Songs like There Is A War [Feat. Kevin Morby & Sam Cohen] by Nathaniel Rateliff
Based on a tempo of (+/- 10%) and a similar genre
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Hiss Golden Messenger
Jenny of the Roses
120 bpm • G# Maj • 03:38 • -6db
39% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Sam Cohen
Midnight Conqueror
120 bpm • C min • 03:16 • -7.34db
5% Popularity • 54% Danceability • 64% Energy • 22% Liveness
45% Instrumentalness • 8% Positiveness
5% Popularity • 54% Danceability • 64% Energy • 22% Liveness
45% Instrumentalness • 8% Positiveness
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Cut Worms
Don't Want to Say Good-bye
120 bpm • C Maj • 02:51 • -3db
35% Popularity • 76% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 76% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Swamp Dogg
Memories
120 bpm • C Maj • 04:47 • -14.1db
20% Popularity • 70% Danceability • 30% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
20% Popularity • 70% Danceability • 30% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
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Cass McCombs
Don't (Just) Vote
120 bpm • A Maj • 05:11 • -7.18db
19% Popularity • 59% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
19% Popularity • 59% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
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Houndmouth
McKenzie
120 bpm • F Maj • 03:14 • -7.34db
60% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Hiss Golden Messenger
Sanctuary
120 bpm • F Maj • 04:26 • -13db
52% Popularity • 73% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
52% Popularity • 73% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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Nathaniel Rateliff
Easy
120 bpm • C Maj • 03:30 • -17.63db
25% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Anna Ash
Apologies
120 bpm • A# min • 02:55 • -8.56db
28% Popularity • 60% Danceability • 64% Energy • 14% Liveness
16% Instrumentalness • 74% Positiveness
28% Popularity • 60% Danceability • 64% Energy • 14% Liveness
16% Instrumentalness • 74% Positiveness
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Sam Cohen
Get Happy
120 bpm • G Maj • 02:14 • -8.34db
17% Popularity • 72% Danceability • 89% Energy • 31% Liveness
30% Instrumentalness • 88% Positiveness
17% Popularity • 72% Danceability • 89% Energy • 31% Liveness
30% Instrumentalness • 88% Positiveness
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Calexico
In Your Own Time
120 bpm • A# Maj • 03:09 • -9.89db
22% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Stephen Malkmus
Juliefuckingette
120 bpm • C Maj • 03:01 • -7.93db
19% Popularity • 70% Danceability • 64% Energy • 16% Liveness
4% Instrumentalness • 53% Positiveness
19% Popularity • 70% Danceability • 64% Energy • 16% Liveness
4% Instrumentalness • 53% Positiveness
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The New Basement Tapes
Nothing To It
121 bpm • F# Maj • 03:32 • -8db
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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![There Is A War [Feat. Kevin Morby & Sam Cohen] cover art](https://i.scdn.co/image/ab67616d00001e02b0778d3fa9b248a52723d536)
Nathaniel Rateliff
There Is A War [Kevin Morby & Sam Cohen]
120 bpm • G Maj • 03:42 • -7.4db
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Justin Townes Earle
The Saint Of Lost Causes
119 bpm • G# Maj • 04:50 • -10.8db
32% Popularity • 70% Danceability • 32% Energy • 24% Liveness
26% Instrumentalness • 50% Positiveness
32% Popularity • 70% Danceability • 32% Energy • 24% Liveness
26% Instrumentalness • 50% Positiveness
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Sam Cohen
The Future
121 bpm • D Maj • 03:02 • -10.86db
7% Popularity • 36% Danceability • 24% Energy • 15% Liveness
37% Instrumentalness • 19% Positiveness
7% Popularity • 36% Danceability • 24% Energy • 15% Liveness
37% Instrumentalness • 19% Positiveness
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Ondara
Lockdown On Date Night Tuesday
121 bpm • E Maj • 05:03 • -8.58db
35% Popularity • 49% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 49% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Anna Ash
Sister Golden Hair
119 bpm • F# Maj • 03:30 • -9.86db
30% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nicole Atkins
Never Going Home Again
119 bpm • D Maj • 03:07 • -5.79db
15% Popularity • 59% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 59% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Justin Townes Earle
Frightened By The Sound
119 bpm • B min • 03:45 • -11.67db
37% Popularity • 66% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 62% Positiveness
37% Popularity • 66% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 62% Positiveness
