Songs like Theeratha Vilayattu by D. K. Pattammal
Based on a tempo of (+/- 10%) and a similar genre
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T. M. Soundararajan
Malaiyam
153 bpm • G Maj • 06:08 • -9.58db
12% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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D. K. Pattammal
Theeratha Vilayattu
153 bpm • G# Maj • 05:10 • -9.43db
0% Popularity • 36% Danceability • 50% Energy • 37% Liveness
80% Instrumentalness • 56% Positiveness
0% Popularity • 36% Danceability • 50% Energy • 37% Liveness
80% Instrumentalness • 56% Positiveness
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Pushpavanam Kuppusamy
Paadhayatheera
154 bpm • F min • 05:09 • -12.47db
10% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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G. N. Siva Chandran
Nalla Santhana
154 bpm • E min • 05:30 • -9.22db
9% Popularity • 71% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 71% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Raghuram Manikandan
Rama Manthrava Japiso
154 bpm • C# min • 03:10 • -7.65db
11% Popularity • 71% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 71% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Vedavathi Prabhakar
Nalugu Pettare Vadinaku
152 bpm • E Maj • 01:21 • -3db
12% Popularity • 63% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 63% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Naagoor E M Hanifa
Amaithi Arul
154 bpm • G Maj • 04:38 • -10.48db
16% Popularity • 52% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 52% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Sreevalsan J. Menon
Anandavalli - Neelambari - Adi
151 bpm • C Maj • 05:43 • -7.49db
12% Popularity • 47% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 47% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Bhakta Raj Acharya
Aau Na Aau Krishna
155 bpm • D Maj • 05:36 • -6.69db
9% Popularity • 31% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 31% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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G. N. Siva Chandran
Ayya Ummai
154 bpm • G Maj • 04:50 • -10.7db
13% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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P. Susheela
Janaki Lola
151 bpm • F# min • 04:49 • -14.9db
7% Popularity • 42% Danceability • 33% Energy • 11% Liveness
19% Instrumentalness • 69% Positiveness
7% Popularity • 42% Danceability • 33% Energy • 11% Liveness
19% Instrumentalness • 69% Positiveness
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Vedavathi Prabhakar
Uyyala Loogavayya
152 bpm • A# Maj • 05:20 • -2.39db
12% Popularity • 43% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 43% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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K. J. Yesudas
Sakthiyin Vadivaagum
155 bpm • G min • 04:26 • -8.19db
9% Popularity • 75% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 75% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Dappu Srinu
Uyyalo Padkuna Sambaiah Legara
151 bpm • A# Maj • 06:16 • -5.07db
14% Popularity • 40% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 40% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Madhu Chandra
Jai Jai Girivar Raj Kishori
156 bpm • D# min • 02:27 • -5.08db
7% Popularity • 43% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 43% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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G. N. Siva Chandran
Vararu Vararu
155 bpm • C Maj • 05:22 • -9.8db
13% Popularity • 62% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 62% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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P. Susheela
Vopaleni Theepi Idhi
156 bpm • A Maj • 04:01 • -2.63db
1% Popularity • 32% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 32% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 69% Positiveness
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R. Chandrakanth
Azhagana Pazhani
156 bpm • E min • 04:52 • -5.91db
7% Popularity • 52% Danceability • 54% Energy • 51% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 52% Danceability • 54% Energy • 51% Liveness
0% Instrumentalness • 77% Positiveness
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Partha Saradhi
Endariki Telusu
156 bpm • D# Maj • 04:30 • -4.91db
7% Popularity • 68% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 68% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Soolamangalam Sisters
Ennum Ezhuthum
150 bpm • A# Maj • 04:51 • -12.07db
14% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Unni Menon
Azhalarnoragatharil
156 bpm • G# min • 06:07 • -9.48db
7% Popularity • 40% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 40% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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G. N. Siva Chandran
Utchi Sadai
151 bpm • B Maj • 08:15 • -8.43db
9% Popularity • 41% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 41% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Bombay Sisters
Thunbamellam Theerkkum
156 bpm • C# Maj • 03:46 • -5.07db
7% Popularity • 58% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 58% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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K. J. Yesudas
Jeevanamu Sagaramu Ayyappa Song
150 bpm • C# Maj • 05:09 • -6.3db
7% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Nandakishore Naidu
Patitapavana
156 bpm • F# Maj • 04:20 • -9.06db
8% Popularity • 63% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 63% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Thirupathinarayanaswamy
Vinaraa Chakravaham Khandachapu
149 bpm • A Maj • 06:12 • -6.76db
0% Popularity • 38% Danceability • 91% Energy • 74% Liveness
1% Instrumentalness • 45% Positiveness
0% Popularity • 38% Danceability • 91% Energy • 74% Liveness
1% Instrumentalness • 45% Positiveness
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D. K. Pattammal
Theeratha Vilaiyaatu Pillai
158 bpm • C# Maj • 04:13 • -9.57db
4% Popularity • 68% Danceability • 37% Energy • 34% Liveness
43% Instrumentalness • 93% Positiveness
