Songs like There's A Guy Works Down the Chip Shop Swears He's Elvis by The Rocky Road Ramblers
Based on a tempo of (+/- 10%) and a similar genre
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Buzz Campbell
Rawk-A-Billy Fever
176 bpm • D Maj • 03:07 • -3.98db
12% Popularity • 37% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 37% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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LenneBrothers Band
Far From the Charts
176 bpm • C Maj • 03:25 • -7.91db
18% Popularity • 37% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 37% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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The Troubled Three
Up Up Up And Away You Go
176 bpm • F# min • 02:18 • -10.69db
15% Popularity • 52% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 82% Positiveness
15% Popularity • 52% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 82% Positiveness
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The Rocky Road Ramblers
There's A Guy Works Down the Chip Shop S...
176 bpm • A Maj • 03:09 • -6.64db
0% Popularity • 43% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 43% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Darrel Higham
Kingston Town
176 bpm • D Maj • 04:25 • -6.7db
8% Popularity • 62% Danceability • 70% Energy • 11% Liveness
3% Instrumentalness • 93% Positiveness
8% Popularity • 62% Danceability • 70% Energy • 11% Liveness
3% Instrumentalness • 93% Positiveness
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Lobo Jones & the Rhythm Hounds
The Creature
176 bpm • C min • 02:14 • -2.24db
9% Popularity • 35% Danceability • 96% Energy • 33% Liveness
67% Instrumentalness • 88% Positiveness
9% Popularity • 35% Danceability • 96% Energy • 33% Liveness
67% Instrumentalness • 88% Positiveness
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Boogie Boys
Lonely Weekends
175 bpm • G# Maj • 04:39 • -7.76db
11% Popularity • 35% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 35% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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LenneBrothers Band
Rocky Road Blues
177 bpm • C Maj • 03:45 • -6.12db
18% Popularity • 44% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 44% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Spunyboys
Too Young to Cry
177 bpm • F min • 02:59 • -5.87db
12% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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The Rocky Road Ramblers
Six Days on the Road
175 bpm • A Maj • 02:38 • -6.28db
0% Popularity • 46% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 46% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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The Pauly Boogie Band
Little Debi
175 bpm • C# min • 02:13 • -3.84db
8% Popularity • 57% Danceability • 89% Energy • 24% Liveness
2% Instrumentalness • 76% Positiveness
8% Popularity • 57% Danceability • 89% Energy • 24% Liveness
2% Instrumentalness • 76% Positiveness
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Rekkiabilly
Music to Watch Girls By
175 bpm • D Maj • 02:37 • -9.69db
13% Popularity • 42% Danceability • 78% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
13% Popularity • 42% Danceability • 78% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
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The Velvet Candles
Lock My Heart
175 bpm • A# Maj • 02:35 • -6.84db
9% Popularity • 48% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 48% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Jets
Razor Alley
177 bpm • F# Maj • 02:51 • -8.6db
11% Popularity • 56% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 56% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Darrel Higham
Rock with the Caveman
175 bpm • A Maj • 02:15 • -5.71db
11% Popularity • 50% Danceability • 83% Energy • 18% Liveness
34% Instrumentalness • 96% Positiveness
11% Popularity • 50% Danceability • 83% Energy • 18% Liveness
34% Instrumentalness • 96% Positiveness
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TOINI & RIO BRAVO
Diggin' the Boogie
175 bpm • C Maj • 02:40 • -8.27db
14% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Kokomo Kings
Beauty Clinic Frankenstein
175 bpm • A min • 03:03 • -6.76db
20% Popularity • 48% Danceability • 82% Energy • 23% Liveness
3% Instrumentalness • 93% Positiveness
20% Popularity • 48% Danceability • 82% Energy • 23% Liveness
3% Instrumentalness • 93% Positiveness
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The Lincolns
Two Parts Whiskey
175 bpm • E Maj • 02:13 • -4.92db
9% Popularity • 47% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 47% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Eva Eastwood
You Changed Your Mind
175 bpm • E Maj • 02:30 • -6.22db
14% Popularity • 41% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 41% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Raucous Red Roosters
I Was a Teenage Werewolf
177 bpm • A Maj • 03:03 • -7.07db
14% Popularity • 29% Danceability • 95% Energy • 6% Liveness
72% Instrumentalness • 20% Positiveness
14% Popularity • 29% Danceability • 95% Energy • 6% Liveness
72% Instrumentalness • 20% Positiveness
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LOT 56
Fuji View
175 bpm • A Maj • 04:09 • -4.17db
9% Popularity • 42% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 42% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Omar Hodgson
Love Insect Crawling
174 bpm • G Maj • 02:28 • -11.67db
25% Popularity • 47% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 47% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Mud
Ain't That a Shame
