Songs like They Call Me Pam by Victoria Wood
Based on a tempo of (+/- 10%) and a similar genre
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The Original Cast
JUST ONE PERSON
95 bpm • C# Maj • 02:42 • -13.59db
15% Popularity • 52% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 52% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Victoria Wood
They Call Me Pam
95 bpm • A Maj • 08:29 • -15.46db
10% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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FASCINATING AIDA
One True Religion
95 bpm • E Maj • 03:10 • -7.81db
8% Popularity • 51% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 51% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 52% Positiveness
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Frank Sinatra (performer), Guys and Dolls Chorus
Adelaide
95 bpm • B Maj • 03:12 • -14.93db
15% Popularity • 48% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 48% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Nellie Forbush
I'm In Love With A Wonderful Guy
95 bpm • C Maj • 03:20 • -12db
28% Popularity • 50% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 50% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Barbra Streisand
The Minute Waltz
96 bpm • D# Maj • 01:58 • -14.71db
14% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Ivor Biggun
Dorothy Please Trim Your Hinge (Misprint...
95 bpm • G Maj • 02:41 • -6.07db
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Victoria Wood
Andrea
95 bpm • A# Maj • 03:46 • -19.51db
7% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Alyson Reed
What I Did For Love
94 bpm • F# Maj • 02:20 • -16.96db
18% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Don Francks & Petula Clark
Old Devil Moon
96 bpm • G Maj • 04:05 • -14.38db
15% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Louis Armstrong
Little One
94 bpm • E Maj • 02:31 • -14.89db
4% Popularity • 43% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 43% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Vera Lynn
There'll Always Be an England - 2016 Rem...
96 bpm • A# Maj • 02:59 • -10.89db
26% Popularity • 40% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 40% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ivor Biggun
The Majorca Song
94 bpm • C Maj • 02:42 • -5.83db
9% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
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Victoria Wood
Crush
96 bpm • G min • 02:21 • -21.04db
7% Popularity • 62% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 62% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Jonathan Pryce
You've Got To Pick A Pocket Or Two
94 bpm • G min • 03:05 • -16db
31% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Shirley Henderson
Like a Rolling Stone / To Make You Feel ...
96 bpm • F Maj • 03:41 • -11.72db
15% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Robert Lindsay
The Lambeth Walk - Original Cast Recordi...
96 bpm • F Maj • 04:18 • -17db
22% Popularity • 46% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 46% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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The Wombles
Superwomble
96 bpm • A Maj • 03:26 • -9.25db
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Petula Clark & Fred Astaire
When I'm Not Near the Girl I Love
93 bpm • E min • 04:22 • -12.52db
12% Popularity • 38% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Victoria Wood
They Call Me Pam
94 bpm • A Maj • 09:34 • -18.04db
3% Popularity • 61% Danceability • 53% Energy • 84% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 61% Danceability • 53% Energy • 84% Liveness
0% Instrumentalness • 54% Positiveness
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Flanders & Swann
A Song of the Weather
96 bpm • F# Maj • 02:02 • -13db
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
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Frances Nero
C'est moi - Lancelot
93 bpm • C Maj • 04:02 • -15.06db
16% Popularity • 42% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 42% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Doris Day
I Can Do Without You
93 bpm • D min • 01:44 • -11.26db
27% Popularity • 77% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 77% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Adge Cutler & The Wurzels
Don't Tell I, Tell 'Ee
97 bpm • B Maj • 02:45 • -14db
13% Popularity • 70% Danceability • 52% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 70% Danceability • 52% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
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Petula Clark & Fred Astaire
How Are Things in Glocca Morra?
97 bpm • A# Maj • 02:27 • -14.28db
21% Popularity • 39% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 39% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Bud Flanagan
Who Do You Think You Are Kidding, Mr Hit...
98 bpm • A# Maj • 01:06 • -14.48db
29% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
92 bpm • F Maj • 02:18 • -12db
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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London Music Works
Who Do You Think You Are Kidding, Mr. Hi...