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Seamus Fogarty
Van Gogh's Ear
121 bpm • F Maj • 04:03 • -10.08db
24% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Aaron Lee Tasjan
Computer of Love
122 bpm • F min • 03:39 • -8.21db
7% Popularity • 65% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 65% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Nathaniel Rateliff
Closer
122 bpm • C Maj • 04:02 • -18.87db
20% Popularity • 53% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 53% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Hiss Golden Messenger
Highland Grace
122 bpm • D# Maj • 05:58 • -9.93db
43% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Early James
Tumbleweed
122 bpm • B Maj • 02:08 • -10.54db
24% Popularity • 78% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 78% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Justin Townes Earle
Maybe A Moment
119 bpm • D Maj • 03:05 • -7.39db
33% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Tristen
A Case of You
118 bpm • C# Maj • 04:20 • -10db
27% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
27% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
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Joachim Cooder
Over That Road I'm Bound To Go
118 bpm • A Maj • 03:44 • -9.84db
24% Popularity • 74% Danceability • 55% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
24% Popularity • 74% Danceability • 55% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
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![There Is A War [Feat. Kevin Morby] - Live at Red Rocks / September 20, 2020 cover art](https://i.scdn.co/image/ab67616d00001e02b95692c8acabd3c81cede195)
Nathaniel Rateliff
There Is A War [Kevin Morby] - Live at R...
118 bpm • G Maj • 03:54 • -9.02db
14% Popularity • 51% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 51% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Pokey LaFarge
Yo-Yo
118 bpm • C Maj • 04:01 • -7.2db
14% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tré Burt
Caught It from the Rye
122 bpm • G Maj • 03:04 • -7.05db
17% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Justin Townes Earle
One More Night In Brooklyn
118 bpm • A Maj • 03:04 • -10.55db
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Cut Worms
Castle In The Clouds
122 bpm • E Maj • 04:22 • -9.58db
28% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The New Basement Tapes
The Whistle Is Blowing
117 bpm • C Maj • 05:16 • -10.28db
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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Nathaniel Rateliff
We Never Win
118 bpm • B min • 02:35 • -14db
35% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Pokey LaFarge
Carry On
118 bpm • D Maj • 03:05 • -5.63db
22% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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John Craigie
Part Wolf
118 bpm • A Maj • 03:41 • -8.36db
36% Popularity • 72% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
36% Popularity • 72% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Tré Burt
Real You
123 bpm • D# Maj • 02:49 • -4db
27% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Barr Brothers
It Came to Me
117 bpm • A# Maj • 04:21 • -6.29db
35% Popularity • 52% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 58% Positiveness
35% Popularity • 52% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 58% Positiveness
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Nick Lowe
Don't Be Nice to Me
117 bpm • E Maj • 03:01 • -10.61db
19% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Nathaniel Rateliff
Shroud
122 bpm • C Maj • 03:31 • -5.72db
31% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Hiss Golden Messenger
Heart Like a Levee
123 bpm • F# Maj • 03:52 • -8db
40% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Xerxes Fussell
Pinnacle Mountain Silver Mine
124 bpm • D Maj • 04:18 • -10.59db
21% Popularity • 50% Danceability • 25% Energy • 11% Liveness
58% Instrumentalness • 22% Positiveness
21% Popularity • 50% Danceability • 25% Energy • 11% Liveness
58% Instrumentalness • 22% Positiveness
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The Felice Brothers
Valium
124 bpm • A Maj • 04:33 • -8db
28% Popularity • 56% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 56% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Kacy & Clayton
The Light Of Day
124 bpm • E min • 02:52 • -7.13db
30% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Black Pumas
Strangers
124 bpm • C Maj • 03:12 • -5.67db
37% Popularity • 61% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 61% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Nathaniel Rateliff
Once In A Great While
123 bpm • G Maj • 03:59 • -14.42db
28% Popularity • 62% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
