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They All Laughed
Songs like
They All Laughed
by
Fred Astaire
Based on a tempo of (+/- 10%) and a similar genre
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Harry Connick, Jr.
A Blessing And A Curse
106 bpm • G min • 03:02 • -14.37db
23% Popularity • 55% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Stacey Kent
Its Delovely
106 bpm • C Maj • 03:25 • -14.82db
29% Popularity • 74% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Moments in the Moonlight
106 bpm • G min • 03:17 • -12.97db
8% Popularity • 46% Danceability • 9% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
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Fred Astaire
Music Makes Me (Flying Down to Rio)
106 bpm • C Maj • 02:28 • -16.27db
13% Popularity • 82% Danceability • 37% Energy • 7% Liveness
48% Instrumentalness • 60% Positiveness
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Carroll Gibbons
The Mood That I'm In (Carroll Gibbons; T...
105 bpm • F min • 03:21 • -13.37db
21% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Lorez Alexandria
But Beautiful
105 bpm • C Maj • 04:15 • -17db
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
35% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
26% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Morgana King
Down In The Depths
105 bpm • G Maj • 03:10 • -15db
27% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Fred Astaire
They All Laughed
106 bpm • B min • 02:53 • -20.3db
18% Popularity • 64% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmy Durante
Once to Every Heart
105 bpm • F# Maj • 02:55 • -11.31db
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Poor You
108 bpm • A min • 02:49 • -12.58db
7% Popularity • 42% Danceability • 25% Energy • 39% Liveness
1% Instrumentalness • 33% Positiveness
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Jeri Southern
Which?
108 bpm • D Maj • 02:41 • -10.54db
23% Popularity • 50% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
28% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Mabel Mercer
Use Your Imagination
104 bpm • A# min • 03:02 • -18.25db
18% Popularity • 46% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fred Astaire
Slow Dance
105 bpm • F min • 02:38 • -13.71db
13% Popularity • 68% Danceability • 40% Energy • 15% Liveness
81% Instrumentalness • 82% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Benny Carter
Allez-vous en, Go Away
104 bpm • E Maj • 03:44 • -13.6db
4% Popularity • 42% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Susannah McCorkle
Why Don't We Try Staying Home?
104 bpm • F# Maj • 04:26 • -21db
20% Popularity • 57% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Lionel Hampton
On the Sunny Side of the Street
109 bpm • C Maj • 03:16 • -9db
27% Popularity • 71% Danceability • 33% Energy • 8% Liveness
58% Instrumentalness • 59% Positiveness
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Fred Astaire
I Concentrate On You
104 bpm • C Maj • 02:47 • -23.76db
39% Popularity • 52% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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Ella Fitzgerald and Her Savoy Eight
If You Only Knew
103 bpm • C min • 02:45 • -12.23db
7% Popularity • 65% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Too Romantic
109 bpm • F Maj • 03:11 • -12.68db
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
41% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mose Allison
I Hadn't Anyone Till You
109 bpm • F min • 02:30 • -17.15db
42% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Lena Horne
I Let A Song Go Out Of My Heart
103 bpm • A Maj • 02:44 • -15.79db
19% Popularity • 48% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Fats Waller
My Very Good Friend the Milkman - Remast...
110 bpm • F Maj • 03:30 • -13.78db
29% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
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Jimmy Durante
Try a Little Tenderness
110 bpm • C# Maj • 02:52 • -14.79db
24% Popularity • 38% Danceability • 24% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Woody Herman & His Orchestra
Four Brothers
110 bpm • G# Maj • 03:15 • -10db
25% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
24% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Daewon Lee
Why Would I Have To
110 bpm • D Maj • 02:35 • -15.02db
9% Popularity • 85% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Mabel Mercer
I Am Ashamed That Women Are so Simple
110 bpm • G Maj • 01:51 • -14db
18% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmy Dorsey
Sophisticated Swing
110 bpm • D# Maj • 02:43 • -12db
14% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Fred Astaire
Let's Call The Whole Thing Off
110 bpm • F min • 04:24 • -17.3db
36% Popularity • 81% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Martha Tilton
I'll Remember April
102 bpm • F# Maj • 03:03 • -12.52db
15% Popularity • 38% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sidney Bechet
All Of Me
111 bpm • A min • 04:08 • -9db
42% Popularity • 53% Danceability • 43% Energy • 24% Liveness
90% Instrumentalness • 64% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Devil May Care
111 bpm • D# Maj • 03:07 • -12.14db
6% Popularity • 48% Danceability • 12% Energy • 35% Liveness
6% Instrumentalness • 24% Positiveness
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Fats Waller
When Somebody Thinks You're Wonderful - ...
111 bpm • A# Maj • 03:37 • -12db
32% Popularity • 70% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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Fred Astaire
They Can't Take That Away From Me
101 bpm • C# Maj • 02:30 • -13.63db
32% Popularity • 65% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Etta Jones
My Gentleman Friend
111 bpm • G min • 02:18 • -13.12db
42% Popularity • 61% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Vaughn Monroe
There I Go
100 bpm • G# Maj • 02:53 • -7db
13% Popularity • 55% Danceability • 28% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Fats Waller
A Little Bit Independent - Remastered
101 bpm • C Maj • 02:54 • -16.52db
14% Popularity • 62% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Leo Reisman & His Orchestra
The Gold Diggers' Song (We're In The Mon...
