Songs like There's a New World Coming by Bernice Johnson Reagon
Based on a tempo of (+/- 10%) and a similar genre
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Flora Molton
Swing Low Sweet Chariot
167 bpm • D Maj • 03:42 • -11.1db
1% Popularity • 41% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
1% Popularity • 41% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bernice Johnson Reagon
There's a New World Coming
167 bpm • G# Maj • 03:37 • -14db
11% Popularity • 60% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 60% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Our Native Daughters
I Knew I Could Fly
167 bpm • C Maj • 03:41 • -17.17db
36% Popularity • 54% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
36% Popularity • 54% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
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The Bengsons
My Joy Is Heavy!
166 bpm • C Maj • 04:19 • -5.78db
21% Popularity • 47% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 47% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Brother Joe May
Working On A Building
168 bpm • D# Maj • 02:45 • -9db
15% Popularity • 42% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 42% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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SistaStrings
Lift Every Voice
168 bpm • D Maj • 06:07 • -13.25db
9% Popularity • 19% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 19% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dorothy Love Coates
Heaven
168 bpm • D# Maj • 02:42 • -8.95db
9% Popularity • 63% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 63% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
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Bernice Johnson Reagon
River Of Life
166 bpm • A min • 03:02 • -11.99db
2% Popularity • 32% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 32% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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SAMMIE RAY BAILEY
You Are God
166 bpm • A Maj • 01:13 • -21.45db
22% Popularity • 43% Danceability • 5% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 43% Danceability • 5% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Vera Hall
Boll Weevil Holler
169 bpm • A Maj • 02:03 • -20db
16% Popularity • 39% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 39% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Blind Willie Johnson
Let Your Light Shine on Me
166 bpm • G Maj • 03:08 • -16db
28% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Malvina Reynolds
Rosie Jane
165 bpm • G Maj • 03:13 • -10.82db
7% Popularity • 47% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 47% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Harry Belafonte
Steal Away
169 bpm • A# min • 03:44 • -21.1db
16% Popularity • 18% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Bernice Johnson Reagon
Couldn't Hear Nobody Pray
166 bpm • D min • 01:49 • -16.53db
21% Popularity • 43% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 43% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Terry Callier
Be My Woman - Take 1
169 bpm • D min • 05:45 • -15.17db
12% Popularity • 37% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 37% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bettye LaVette
I Do Not Want What I Haven't Got
170 bpm • F# Maj • 02:11 • -15.51db
10% Popularity • 49% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 49% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Taj Mahal
Queen Bee
164 bpm • G min • 05:04 • -10.06db
20% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Cris Williamson
Song of the Soul
170 bpm • G Maj • 04:30 • -16.68db
18% Popularity • 37% Danceability • 22% Energy • 72% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 37% Danceability • 22% Energy • 72% Liveness
0% Instrumentalness • 46% Positiveness
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Leyla McCalla
Oh My Love
170 bpm • F Maj • 03:45 • -3.74db
10% Popularity • 54% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 54% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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The Last Poets
When the Revolution Comes
164 bpm • B Maj • 02:30 • -12.38db
18% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Vera Hall
Mama's Goin' To Buy Him a Little Lap Dog
170 bpm • G# min • 00:47 • -21db
19% Popularity • 63% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 77% Positiveness
19% Popularity • 63% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 77% Positiveness
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Anaïs Mitchell
Why We Build the Wall
171 bpm • B Maj • 03:35 • -8.32db
20% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Langston Hughes
Dreams
171 bpm • D Maj • 00:57 • -19db
17% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bernice Johnson Reagon
Give Your Hands to Struggle
173 bpm • G Maj • 03:59 • -10.54db
5% Popularity • 29% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 29% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Ali Dineen
Prayer
162 bpm • E Maj • 05:06 • -8.73db
7% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Spirit Of Memphis Quartet
The Atomic Telephone
173 bpm • D# Maj • 02:39 • -11.93db
13% Popularity • 58% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 58% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Marion Williams
Around God's Throne
173 bpm • D# Maj • 04:28 • -10.93db
9% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dianne Reeves
Endangered Species
161 bpm • G# min • 03:24 • -6.51db
26% Popularity • 72% Danceability • 73% Energy • 73% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 72% Danceability • 73% Energy • 73% Liveness
0% Instrumentalness • 66% Positiveness
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Joshuah Campbell
Sing Out/March On
173 bpm • D# min • 04:23 • -8.66db
14% Popularity • 38% Danceability • 36% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 38% Danceability • 36% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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India.Arie
One
174 bpm • G Maj • 05:25 • -10.13db
18% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Elizabeth Cotten
When the Train Comes Along
174 bpm • E Maj • 02:45 • -14.59db
11% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Cooke
Lost and Lookin'
174 bpm • C Maj • 02:11 • -11db