28% Popularity • 62% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Hiss Golden Messenger
Caledonia, My Love
117 bpm • F Maj • 03:00 • -16.86db
49% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kevin Morby
This Is A Photograph
124 bpm • E min • 03:30 • -5db
42% Popularity • 72% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 72% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Felice Brothers
To-Do List
124 bpm • G Maj • 04:16 • -7db
26% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Father John Misty
Main Man
124 bpm • C Maj • 03:22 • -7.51db
27% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Woods
Where Do You Go When You Dream
116 bpm • A min • 05:51 • -7.8db
31% Popularity • 68% Danceability • 74% Energy • 37% Liveness
1% Instrumentalness • 84% Positiveness
31% Popularity • 68% Danceability • 74% Energy • 37% Liveness
1% Instrumentalness • 84% Positiveness
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Nathaniel Rateliff
When You're Here
116 bpm • A Maj • 01:48 • -12.15db
37% Popularity • 76% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 76% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Frazey Ford
U and Me
116 bpm • B min • 04:39 • -11.69db
27% Popularity • 71% Danceability • 29% Energy • 12% Liveness
16% Instrumentalness • 26% Positiveness
27% Popularity • 71% Danceability • 29% Energy • 12% Liveness
16% Instrumentalness • 26% Positiveness
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Kacy & Clayton
High Holiday
124 bpm • G min • 04:17 • -9.22db
11% Popularity • 71% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 40% Positiveness
11% Popularity • 71% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 40% Positiveness
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Erin Rae
True Love's Face
116 bpm • A Maj • 03:20 • -6.25db
22% Popularity • 58% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 58% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Molly Tuttle
Stop Draggin' My Heart Around
116 bpm • D min • 03:56 • -13.78db
32% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Justin Townes Earle
Mornings In Memphis
116 bpm • C Maj • 04:31 • -10.56db
26% Popularity • 64% Danceability • 34% Energy • 9% Liveness
9% Instrumentalness • 42% Positiveness
26% Popularity • 64% Danceability • 34% Energy • 9% Liveness
9% Instrumentalness • 42% Positiveness
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Dawes
I Can't Think About It Now
125 bpm • A min • 06:15 • -9db
32% Popularity • 64% Danceability • 59% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
32% Popularity • 64% Danceability • 59% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
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The Dead Tongues
Déjá Vu - Radio Edit
125 bpm • D Maj • 04:23 • -9.85db
25% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Nathaniel Rateliff
Right On - Live at Red Rocks / September...
115 bpm • A# Maj • 05:24 • -14.31db
24% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Drive-By Truckers
21st Century USA
115 bpm • A# Maj • 04:14 • -9db
8% Popularity • 64% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 64% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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The Felice Brothers
Special Announcement
115 bpm • D Maj • 04:14 • -7.05db
30% Popularity • 53% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 53% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Cass McCombs
Sweet Lucy
125 bpm • D Maj • 04:10 • -14db
29% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Cohen
Lose Your Illusion
125 bpm • C Maj • 04:28 • -9.06db
6% Popularity • 50% Danceability • 51% Energy • 10% Liveness
62% Instrumentalness • 22% Positiveness
6% Popularity • 50% Danceability • 51% Energy • 10% Liveness
62% Instrumentalness • 22% Positiveness
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The Deslondes
Good to Go
125 bpm • G Maj • 03:49 • -8.27db
19% Popularity • 58% Danceability • 42% Energy • 19% Liveness
28% Instrumentalness • 70% Positiveness
19% Popularity • 58% Danceability • 42% Energy • 19% Liveness
28% Instrumentalness • 70% Positiveness
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Delta Spirit
To Ramona
115 bpm • C# Maj • 05:08 • -10.51db
7% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Tré Burt
Only Sorrow Remains
125 bpm • C Maj • 03:47 • -4.84db
10% Popularity • 48% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 48% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Aaron Lee Tasjan
Don't Overthink It
115 bpm • E min • 04:09 • -9.5db
10% Popularity • 89% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
10% Popularity • 89% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
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Lera Lynn
Are You Listening?