178 bpm • C Maj • 02:36 • -10.36db
13% Popularity • 47% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 47% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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The Lincolns
Miss Ruby
174 bpm • G Maj • 02:18 • -5db
11% Popularity • 47% Danceability • 92% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 47% Danceability • 92% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
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The Rocky Road Ramblers
Flying Saucer Rock 'N' Roll
174 bpm • G Maj • 01:54 • -5.3db
0% Popularity • 50% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 50% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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The Beerbellys
Rollin' Fifties Sound
174 bpm • E Maj • 03:11 • -4.87db
7% Popularity • 45% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 45% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Henry Stella
Chalk Line Blue
174 bpm • F min • 03:51 • -9.99db
19% Popularity • 46% Danceability • 75% Energy • 30% Liveness
72% Instrumentalness • 65% Positiveness
19% Popularity • 46% Danceability • 75% Energy • 30% Liveness
72% Instrumentalness • 65% Positiveness
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LenneBrothers Band
Simply Beautiful
178 bpm • G Maj • 03:42 • -6db
17% Popularity • 38% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 38% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Ray Allen
Jersey Pearl
174 bpm • F Maj • 02:22 • -6.92db
7% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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The Goose Bumps
Screamin' Goose
174 bpm • D Maj • 03:40 • -3.79db
12% Popularity • 42% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 42% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Tupelo Highshots
I'll Keep on Loving You
173 bpm • E Maj • 02:40 • -6.14db
13% Popularity • 37% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 37% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Dylan Kirk And The Killers
Long Time No Love
179 bpm • G Maj • 02:37 • -6.62db
11% Popularity • 54% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 54% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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The Fastback
Two Timin´ Lover
173 bpm • D Maj • 02:21 • -4.99db
9% Popularity • 48% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
9% Popularity • 48% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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LenneBrothers Band
Try Hard, Dig Deep, Break Through
179 bpm • G Maj • 02:53 • -5db
16% Popularity • 41% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 41% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Jack Rabbit Slim
Cat Talkin' Baby
173 bpm • G Maj • 02:23 • -5.76db
16% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Omar Hodgson
Break Rules
173 bpm • C min • 03:39 • -9.94db
25% Popularity • 44% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 44% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Tammi Savoy
As Long As I'm Movin'
172 bpm • A# min • 02:42 • -3.95db
10% Popularity • 45% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 45% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Pike Cavalero
BUT I DIDN'T
180 bpm • A Maj • 02:13 • -3.23db
14% Popularity • 47% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 47% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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The Fastback
Pretending
172 bpm • D Maj • 02:59 • -8db
12% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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The Lincolns
Mama Don't Like It
180 bpm • A Maj • 02:45 • -5.69db
10% Popularity • 39% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 39% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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The Firebirds
(Why Don't You) Take A Chance
172 bpm • D Maj • 02:35 • -9.96db
8% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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William T.
You’ll Be Mine
180 bpm • D Maj • 02:55 • -3.74db
12% Popularity • 46% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 46% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Abe Mac
Real Honkytonkin’ Man
180 bpm • D Maj • 02:08 • -3.72db
12% Popularity • 49% Danceability • 96% Energy • 6% Liveness
20% Instrumentalness • 91% Positiveness
12% Popularity • 49% Danceability • 96% Energy • 6% Liveness
20% Instrumentalness • 91% Positiveness
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AT's Roots & Ramblin'
Whole Lot of Tricks
172 bpm • G Maj • 02:21 • -6.33db
20% Popularity • 46% Danceability • 95% Energy • 32% Liveness
1% Instrumentalness • 95% Positiveness
20% Popularity • 46% Danceability • 95% Energy • 32% Liveness
1% Instrumentalness • 95% Positiveness
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Legendary Shack Shakers
U-Can-Be-a-Star
181 bpm • C Maj • 02:30 • -7.04db
8% Popularity • 42% Danceability • 88% Energy • 30% Liveness
1% Instrumentalness • 88% Positiveness
8% Popularity • 42% Danceability • 88% Energy • 30% Liveness
1% Instrumentalness • 88% Positiveness
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The Rocky Road Ramblers
Jambalaya
171 bpm • G Maj • 03:20 • -5.89db
0% Popularity • 44% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 44% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The B-Shakers
Gimme More Than A Kiss
171 bpm • D Maj • 03:03 • -4.85db
10% Popularity • 46% Danceability • 93% Energy • 7% Liveness
25% Instrumentalness • 56% Positiveness