4% Popularity • 68% Danceability • 37% Energy • 34% Liveness
43% Instrumentalness • 93% Positiveness
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G. N. Siva Chandran
Oorvalamaam Oorvalamam
150 bpm • A min • 07:28 • -9.16db
9% Popularity • 61% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Bombay Sisters
Ragavendara Ragavendra
149 bpm • C# Maj • 04:59 • -5.75db
9% Popularity • 66% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 66% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Partha Saradhi
Srinivasa Prabhuvu
158 bpm • G Maj • 05:25 • -10.08db
11% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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K. J. Yesudas
Andhamaina
150 bpm • A# Maj • 04:55 • -6.43db
8% Popularity • 41% Danceability • 56% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 41% Danceability • 56% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Ramu
Vishveshwaraya
148 bpm • F# Maj • 03:57 • -10.79db
1% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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S. Sowmya
Ninnaiyae
148 bpm • C min • 03:56 • -10.26db
24% Popularity • 57% Danceability • 48% Energy • 10% Liveness
13% Instrumentalness • 80% Positiveness
24% Popularity • 57% Danceability • 48% Energy • 10% Liveness
13% Instrumentalness • 80% Positiveness
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Unni Menon
Thankavigraham
148 bpm • G# Maj • 05:12 • -9.63db
10% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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N. S. Prakash
Sapthagiri Vaasa
148 bpm • F# Maj • 03:52 • -8.9db
10% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Sri Vidyabhushana
Manavajanma
158 bpm • F# Maj • 02:42 • -8.54db
10% Popularity • 44% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 44% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 59% Positiveness
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D. K. Pattammal
Bharatha Samudhayam
159 bpm • G min • 03:39 • -6.63db
0% Popularity • 56% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 56% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Maragadhamani
Kaiyai Thattu
159 bpm • C# Maj • 04:47 • -9.78db
9% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Soolamangalam Sisters
Ambikae
159 bpm • B min • 03:03 • -11.13db
11% Popularity • 69% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 69% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Nandakishore Naidu
Gajanana Gajanana
147 bpm • A Maj • 04:04 • -7.45db
12% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Ramu
Gundeke Thakina Gaayam
147 bpm • A min • 04:54 • -6.87db
10% Popularity • 69% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 69% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Bombay Saradha
Angala Parameswari
147 bpm • D Maj • 05:00 • -5.44db
8% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Bombay Sisters
Guruvaaram Guru Namam
147 bpm • B Maj • 04:10 • -3.81db
8% Popularity • 59% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 59% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Savitha Sai
Kadimalar Kamalangal
160 bpm • B Maj • 01:37 • -13.21db
14% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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S. Janaki
Dhaanya Lakshmi
146 bpm • G Maj • 04:18 • -6.76db
9% Popularity • 48% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 48% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Priya Sisters
Vishvasamune Swasaga Talachi - Vishvasam...
160 bpm • G# min • 05:29 • -10.08db
10% Popularity • 51% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 51% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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D.V. Ramani
Vazhi Kandu
146 bpm • A# Maj • 02:52 • -7.21db
8% Popularity • 69% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 69% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Dharmapuram P. Swaminathan
Neelangkoll
161 bpm • D min • 02:30 • -10.9db
15% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Bombay Sisters
Kaithala Niraikani - Thirupugazh
160 bpm • F# Maj • 02:17 • -7.98db
8% Popularity • 56% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 56% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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V2S2
Anne Ivaiyum Silavo
146 bpm • C# Maj • 01:41 • -11.2db
24% Popularity • 35% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Bangalore Sisters
Nakhagra Kanthi
145 bpm • F# min • 04:53 • -11.58db
10% Popularity • 78% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 78% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Soolamangalam Sisters
Ezhumalai Endralae
145 bpm • E min • 03:48 • -12.05db
11% Popularity • 74% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 74% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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D.V. Ramani
Maanaada Mazhuaada
146 bpm • F min • 03:03 • -6.23db
12% Popularity • 66% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 66% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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G Balakrishna Prasad
Thane Thane
145 bpm • G# min • 06:22 • -8.06db
10% Popularity • 47% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 47% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Nithya Santhoshini
Sakala Mathamula
161 bpm • A min • 03:23 • -8.09db
9% Popularity • 58% Danceability • 53% Energy • 14% Liveness
3% Instrumentalness • 82% Positiveness
9% Popularity • 58% Danceability • 53% Energy • 14% Liveness
3% Instrumentalness • 82% Positiveness
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N. C. Sridevi
Chocho Lali
145 bpm • D Maj • 03:05 • -9.39db
0% Popularity • 49% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 49% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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S. P. Sailaja
Shayaninchu Maa Sai
145 bpm • D Maj • 03:38 • -12.53db
7% Popularity • 63% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 63% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Sreevalsan J. Menon
Bhujagashayino - Yadukula KamboJi - Rupa...
