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There's A Small Hotel
Songs like
There's A Small Hotel
by
Dorothy Ashby
Based on a tempo of (+/- 10%) and a similar genre
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Eden Ahbez
Eden's Island
98 bpm • G min • 02:12 • -16db
30% Popularity • 55% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Robert Maxwell, His Harps & His Orchestra
Ebb Tide
98 bpm • D min • 02:25 • -16.35db
13% Popularity • 30% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 11% Positiveness
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Rahsaan Roland Kirk
Spirits up Above
98 bpm • A# Maj • 03:35 • -9db
20% Popularity • 33% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Dorothy Ashby
Back Talk
98 bpm • G# Maj • 05:05 • -16.44db
20% Popularity • 60% Danceability • 25% Energy • 10% Liveness
80% Instrumentalness • 48% Positiveness
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Ike Quebec
Just One More Chance - Remastered 2004/R...
98 bpm • D# Maj • 05:50 • -14.09db
21% Popularity • 37% Danceability • 13% Energy • 10% Liveness
31% Instrumentalness • 29% Positiveness
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Stefano Torossi
Loving tenderly
98 bpm • C# Maj • 03:32 • -15.8db
34% Popularity • 40% Danceability • 39% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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The Dave Brubeck Quartet
Rising Sun
98 bpm • D min • 04:39 • -20.53db
38% Popularity • 52% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
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Dr. Lonnie Smith
Sweet Honey Wine
99 bpm • F min • 06:11 • -13db
29% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
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Quincy Jones
Love And Peace
97 bpm • A Maj • 05:48 • -15.28db
37% Popularity • 47% Danceability • 36% Energy • 11% Liveness
63% Instrumentalness • 23% Positiveness
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Dorothy Ashby
There's A Small Hotel
98 bpm • G Maj • 05:51 • -14.93db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 62% Positiveness
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Mal Waldron
Left Alone
99 bpm • D min • 06:07 • -17.89db
23% Popularity • 48% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Betty Carter
Open The Door - Live At Bradshaw's Great...
99 bpm • G# Maj • 05:08 • -20.13db
23% Popularity • 52% Danceability • 19% Energy • 70% Liveness
6% Instrumentalness • 52% Positiveness
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Frankie Reyes
La Flor de la Canela
99 bpm • A min • 02:44 • -30.12db
25% Popularity • 45% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 49% Positiveness
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Roy Eldridge
Blues in C Sharp Minor
97 bpm • G# Maj • 03:21 • -15.83db
23% Popularity • 67% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
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Bobby Timmons
This Here
97 bpm • A# Maj • 03:25 • -15db
19% Popularity • 60% Danceability • 50% Energy • 10% Liveness
86% Instrumentalness • 73% Positiveness
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Dorothy Ashby
Life Has Its Trials
98 bpm • C min • 04:28 • -13.45db
31% Popularity • 50% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 90% Positiveness
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Stanley Turrentine
Let's Groove
97 bpm • C min • 06:03 • -11db
31% Popularity • 51% Danceability • 51% Energy • 5% Liveness
4% Instrumentalness • 71% Positiveness
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Donald Byrd
I'm A Fool To Want You - 2006 Digital Re...
97 bpm • F min • 06:12 • -14.12db
49% Popularity • 39% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Ebo Taylor
Mber No Aso
100 bpm • C Maj • 03:07 • -11.49db
34% Popularity • 71% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 88% Positiveness
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Piero Umiliani
Ricordandoti
99 bpm • G min • 02:55 • -15.31db
51% Popularity • 46% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Charles Lloyd
TM
100 bpm • G Maj • 05:08 • -16.09db
16% Popularity • 37% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Milt Buckner
Turquoise - 1996 Digital Remaster
96 bpm • A min • 02:09 • -19.04db
40% Popularity • 58% Danceability • 17% Energy • 7% Liveness
69% Instrumentalness • 48% Positiveness
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Dorothy Ashby
Spicy
96 bpm • C Maj • 03:08 • -23.26db
12% Popularity • 46% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 10% Positiveness
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Bobby Wright
Everyone Should Have His Day
96 bpm • C# Maj • 02:41 • -18.69db
30% Popularity • 49% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 17% Positiveness
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Sofie Winterson
Portofino
96 bpm • C# Maj • 03:25 • -16.51db
31% Popularity • 31% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Frankie Reyes
Alma, Corazón y Vida
100 bpm • C min • 02:05 • -31.16db
39% Popularity • 49% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Jack Wilkins
Song for the Last Act
100 bpm • D Maj • 03:33 • -17db
29% Popularity • 49% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Piero Umiliani
La ragazza dalla pelle di luna - Extende...
