Songs like Theme From Mahogany (Do You Know Where You're Going To) - Single Version by Diana Ross
Based on a tempo of (+/- 10%) and a similar genre
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Diana Ross
Theme From Mahogany (Do You Know Where Y...
140 bpm • C min • 03:26 • -10.3db
9% Popularity • 31% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 31% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Rita Coolidge
It's Only Words
140 bpm • C# Maj • 02:56 • -13db
34% Popularity • 38% Danceability • 31% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 38% Danceability • 31% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
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Gladys Knight & The Pips
Neither One Of Us (Wants To Be The First...
140 bpm • F Maj • 04:24 • -14db
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Elton John
Don't Let The Sun Go Down On Me - Remast...
140 bpm • C Maj • 05:36 • -8.53db
64% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
64% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Diana Ross
Theme From Mahogany (Do You Know Where Y...
140 bpm • C min • 03:22 • -15.17db
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Don McLean
Crying
141 bpm • C Maj • 03:50 • -12db
45% Popularity • 30% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 30% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Davis
I Go Crazy
141 bpm • E min • 03:53 • -8.66db
54% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Laura Branigan
How Am I Supposed to Live without You
139 bpm • A# Maj • 04:23 • -8.26db
39% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Diana Ross
Sorry Doesn't Always Make It Right - Sin...
140 bpm • C# Maj • 03:33 • -8.36db
15% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
57% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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L.T.D.
Shine On
138 bpm • C Maj • 03:58 • -15db
33% Popularity • 40% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 40% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Neil Sedaka
The Hungry Years
138 bpm • C Maj • 04:06 • -11.06db
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jimmy Helms
Gonna Make You An Offer You Can't Refuse...
142 bpm • F Maj • 03:40 • -10db
39% Popularity • 39% Danceability • 50% Energy • 39% Liveness
6% Instrumentalness • 37% Positiveness
39% Popularity • 39% Danceability • 50% Energy • 39% Liveness
6% Instrumentalness • 37% Positiveness
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Lisa Stansfield
All Woman - Remastered
142 bpm • G min • 05:15 • -9.96db
42% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Anne Murray
A Love Song
138 bpm • G Maj • 02:49 • -10.98db
47% Popularity • 51% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 51% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Barbra Streisand
The Way We Were
138 bpm • A Maj • 03:31 • -11.72db
61% Popularity • 26% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 26% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Stylistics
You Are Everything
142 bpm • D min • 02:55 • -7.54db
56% Popularity • 51% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 51% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 70% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Frankie Valli
My Eyes Adored You
138 bpm • B min • 03:32 • -10.44db
61% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Gladys Knight & The Pips
So Sad the Song
143 bpm • D# Maj • 03:53 • -11.23db
21% Popularity • 29% Danceability • 30% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
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Love Unlimited
Walkin' In The Rain With The One I Love
138 bpm • A# Maj • 04:47 • -9.65db
39% Popularity • 42% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 42% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Kenny Rogers
She Believes In Me
143 bpm • A# Maj • 04:18 • -12.47db
62% Popularity • 32% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
62% Popularity • 32% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Commodores
Sail On
143 bpm • C# Maj • 05:32 • -18db
41% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Diana Ross
Touch Me In The Morning
137 bpm • F# Maj • 03:27 • -7.21db
53% Popularity • 36% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 36% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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The Osmonds
Love Me For A Reason
143 bpm • A Maj • 04:03 • -5.45db
43% Popularity • 62% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 62% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Laura Branigan
Power of Love
137 bpm • G Maj • 05:25 • -7.93db
50% Popularity • 41% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 41% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Dionne Warwick
I'll Never Fall in Love Again
137 bpm • C# Maj • 02:54 • -13.81db
59% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Diana Ross
Touch Me In The Morning - First Pressing...
137 bpm • F# Maj • 03:53 • -8.68db
39% Popularity • 44% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 44% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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George Michael
You Have Been Loved
137 bpm • E min • 05:30 • -15.6db
51% Popularity • 60% Danceability • 24% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
51% Popularity • 60% Danceability • 24% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
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Elton John
Something About The Way You Look Tonight...