40% Popularity • 35% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Samantha Crain
Red Sky, Blue Mountain
160 bpm • B Maj • 03:27 • -13.5db
9% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Naomi Shelton
What Is This
175 bpm • A# Maj • 03:13 • -5.89db
15% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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SistaStrings
Her Name Was
176 bpm • C Maj • 04:41 • -16.35db
15% Popularity • 59% Danceability • 17% Energy • 11% Liveness
5% Instrumentalness • 55% Positiveness
15% Popularity • 59% Danceability • 17% Energy • 11% Liveness
5% Instrumentalness • 55% Positiveness
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Roberta Flack
Reverend Lee
176 bpm • E min • 04:32 • -15.23db
22% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Elizabeth Cotten and Brenda Evans
Shake Sugaree
176 bpm • A# Maj • 05:02 • -10.19db
42% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Miriam Makeba
Love Tastes Like Strawberries
177 bpm • G# Maj • 03:27 • -21.69db
13% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Raye Zaragoza
Fight for You
158 bpm • E Maj • 02:51 • -6db
14% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Cooke
Peace In The Valley
179 bpm • D Maj • 02:45 • -9.86db
27% Popularity • 30% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 30% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Thomas A. Dorsey
Take My Hand, Precious Lord
180 bpm • F Maj • 07:30 • -16.01db
12% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby McFerrin
Angry (GIMA)
181 bpm • A# Maj • 03:45 • -14.9db
14% Popularity • 42% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 42% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Elizabeth Cotten and Brenda Evans
Jesus Lifted Me
179 bpm • C# Maj • 02:08 • -11db
18% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Miriam Makeba
Soweto Blues
180 bpm • A# Maj • 04:16 • -9.69db
22% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The McIntosh County Shouters
Blow, Gabriel
181 bpm • C# Maj • 03:37 • -17db
12% Popularity • 58% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 58% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Raye Zaragoza
Driving to Standing Rock
157 bpm • G Maj • 03:14 • -11.08db
13% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Dorothy Love Coates
Get Away Jordan
154 bpm • F min • 02:45 • -10db
11% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Kaia Kater
Paradise Fell
154 bpm • C# Maj • 04:37 • -14.97db
5% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
5% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Gil Scott-Heron
Brother
182 bpm • A min • 01:45 • -16.43db
13% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Our Native Daughters
Lavi Difisil
183 bpm • C Maj • 02:30 • -11.78db
16% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Nunnery
Sweet Willow Tree
153 bpm • A Maj • 02:29 • -15.77db
17% Popularity • 66% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 66% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Helen Gillet
Ride Into the Sun
184 bpm • A Maj • 05:01 • -8.91db
7% Popularity • 24% Danceability • 37% Energy • 11% Liveness
77% Instrumentalness • 45% Positiveness
7% Popularity • 24% Danceability • 37% Energy • 11% Liveness
77% Instrumentalness • 45% Positiveness
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Dorothy Love Coates
He's Calling Me
182 bpm • G Maj • 03:00 • -8db
15% Popularity • 63% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 63% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Sister Gertrude Morgan
I Got The New World In My View
152 bpm • G Maj • 04:34 • -15.23db
15% Popularity • 67% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 67% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Bernice Johnson Reagon
Been in the Storm
151 bpm • F min • 03:03 • -13.07db
2% Popularity • 39% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 39% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Sunny War
Its Name Is Fear
151 bpm • D min • 03:21 • -12.59db
11% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Malvina Reynolds
It Isn't Nice
151 bpm • C Maj • 02:23 • -8.48db
20% Popularity • 57% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 57% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 68% Positiveness
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Sweet Honey In The Rock
We Are
151 bpm • B Maj • 03:08 • -14.23db
20% Popularity • 43% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 43% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Freedom Singers
We Shall Overcome
150 bpm • D Maj • 02:08 • -9.93db
9% Popularity • 16% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 16% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
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Eryn Allen Kane
Deeply Rooted
150 bpm • G Maj • 00:55 • -12.26db
24% Popularity • 65% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 65% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Gil Scott-Heron
Small Talk at 125th & Lenox
150 bpm • C min • 01:20 • -10.1db
16% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Leyla McCalla
Let it fall
188 bpm • G Maj • 02:50 • -13.26db
10% Popularity • 33% Danceability • 30% Energy • 14% Liveness
7% Instrumentalness • 46% Positiveness
10% Popularity • 33% Danceability • 30% Energy • 14% Liveness
7% Instrumentalness • 46% Positiveness
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Bernice Johnson Reagon
Amazing Grace
148 bpm • F# Maj • 03:00 • -15.01db
3% Popularity • 25% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 25% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Moira Smiley
Bellow
148 bpm • C Maj • 04:32 • -7.3db
9% Popularity • 65% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 65% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Junior Parker
Funny How Time Slips Away
190 bpm • G Maj • 08:08 • -23.8db
12% Popularity • 37% Danceability • 15% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 15% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Joan Armatrading
Woncha Come On Home
148 bpm • D Maj • 02:39 • -19.99db
46% Popularity • 67% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 67% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Allison Russell
All Of The Women
146 bpm • A min • 05:24 • -10.26db
28% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Babatunde Olatunji
Odun De! Odun De! (Aw Dun Day! Aw Dun Da...