98 bpm • D# Maj • 01:31 • -8.51db
9% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Lancashire Hotpots
Has the Bin Man Bin Mon
98 bpm • E Maj • 02:33 • -8db
23% Popularity • 78% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 78% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Max Boyce
The Ballad of Morgan the Moon - Live at ...
98 bpm • D# Maj • 06:34 • -19.98db
15% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
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Bernard Cribbins
Right Said Fred
98 bpm • C# Maj • 02:20 • -8.02db
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
You'll Never Walk Alone
98 bpm • A# Maj • 02:29 • -14.79db
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Stanley Holloway
Any Old Iron?
99 bpm • A min • 02:30 • -9.57db
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
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Roger Allam
Stars
91 bpm • E Maj • 03:24 • -11.7db
39% Popularity • 37% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 37% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Rex Harrison
Whay Can't the English?
99 bpm • F Maj • 02:40 • -10.61db
10% Popularity • 66% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 66% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Kay
Poisoning Pigeons in the Park
91 bpm • C Maj • 02:03 • -11.07db
14% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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"Calendar Girls" Original London Cast
Yorkshire
91 bpm • F# Maj • 07:23 • -6.78db
21% Popularity • 42% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 42% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Victoria Wood
A Better Day
100 bpm • A# Maj • 04:53 • -15.57db
7% Popularity • 58% Danceability • 33% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 58% Danceability • 33% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
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Rowan Atkinson
Tom, Dick & Harry
90 bpm • E min • 04:35 • -13.5db
11% Popularity • 63% Danceability • 67% Energy • 97% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 63% Danceability • 67% Energy • 97% Liveness
0% Instrumentalness • 11% Positiveness
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Center Stage Orchestra
The Pirates of Penzance: I Am a Pirate K...
90 bpm • C Maj • 02:27 • -12.36db
10% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Shirley Jones
People Will Say We're in Love
90 bpm • G# Maj • 04:16 • -9db
9% Popularity • 28% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 28% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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John Shuttleworth
The A1111
90 bpm • F Maj • 02:37 • -10.89db
9% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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The Fisherman’s Friends
No Hopers, Jokers & Rogues - 2011 Mix
100 bpm • E Maj • 03:04 • -6.56db
18% Popularity • 66% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 66% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Flo & Joan
Body (Live)
100 bpm • A# Maj • 03:17 • -11.18db
9% Popularity • 63% Danceability • 41% Energy • 75% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 63% Danceability • 41% Energy • 75% Liveness
0% Instrumentalness • 33% Positiveness
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Brendan Grace
The Dutchman
90 bpm • D Maj • 05:09 • -17db
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
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George Formby
The Window Cleaner (No 2)
100 bpm • A# Maj • 02:54 • -13.49db
13% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Tim Minchin
Thank You God
90 bpm • C Maj • 06:23 • -8db
35% Popularity • 50% Danceability • 67% Energy • 80% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 50% Danceability • 67% Energy • 80% Liveness
0% Instrumentalness • 43% Positiveness
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Doris Day
Tis Harry I'm Plannin' to Marry
100 bpm • F Maj • 02:05 • -9.29db
24% Popularity • 76% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 76% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Arthur Askey
The Bee Song
101 bpm • A# Maj • 02:42 • -17db
15% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Flo & Joan
Statistics - Recorded Live in London
90 bpm • A Maj • 04:08 • -14.96db
12% Popularity • 44% Danceability • 34% Energy • 84% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 44% Danceability • 34% Energy • 84% Liveness
0% Instrumentalness • 36% Positiveness
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Su Pollard
Suddenly, Seymour
90 bpm • A Maj • 03:48 • -15.13db
10% Popularity • 32% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 32% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Bea Arthur
What Can You Get A Nudist For Her Birthd...
