Songs like Theme - From "Jurassic Park" by John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
45% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
45% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
44% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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John Williams
The Rise of Skywalker
82 bpm • F# Maj • 04:18 • -18db
37% Popularity • 17% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Brian Tyler
Asgard
82 bpm • C Maj • 01:56 • -9.92db
36% Popularity • 28% Danceability • 52% Energy • 6% Liveness
98% Instrumentalness • 28% Positiveness
36% Popularity • 28% Danceability • 52% Energy • 6% Liveness
98% Instrumentalness • 28% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
43% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
29% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Farewell to Dobby
82 bpm • C# Maj • 03:43 • -26.57db
46% Popularity • 9% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 9% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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John Paesano
Spider-Man
82 bpm • G min • 03:26 • -18.83db
47% Popularity • 10% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
47% Popularity • 10% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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John Williams
Welcome To Jurassic Park
82 bpm • G Maj • 07:54 • -20.02db
51% Popularity • 12% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Randy Newman
Boo's Tired
83 bpm • B Maj • 01:03 • -16.61db
38% Popularity • 16% Danceability • 25% Energy • 28% Liveness
7% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 25% Energy • 28% Liveness
7% Instrumentalness • 10% Positiveness
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Ludwig Göransson
You Are a Mandalorian
81 bpm • G Maj • 03:55 • -16db
36% Popularity • 22% Danceability • 16% Energy • 27% Liveness
75% Instrumentalness • 7% Positiveness
36% Popularity • 22% Danceability • 16% Energy • 27% Liveness
75% Instrumentalness • 7% Positiveness
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Nino Rota
The Godfather Waltz (Main Title)
83 bpm • C min • 03:05 • -19.12db
47% Popularity • 12% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
47% Popularity • 12% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
24% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
24% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Murray Gold
The Shepherd's Boy
83 bpm • C Maj • 04:47 • -11.41db
43% Popularity • 36% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
43% Popularity • 36% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Boston Pops Orchestra
Theme
83 bpm • C Maj • 08:13 • -15.93db
29% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
29% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
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Patrick Doyle
Foreign Visitors Arrive
83 bpm • G Maj • 01:29 • -12.91db
42% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
42% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
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Ludwig Göransson
The Baby
83 bpm • C Maj • 03:20 • -18.83db
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
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John Ottman
You're X-Men / End Titles
83 bpm • C Maj • 04:09 • -14.23db
36% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
The Lord of The Rings: The Fellowship of...
81 bpm • D Maj • 05:29 • -15.53db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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John Williams
Mr. Longbottom Flies
83 bpm • G min • 03:35 • -21.9db
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Henry Jackman
Memories of Harry
81 bpm • G Maj • 02:00 • -16.34db
23% Popularity • 21% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
23% Popularity • 21% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Mando Is Back
83 bpm • A# min • 04:04 • -17.53db
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
41% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
41% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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John Williams
A New Home
81 bpm • A# Maj • 01:47 • -20db
39% Popularity • 19% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
39% Popularity • 19% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Royal Symphony Orchestra
Arrival of the Emperor
84 bpm • G min • 02:01 • -9.06db
8% Popularity • 9% Danceability • 22% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 22% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Next Journey
83 bpm • C min • 02:35 • -16db
30% Popularity • 36% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Thomas Newman
Haiku
80 bpm • F# Maj • 01:41 • -27db
49% Popularity • 16% Danceability • 14% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 16% Danceability • 14% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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John Williams
Peace and Purpose
81 bpm • D min • 03:06 • -19db
33% Popularity • 15% Danceability • 14% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 14% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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J Scott Rakozy
Everybody Grab a Broom
80 bpm • G# Maj • 06:35 • -10.79db
32% Popularity • 24% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
32% Popularity • 24% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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Ludwig Göransson
The Mandalorian - Orchestral Version
83 bpm • D min • 02:20 • -13db
43% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
43% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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John Williams
The Arrival of Baby Harry
81 bpm • E min • 04:25 • -24.63db
51% Popularity • 8% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 3% Positiveness
51% Popularity • 8% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 3% Positiveness
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Howard Shore
The Bridge of Khazad Dum
84 bpm • F min • 05:57 • -13.19db
53% Popularity • 30% Danceability • 49% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
53% Popularity • 30% Danceability • 49% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Scorponok
80 bpm • F# min • 04:56 • -12.84db
45% Popularity • 50% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
45% Popularity • 50% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
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Andrew Lockington
The Center Of The Earth
80 bpm • G Maj • 04:44 • -24.26db
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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John Williams
Entry into the Great Hall and the Banque...
80 bpm • G Maj • 03:42 • -29.8db
48% Popularity • 17% Danceability • 5% Energy • 36% Liveness
85% Instrumentalness • 5% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 36% Liveness
85% Instrumentalness • 5% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
27% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
27% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Brian Tyler
Into Eternity
84 bpm • A# Maj • 03:41 • -18db
43% Popularity • 17% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
43% Popularity • 17% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Hey Mando!
80 bpm • C min • 02:13 • -21.01db
41% Popularity • 28% Danceability • 8% Energy • 12% Liveness
41% Instrumentalness • 17% Positiveness
41% Popularity • 28% Danceability • 8% Energy • 12% Liveness
41% Instrumentalness • 17% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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John Williams
Harry's Wondrous World
85 bpm • C Maj • 05:01 • -13.79db
42% Popularity • 18% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
42% Popularity • 18% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Mychael Danna
Share My Life With Him
79 bpm • A# Maj • 03:24 • -13db
21% Popularity • 8% Danceability • 12% Energy • 28% Liveness
87% Instrumentalness • 5% Positiveness
21% Popularity • 8% Danceability • 12% Energy • 28% Liveness
87% Instrumentalness • 5% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
51% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
51% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Bear McCreary
Memories of Mother
79 bpm • D min • 03:39 • -15.15db
48% Popularity • 12% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
48% Popularity • 12% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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John Williams
Sunrise, Sunset
80 bpm • F Maj • 03:51 • -16db
42% Popularity • 19% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 19% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Arrival to Earth
79 bpm • C min • 05:26 • -16.4db
61% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
61% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Henry Jackman
Magneto
85 bpm • G# Maj • 01:52 • -9db
39% Popularity • 52% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
39% Popularity • 52% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Thomas Newman
Nemo Egg (Main Title)
79 bpm • F Maj • 01:16 • -27.25db
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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John Williams
Main Title and The Attack on the Jakku V...
85 bpm • D# Maj • 06:25 • -12db
34% Popularity • 19% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Murray Gold
I Am The Doctor
85 bpm • D min • 04:04 • -11.31db
47% Popularity • 55% Danceability • 39% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
47% Popularity • 55% Danceability • 39% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Stephen Barton
Eno Cordova's Theme
85 bpm • D min • 02:44 • -22.79db
35% Popularity • 10% Danceability • 7% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 7% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
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John Ottman
Rough Flight
85 bpm • E min • 05:11 • -12.92db
19% Popularity • 19% Danceability • 42% Energy • 6% Liveness
58% Instrumentalness • 6% Positiveness
19% Popularity • 19% Danceability • 42% Energy • 6% Liveness
58% Instrumentalness • 6% Positiveness
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Rachel Portman
Three Women - Instrumental
85 bpm • G Maj • 01:01 • -29.18db
44% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
44% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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John Williams
Harry's Wondrous World
85 bpm • C Maj • 05:21 • -14.91db
56% Popularity • 23% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
56% Popularity • 23% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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David Newman
Walking Through
85 bpm • A# min • 01:25 • -17.91db
36% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
36% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Thomas Newman
Field Trip
85 bpm • D Maj • 00:57 • -19db
51% Popularity • 28% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
51% Popularity • 28% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Rupert Gregson-Williams
He’s Just a Kid
86 bpm • G min • 01:24 • -25db
41% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
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Marco Beltrami
Radio
86 bpm • E Maj • 02:23 • -22.27db
22% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
22% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
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John Williams
The Force Is with You
79 bpm • G min • 03:59 • -15.6db
36% Popularity • 8% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Henry Jackman
The Giant's Castle
79 bpm • D min • 03:08 • -18db
15% Popularity • 19% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Ramin Djawadi
A Lannister Always Pays His Debts
86 bpm • D min • 02:50 • -16.52db
59% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
59% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
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Michael Kamen
The Mission Begins - Instrumental
86 bpm • D Maj • 05:49 • -15db
26% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
26% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Henry Jackman
The Jumanji Overture
78 bpm • G# Maj • 03:20 • -9db
21% Popularity • 33% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
25% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Randy Newman
Parting Gifts & New Horizons
78 bpm • G Maj • 05:05 • -15.17db
27% Popularity • 19% Danceability • 11% Energy • 20% Liveness
51% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 11% Energy • 20% Liveness
51% Instrumentalness • 4% Positiveness
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Julian Nott
Every Dog Has His Day
87 bpm • F Maj • 02:43 • -17.32db
11% Popularity • 18% Danceability • 12% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 12% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Henry Jackman
Cap's Promise
78 bpm • A Maj • 03:45 • -14db
37% Popularity • 13% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
37% Popularity • 13% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Kamen
No Following
87 bpm • A min • 04:02 • -17db
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Jenny of Oldstones
87 bpm • C min • 02:30 • -17.53db
52% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
52% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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John Williams
Theme
87 bpm • D min • 04:06 • -35.75db
45% Popularity • 9% Danceability • 1% Energy • 11% Liveness
8% Instrumentalness • 7% Positiveness
45% Popularity • 9% Danceability • 1% Energy • 11% Liveness
8% Instrumentalness • 7% Positiveness
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John Barry
Two Socks / The Wolf Theme
77 bpm • A Maj • 01:31 • -28db
41% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
41% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