192 bpm • C min • 04:59 • -8.24db
15% Popularity • 42% Danceability • 57% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
15% Popularity • 42% Danceability • 57% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
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Bernice Johnson Reagon
Had, Took, Misled
148 bpm • G# min • 03:27 • -12.82db
2% Popularity • 40% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 40% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Cris Williamson
Shooting Star
145 bpm • D Maj • 02:40 • -14.65db
10% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Sam Lee
Goodbye My Darling
145 bpm • D Maj • 04:32 • -9.98db
14% Popularity • 38% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 38% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Valerie June
Man Done Wrong
145 bpm • E min • 03:06 • -9.09db
24% Popularity • 70% Danceability • 59% Energy • 21% Liveness
24% Instrumentalness • 71% Positiveness
24% Popularity • 70% Danceability • 59% Energy • 21% Liveness
24% Instrumentalness • 71% Positiveness
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Mississippi Fred McDowell
Keep Your Lamps Trimmed and Burning
145 bpm • B Maj • 03:11 • -13.6db
2% Popularity • 47% Danceability • 30% Energy • 15% Liveness
3% Instrumentalness • 32% Positiveness
2% Popularity • 47% Danceability • 30% Energy • 15% Liveness
3% Instrumentalness • 32% Positiveness
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Robert Parris Moses
Keep Your Eyes on the Prize
144 bpm • A# min • 01:12 • -15.77db
8% Popularity • 35% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 35% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Bernice Johnson Reagon
Ol' Po' Sinner
147 bpm • E Maj • 03:27 • -18.14db
0% Popularity • 39% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 39% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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James Shorty
I Want Jesus to Walk with Me
144 bpm • C Maj • 03:43 • -16.87db
13% Popularity • 56% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 56% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lisa O'Neill
Crazy Clown
143 bpm • D# Maj • 03:02 • -10.46db
14% Popularity • 44% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 44% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Como Mamas
99 and a Half Won't Do
143 bpm • A# min • 02:24 • -8.19db
9% Popularity • 66% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 66% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Allison Russell
Joyful Motherfuckers
142 bpm • G# min • 03:11 • -11.42db
33% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Swan Silvertones
He's Sweet, I Know
142 bpm • D Maj • 05:06 • -8db
12% Popularity • 38% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 38% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Bernice Johnson Reagon
I Won't Crumble with You If You Fall
145 bpm • F# Maj • 03:06 • -18db
12% Popularity • 30% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 30% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Resistance Revival Chorus
Reason I Sing
199 bpm • E min • 01:37 • -12.96db
16% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Sweet Honey In The Rock
Ella's Song
199 bpm • C# min • 05:50 • -19.55db
20% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Valerie June
Rain Dance
200 bpm • C Maj • 02:47 • -15.52db
17% Popularity • 48% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 48% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Cooke
How Far Am I Canaan (Alternate Version)
200 bpm • G# Maj • 02:50 • -13.3db
11% Popularity • 34% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 34% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Isaya
Sally
201 bpm • A min • 01:59 • -9.98db
8% Popularity • 40% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 40% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Bernice Johnson Reagon
Freedom in the Air
144 bpm • C Maj • 03:19 • -12.31db
2% Popularity • 26% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 26% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Malvina Reynolds
God Bless the Grass
201 bpm • A# min • 02:04 • -19.2db
15% Popularity • 40% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 40% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Peggy Seeger
Snake Baked A Hoecake
206 bpm • D Maj • 00:56 • -17.49db
24% Popularity • 58% Danceability • 12% Energy • 14% Liveness
18% Instrumentalness • 77% Positiveness
24% Popularity • 58% Danceability • 12% Energy • 14% Liveness
18% Instrumentalness • 77% Positiveness
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Bernice Johnson Reagon
There Is More Love Somewhere
144 bpm • A# Maj • 02:18 • -13.85db
13% Popularity • 40% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 40% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Bernice Johnson Reagon
Cane on the Brazos
143 bpm • G# min • 03:28 • -26.21db
0% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness