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They're Coming to Get You Barbara
Songs like
They're Coming to Get You Barbara
by
No More Kings
Based on a tempo of (+/- 10%) and a similar genre
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The Hush Sound
Love You Much Better
77 bpm • C Maj • 03:17 • -4.52db
24% Popularity • 57% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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PigPen Theatre Co.
The Graveyard Song
77 bpm • A Maj • 04:29 • -13.52db
23% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Professor Elemental
The Duel
77 bpm • C# Maj • 05:45 • -4.8db
18% Popularity • 60% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
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Eef Barzelay
Apocalyptic Friend
77 bpm • E Maj • 04:59 • -9.43db
18% Popularity • 53% Danceability • 43% Energy • 11% Liveness
5% Instrumentalness • 8% Positiveness
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The Decemberists
Bandit Queen
77 bpm • A min • 04:33 • -8.48db
16% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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No More Kings
They're Coming to Get You Barbara
77 bpm • C Maj • 03:01 • -10.04db
16% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Chameleon Circuit
The Doctor Is Dying
77 bpm • G min • 03:35 • -11.5db
31% Popularity • 48% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Folds Five
Erase Me
76 bpm • G min • 05:15 • -7db
31% Popularity • 45% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Da Vinci's Notebook
I Wish I Were
78 bpm • D# Maj • 04:53 • -12db
22% Popularity • 49% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Kirby Krackle
Villain Song
78 bpm • C# Maj • 03:30 • -4.24db
15% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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The Decemberists
The Mariner's Revenge Song
78 bpm • A min • 08:45 • -5db
48% Popularity • 38% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Doubleclicks
Oh, Mr. Darcy
75 bpm • G Maj • 03:16 • -11db
14% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Stars
In Our Bedroom After The War
75 bpm • G# min • 06:46 • -7.84db
40% Popularity • 49% Danceability • 48% Energy • 20% Liveness
3% Instrumentalness • 46% Positiveness
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Carrie Elkin
Echo In the Hills
75 bpm • F# Maj • 04:35 • -16.69db
18% Popularity • 48% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jim's Big Ego
Asshole
79 bpm • E Maj • 03:48 • -8.39db
9% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Forgive Durden
The Spider and the Lamps
75 bpm • A min • 05:10 • -8.68db
28% Popularity • 38% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Paul & Storm
Write Like the Wind (George R. R. Martin...
75 bpm • G Maj • 02:50 • -7.7db
16% Popularity • 56% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Barenaked Ladies
Bank Job
80 bpm • G Maj • 04:27 • -7.88db
23% Popularity • 54% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Dirt Poor Robins
When All Is Said And Done
80 bpm • G Maj • 04:18 • -7.6db
12% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Brook Pridemore
Listening to Tpm
80 bpm • E Maj • 03:33 • -11.62db
13% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bug Hunter
Point to Prove (I Was an Ugly Kid)
74 bpm • A Maj • 04:07 • -4.63db
32% Popularity • 67% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Laurena Segura
Fireflies of Montreal
80 bpm • D Maj • 02:24 • -15.8db
20% Popularity • 55% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Paul & Storm
Live
80 bpm • C Maj • 03:43 • -13.39db
9% Popularity • 63% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Bryan Scary
Heaven on a Bird
81 bpm • F Maj • 04:48 • -6.79db
18% Popularity • 29% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Mal Blum
The Difference
81 bpm • D Maj • 03:12 • -9.96db
20% Popularity • 64% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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John-Allison Weiss
I Was an Island
81 bpm • A min • 02:36 • -8.88db
16% Popularity • 74% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Caravan of Thieves
Dead Wrong
81 bpm • B Maj • 03:02 • -6.31db
14% Popularity • 57% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Eliza Rickman
Start with Goodbye, Stop with Hello
81 bpm • G Maj • 03:53 • -8.2db
15% Popularity • 81% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Paul & Storm
Oh, No
81 bpm • E Maj • 02:03 • -5.31db
9% Popularity • 66% Danceability • 54% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Skybox
Various Kitchen Utensils
81 bpm • A Maj • 02:46 • -4.86db
20% Popularity • 45% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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No More Kings
Bad, Bad Leroy Brown
81 bpm • B min • 03:06 • -4.74db
13% Popularity • 59% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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Perma
Two of a Crime
82 bpm • D# Maj • 03:32 • -8.6db
23% Popularity • 62% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Skyhill
Afterglow
82 bpm • A# Maj • 04:08 • -5.07db
25% Popularity • 42% Danceability • 59% Energy • 8% Liveness
52% Instrumentalness • 11% Positiveness
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Fox
High Tide Rising
83 bpm • C# Maj • 02:37 • -11.36db
30% Popularity • 54% Danceability • 53% Energy • 6% Liveness
4% Instrumentalness • 84% Positiveness
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Flight of the Conchords
Rambling Through The Avenues Of Time
72 bpm • D Maj • 02:43 • -9.7db
31% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Bob's Burgers
Electric Love
83 bpm • D Maj • 03:45 • -5.53db
34% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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No More Kings
Something to Hide
82 bpm • A min • 03:05 • -3.05db
24% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Starlight Mints
Eyes Of The Night
83 bpm • C min • 02:53 • -7.71db
15% Popularity • 60% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Jim's Big Ego
Angry White Guy
83 bpm • A min • 04:27 • -8.04db
10% Popularity • 55% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Mountain Goats
Werewolf Gimmick
84 bpm • A Maj • 02:34 • -5db
13% Popularity • 31% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
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Kate Micucci
Walking in Los Angeles
83 bpm • G Maj • 03:03 • -11.16db
14% Popularity • 70% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Dear Abbeys
Dr. Worm
84 bpm • F# Maj • 02:54 • -5.93db
27% Popularity • 61% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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David Wirsig
Sunken City
85 bpm • G Maj • 04:08 • -10.16db
11% Popularity • 68% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Kirby Krackle
Booty Do Math
87 bpm • B Maj • 03:24 • -6.64db
12% Popularity • 75% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Amanda Palmer
Ukulele Anthem
87 bpm • B Maj • 05:33 • -7.46db
31% Popularity • 63% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Bess Rogers
Math and Science
87 bpm • D Maj • 03:52 • -4.4db
9% Popularity • 38% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Get Set Go
So You're Gonna Die
88 bpm • D Maj • 03:26 • -5.14db
8% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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No More Kings
Old Man Walking
87 bpm • G min • 01:56 • -8.1db
11% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Kate Micucci
Just Say When
88 bpm • E min • 02:19 • -18.48db
11% Popularity • 42% Danceability • 10% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
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Da Vinci's Notebook
Hot Soup
88 bpm • D Maj • 02:31 • -10db
27% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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PigPen Theatre Co.