115 bpm • F Maj • 03:18 • -6.95db
17% Popularity • 67% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 75% Positiveness
17% Popularity • 67% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 75% Positiveness
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Woods
The Other Side
125 bpm • A min • 04:04 • -6.98db
29% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Blitzen Trapper
Masonic Temple Microdose #1
115 bpm • G Maj • 03:39 • -8db
20% Popularity • 68% Danceability • 83% Energy • 54% Liveness
2% Instrumentalness • 80% Positiveness
20% Popularity • 68% Danceability • 83% Energy • 54% Liveness
2% Instrumentalness • 80% Positiveness
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Nathaniel Rateliff
Winded
125 bpm • E Maj • 03:01 • -19.06db
33% Popularity • 56% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
33% Popularity • 56% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Dawes
Good Luck With Whatever
115 bpm • G Maj • 04:45 • -7.87db
23% Popularity • 71% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 71% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
35% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Lukas Nelson and Promise of the Real
Perennial Bloom (Back To You)
126 bpm • A Maj • 03:16 • -5.49db
33% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Woods
Waiting Around for a New Me
115 bpm • C Maj • 02:23 • -8.53db
16% Popularity • 65% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 65% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
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Janne Schra
When I Write The Book
114 bpm • C Maj • 03:46 • -9.98db
10% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Nathaniel Rateliff
Still Out There Running - Live at Red Ro...
114 bpm • E Maj • 04:39 • -9.8db
35% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Blitzen Trapper
Taking It Easy Too Long
114 bpm • D Maj • 02:56 • -10.15db
30% Popularity • 59% Danceability • 37% Energy • 10% Liveness
34% Instrumentalness • 63% Positiveness
30% Popularity • 59% Danceability • 37% Energy • 10% Liveness
34% Instrumentalness • 63% Positiveness
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The Felice Brothers
Inferno
114 bpm • A Maj • 03:41 • -9.69db
32% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Jayhawks
Living in a Bubble
114 bpm • E min • 03:05 • -7.74db
20% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Damien Jurado
Birds Tricked into the Trees
114 bpm • A# Maj • 02:14 • -8.56db
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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No-No Boy
Imperial Twist
114 bpm • D Maj • 03:35 • -11.47db
33% Popularity • 74% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 68% Positiveness
33% Popularity • 74% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 68% Positiveness
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Calexico
Follow the Water
114 bpm • F# Maj • 03:45 • -11.29db
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Turner Cody
Boozing and Losing
127 bpm • D Maj • 03:21 • -9.39db
17% Popularity • 79% Danceability • 31% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
17% Popularity • 79% Danceability • 31% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
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Bahamas
Not Cool Anymore
127 bpm • F Maj • 02:06 • -9.98db
44% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Nathaniel Rateliff
When Do You See
127 bpm • A# Maj • 03:39 • -18.45db
29% Popularity • 58% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 58% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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M. Ward
Along the Santa Fe Trail
113 bpm • C Maj • 03:08 • -11.53db
14% Popularity • 50% Danceability • 64% Energy • 18% Liveness
3% Instrumentalness • 71% Positiveness
14% Popularity • 50% Danceability • 64% Energy • 18% Liveness
3% Instrumentalness • 71% Positiveness
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Kurt Vile
Loading Zones - Recorded at Spotify Stud...
113 bpm • E min • 02:44 • -11.44db
22% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Felice Brothers
Jazz on the Autobahn
113 bpm • D Maj • 04:32 • -7.68db
40% Popularity • 60% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 82% Positiveness
40% Popularity • 60% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 82% Positiveness
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Night Shop
Hello Take Me Anywhere
127 bpm • A Maj • 04:19 • -6.73db
22% Popularity • 61% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 94% Positiveness
22% Popularity • 61% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 94% Positiveness
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Josh Ritter
Time is Wasting
113 bpm • C# min • 02:57 • -6db
25% Popularity • 67% Danceability • 94% Energy • 10% Liveness
14% Instrumentalness • 64% Positiveness
25% Popularity • 67% Danceability • 94% Energy • 10% Liveness
14% Instrumentalness • 64% Positiveness
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Kacy & Clayton
Your Mind's Walking Out
113 bpm • D# Maj • 02:33 • -8db
22% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Aaron Lee Tasjan
Heart Slows Down
113 bpm • C Maj • 04:03 • -6.2db
10% Popularity • 62% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 62% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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River Whyless
Falling Son
128 bpm • C Maj • 03:06 • -7db
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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Blitzen Trapper
Don't Let Me Run
128 bpm • F Maj • 03:11 • -10.31db
36% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
36% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness