Songs like There Is Still Hope by The Sound of Arrows
Based on a tempo of (+/- 10%) and a similar genre
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The Hundred In The Hands
Young Aren’t Young
125 bpm • G Maj • 04:24 • -10db
20% Popularity • 67% Danceability • 62% Energy • 9% Liveness
9% Instrumentalness • 66% Positiveness
20% Popularity • 67% Danceability • 62% Energy • 9% Liveness
9% Instrumentalness • 66% Positiveness
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The Sound of Arrows
There Is Still Hope
125 bpm • F# Maj • 07:51 • -12db
7% Popularity • 44% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 44% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
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Mirrors
Hide and Seek (Liv Spencer - House of Ho...
125 bpm • F# min • 08:05 • -9.32db
21% Popularity • 57% Danceability • 75% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
21% Popularity • 57% Danceability • 75% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
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Moto Boy
Too Young to Know
125 bpm • E min • 04:40 • -6db
14% Popularity • 50% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
14% Popularity • 50% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
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Feathers
Soft
125 bpm • A min • 03:56 • -7.02db
15% Popularity • 60% Danceability • 69% Energy • 6% Liveness
83% Instrumentalness • 71% Positiveness
15% Popularity • 60% Danceability • 69% Energy • 6% Liveness
83% Instrumentalness • 71% Positiveness
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Rebecca & Fiona
Jane Doe
125 bpm • F Maj • 02:56 • -6db
24% Popularity • 56% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
24% Popularity • 56% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Van She
Kelly
125 bpm • D Maj • 04:50 • -6db
23% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Lindbergh Palace
Days Don't Fade
125 bpm • D# Maj • 04:13 • -6.35db
9% Popularity • 54% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
9% Popularity • 54% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Young Galaxy
We Have Everything
125 bpm • F min • 04:36 • -8db
17% Popularity • 59% Danceability • 87% Energy • 32% Liveness
51% Instrumentalness • 19% Positiveness
17% Popularity • 59% Danceability • 87% Energy • 32% Liveness
51% Instrumentalness • 19% Positiveness
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The Golden Filter
Thunderbird
125 bpm • G Maj • 05:22 • -2db
0% Popularity • 66% Danceability • 94% Energy • 7% Liveness
64% Instrumentalness • 82% Positiveness
0% Popularity • 66% Danceability • 94% Energy • 7% Liveness
64% Instrumentalness • 82% Positiveness
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School Of Seven Bells
A Thousand Times More
125 bpm • C Maj • 04:30 • -6.74db
15% Popularity • 50% Danceability • 87% Energy • 10% Liveness
8% Instrumentalness • 41% Positiveness
15% Popularity • 50% Danceability • 87% Energy • 10% Liveness
8% Instrumentalness • 41% Positiveness
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047
Everything's Fine
125 bpm • B min • 03:14 • -6db
11% Popularity • 64% Danceability • 80% Energy • 7% Liveness
11% Instrumentalness • 60% Positiveness
11% Popularity • 64% Danceability • 80% Energy • 7% Liveness
11% Instrumentalness • 60% Positiveness
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Cicada
Love Don't Come Easy
125 bpm • C min • 03:56 • -7.84db
14% Popularity • 62% Danceability • 69% Energy • 11% Liveness
23% Instrumentalness • 51% Positiveness
14% Popularity • 62% Danceability • 69% Energy • 11% Liveness
23% Instrumentalness • 51% Positiveness
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Van She
Sarah
125 bpm • D min • 04:41 • -5.52db
17% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jay-Jay Johanson
Automatic Lover
125 bpm • A# Maj • 04:19 • -5.34db
13% Popularity • 59% Danceability • 96% Energy • 9% Liveness
27% Instrumentalness • 52% Positiveness
13% Popularity • 59% Danceability • 96% Energy • 9% Liveness
27% Instrumentalness • 52% Positiveness
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Azure Blue
Time Is on Our Side
125 bpm • G Maj • 04:50 • -8db
10% Popularity • 48% Danceability • 78% Energy • 40% Liveness
73% Instrumentalness • 34% Positiveness
10% Popularity • 48% Danceability • 78% Energy • 40% Liveness
73% Instrumentalness • 34% Positiveness
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Grizzly Bear
Two Weeks - Fred Falke Radio Mix
125 bpm • F Maj • 03:54 • -13.09db
22% Popularity • 51% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 13% Positiveness
22% Popularity • 51% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 13% Positiveness
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Priest
Heartbeats
125 bpm • C# Maj • 04:05 • -7.41db
8% Popularity • 53% Danceability • 78% Energy • 10% Liveness
42% Instrumentalness • 36% Positiveness
8% Popularity • 53% Danceability • 78% Energy • 10% Liveness
42% Instrumentalness • 36% Positiveness
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Say Lou Lou
Julian - Monsieur Adi Remix
125 bpm • F# min • 04:15 • -9db
18% Popularity • 47% Danceability • 66% Energy • 30% Liveness
8% Instrumentalness • 47% Positiveness
18% Popularity • 47% Danceability • 66% Energy • 30% Liveness
8% Instrumentalness • 47% Positiveness
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Juvelen
Watch Your Step
125 bpm • G Maj • 03:31 • -7db
17% Popularity • 77% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 40% Positiveness
17% Popularity • 77% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 40% Positiveness
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La Roux
The Feeling
126 bpm • C Maj • 04:06 • -9.26db
24% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Zeigeist
Wrecked Metal
126 bpm • C# Maj • 04:44 • -6.07db
19% Popularity • 71% Danceability • 72% Energy • 9% Liveness
22% Instrumentalness • 67% Positiveness
19% Popularity • 71% Danceability • 72% Energy • 9% Liveness
22% Instrumentalness • 67% Positiveness
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Germany Germany
With You ft. Kotomi
124 bpm • G Maj • 04:15 • -6.63db
18% Popularity • 50% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 50% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 32% Positiveness
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Architecture In Helsinki
W.O.W.
124 bpm • B Maj • 02:45 • -8db
23% Popularity • 82% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
23% Popularity • 82% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Say Lou Lou
Better in the Dark
125 bpm • F# Maj • 03:28 • -7db
23% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Karin Park
Thousand Loaded Guns
126 bpm • G min • 04:23 • -6.55db
9% Popularity • 51% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 51% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Monarchy
Living Without You
124 bpm • D min • 04:10 • -4.54db
18% Popularity • 62% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
18% Popularity • 62% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Emmon
Smalltown Boy
126 bpm • C min • 04:29 • -9.56db
20% Popularity • 68% Danceability • 54% Energy • 10% Liveness
16% Instrumentalness • 15% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 10% Liveness
16% Instrumentalness • 15% Positiveness
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Florrie
Little White Lies
124 bpm • F Maj • 03:03 • -3.92db
26% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Cut Copy
Meet Me In A House Of Love
126 bpm • F# min • 06:08 • -3.13db
24% Popularity • 54% Danceability • 95% Energy • 25% Liveness
35% Instrumentalness • 78% Positiveness
24% Popularity • 54% Danceability • 95% Energy • 25% Liveness
35% Instrumentalness • 78% Positiveness
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Vanbot
Make Me, Break Me
126 bpm • C Maj • 03:32 • -4.9db
9% Popularity • 59% Danceability • 80% Energy • 39% Liveness
64% Instrumentalness • 59% Positiveness
9% Popularity • 59% Danceability • 80% Energy • 39% Liveness
64% Instrumentalness • 59% Positiveness
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M83
Reunion - Mylo Remix
124 bpm • G Maj • 06:02 • -6.95db
19% Popularity • 61% Danceability • 74% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
19% Popularity • 61% Danceability • 74% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
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Kristin Kontrol
X-Communicate
124 bpm • B min • 03:51 • -6db
14% Popularity • 62% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 62% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Class Actress
High On Love
126 bpm • A# min • 02:59 • -5.87db
15% Popularity • 70% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
15% Popularity • 70% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Fear Of Tigers
I Can Make the Pain Disappear
126 bpm • B Maj • 04:02 • -4db
18% Popularity • 52% Danceability • 100% Energy • 39% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 52% Danceability • 100% Energy • 39% Liveness
0% Instrumentalness • 13% Positiveness
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DWNTWN
Skins
124 bpm • B min • 03:43 • -5db
17% Popularity • 48% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 48% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Small Black
Consequences
126 bpm • C Maj • 03:59 • -5.94db
15% Popularity • 59% Danceability • 90% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
15% Popularity • 59% Danceability • 90% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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Visitor
Coming Home - FM Attack Remix
126 bpm • C min • 05:37 • -4.69db
19% Popularity • 67% Danceability • 68% Energy • 26% Liveness
22% Instrumentalness • 54% Positiveness
19% Popularity • 67% Danceability • 68% Energy • 26% Liveness
22% Instrumentalness • 54% Positiveness
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Chad Valley
I Owe You This
126 bpm • A min • 03:15 • -6db
17% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Jonathan Johansson
Stockholm - Azure Blue Remix
124 bpm • C# Maj • 05:18 • -7.16db
16% Popularity • 53% Danceability • 92% Energy • 6% Liveness
10% Instrumentalness • 88% Positiveness
16% Popularity • 53% Danceability • 92% Energy • 6% Liveness
10% Instrumentalness • 88% Positiveness
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Fear Of Tigers
The Adventures of Pippi Longstrump
124 bpm • G# Maj • 05:59 • -3.57db
10% Popularity • 41% Danceability • 95% Energy • 17% Liveness
18% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 95% Energy • 17% Liveness
18% Instrumentalness • 27% Positiveness
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Shy for Shore
Then the Heartbreak
126 bpm • E Maj • 04:01 • -8.67db
11% Popularity • 61% Danceability • 72% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
11% Popularity • 61% Danceability • 72% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
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Kate Boy
Human Engine
124 bpm • G# min • 04:45 • -5db
14% Popularity • 73% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 86% Positiveness
14% Popularity • 73% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 86% Positiveness
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Goldfrapp
Hunt
124 bpm • C min • 04:34 • -8.63db
19% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Parallels
Ultralight
126 bpm • F Maj • 04:32 • -5.73db
7% Popularity • 65% Danceability • 90% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
7% Popularity • 65% Danceability • 90% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
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Cut Copy
Feel The Love
126 bpm • A min • 04:29 • -4.54db
35% Popularity • 54% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 54% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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La Roux
Uptight Downtown
123 bpm • C Maj • 04:22 • -7.89db
42% Popularity • 75% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 96% Positiveness
42% Popularity • 75% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 96% Positiveness
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Rebecca & Fiona
Ted
126 bpm • E min • 02:54 • -5.57db
13% Popularity • 53% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 53% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Florrie
Call 911 - Fred Falke Remix
127 bpm • F# min • 07:07 • -5db
16% Popularity • 68% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 74% Positiveness
16% Popularity • 68% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 74% Positiveness
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Groove Armada
Paper Romance
123 bpm • E Maj • 06:58 • -5.39db
1% Popularity • 46% Danceability • 80% Energy • 22% Liveness
20% Instrumentalness • 12% Positiveness
1% Popularity • 46% Danceability • 80% Energy • 22% Liveness
20% Instrumentalness • 12% Positiveness
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Goldfrapp
Alive
127 bpm • D Maj • 03:28 • -5.19db
32% Popularity • 68% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 68% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Ballet School
Heartbeat Overdrive
127 bpm • A# min • 03:06 • -6.03db
9% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Belle and Sebastian
I Didn't See It Coming - Richard X Mix
127 bpm • C Maj • 03:45 • -7.45db
15% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Lo-Fi-Fnk
CITY
127 bpm • D Maj • 03:44 • -6db
13% Popularity • 69% Danceability • 59% Energy • 7% Liveness
6% Instrumentalness • 68% Positiveness
13% Popularity • 69% Danceability • 59% Energy • 7% Liveness
6% Instrumentalness • 68% Positiveness
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Florrie
Left Too Late
127 bpm • G min • 04:17 • -8db
29% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Röyksopp
Only This Moment
123 bpm • C min • 03:42 • -6.16db
10% Popularity • 52% Danceability • 95% Energy • 34% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 52% Danceability • 95% Energy • 34% Liveness
1% Instrumentalness • 57% Positiveness
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Saint Etienne
DJ
123 bpm • C Maj • 04:39 • -7.16db
12% Popularity • 62% Danceability • 74% Energy • 21% Liveness
2% Instrumentalness • 50% Positiveness
12% Popularity • 62% Danceability • 74% Energy • 21% Liveness
2% Instrumentalness • 50% Positiveness
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Cloetta Paris
Broken Heart Tango
127 bpm • C min • 03:22 • -9.51db
13% Popularity • 84% Danceability • 72% Energy • 9% Liveness
27% Instrumentalness • 69% Positiveness
13% Popularity • 84% Danceability • 72% Energy • 9% Liveness
27% Instrumentalness • 69% Positiveness
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Noonie Bao
Pyramids
123 bpm • C# min • 03:40 • -6.08db
