Songs like There Is a Balm in Gilead (Arr. W.L. Dawson for Choir) by Marvis Martin
Based on a tempo of (+/- 10%) and a similar genre
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Traditional
There Is a Balm in Gilead (Arr. W.L. Daw...
135 bpm • A Maj • 05:12 • -22.53db
5% Popularity • 25% Danceability • 9% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
5% Popularity • 25% Danceability • 9% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Morgan Overton
I'm Making A Statement
135 bpm • F# Maj • 06:19 • -30.77db
10% Popularity • 22% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Richard Smallwood
Total Praise
135 bpm • C# Maj • 02:40 • -12.94db
14% Popularity • 18% Danceability • 25% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 25% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Dan Schutte
I, the Lord of sea and sky
135 bpm • G Maj • 04:43 • -21.85db
10% Popularity • 16% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
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Rob Gardner, Spire Chorus & London Symphony Orchestra
Thou Hope and Deliverer
135 bpm • E Maj • 02:04 • -24.86db
13% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
18% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
35% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
35% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Millikin University Choir
Lord Make Us Instruments of Your Peace
136 bpm • F Maj • 03:52 • -32db
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
11% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Ernani Aguilar
Salmo 150 (Psalm 150)
134 bpm • A# Maj • 01:35 • -19.17db
8% Popularity • 50% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 50% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Hawley
In Song: III. In Song
134 bpm • F Maj • 01:56 • -17.81db
10% Popularity • 18% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Francis Stanfield
Divine Mysteries "Sweet Sacrament Divine...
134 bpm • D# Maj • 03:55 • -29db
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Judith Weir
My Guardian Angel
134 bpm • D Maj • 02:12 • -19.45db
8% Popularity • 17% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
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Christen Taylor Holmes
Night: Night
136 bpm • F# min • 05:08 • -21.76db
7% Popularity • 22% Danceability • 13% Energy • 24% Liveness
60% Instrumentalness • 11% Positiveness
7% Popularity • 22% Danceability • 13% Energy • 24% Liveness
60% Instrumentalness • 11% Positiveness
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Susan LaBarr
Grace Before Sleep (Live)
134 bpm • C# Maj • 04:14 • -27.58db
8% Popularity • 19% Danceability • 12% Energy • 70% Liveness
40% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 12% Energy • 70% Liveness
40% Instrumentalness • 4% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Concordia Choir
Pilgrim's Chorus
137 bpm • A Maj • 04:03 • -27.64db
12% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Margaret Rizza
Creator God
133 bpm • D Maj • 06:11 • -21.63db
19% Popularity • 18% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 18% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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All Souls Choir
Spirit Of Life
137 bpm • D Maj • 01:51 • -23.37db
10% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
28% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Jason Max Ferdinand Singers
Safe in His Arms
137 bpm • F Maj • 07:33 • -16.69db
8% Popularity • 15% Danceability • 28% Energy • 12% Liveness
27% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 28% Energy • 12% Liveness
27% Instrumentalness • 4% Positiveness
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The Concordia Choir
My Soul's Been Anchored in the Lord
137 bpm • A Maj • 03:12 • -24.58db
19% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Lawes
Psalm 8: Psalm VIII
137 bpm • A# Maj • 02:43 • -27.25db
21% Popularity • 20% Danceability • 8% Energy • 24% Liveness
61% Instrumentalness • 6% Positiveness
21% Popularity • 20% Danceability • 8% Energy • 24% Liveness
61% Instrumentalness • 6% Positiveness
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Herbert Sumsion
Magnificat in A Major
137 bpm • F# min • 05:02 • -27db
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Margaret Rizza
Come to Me
137 bpm • A Maj • 04:09 • -21.13db
13% Popularity • 17% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: VIII. Praise th...
138 bpm • G# Maj • 02:48 • -21.61db
8% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Archangel Voices
My Soul Doth Magnify the Lord
132 bpm • A Maj • 05:12 • -20.27db
10% Popularity • 22% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Jason Max Ferdinand Singers
He's Got the Whole World in His Hands
132 bpm • G# Maj • 04:54 • -18.56db
9% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
9% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
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Stacey Vaughn Gibbs
Walk Together Children - Live
132 bpm • A# Maj • 03:23 • -18.01db
11% Popularity • 28% Danceability • 28% Energy • 71% Liveness
1% Instrumentalness • 8% Positiveness
11% Popularity • 28% Danceability • 28% Energy • 71% Liveness
1% Instrumentalness • 8% Positiveness
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Herbert Howells
A Hymn for St. Cecilia
138 bpm • F min • 03:22 • -21.07db
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
32% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
32% Instrumentalness • 7% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Be Thou My Vision
138 bpm • D# Maj • 03:08 • -24.9db
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: Lo! He Comes with Clouds Descend...
131 bpm • G Maj • 01:01 • -24db
27% Popularity • 17% Danceability • 8% Energy • 45% Liveness
5% Instrumentalness • 44% Positiveness
27% Popularity • 17% Danceability • 8% Energy • 45% Liveness
5% Instrumentalness • 44% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Metropolitan Boys Choir
Bless This House
132 bpm • C Maj • 01:24 • -22db
19% Popularity • 25% Danceability • 12% Energy • 9% Liveness
15% Instrumentalness • 14% Positiveness
19% Popularity • 25% Danceability • 12% Energy • 9% Liveness
15% Instrumentalness • 14% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
15% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
Three Madrigals: III. Sigh no more, ladi...