145 bpm • D min • 02:05 • -7.78db
25% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Magantharen Balakisten
Navaveera Navarathna Kalivirutham
145 bpm • C Maj • 09:11 • -6.71db
7% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jeyachandran
Yesuve
145 bpm • D min • 04:29 • -11.3db
8% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Nithya Santhoshini
Ganapathi Prarthana
145 bpm • G Maj • 01:57 • -7.33db
11% Popularity • 41% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 41% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Malaysia Vasudevan
Manakara Kaval
145 bpm • F min • 04:31 • -8.67db
1% Popularity • 70% Danceability • 80% Energy • 64% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 70% Danceability • 80% Energy • 64% Liveness
0% Instrumentalness • 83% Positiveness
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Krishnaraj
Aarikambedu Ammanuku
144 bpm • G Maj • 05:36 • -7.6db
8% Popularity • 60% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 60% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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M. S. Rajeswari
Mahaan Gandhi Mahaan
144 bpm • A# min • 02:50 • -5.59db
2% Popularity • 74% Danceability • 44% Energy • 34% Liveness
1% Instrumentalness • 93% Positiveness
2% Popularity • 74% Danceability • 44% Energy • 34% Liveness
1% Instrumentalness • 93% Positiveness
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Shobha Raju
Podagantimayya
144 bpm • E min • 06:38 • -4.6db
10% Popularity • 33% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 33% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Bombay Sisters
Sri Ragavendarar Saranam
162 bpm • F# Maj • 04:18 • -7.91db
12% Popularity • 46% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 46% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Nithyasree Mahadevan
Unthu Matha Kalitran - Nithyasree Mahade...
162 bpm • E Maj • 02:20 • -7.31db
12% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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D. K. Pattammal
Chintayamam
144 bpm • D Maj • 06:46 • -7.9db
0% Popularity • 47% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 47% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Parupalli Sri Ranganath
Ganesh Sthuthi
144 bpm • D# min • 00:56 • -12.57db
21% Popularity • 79% Danceability • 44% Energy • 20% Liveness
8% Instrumentalness • 91% Positiveness
21% Popularity • 79% Danceability • 44% Energy • 20% Liveness
8% Instrumentalness • 91% Positiveness
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Prabhaker
Siluvalo
144 bpm • C Maj • 05:32 • -8.24db
13% Popularity • 82% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 82% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Ramu
Chandra Shekara
144 bpm • F# Maj • 05:06 • -16.57db
11% Popularity • 75% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 75% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Swarnalatha
Karunaiyin Kadale Karumari
163 bpm • E min • 04:28 • -5.13db
13% Popularity • 45% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 45% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Bombay Sisters
Sri Dattatreya Astothara Sathanaama Stot...