100 bpm • D min • 03:25 • -16.65db
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tex Crick
Here We Go
100 bpm • F Maj • 00:56 • -13db
33% Popularity • 63% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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The Dave Brubeck Quartet
Bluette
96 bpm • A# min • 05:21 • -21.08db
32% Popularity • 51% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 33% Positiveness
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Chico Hamilton
What Is There to Say?
96 bpm • B min • 02:51 • -31.96db
30% Popularity • 48% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Ike Quebec
Nature Boy - Remastered 2004/Rudy Van Ge...
96 bpm • F min • 02:44 • -15.6db
41% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
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Junior Mance
Jubilation
100 bpm • C Maj • 03:29 • -18.09db
43% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
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Shirley Horn
Wild Is Love
96 bpm • C# Maj • 01:30 • -16.73db
38% Popularity • 54% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Jazz Epistles
Gafsa
96 bpm • D# Maj • 04:21 • -19.81db
9% Popularity • 36% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Nick Waterhouse
Lucky Once
95 bpm • F Maj • 05:44 • -12db
27% Popularity • 68% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
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Tadao Hayashi Harp Trio
I Could Have Danced All Night
101 bpm • C# Maj • 03:24 • -26db
33% Popularity • 44% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 54% Positiveness
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I Marc 4
Andrè
101 bpm • D# Maj • 02:58 • -14db
40% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Dorothy Ashby
Stranger in Paradise
101 bpm • F Maj • 03:21 • -14.46db
9% Popularity • 39% Danceability • 27% Energy • 10% Liveness
68% Instrumentalness • 26% Positiveness
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Hypnotic Brass Ensemble
Purple Afternoon
95 bpm • E Maj • 06:06 • -14.2db
23% Popularity • 64% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
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Skyway Man
Driving to Milwaukee
101 bpm • F# min • 05:15 • -19.43db
32% Popularity • 42% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 26% Positiveness
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Charlie Parker
Romance Without Finance
95 bpm • C min • 03:04 • -10.89db
26% Popularity • 74% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
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Masabumi Kikuchi
スカイ・ウォズ・フォーリン�...
95 bpm • F Maj • 06:05 • -12.83db
37% Popularity • 48% Danceability • 55% Energy • 11% Liveness
11% Instrumentalness • 59% Positiveness
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Hailu Mergia
Minlbelesh
101 bpm • D# Maj • 05:57 • -11.42db
37% Popularity • 44% Danceability • 66% Energy • 32% Liveness
40% Instrumentalness • 90% Positiveness
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Dorothy Ashby
Dancing In The Dark
95 bpm • F Maj • 04:43 • -15.9db
26% Popularity • 57% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
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Albert Ayler
Don's Dawn
95 bpm • A# Maj • 01:04 • -24.09db
36% Popularity • 31% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Donald Byrd
Night Flower - Remastered 2003/Rudy Van ...
101 bpm • A# Maj • 06:48 • -13.18db
33% Popularity • 44% Danceability • 11% Energy • 17% Liveness
88% Instrumentalness • 12% Positiveness
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Charles Mingus
Orange Was The Color Of Her Dress, Then ...
94 bpm • G# Maj • 04:14 • -17db
25% Popularity • 53% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 29% Positiveness
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Herbie Hancock
Alone And I - Remastered 2007
102 bpm • F# min • 06:29 • -17.94db
44% Popularity • 41% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Bud Powell Trio
You'd Be So Nice to Come Home To - 1990 ...
