Songs like There Wouldn't Be A Lonely Heart In Town by Del Reeves
Based on a tempo of (+/- 10%) and a similar genre
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Del Reeves
A Lover's Question
101 bpm • G Maj • 02:45 • -11.99db
4% Popularity • 53% Danceability • 46% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
4% Popularity • 53% Danceability • 46% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Don Rich And The Buckaroos
Love's Gonna Come a Knockin'
101 bpm • G# Maj • 01:55 • -7.79db
15% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Jerry Reed
All Day Ride
101 bpm • D Maj • 02:46 • -11.81db
14% Popularity • 66% Danceability • 64% Energy • 15% Liveness
32% Instrumentalness • 93% Positiveness
14% Popularity • 66% Danceability • 64% Energy • 15% Liveness
32% Instrumentalness • 93% Positiveness
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Gene Watson
Cowboys Don't Get Lucky All The Time
101 bpm • C Maj • 02:34 • -11db
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Ralph Emery
Hello Fool
101 bpm • C Maj • 02:24 • -11.88db
14% Popularity • 53% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 53% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Bill Anderson
Three A.M.
101 bpm • D# Maj • 02:40 • -18.11db
30% Popularity • 66% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 66% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Del Reeves
There Wouldn't be a Lonely Heart in Town
101 bpm • D Maj • 02:04 • -12.43db
5% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Joe Shaver
I'm Just an Old Chunk of Coal (But I'm G...
101 bpm • A Maj • 02:01 • -11db
44% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Eddy Arnold
The Wayward Wind
101 bpm • C# Maj • 03:06 • -15.86db
32% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Roy Drusky
Such a Fool
101 bpm • C Maj • 02:27 • -13.14db
8% Popularity • 59% Danceability • 30% Energy • 21% Liveness
48% Instrumentalness • 49% Positiveness
8% Popularity • 59% Danceability • 30% Energy • 21% Liveness
48% Instrumentalness • 49% Positiveness
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Moe Bandy
Signs of a Woman Gone
100 bpm • F Maj • 02:37 • -14.11db
8% Popularity • 62% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 62% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Junior Brown
Gotta Get Up Every Morning
100 bpm • D Maj • 01:59 • -10.45db
30% Popularity • 80% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 80% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Del Reeves
There Wouldn't Be A Lonely Heart In Town
101 bpm • A Maj • 02:07 • -11.16db
15% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Claude King
Pistol Packin' Papa
102 bpm • D Maj • 02:28 • -13.75db
13% Popularity • 75% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 75% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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George Hamilton IV
Jimmy Brown the News Boy
102 bpm • E Maj • 02:24 • -15.12db
29% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Drusky
Long Long Texas Road
100 bpm • E Maj • 02:23 • -11.65db
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Eddy Arnold
Leanin' on the Old Top Rail
102 bpm • A# Maj • 02:05 • -14db
34% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Louvin
I'll Have Made It To The Bridge
103 bpm • G# Maj • 02:48 • -10.54db
18% Popularity • 65% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 65% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Del Reeves
Right Back Loving You Again
102 bpm • A Maj • 02:08 • -8.63db
34% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Willis Brothers
Wheels A-Turning
99 bpm • D Maj • 02:08 • -15.44db
8% Popularity • 71% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
8% Popularity • 71% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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Roy Acuff
Wabash Cannonball
99 bpm • A Maj • 02:36 • -10db
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Russell
She Burnt the Little Roadside Tavern Dow...
103 bpm • E Maj • 02:37 • -8db
28% Popularity • 68% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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George Hamilton IV
The Roving Gambler
99 bpm • G Maj • 02:21 • -13.71db
24% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Del Reeves
On the Rebound
102 bpm • A# Maj • 02:55 • -8.98db
29% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Don Rich And The Buckaroos
Out of My Mind
99 bpm • D# Maj • 03:23 • -10db
10% Popularity • 54% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 54% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Walker
I Wouldn't Take Her to a Dogfight
103 bpm • A Maj • 02:13 • -8.66db
25% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Tommy Collins
High on a Hilltop
103 bpm • E Maj • 02:45 • -10.01db
7% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Merle Kilgore
Mama's Killing Daddy
104 bpm • A# Maj • 02:06 • -11.93db
8% Popularity • 59% Danceability • 37% Energy • 15% Liveness
19% Instrumentalness • 57% Positiveness
8% Popularity • 59% Danceability • 37% Energy • 15% Liveness
19% Instrumentalness • 57% Positiveness
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Little Jimmy Dickens
Country Music Lover
104 bpm • E Maj • 02:57 • -9.21db
16% Popularity • 72% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 72% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Ed Brown
Southern Loving
99 bpm • F Maj • 02:13 • -10.54db
25% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Rodriguez
That's The Way Love Goes
98 bpm • G Maj • 01:51 • -11db
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sonny James
Where Forgotten Things Belong
99 bpm • E Maj • 02:20 • -13.34db
10% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Willis Brothers
Long Haul Weekend
104 bpm • B Maj • 02:42 • -11.74db
13% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Nat Stuckey
Don't Pay the Ransom
98 bpm • G# Maj • 02:08 • -6db
19% Popularity • 66% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
19% Popularity • 66% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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George Hamilton IV
Truck Driving Man
104 bpm • E Maj • 02:28 • -10.54db
28% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Ronnie Rogers
Only a Fool Wouldn't Cry
104 bpm • E Maj • 03:00 • -16.36db
11% Popularity • 67% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 67% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Louvin
Think I'll Go Somewhere And Cry Myself T...
104 bpm • E Maj • 03:12 • -16.87db
18% Popularity • 52% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 52% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Dave Dudley
Six Days on the Road
98 bpm • G Maj • 02:11 • -11.57db
54% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Moe Bandy
Bandy the Rodeo Clown
98 bpm • F Maj • 02:52 • -11.05db
41% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Little Jimmy Dickens
May the Bird of Paradise Fly up Your Nos...
104 bpm • E Maj • 02:31 • -8db
40% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
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Don Rich And The Buckaroos
I'll Be Swingin' Too
98 bpm • G# Maj • 02:03 • -9db
11% Popularity • 80% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 80% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dick Curless
Hard, Hard Traveling Man
98 bpm • G Maj • 02:33 • -8db
29% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
29% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
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Slim Whitman
Cowboy’s Heaven
98 bpm • A Maj • 02:07 • -12.97db
14% Popularity • 41% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Sons of the Pioneers
The Shifting, Whispering Sands
97 bpm • C Maj • 02:40 • -12db
12% Popularity • 46% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 46% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Roy Acuff
I Can't Find A Train
97 bpm • G min • 02:44 • -11.18db
2% Popularity • 62% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 62% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Moe Bandy
Bandy The Rodeo Clown
97 bpm • F Maj • 02:55 • -7.92db
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Wynn Stewart
Falling for You
97 bpm • E Maj • 02:30 • -13.52db
16% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Del Reeves
Belles Of Southern Bell
105 bpm • A# Maj • 02:20 • -11.79db
9% Popularity • 76% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 76% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Norville Dollar
Who'll Be Next
105 bpm • E Maj • 02:59 • -19.74db
13% Popularity • 60% Danceability • 16% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 60% Danceability • 16% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Country's Family Reunion
Green Green Grass of Home - Live
97 bpm • D Maj • 02:12 • -16.89db
3% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
3% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Eddy Arnold
Sierra Sue
105 bpm • D# Maj • 02:43 • -14.34db
26% Popularity • 54% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 54% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Red Foley
Tennessee Border
105 bpm • B Maj • 02:44 • -14.27db
28% Popularity • 74% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 74% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Tommy Collins
Poor, Broke, Mixed up Mess of a Heart
97 bpm • G Maj • 02:09 • -14.9db
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Roy Drusky
Yes Mr. Peters
105 bpm • A Maj • 02:33 • -14.06db
38% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Del Reeves
Looking at the World Through a Windsheil...
105 bpm • A Maj • 02:14 • -9.68db
9% Popularity • 55% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 55% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Ronnie Rogers
Time Was Killing Me
105 bpm • A Maj • 03:15 • -11.33db
12% Popularity • 72% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 72% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Eddy Arnold
Cool Water
105 bpm • C# Maj • 03:35 • -14.46db
27% Popularity • 65% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 65% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Norma Jean
I'm a Walkin' Advertisement (For the Blu...
97 bpm • C Maj • 02:30 • -12.49db
18% Popularity • 59% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 59% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Willis Brothers
Diesel Drivin' Donut Dunkin' Dan
105 bpm • D# Maj • 02:12 • -13.81db
18% Popularity • 68% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 68% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Charlie Louvin
Will You Visit Me On Sundays
106 bpm • D Maj • 02:55 • -15.5db
20% Popularity • 67% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 67% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Johnny Rodriguez
I Just Can't Get Her Out Of My Mind
97 bpm • F Maj • 02:36 • -10.18db
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Roy Drusky
Three Hearts in a Tangle
97 bpm • C Maj • 02:38 • -12.47db
34% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Buddy Meredith
Trapper Man
97 bpm • C Maj • 02:16 • -12db
12% Popularity • 69% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 69% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Tommy Collins
Wine, Take Me Away
97 bpm • G Maj • 02:24 • -10.31db
13% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Del Reeves
Bar Room Talk
106 bpm • E min • 02:45 • -8.53db
11% Popularity • 62% Danceability • 82% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
11% Popularity • 62% Danceability • 82% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Claude King
You're Breaking My Heart
106 bpm • C Maj • 02:23 • -17.51db
12% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Johnny Rodriguez
Release Me (And Let Me Love Again)
106 bpm • G Maj • 02:22 • -10.27db
29% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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David Price
Save a Little Corner
106 bpm • G Maj • 02:10 • -11.52db
11% Popularity • 56% Danceability • 43% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
11% Popularity • 56% Danceability • 43% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
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Wynn Stewart
The Keeper of the Keys
106 bpm • C Maj • 02:45 • -8.76db
31% Popularity • 60% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 60% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Dick Curless
Six Times A Day (The Trains Came Down)
96 bpm • C Maj • 02:33 • -11.25db
23% Popularity • 61% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 61% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Del Reeves
Son of a Coal Man
106 bpm • G Maj • 03:28 • -12.75db
3% Popularity • 26% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 26% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Little Jimmy Dickens
Honky Tonk Troubles
106 bpm • D# Maj • 02:37 • -5.93db
15% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Eddy Arnold
Carry Me Back to the Lone Prairie
96 bpm • D Maj • 02:18 • -14.39db
37% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Tommy Collins
I Always Get a Souvenir
106 bpm • D Maj • 02:25 • -9.7db
19% Popularity • 82% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 82% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Baham
The Changing Scene
106 bpm • G Maj • 02:08 • -13.98db
8% Popularity • 54% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 40% Positiveness
8% Popularity • 54% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 40% Positiveness
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Johnny Rodriguez
Love Ain't Such An Easy Thing To Find
107 bpm • G Maj • 02:26 • -10.34db
10% Popularity • 51% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 51% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Del Reeves
Your Mama Sure Knows
96 bpm • E Maj • 02:46 • -12.34db
4% Popularity • 73% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 73% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Hank Thompson And His Brazos Valley Boys
Rub-A-Dub-Dub
96 bpm • A Maj • 02:15 • -7.92db
27% Popularity • 83% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 83% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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George Kent
It Takes a Drinkin' Man to Sing a Drinki...
96 bpm • E Maj • 01:56 • -11.71db
21% Popularity • 70% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 70% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 92% Positiveness
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Cowboy Copas
Alabam
107 bpm • D Maj • 02:21 • -10.28db
29% Popularity • 76% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 76% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Eddy Arnold
Tennessee Stud - Remastered
95 bpm • F Maj • 03:06 • -15.68db
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Willis Brothers
Truck Stop Cutie
95 bpm • C Maj • 02:04 • -11.08db
21% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Del Reeves
Bells of Southern Bell
106 bpm • E min • 02:16 • -12.55db
6% Popularity • 66% Danceability • 60% Energy • 69% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 66% Danceability • 60% Energy • 69% Liveness
0% Instrumentalness • 63% Positiveness
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Bill Anderson
Still
95 bpm • G# Maj • 02:51 • -21db
34% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Darrell McCall
Lily Dale
108 bpm • A Maj • 03:23 • -11db
17% Popularity • 62% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 62% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Carl Belew
Drink up and Go Home
95 bpm • G Maj • 02:31 • -13db
12% Popularity • 62% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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George Morgan
Slipping Around
108 bpm • A Maj • 02:25 • -11.44db
19% Popularity • 66% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 66% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Willis Brothers
Soft Shoulders And Dangerous Curves
108 bpm • D Maj • 02:04 • -12.34db
16% Popularity • 57% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 57% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Del Reeves
Working Like the Devil (For the Lord)
107 bpm • B Maj • 03:10 • -14.32db
9% Popularity • 56% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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Gene Watson
Pick The Wildwood Flower
94 bpm • G Maj • 02:21 • -8.66db
35% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Moore
Truck Driver's Queen
94 bpm • E Maj • 02:05 • -6.97db
23% Popularity • 64% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 64% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Dave Dudley
He Doesn't Live There Anymore
108 bpm • E Maj • 04:07 • -16.87db
16% Popularity • 72% Danceability • 22% Energy • 15% Liveness
51% Instrumentalness • 58% Positiveness
16% Popularity • 72% Danceability • 22% Energy • 15% Liveness
51% Instrumentalness • 58% Positiveness
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Jean Shepard
Sad Singin' And Slow Ridin'
109 bpm • C Maj • 02:39 • -8.12db
28% Popularity • 83% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 83% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Rodriguez
You Always Come Back (To Hurting Me)
109 bpm • G Maj • 02:20 • -10.56db
37% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Del Reeves
Good Time Charlie's
107 bpm • C Maj • 02:03 • -10.09db
34% Popularity • 68% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 68% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Gene Watson
Raisin' Cane In Texas
94 bpm • D Maj • 02:39 • -7db
38% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