143 bpm • F# Maj • 04:00 • -8db
60% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Samantha Sang
When Love Is Gone
137 bpm • D# Maj • 03:50 • -13db
16% Popularity • 33% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
16% Popularity • 33% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
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Kenny Rogers
Lady
137 bpm • D# min • 03:51 • -16db
64% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Drifters
Save the Last Dance for Me
143 bpm • E Maj • 02:34 • -10.58db
64% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
64% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Van Morrison
Have I Told You Lately
144 bpm • E Maj • 04:20 • -10.27db
63% Popularity • 33% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
63% Popularity • 33% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Elton John
Something About The Way You Look Tonight
144 bpm • F# Maj • 05:08 • -10.39db
50% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Tavares
A Penny for Your Thoughts
137 bpm • C Maj • 04:30 • -8db
39% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Diana Ross
Do You Know Where You're Going To - Live
136 bpm • C min • 02:28 • -17.2db
20% Popularity • 39% Danceability • 21% Energy • 55% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 39% Danceability • 21% Energy • 55% Liveness
0% Instrumentalness • 23% Positiveness
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Phil Collins
One More Night - 2016 Remaster
136 bpm • D# Maj • 04:48 • -9.44db
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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James Ingram
Just Once - New Version
144 bpm • C Maj • 04:29 • -7.49db
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Elton John
Little Jeannie
144 bpm • A# Maj • 05:13 • -14.22db
56% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bread
Baby I'm-a Want You
144 bpm • G# Maj • 02:30 • -16.53db
67% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
53% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Diana Ross
I Won't Last A Day Without You
144 bpm • C Maj • 03:49 • -8.53db
16% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Supremes
Baby Love
136 bpm • F Maj • 02:38 • -9.28db
69% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
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Rita Coolidge
Fool That I Am
136 bpm • G# Maj • 03:08 • -10db
34% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Neil Sedaka
Should've Never Let You Go
145 bpm • A# Maj • 04:18 • -10.94db
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Debbie Gibson
Lost in Your Eyes
145 bpm • G Maj • 03:35 • -8.59db
66% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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The Supremes
Where Did Our Love Go
135 bpm • C Maj • 02:33 • -10.87db
65% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
65% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Rita Coolidge
Words
145 bpm • C# Maj • 03:25 • -9db
39% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Oleta Adams
Don't Let The Sun Go Down On Me
134 bpm • D Maj • 05:57 • -10.08db
31% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Diana Ross
Stay With Me
135 bpm • B Maj • 03:42 • -11.35db
13% Popularity • 32% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 32% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Bread
Lost Without Your Love
146 bpm • A# Maj • 02:56 • -11.48db
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Annie Lennox
A Whiter Shade of Pale
146 bpm • C Maj • 05:16 • -8.45db
58% Popularity • 52% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 52% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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John Denver
Annie's Song
146 bpm • D Maj • 03:00 • -10.88db
71% Popularity • 30% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 30% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Swing Out Sister
You On My Mind
146 bpm • D Maj • 03:32 • -10.63db
44% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Morris Albert
Feelings
146 bpm • E min • 04:05 • -11.58db
50% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Diana Ross
Reach Out And Touch (Somebody's Hand)
134 bpm • F Maj • 03:08 • -7.61db
38% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Debby Boone
Micol's Theme
134 bpm • G min • 03:07 • -10.68db
32% Popularity • 30% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 30% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Gilbert O'Sullivan
Happiness Is Me And You
147 bpm • G# Maj • 03:05 • -6db
36% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Diana Ross
Your Love
134 bpm • F Maj • 04:02 • -8.72db
20% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Anne Murray
Broken Hearted Me
134 bpm • C# Maj • 03:56 • -11.77db
51% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Alan Parsons Project
Time
147 bpm • F min • 05:14 • -12.7db
54% Popularity • 34% Danceability • 35% Energy • 14% Liveness
7% Instrumentalness • 11% Positiveness
54% Popularity • 34% Danceability • 35% Energy • 14% Liveness
7% Instrumentalness • 11% Positiveness
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Gladys Knight & The Pips
The Way We Were / Try to Remember
147 bpm • G Maj • 04:31 • -12.54db
38% Popularity • 28% Danceability • 26% Energy • 74% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 28% Danceability • 26% Energy • 74% Liveness
0% Instrumentalness • 23% Positiveness
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The Kids From "Fame"
Starmaker
133 bpm • C Maj • 04:07 • -12db
38% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Yusuf / Cat Stevens
Morning Has Broken - Remastered 2021
133 bpm • G Maj • 03:19 • -11.83db
71% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
71% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Paul
Without You
133 bpm • F# min • 03:16 • -10.16db
28% Popularity • 44% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 44% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Diana Ross
Remember
133 bpm • B Maj • 03:32 • -10.26db
11% Popularity • 26% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
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Anne Murray
I Just Fall In Love Again
133 bpm • C Maj • 02:51 • -9db
61% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
61% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Mary MacGregor
Torn Between Two Lovers
132 bpm • A# Maj • 03:39 • -7.08db
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Elton John
Skyline Pigeon - Piano Version
132 bpm • D# Maj • 03:56 • -8.68db
59% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
68% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
68% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Ocean
Love Is Forever
132 bpm • C Maj • 04:13 • -8.14db
34% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Diana Ross
Come In From The Rain
132 bpm • C Maj • 03:58 • -13.41db
13% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rita Coolidge
I'd Rather Leave While I'm In Love
132 bpm • G# Maj • 03:25 • -9db
51% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Elton John
Daniel
132 bpm • C Maj • 03:54 • -11.95db
72% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
72% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