102 bpm • D min • 02:39 • -19.16db
43% Popularity • 47% Danceability • 9% Energy • 12% Liveness
75% Instrumentalness • 23% Positiveness
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Dorothy Ashby
By The Time I Get To Phoenix
102 bpm • C min • 03:30 • -9db
44% Popularity • 60% Danceability • 69% Energy • 7% Liveness
81% Instrumentalness • 72% Positiveness
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Azymuth
Rico Suave Bossa Nova
102 bpm • F Maj • 05:53 • -8.85db
30% Popularity • 70% Danceability • 88% Energy • 53% Liveness
78% Instrumentalness • 69% Positiveness
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Herbie Mann
Consolation (Consolacao)
94 bpm • G min • 04:26 • -21.62db
30% Popularity • 43% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Gary Bartz
I've Known Rivers
94 bpm • B min • 08:32 • -10.67db
32% Popularity • 55% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
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Max Roach
Effi
94 bpm • A min • 06:13 • -10.26db
27% Popularity • 38% Danceability • 77% Energy • 9% Liveness
44% Instrumentalness • 54% Positiveness
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Mulatu Astatke
Mascaram Setaba
102 bpm • G Maj • 01:50 • -13.76db
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Dorothy Ashby
Fool On The Hill
94 bpm • C Maj • 03:40 • -12.77db
22% Popularity • 58% Danceability • 60% Energy • 9% Liveness
83% Instrumentalness • 82% Positiveness
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Les Paul & His Trio
Aloha Oe
94 bpm • G# Maj • 02:46 • -18db
29% Popularity • 66% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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Charles Mingus
I Can't Get Started
94 bpm • C Maj • 03:41 • -19.09db
33% Popularity • 47% Danceability • 13% Energy • 13% Liveness
89% Instrumentalness • 16% Positiveness
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Shuggie Otis
Rainy Day
94 bpm • B min • 02:42 • -17db
32% Popularity • 64% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Sven Wunder
Asterism Waltz
94 bpm • C# Maj • 02:32 • -14.5db
36% Popularity • 41% Danceability • 17% Energy • 10% Liveness
55% Instrumentalness • 17% Positiveness
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Sven Libaek
That's Peg's Affair
103 bpm • A# Maj • 01:18 • -24.57db
45% Popularity • 55% Danceability • 14% Energy • 11% Liveness
70% Instrumentalness • 56% Positiveness
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Jon Lucien
Kuenda
93 bpm • A Maj • 03:15 • -15.43db
20% Popularity • 47% Danceability • 55% Energy • 45% Liveness
30% Instrumentalness • 48% Positiveness
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Les Paul & His Trio
King's Serenade
94 bpm • G# Maj • 02:46 • -17.6db
29% Popularity • 66% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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Horace Silver
Peace
93 bpm • D# min • 06:02 • -14.47db
33% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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Keith Jarrett
Starbright
93 bpm • G# Maj • 05:01 • -11.69db
16% Popularity • 31% Danceability • 37% Energy • 14% Liveness
84% Instrumentalness • 57% Positiveness
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Raymond Scott
All This and Heaven Too
93 bpm • F Maj • 03:27 • -18db
20% Popularity • 42% Danceability • 17% Energy • 60% Liveness
68% Instrumentalness • 49% Positiveness
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Ramsey Lewis
Julia
93 bpm • C Maj • 04:19 • -13db
29% Popularity • 47% Danceability • 58% Energy • 43% Liveness
68% Instrumentalness • 39% Positiveness
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George Benson
From Now On
93 bpm • C Maj • 02:21 • -21.78db
17% Popularity • 49% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Mal Waldron
Warm Canto
93 bpm • A min • 05:40 • -23.91db
32% Popularity • 43% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
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Harry Kalahiki
Tea for Two
93 bpm • G Maj • 02:52 • -14.51db
15% Popularity • 59% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Johnny Hartman
A Slow Hot Wind
93 bpm • A# min • 03:23 • -19.77db
27% Popularity • 62% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 43% Positiveness
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Alain Goraguer
Interpol
93 bpm • A# min • 01:16 • -18.61db
45% Popularity • 61% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 39% Positiveness
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Ramsey Lewis
Rocky Raccoon
103 bpm • F Maj • 02:38 • -12.04db
33% Popularity • 55% Danceability • 51% Energy • 26% Liveness
5% Instrumentalness • 57% Positiveness
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Charles Mingus
Jump Monk
92 bpm • F min • 06:53 • -15db