139 bpm • G Maj • 01:22 • -23.55db
11% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Pärt Uusberg
Muusika
131 bpm • F Maj • 02:55 • -27db
9% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Stacey V. Gibbs
Somebody Talkin' 'Bout Jesus
131 bpm • G min • 02:53 • -13.43db
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
24% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
24% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Cantores 'Regina Caeli'
Creator Of The Stars
131 bpm • C Maj • 02:01 • -27.25db
13% Popularity • 29% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 29% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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St. Thomas Choir Of Men And Boys
Psalm 136: O Give Thanks Untothe Lord (L...
140 bpm • A Maj • 05:47 • -29.42db
8% Popularity • 19% Danceability • 9% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 9% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Joseph Canteloube
La Délaïssado
140 bpm • F min • 04:35 • -22.99db
0% Popularity • 19% Danceability • 7% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86, B. 153: IV. San...
140 bpm • D Maj • 02:05 • -20.38db
18% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Rowland H. Prichard
Hyfrydol "Alleluia! Sing to Jesus"
130 bpm • F Maj • 04:11 • -20db
16% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
25% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
25% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Emmy Köhler
Nu tändas tusen juleljus (Arr. J. Smith...
130 bpm • G# Maj • 02:51 • -25.59db
7% Popularity • 18% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 12% Positiveness
7% Popularity • 18% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 12% Positiveness
► Preview
Oskar Lindberg
Pingst
141 bpm • F# Maj • 02:06 • -24db
10% Popularity • 21% Danceability • 10% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
The University of Alabama at Birmingham Concert Choir
Earth Song
129 bpm • E Maj • 03:43 • -27.59db
10% Popularity • 17% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Jacob Narverud
Dominus vobiscum (Live)
141 bpm • F# min • 02:39 • -34.48db
15% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
► Preview
Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
9% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
9% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
Henry John Gauntlett
St. Albinus "Jesus Lives! Thy Terrors No...
129 bpm • C Maj • 02:29 • -21.43db
13% Popularity • 25% Danceability • 7% Energy • 9% Liveness
27% Instrumentalness • 8% Positiveness
13% Popularity • 25% Danceability • 7% Energy • 9% Liveness
27% Instrumentalness • 8% Positiveness
► Preview
Anonymous
Take and Eat (Hymnal #765)
129 bpm • A# Maj • 07:44 • -16.1db
6% Popularity • 22% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 22% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
The Songs of Taize Session Singers
Within Our Darkest Night
128 bpm • E min • 02:51 • -21.08db
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
7% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
► Preview
Christopher Webber
There Will Be Signs
128 bpm • C# min • 02:06 • -23.93db
7% Popularity • 25% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Martina Julia Snell
My Mercy
128 bpm • G Maj • 03:17 • -22.1db
30% Popularity • 26% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Stefan Machel
Marsz wilków • March of the Wolves
128 bpm • G Maj • 02:36 • -18.98db
8% Popularity • 42% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Chancel Choir
Alleluia! Sing to Jesus (arr. Sterling P...
128 bpm • F Maj • 04:49 • -15.79db
12% Popularity • 20% Danceability • 30% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
12% Popularity • 20% Danceability • 30% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
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Jefferey L. Ames
Let Everything that Hath Breath
143 bpm • C# Maj • 04:14 • -14.11db
14% Popularity • 56% Danceability • 64% Energy • 74% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 56% Danceability • 64% Energy • 74% Liveness
0% Instrumentalness • 51% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
14% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Margaret Rizza
Jesus, You Are the Way
143 bpm • E Maj • 03:27 • -22.58db
8% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Ewing
Jerusalem the golden
127 bpm • C Maj • 02:53 • -23.78db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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The Concordia Choir
Softly and Tenderly
127 bpm • G Maj • 02:30 • -37.64db
31% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Peter Hurford
Psalm 117 "O Praise the Lord, All Ye Hea...
127 bpm • E Maj • 01:10 • -15db
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
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Gene Scheer
Scheer / Arr Thomas & Terry: Lean Away
127 bpm • D Maj • 04:44 • -19.56db
7% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Dominican Friars of the Province of Ireland
Dominican Magnificat
127 bpm • C# Maj • 04:37 • -19.01db
14% Popularity • 17% Danceability • 21% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
14% Popularity • 17% Danceability • 21% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
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Howard D. McKinney
Brothers, Sing On! (after Grieg's Sanger...
144 bpm • A Maj • 01:46 • -17.66db
9% Popularity • 26% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
20% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Blackburn Cathedral Choir
Lord For the Years
126 bpm • C Maj • 04:12 • -22.46db
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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The Spiritual Singers
Ev'ry Time I Feel the Spirit
126 bpm • D# Maj • 01:54 • -25.3db
11% Popularity • 29% Danceability • 15% Energy • 22% Liveness
17% Instrumentalness • 31% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 22% Liveness
17% Instrumentalness • 31% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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Henryk Górecki
Sanctus, sanctus, sanctus
126 bpm • D Maj • 02:24 • -40.58db
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
11% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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![Homeward Bound (Arr. M. Wilberg for Choir & 2 Pianos) [Live] cover art](https://i.scdn.co/image/ab67616d00001e0203c4d8f08b5ca90da7f09dc4)
Marta Keen
Homeward Bound (Arr. M. Wilberg for Choi...
125 bpm • D Maj • 06:02 • -22.73db
6% Popularity • 27% Danceability • 4% Energy • 9% Liveness
21% Instrumentalness • 15% Positiveness
6% Popularity • 27% Danceability • 4% Energy • 9% Liveness
21% Instrumentalness • 15% Positiveness
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Connie Campbell Hart
What Wondrous Love Is This
125 bpm • D min • 01:57 • -11.32db
21% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