10% Popularity • 46% Danceability • 93% Energy • 7% Liveness
25% Instrumentalness • 56% Positiveness
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Dylan Kirk And The Killers
Rollin' Dynamite
171 bpm • A Maj • 01:58 • -4.38db
10% Popularity • 37% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 37% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Joel Beaver
Let's Do That Dance Again
171 bpm • C Maj • 02:27 • -11.28db
18% Popularity • 67% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 85% Positiveness
18% Popularity • 67% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 85% Positiveness
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The Desperados
You Had Your Chance
171 bpm • A min • 02:35 • -4.65db
11% Popularity • 37% Danceability • 94% Energy • 11% Liveness
9% Instrumentalness • 87% Positiveness
11% Popularity • 37% Danceability • 94% Energy • 11% Liveness
9% Instrumentalness • 87% Positiveness
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Bloodshot Bill
Yes I Know
182 bpm • G Maj • 02:07 • -4.96db
13% Popularity • 60% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 60% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The Rocky Road Ramblers
You're Right I'm Left She's Gone
171 bpm • E Maj • 02:50 • -6.99db
0% Popularity • 42% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 42% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Savary
Rock & Roll King
171 bpm • A Maj • 02:41 • -5.83db
20% Popularity • 47% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 47% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Ruby Ann
Half Past Crazy
171 bpm • C Maj • 02:53 • -6db
10% Popularity • 70% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 88% Positiveness
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The Same Old Shoes
Gonna Go Bop
182 bpm • F Maj • 02:04 • -4.08db
13% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Darrel Higham
Ghost of Love
182 bpm • F min • 03:34 • -4.06db
10% Popularity • 43% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 43% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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The Jets
Sleep Rock'n'roll
170 bpm • E Maj • 02:11 • -7.08db
14% Popularity • 63% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 63% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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BeetRootJam
You Do Things
182 bpm • A Maj • 02:30 • -5.77db
8% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Andrea and Mud
Institutionalized
170 bpm • C Maj • 03:25 • -5.99db
11% Popularity • 49% Danceability • 85% Energy • 32% Liveness
3% Instrumentalness • 34% Positiveness
11% Popularity • 49% Danceability • 85% Energy • 32% Liveness
3% Instrumentalness • 34% Positiveness
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Omar Hodgson
Why Leave Me
170 bpm • G Maj • 03:11 • -10.97db
25% Popularity • 50% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
25% Popularity • 50% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Lonesome Train
I Got Stripes
170 bpm • A Maj • 02:46 • -4.48db
16% Popularity • 51% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 51% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Dale Richardson
'58 Buick
169 bpm • C Maj • 03:04 • -4.12db
10% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The Jets
Bop Machine
182 bpm • E min • 02:00 • -7.98db
14% Popularity • 54% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 54% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Rip Carson
Miss Heartbreak
183 bpm • B Maj • 02:06 • -5.43db
8% Popularity • 64% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 64% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Jack Rabbit Slim
Justine - Alternate Version
169 bpm • B min • 01:49 • -5.52db
17% Popularity • 51% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 51% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Long Haul Paul
The Legend of Johnny Ray
169 bpm • E Maj • 04:32 • -6.73db
8% Popularity • 47% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 47% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Aldrich Kelvin
The Genocide Bop
184 bpm • D Maj • 02:20 • -9.39db
27% Popularity • 37% Danceability • 80% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
27% Popularity • 37% Danceability • 80% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
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JOHNNY PANDORA
A Big Hunk O'Love
184 bpm • C Maj • 02:12 • -4.4db
12% Popularity • 49% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 49% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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The Jets
Would You
170 bpm • A Maj • 02:05 • -7.41db
16% Popularity • 69% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 69% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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The Quakes
Parts and Labor
168 bpm • D Maj • 02:54 • -3db
20% Popularity • 58% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 58% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Jack Rabbit Slim
Kickstart
184 bpm • A Maj • 02:46 • -7.38db
17% Popularity • 30% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 30% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Mr. Breathless
I'm On Fire
168 bpm • G Maj • 02:40 • -7.13db
11% Popularity • 30% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 30% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
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Los Torontos
Johnny Machine
168 bpm • C Maj • 02:18 • -3.55db