22% Popularity • 49% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 76% Positiveness
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Martin Denny
When First I Love
104 bpm • D Maj • 02:24 • -15.34db
27% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Binker and Moses
Fete by the River
103 bpm • C# min • 05:22 • -23.33db
23% Popularity • 58% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 71% Positiveness
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Hailu Mergia
Yenuro Tesfa Alegne
92 bpm • F min • 01:45 • -7.34db
36% Popularity • 42% Danceability • 57% Energy • 7% Liveness
8% Instrumentalness • 92% Positiveness
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Dorothy Ashby
Stranger in Paradise
104 bpm • F min • 03:17 • -13.93db
25% Popularity • 44% Danceability • 27% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
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Jack Wilkins
Naima
104 bpm • G# Maj • 05:03 • -16.63db
28% Popularity • 41% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Betty Carter
Beware My Heart
104 bpm • C min • 05:08 • -20.21db
30% Popularity • 34% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Azymuth
Morning
92 bpm • A min • 03:48 • -12db
50% Popularity • 44% Danceability • 67% Energy • 12% Liveness
88% Instrumentalness • 88% Positiveness
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Randy Weston
Waltz For Sweet Cakes
92 bpm • C# Maj • 03:09 • -11db
36% Popularity • 55% Danceability • 82% Energy • 29% Liveness
86% Instrumentalness • 87% Positiveness
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Sven Libaek
Music for Eels
92 bpm • F Maj • 02:23 • -17db
30% Popularity • 50% Danceability • 33% Energy • 11% Liveness
57% Instrumentalness • 46% Positiveness
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David Axelrod
The Warnings Part II
92 bpm • B min • 04:27 • -14db
23% Popularity • 35% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Onyx Collective
Falling in Love
105 bpm • A min • 01:24 • -9.6db
11% Popularity • 64% Danceability • 33% Energy • 18% Liveness
27% Instrumentalness • 40% Positiveness
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King Pleasure
Moody's Mood for Love
105 bpm • A min • 02:58 • -12.55db
30% Popularity • 55% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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The Sweet Enoughs
Shark Butt
105 bpm • C Maj • 05:25 • -13.32db
31% Popularity • 84% Danceability • 35% Energy • 7% Liveness
92% Instrumentalness • 84% Positiveness
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Hailu Mergia
Yemiasleks Fikir
105 bpm • E Maj • 04:04 • -9.8db
22% Popularity • 30% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Gene Harris
I Remember Summer
91 bpm • F# min • 02:03 • -12.73db
42% Popularity • 52% Danceability • 72% Energy • 50% Liveness
80% Instrumentalness • 74% Positiveness
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Rahsaan Roland Kirk
Alfie
105 bpm • C Maj • 02:52 • -19.86db
51% Popularity • 45% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 33% Positiveness
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Horace Silver
Lonely Woman - Remastered 1999/Rudy Van ...
105 bpm • F# Maj • 07:02 • -16db
43% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Billy Cobham
The Moon Ain't Made of Green Cheese
106 bpm • C min • 00:58 • -19db
49% Popularity • 64% Danceability • 8% Energy • 6% Liveness
92% Instrumentalness • 78% Positiveness
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David Axelrod
The Smile
91 bpm • A min • 03:25 • -13db
32% Popularity • 43% Danceability • 38% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
► Preview
Hailu Mergia
Yene Nesh Wey (Amalele)
105 bpm • B Maj • 04:38 • -11.33db
33% Popularity • 42% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Martin Denny
Martinique
106 bpm • A# Maj • 03:00 • -18.23db
34% Popularity • 69% Danceability • 29% Energy • 12% Liveness
43% Instrumentalness • 62% Positiveness
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Pat Metheny
Midwestern Nights Dream
106 bpm • D Maj • 06:06 • -23db
35% Popularity • 41% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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Dorothy Ashby
The Guns of Navarone
106 bpm • D Maj • 02:15 • -9.09db
11% Popularity • 44% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Chico Hamilton
People
106 bpm • B min • 06:06 • -12.42db
29% Popularity • 76% Danceability • 42% Energy • 11% Liveness
76% Instrumentalness • 43% Positiveness
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Luigi Malatesta
Gungala nido
90 bpm • G# Maj • 02:34 • -9.48db
50% Popularity • 54% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
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There's A Small Hotel