity • 7% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
26% Popularity • 7% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Benjamin Wallfisch
Rusalka
78 bpm • A min • 04:52 • -14.1db
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Brook
Goodbye Eilis
86 bpm • A# Maj • 05:07 • -12.46db
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Guy Farley
The Hat First
78 bpm • D min • 02:30 • -25.57db
30% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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John Debney
Jesus Heals Cleopus
78 bpm • A min • 03:07 • -20.16db
14% Popularity • 7% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Pope Joan (Main Theme)
87 bpm • G min • 02:34 • -19.14db
16% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Mark Isham
Harbor Neuroscience
78 bpm • A min • 01:19 • -25.6db
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
25% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Ilan Eshkeri
Gibbons (Episode 2 - Sunlight)
77 bpm • G min • 02:34 • -16.06db
11% Popularity • 20% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
37% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Craig Armstrong
Far from the Madding Crowd Love Theme
87 bpm • A min • 03:42 • -12db
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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John Ottman
Little Secrets / Power of the Sun
87 bpm • A min • 02:47 • -15.13db
23% Popularity • 12% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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John Debney
Resurrection
77 bpm • A# Maj • 05:04 • -19.3db
41% Popularity • 7% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Howard Shore
Elanor
77 bpm • D Maj • 01:27 • -22.34db
48% Popularity • 12% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
48% Popularity • 12% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
38% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