89 bpm • C# Maj • 01:09 • -10.63db
17% Popularity • 60% Danceability • 68% Energy • 96% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 60% Danceability • 68% Energy • 96% Liveness
0% Instrumentalness • 92% Positiveness
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Flanders & Swann
In the Bath
89 bpm • F# Maj • 02:34 • -16.65db
4% Popularity • 63% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
4% Popularity • 63% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Ivor Biggun
The Winker's Song (Misprint)
102 bpm • D Maj • 03:11 • -8.08db
16% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
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Victoria Wood
Off to Casualty
89 bpm • G Maj • 07:50 • -4.16db
4% Popularity • 53% Danceability • 99% Energy • 52% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 53% Danceability • 99% Energy • 52% Liveness
0% Instrumentalness • 17% Positiveness
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Flo & Joan
Welcome - Recorded Live in London
89 bpm • C Maj • 04:45 • -15.63db
13% Popularity • 49% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 49% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
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Max Boyce
I Gave My Love A Debenture
102 bpm • D Maj • 07:41 • -14.41db
9% Popularity • 45% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 45% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
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John Kander
Cabaret: Dont' Tell Mama
102 bpm • A Maj • 04:01 • -13db
23% Popularity • 61% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 61% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Dick Van Dyke
Put on a Happy Face
88 bpm • A Maj • 03:35 • -10.46db
26% Popularity • 32% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 32% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Audrey Landers
Dance: Ten; Looks: Three
103 bpm • A min • 02:37 • -13.13db
18% Popularity • 80% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 80% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
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Victoria Wood
From A Strange Generation
102 bpm • G Maj • 09:03 • -18.57db
2% Popularity • 65% Danceability • 46% Energy • 85% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 65% Danceability • 46% Energy • 85% Liveness
0% Instrumentalness • 53% Positiveness
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Bernard Cribbins
The Bird on the Second Floor
87 bpm • C Maj • 01:49 • -14db
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Flo & Joan
Save the Bees (Live)
102 bpm • E min • 03:42 • -7.55db
9% Popularity • 60% Danceability • 45% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 60% Danceability • 45% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Williams
Bugsy Malone
88 bpm • C Maj • 02:31 • -11db
34% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Yul Brynner, Marni Nixon & Deborah Kerr
Shall We Dance'
103 bpm • D# Maj • 04:23 • -12.3db
19% Popularity • 47% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 47% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Rowan Atkinson
Schoolmaster
87 bpm • G Maj • 07:11 • -15.97db
9% Popularity • 36% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 36% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 3% Positiveness
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Victoria Wood
From a Strange Generation
102 bpm • G Maj • 09:04 • -16.17db
7% Popularity • 66% Danceability • 51% Energy • 79% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 66% Danceability • 51% Energy • 79% Liveness
0% Instrumentalness • 54% Positiveness
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Barbra Streisand
With One Look
87 bpm • D Maj • 03:34 • -12.91db
25% Popularity • 28% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
25% Popularity • 28% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Gordon Macrae
Oh What A Beautiful Morning
87 bpm • E Maj • 02:37 • -14.06db
14% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Williams
Fat Sam's Grand Slam
103 bpm • G Maj • 01:44 • -9db
38% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Cast Of 'Oliver'
Who Will Buy This Wonderful Morning
104 bpm • C min • 03:34 • -13.21db
9% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jule Styne
Gypsy: Everything's Coming Up Roses
87 bpm • C Maj • 03:06 • -7.98db
20% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Victoria Wood
Speccy Four Eyes
103 bpm • A min • 07:41 • -14.59db
9% Popularity • 65% Danceability • 45% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 65% Danceability • 45% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
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Rolf Harris
Nick Teen and Al K.Hall
104 bpm • G Maj • 03:00 • -13db
9% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Gordon Macrae
Oh What a Beautiful Morning
87 bpm • E Maj • 02:35 • -10.71db
18% Popularity • 38% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 38% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