21% Popularity • 74% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 74% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 61% Positiveness
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Foxes
Youth
128 bpm • G# Maj • 04:19 • -9.96db
39% Popularity • 57% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 57% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Florrie
To the End
123 bpm • C Maj • 04:00 • -5db
23% Popularity • 51% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 51% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Cut Copy
Need You Now
122 bpm • C# Maj • 06:09 • -5.26db
40% Popularity • 60% Danceability • 76% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
40% Popularity • 60% Danceability • 76% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
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Röyksopp
Only This Moment
123 bpm • C min • 03:55 • -6.23db
38% Popularity • 51% Danceability • 94% Energy • 21% Liveness
2% Instrumentalness • 58% Positiveness
38% Popularity • 51% Danceability • 94% Energy • 21% Liveness
2% Instrumentalness • 58% Positiveness
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The Sound of Arrows
Nova
128 bpm • C# Maj • 03:52 • -8.52db
12% Popularity • 49% Danceability • 88% Energy • 62% Liveness
1% Instrumentalness • 48% Positiveness
12% Popularity • 49% Danceability • 88% Energy • 62% Liveness
1% Instrumentalness • 48% Positiveness
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Monarchy
It's All I Know
128 bpm • A Maj • 04:44 • -6.6db
13% Popularity • 68% Danceability • 71% Energy • 13% Liveness
52% Instrumentalness • 43% Positiveness
13% Popularity • 68% Danceability • 71% Energy • 13% Liveness
52% Instrumentalness • 43% Positiveness
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PNAU
Everybody
128 bpm • C Maj • 04:58 • -5.06db
12% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Van She
You're My Rescue
128 bpm • G# min • 03:36 • -4.4db
18% Popularity • 54% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 54% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Cut Copy
Out There On The Ice
128 bpm • A# Maj • 05:00 • -5.04db
29% Popularity • 64% Danceability • 86% Energy • 30% Liveness
15% Instrumentalness • 78% Positiveness
29% Popularity • 64% Danceability • 86% Energy • 30% Liveness
15% Instrumentalness • 78% Positiveness
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Young Ejecta
Your Planet
128 bpm • G# Maj • 04:17 • -9.43db
16% Popularity • 67% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 56% Positiveness
16% Popularity • 67% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 56% Positiveness
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Zoot Woman
Lonely By Your Side
128 bpm • G min • 03:24 • -6.04db
18% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Sound of Arrows
Into The Clouds (Fear Of Tigers Remix)
128 bpm • D Maj • 04:55 • -5db
9% Popularity • 52% Danceability • 95% Energy • 45% Liveness
54% Instrumentalness • 31% Positiveness
9% Popularity • 52% Danceability • 95% Energy • 45% Liveness
54% Instrumentalness • 31% Positiveness
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Cicada
One Beat Away
128 bpm • F# Maj • 07:12 • -7.66db
8% Popularity • 52% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 52% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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FM Attack
Dreamer
128 bpm • C Maj • 06:16 • -8.6db
22% Popularity • 65% Danceability • 52% Energy • 15% Liveness
70% Instrumentalness • 82% Positiveness
22% Popularity • 65% Danceability • 52% Energy • 15% Liveness
70% Instrumentalness • 82% Positiveness
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Xylos
Summerlong
122 bpm • A# Maj • 03:50 • -4.25db
20% Popularity • 66% Danceability • 84% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
20% Popularity • 66% Danceability • 84% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
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Fear Of Tigers
Please Don't Leave
128 bpm • A# min • 03:40 • -4.2db
13% Popularity • 53% Danceability • 98% Energy • 53% Liveness
27% Instrumentalness • 16% Positiveness
13% Popularity • 53% Danceability • 98% Energy • 53% Liveness
27% Instrumentalness • 16% Positiveness
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Marnie
Electric Youth
128 bpm • C# min • 03:25 • -6.34db
13% Popularity • 53% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 53% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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DWNTWN
Look the Other Way
128 bpm • C Maj • 03:49 • -4.91db
20% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Leisure Cruise
Revelation
122 bpm • A min • 04:52 • -6.94db
9% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Scissor Sisters
Somewhere
122 bpm • F Maj • 03:40 • -5.6db
25% Popularity • 61% Danceability • 88% Energy • 14% Liveness
4% Instrumentalness • 60% Positiveness
25% Popularity • 61% Danceability • 88% Energy • 14% Liveness
4% Instrumentalness • 60% Positiveness
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Young Galaxy
Blown Minded
122 bpm • G min • 03:23 • -7.59db
24% Popularity • 69% Danceability • 73% Energy • 36% Liveness
53% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 73% Energy • 36% Liveness
53% Instrumentalness • 96% Positiveness
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The Mountains
Between Two Fires
128 bpm • D min • 03:48 • -6.95db
7% Popularity • 55% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 55% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Florrie
I Took A Little Something - Version
122 bpm • F Maj • 04:11 • -5db
31% Popularity • 63% Danceability • 94% Energy • 18% Liveness
2% Instrumentalness • 54% Positiveness
31% Popularity • 63% Danceability • 94% Energy • 18% Liveness
2% Instrumentalness • 54% Positiveness
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Karl X Johan
Flames
122 bpm • B Maj • 05:04 • -7.79db
22% Popularity • 48% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 48% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Saint Etienne
Tonight
122 bpm • F# Maj • 04:37 • -7.22db
21% Popularity • 61% Danceability • 79% Energy • 8% Liveness
13% Instrumentalness • 42% Positiveness
21% Popularity • 61% Danceability • 79% Energy • 8% Liveness
13% Instrumentalness • 42% Positiveness
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St. Lucia
We Got It Wrong
122 bpm • G Maj • 04:57 • -6.75db
21% Popularity • 52% Danceability • 89% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
21% Popularity • 52% Danceability • 89% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
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Parralox
Sharper Than a Knife (2008)
122 bpm • D# Maj • 04:16 • -3.75db
12% Popularity • 63% Danceability • 91% Energy • 31% Liveness
30% Instrumentalness • 82% Positiveness
12% Popularity • 63% Danceability • 91% Energy • 31% Liveness
30% Instrumentalness • 82% Positiveness
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Röyksopp
This Must Be It
122 bpm • G Maj • 04:41 • -4.77db
38% Popularity • 52% Danceability • 96% Energy • 79% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 52% Danceability • 96% Energy • 79% Liveness
0% Instrumentalness • 52% Positiveness
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iamamiwhoami
; john
122 bpm • G Maj • 06:38 • -7db
27% Popularity • 54% Danceability • 87% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
27% Popularity • 54% Danceability • 87% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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The Raveonettes
Last Dance
121 bpm • G# Maj • 03:47 • -7db
31% Popularity • 64% Danceability • 64% Energy • 5% Liveness
11% Instrumentalness • 80% Positiveness
31% Popularity • 64% Danceability • 64% Energy • 5% Liveness
11% Instrumentalness • 80% Positiveness
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Indiana
Heart on Fire
121 bpm • F# min • 04:00 • -6.17db
16% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Firefox AK
Heart of Mine
129 bpm • G# Maj • 05:04 • -5.01db
12% Popularity • 64% Danceability • 87% Energy • 20% Liveness
14% Instrumentalness • 30% Positiveness
12% Popularity • 64% Danceability • 87% Energy • 20% Liveness
14% Instrumentalness • 30% Positiveness
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Man Without Country
Laws of Motion
121 bpm • F# Maj • 05:03 • -8.93db
13% Popularity • 58% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
13% Popularity • 58% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
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Röyksopp
The Girl and the Robot - Jeremy Wheatley...
121 bpm • A min • 03:10 • -4.3db
17% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Young Ejecta
Jeremiah (The Denier)
121 bpm • A# Maj • 03:32 • -7.11db
12% Popularity • 71% Danceability • 58% Energy • 15% Liveness
5% Instrumentalness • 77% Positiveness
12% Popularity • 71% Danceability • 58% Energy • 15% Liveness
5% Instrumentalness • 77% Positiveness
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Priest
Waiting For The End To Come
130 bpm • D min • 03:13 • -6.8db
11% Popularity • 44% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 44% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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iamamiwhoami
tap your glass
130 bpm • A Maj • 05:14 • -7.39db
25% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ssion
Earthquake
130 bpm • C# Maj • 04:19 • -5db
24% Popularity • 70% Danceability • 72% Energy • 16% Liveness
5% Instrumentalness • 54% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 16% Liveness
5% Instrumentalness • 54% Positiveness
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Man Without Country
Catfish
121 bpm • G# Maj • 04:33 • -10.48db
8% Popularity • 57% Danceability • 51% Energy • 12% Liveness
57% Instrumentalness • 31% Positiveness
8% Popularity • 57% Danceability • 51% Energy • 12% Liveness
57% Instrumentalness • 31% Positiveness