8% Popularity • 37% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 37% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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The Stonewoods
Jungle Rock
185 bpm • G Maj • 02:35 • -6.52db
28% Popularity • 46% Danceability • 79% Energy • 10% Liveness
76% Instrumentalness • 96% Positiveness
28% Popularity • 46% Danceability • 79% Energy • 10% Liveness
76% Instrumentalness • 96% Positiveness
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Amaru Matus
All She Took Away
168 bpm • E Maj • 02:11 • -8.58db
10% Popularity • 53% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 53% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Spunyboys
Better Be Home
185 bpm • D Maj • 02:17 • -4.69db
14% Popularity • 50% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 50% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Chris O'Leary
Need For Speed
167 bpm • C Maj • 03:37 • -5.23db
11% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Hurry Alike
Swear Negotiation
167 bpm • G Maj • 02:29 • -11db
17% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Nicolette & The Nobodies
Didn't Know
167 bpm • E Maj • 02:40 • -5.05db
7% Popularity • 42% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 42% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Buzz Campbell
Another Rooster in the Henhouse
167 bpm • F# min • 01:58 • -4.24db
14% Popularity • 44% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 44% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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The Nut Jumpers
Boogie in the Shack
167 bpm • E Maj • 02:10 • -7.49db
8% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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CaptC
Can't Citify a Country Guy (Radio Cut)
166 bpm • D Maj • 02:37 • -7.48db
20% Popularity • 41% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 41% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Darcy O'Neil
Alabama Mobile
166 bpm • A min • 03:02 • -12.13db
25% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Henry Stella
Chloe Cry
186 bpm • B min • 03:05 • -12.58db
19% Popularity • 54% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 54% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Fastback
Rock'n'Roll Guitar - Live 2023
166 bpm • D Maj • 02:04 • -10.83db
8% Popularity • 49% Danceability • 77% Energy • 91% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 49% Danceability • 77% Energy • 91% Liveness
0% Instrumentalness • 96% Positiveness
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Lovesick
I'm in Love with My Baby
165 bpm • E min • 02:36 • -9.72db
14% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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LenneBrothers Band
School of Rock 'n' Roll
188 bpm • D Maj • 02:26 • -6.47db
18% Popularity • 43% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 43% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Pike Cavalero
FAREWELL
165 bpm • G# Maj • 02:45 • -3.68db
14% Popularity • 46% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 46% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Messed Up Trio
A Whole Lot Of Pain
188 bpm • C Maj • 02:39 • -5.17db
17% Popularity • 36% Danceability • 97% Energy • 21% Liveness
43% Instrumentalness • 90% Positiveness
17% Popularity • 36% Danceability • 97% Energy • 21% Liveness
43% Instrumentalness • 90% Positiveness
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Marcia Ratke
It's Time For Bop
165 bpm • G Maj • 02:15 • -7.39db
28% Popularity • 49% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 85% Positiveness
28% Popularity • 49% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 85% Positiveness
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Darrel Higham
Hank Williams and Me
164 bpm • A min • 03:27 • -6.19db
7% Popularity • 45% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 45% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Kenta Wedin
I'm a Dog Man
164 bpm • A min • 02:51 • -5.58db
10% Popularity • 39% Danceability • 86% Energy • 30% Liveness
10% Instrumentalness • 66% Positiveness
10% Popularity • 39% Danceability • 86% Energy • 30% Liveness
10% Instrumentalness • 66% Positiveness
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Al Dual
Young Love
190 bpm • D min • 01:45 • -2.72db
11% Popularity • 15% Danceability • 92% Energy • 36% Liveness
97% Instrumentalness • 23% Positiveness
11% Popularity • 15% Danceability • 92% Energy • 36% Liveness
97% Instrumentalness • 23% Positiveness
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The Rocky Road Ramblers
Honey Don’t
162 bpm • A Maj • 03:02 • -4.76db
0% Popularity • 58% Danceability • 92% Energy • 33% Liveness
48% Instrumentalness • 85% Positiveness
0% Popularity • 58% Danceability • 92% Energy • 33% Liveness
48% Instrumentalness • 85% Positiveness
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Messed Up Trio
Way Too Wasted
165 bpm • E min • 02:34 • -5.59db
21% Popularity • 45% Danceability • 93% Energy • 10% Liveness
16% Instrumentalness • 87% Positiveness
21% Popularity • 45% Danceability • 93% Energy • 10% Liveness
16% Instrumentalness • 87% Positiveness
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Wes Pudsey and The Sonic Aces
Maybe
191 bpm • C# Maj • 02:40 • -4.81db
10% Popularity • 39% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 39% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Colbert Barnard
Apologize
192 bpm • B Maj • 03:27 • -6.82db
26% Popularity • 36% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 36% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Lovesick
Back in the Usa
162 bpm • C Maj • 02:47 • -5.17db
8% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