You'll Never Walk Alone (Finale)
86 bpm • C Maj • 02:02 • -13.84db
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Central Band of The Royal British Legion
Keep The Home Fires Burning
105 bpm • A Maj • 04:13 • -11.9db
8% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Cook
One Leg Too Few
86 bpm • G min • 04:04 • -10db
8% Popularity • 49% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 49% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
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Victoria Wood
Christmas Shopping
88 bpm • G# Maj • 08:50 • -16.04db
5% Popularity • 57% Danceability • 64% Energy • 85% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 57% Danceability • 64% Energy • 85% Liveness
0% Instrumentalness • 47% Positiveness
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Flanders & Swann
The Reluctant Cannibal
86 bpm • F Maj • 03:59 • -16.61db
11% Popularity • 67% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 67% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Close Every Door
105 bpm • G Maj • 03:13 • -17.96db
19% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Paul Williams
So You Wanna Be A Boxer
105 bpm • F# Maj • 02:29 • -10db
38% Popularity • 80% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 80% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Linda Ronstadt
Poor Wandering One
86 bpm • G# Maj • 03:58 • -15db
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Benny Hill
Ernie (The Fastest Milkman in the West)
105 bpm • G Maj • 03:51 • -10.92db
35% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Victoria Wood
You Made It
103 bpm • C# Maj • 06:11 • -16.69db
7% Popularity • 61% Danceability • 68% Energy • 88% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 61% Danceability • 68% Energy • 88% Liveness
0% Instrumentalness • 43% Positiveness
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The Lancashire Hotpots
The Beer Olympics - 2012
106 bpm • G Maj • 02:56 • -7.15db
15% Popularity • 76% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 76% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Flo & Joan
Carol - Recorded Live in London
106 bpm • G# min • 05:39 • -13db
16% Popularity • 52% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 52% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Williams
Tomorrow
106 bpm • F min • 03:57 • -14.78db
32% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hue and Cry
Mother Glasgow
85 bpm • E Maj • 04:38 • -12db
21% Popularity • 31% Danceability • 25% Energy • 99% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 31% Danceability • 25% Energy • 99% Liveness
0% Instrumentalness • 31% Positiveness
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![Exercise Is Good For You [Laziness Is Not] cover art](https://i.scdn.co/image/ab67616d00001e02142cb6902288060b196eebef)
The Wombles
Exercise Is Good For You [Laziness Is No...
106 bpm • G Maj • 02:33 • -9.96db
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Victoria Wood
A Strange Year
87 bpm • F# Maj • 04:47 • -4.46db
4% Popularity • 56% Danceability • 98% Energy • 59% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 56% Danceability • 98% Energy • 59% Liveness
0% Instrumentalness • 16% Positiveness
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Max Boyce
Deck of Cards
106 bpm • A# Maj • 11:03 • -14.3db
8% Popularity • 50% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 50% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
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Rowan Atkinson
Four Yorkshiremen
106 bpm • C# Maj • 04:19 • -13.47db
18% Popularity • 53% Danceability • 71% Energy • 83% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 53% Danceability • 71% Energy • 83% Liveness
0% Instrumentalness • 32% Positiveness
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Ivor Biggun
The Cockerel Song
106 bpm • G Maj • 02:21 • -6db
10% Popularity • 81% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 81% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Chambers
Top Hat, White Tie and Tails
107 bpm • C Maj • 03:46 • -7.74db
14% Popularity • 57% Danceability • 51% Energy • 89% Liveness
4% Instrumentalness • 80% Positiveness
14% Popularity • 57% Danceability • 51% Energy • 89% Liveness
4% Instrumentalness • 80% Positiveness
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George Formby
Our Sergeant Major
107 bpm • G# Maj • 02:45 • -14.82db
19% Popularity • 88% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 88% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Victoria Wood
A Trip to the Seaside
87 bpm • E min • 03:38 • -4.42db
4% Popularity • 48% Danceability • 98% Energy • 79% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 48% Danceability • 98% Energy • 79% Liveness
0% Instrumentalness • 23% Positiveness
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FASCINATING AIDA
So Sorry Scotland - Live
84 bpm • C Maj • 04:01 • -17.72db
12% Popularity • 50% Danceability • 17% Energy • 71% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 71% Liveness
0% Instrumentalness • 47% Positiveness