143 bpm • F# Maj • 08:34 • -8.04db
14% Popularity • 48% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 48% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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D. K. Pattammal
Theeratha Vilaiyattu
144 bpm • D Maj • 05:46 • -6.23db
0% Popularity • 22% Danceability • 60% Energy • 41% Liveness
84% Instrumentalness • 49% Positiveness
0% Popularity • 22% Danceability • 60% Energy • 41% Liveness
84% Instrumentalness • 49% Positiveness
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Parupalli Sri Ranganath
Sakaladaiva Prardhana
143 bpm • G# min • 03:43 • -12.5db
12% Popularity • 55% Danceability • 43% Energy • 17% Liveness
36% Instrumentalness • 92% Positiveness
12% Popularity • 55% Danceability • 43% Energy • 17% Liveness
36% Instrumentalness • 92% Positiveness
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Poochi Srinivasa Aiyangar
Tillaana - Paras - Adi
164 bpm • D Maj • 04:12 • -5.5db
0% Popularity • 26% Danceability • 90% Energy • 69% Liveness
67% Instrumentalness • 56% Positiveness
0% Popularity • 26% Danceability • 90% Energy • 69% Liveness
67% Instrumentalness • 56% Positiveness
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Abhishek Raghuram
Ganesha Bhujangam
143 bpm • C# Maj • 03:34 • -13.87db
14% Popularity • 69% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 69% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Nitin Mukesh
Bolo Re Bolo
143 bpm • A min • 05:44 • -5.84db
7% Popularity • 26% Danceability • 88% Energy • 12% Liveness
16% Instrumentalness • 56% Positiveness
7% Popularity • 26% Danceability • 88% Energy • 12% Liveness
16% Instrumentalness • 56% Positiveness
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P. Susheela
Badrachalamuna
164 bpm • E min • 05:29 • -12.56db
7% Popularity • 36% Danceability • 38% Energy • 22% Liveness
6% Instrumentalness • 42% Positiveness
7% Popularity • 36% Danceability • 38% Energy • 22% Liveness
6% Instrumentalness • 42% Positiveness
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Tiruttani N Swaminathan
Kadhalagi
143 bpm • D min • 07:25 • -5.34db
9% Popularity • 41% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 41% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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SIVA DAMODHARAN AYYA
Tholnokkam
142 bpm • B min • 07:07 • -4.17db
7% Popularity • 65% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 65% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Bombay Sisters
Ongi Ulagalarntha
164 bpm • F# Maj • 02:16 • -3.83db
7% Popularity • 53% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 53% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Ramu
Prabhum Prananatham
142 bpm • C# Maj • 03:27 • -5.91db
15% Popularity • 65% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 65% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Gayathri
Emitdhi Vintha Vidhi
142 bpm • B min • 04:02 • -6.27db
7% Popularity • 66% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 66% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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SAKTHI SHANMUGARAJA
Ankara Omkara Reenkara
142 bpm • G Maj • 07:27 • -4.19db
14% Popularity • 42% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 42% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Traditional
Shankari Sham Kuru
165 bpm • D Maj • 13:07 • -5.96db
0% Popularity • 29% Danceability • 81% Energy • 60% Liveness
22% Instrumentalness • 49% Positiveness
0% Popularity • 29% Danceability • 81% Energy • 60% Liveness
22% Instrumentalness • 49% Positiveness
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Mahadev Hirwani
Aa Re Aa Janam Jodi Re
165 bpm • A# Maj • 06:11 • -10.38db
9% Popularity • 36% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 36% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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S. Janaki
Ayodya Kadhiloche
166 bpm • E Maj • 05:11 • -8.54db
11% Popularity • 60% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 60% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Bombay Sisters
Andrivvulagam Alanthai
166 bpm • B Maj • 01:29 • -4.61db
13% Popularity • 60% Danceability • 54% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Malladi Brothers
Smariso Sarvada
166 bpm • C Maj • 03:28 • -5.76db
15% Popularity • 40% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 40% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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B.Ramana
Tirumala Giri Raaya
141 bpm • E min • 06:13 • -5.54db
9% Popularity • 49% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 49% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Gaurav Dhruv
Shakraa Daya Sura Ganaa Nihate Tiviirye ...
141 bpm • A min • 07:29 • -11.89db
3% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Mamta Chandrakar
Bel Tari Belan Belan Tari
140 bpm • F min • 04:17 • -13.97db
4% Popularity • 53% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
4% Popularity • 53% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Baladesikan
Uruvai Aruvai
140 bpm • D min • 01:00 • -5db
16% Popularity • 68% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 68% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
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Bombay Sisters
Chandram Bhaja
168 bpm • F# Maj • 05:00 • -8.78db
12% Popularity • 34% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 34% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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SIVA DAMODHARAN AYYA
Manthiramavathu neeru
140 bpm • F Maj • 07:59 • -9.14db
15% Popularity • 55% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 55% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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M. Ranga Rao
Kasiniyil
140 bpm • C min • 03:16 • -10.18db
7% Popularity • 65% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 65% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Partha Saradhi
Vandanalamma
139 bpm • F# min • 05:01 • -13.12db
17% Popularity • 63% Danceability • 27% Energy • 49% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 63% Danceability • 27% Energy • 49% Liveness
0% Instrumentalness • 85% Positiveness