112 bpm • F Maj • 02:17 • -12.56db
4% Popularity • 64% Danceability • 31% Energy • 36% Liveness
6% Instrumentalness • 77% Positiveness
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Fred Astaire
Isn't This A Lovely Day (To Be Caught In...
101 bpm • A# min • 03:25 • -13.76db
19% Popularity • 42% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Hope
Thanks for the Memory - Remastered
100 bpm • D Maj • 03:07 • -11.79db
18% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Benny Goodman Quartet
Moonglow - Take 2
112 bpm • G# Maj • 03:10 • -15.45db
24% Popularity • 62% Danceability • 17% Energy • 10% Liveness
52% Instrumentalness • 39% Positiveness
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Mabel Mercer
Looking at You
112 bpm • G Maj • 02:53 • -14db
19% Popularity • 56% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmy Durante
My Wish
100 bpm • C Maj • 02:27 • -11.98db
22% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Dinah Shore
Georgia On My Mind - 78rpm Version
100 bpm • A# Maj • 03:21 • -23.83db
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Harry Connick, Jr.
A Wink and a Smile
112 bpm • G Maj • 02:46 • -13.66db
54% Popularity • 73% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ella Fitzgerald and Her Savoy Eight
My Last Affair
100 bpm • D Maj • 02:44 • -8.75db
14% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Fred Astaire
A Fine Romance
113 bpm • G Maj • 03:41 • -23db
32% Popularity • 68% Danceability • 3% Energy • 14% Liveness
21% Instrumentalness • 37% Positiveness
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Jimmy Durante
In the Other Fellow's Yard
100 bpm • E Maj • 02:28 • -12.5db
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Ruth Etting
You're the Cream in My Coffee
113 bpm • G Maj • 03:07 • -13.06db
25% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Dorsey
Blue Champagne
99 bpm • D# Maj • 03:04 • -12db
26% Popularity • 51% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ginger Rogers
The Yam
113 bpm • F min • 02:21 • -11.12db
11% Popularity • 78% Danceability • 27% Energy • 21% Liveness
10% Instrumentalness • 68% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Debbie Reynolds
Summer Romance
99 bpm • F# Maj • 02:13 • -12.51db
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Betty Carter
There Is No Greater Love
113 bpm • F Maj • 03:48 • -19.34db
28% Popularity • 50% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Fats Waller
It's A Sin To Tell A Lie
114 bpm • C Maj • 02:53 • -15.57db
30% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
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Lionel Hampton
When Lights Are Low
99 bpm • C# Maj • 02:14 • -9.3db
28% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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Benny Goodman Quartet
Whispering
99 bpm • D# Maj • 03:23 • -15.83db
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
34% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Betty Carter
This Is Always
114 bpm • E min • 03:11 • -19.69db
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Irene Kral
Comes Love
114 bpm • C Maj • 02:33 • -12db
42% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Fred Astaire
Isn't This a Lovely Day?
114 bpm • A# Maj • 03:15 • -16.9db
8% Popularity • 62% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 40% Positiveness
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Lee Wiley
You Turned The Tables On Me
115 bpm • C# Maj • 02:47 • -19.16db
27% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Frank Sinatra Jr.
The People You Never Get to Love
115 bpm • E Maj • 04:28 • -17.25db
19% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Betty Carter
Gone With the Wind
114 bpm • F Maj • 04:11 • -13.43db
37% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Rita Hayworth
The Shorty Georges
98 bpm • G# Maj • 04:09 • -13.87db
17% Popularity • 62% Danceability • 45% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
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Irene Kral
I Let A Song Go Out Of My Heart
98 bpm • G# Maj • 02:43 • -8.11db
24% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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The Rat Pack
We Open in Venice
115 bpm • G min • 02:14 • -11.48db
38% Popularity • 65% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Erroll Garner
She's Funny That Way
115 bpm • F min • 02:31 • -14.71db
38% Popularity • 65% Danceability • 22% Energy • 26% Liveness
79% Instrumentalness • 48% Positiveness
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Jimmy Durante
When Day Is Done
98 bpm • G Maj • 02:33 • -12.14db
21% Popularity • 31% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lionel Hampton
Jivin' the Vibres
98 bpm • D# Maj • 02:21 • -11.08db
26% Popularity • 72% Danceability • 56% Energy • 12% Liveness
65% Instrumentalness • 82% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
21% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Fred Astaire
They Can't Take That Away From Me
98 bpm • F# Maj • 03:38 • -20.9db
15% Popularity • 59% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Audrey Hepburn
How Long Has This Been Going On? - Alter...
98 bpm • D min • 04:29 • -15.86db
11% Popularity • 23% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Jimmy Durante
September Song
98 bpm • G Maj • 03:09 • -10db
20% Popularity • 29% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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Dorothy Dandridge
Body & Soul
116 bpm • D Maj • 03:40 • -15.74db
15% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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They All Laughed