As Lonely As Me
88 bpm • E Maj • 03:55 • -12.92db
18% Popularity • 34% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Forgive Durden
The Missing Piece
89 bpm • B Maj • 04:45 • -6.71db
28% Popularity • 37% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Danielle Ate The Sandwich
Two Bedroom Apartment
67 bpm • G Maj • 03:39 • -14db
13% Popularity • 50% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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MC Frontalot
I'll Form the Head
89 bpm • B min • 04:48 • -6db
24% Popularity • 69% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Nada Surf
Meow Meow Lullaby
89 bpm • A# Maj • 02:41 • -12.83db
35% Popularity • 68% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 45% Positiveness
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No More Kings
Cellphone
90 bpm • G# Maj • 04:02 • -4.6db
14% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Fleming
My Boba Manifesto
90 bpm • G Maj • 03:58 • -9db
23% Popularity • 75% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Dirt Poor Robins
Love Will Make You Do the Strangest Thin...
90 bpm • A Maj • 03:41 • -8.57db
17% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Mountain Goats
Cry for Judas
91 bpm • A Maj • 03:12 • -7.34db
13% Popularity • 59% Danceability • 78% Energy • 19% Liveness
82% Instrumentalness • 80% Positiveness
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Tom Milsom
Having Fun
90 bpm • A Maj • 04:31 • -4.28db
13% Popularity • 63% Danceability • 66% Energy • 20% Liveness
2% Instrumentalness • 78% Positiveness
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Elizabeth & the Catapult
Momma's Boy
91 bpm • G min • 02:50 • -4.81db
21% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Kirby Krackle
The Day My Powers Arrived
91 bpm • F Maj • 04:31 • -6db
22% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Barton Carroll
Those Days Are Gone, and My Heart Is Bre...
91 bpm • D Maj • 04:04 • -8db
27% Popularity • 47% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
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Jim's Big Ego
She's Dead
92 bpm • C# min • 03:53 • -9.58db
13% Popularity • 60% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Damion Suomi & The Minor Prophets
A Dog From Hell (and his good advice)
92 bpm • C Maj • 05:42 • -6.21db
9% Popularity • 53% Danceability • 80% Energy • 85% Liveness
0% Instrumentalness • 49% Positiveness
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Olivia Olson
Los Angeles
92 bpm • D Maj • 03:58 • -5db
32% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Professor Elemental
I'm British
92 bpm • D# min • 02:58 • -3.98db
33% Popularity • 77% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Jonathan Eng
Anna
92 bpm • F min • 02:08 • -6.11db
11% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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OK Go
Upside Down & Inside Out
93 bpm • C Maj • 03:07 • -4.95db
48% Popularity • 56% Danceability • 82% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
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Moxy Früvous
Spiderman
93 bpm • A Maj • 01:48 • -13db
22% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 93% Positiveness
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Kate Micucci
Mr. Moon
93 bpm • C Maj • 01:11 • -11.34db
22% Popularity • 67% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Nickel Creek
Hayloft
93 bpm • C Maj • 03:17 • -6.87db
33% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jim's Big Ego
Prince Charming
94 bpm • F# Maj • 03:49 • -8.53db
12% Popularity • 31% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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MC Frontalot
Stoop Sale
94 bpm • C# Maj • 03:31 • -5db
23% Popularity • 75% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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The Axis of Awesome
Transgender Dysphoria Blues
95 bpm • D Maj • 03:06 • -8.59db
12% Popularity • 57% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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the bird and the bee
You're A Cad
93 bpm • A Maj • 03:09 • -9db
29% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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No More Kings
Zombie Me - Apoca-Mix
95 bpm • B min • 04:20 • -4.73db
12% Popularity • 52% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Hush Sound
Medicine Man
95 bpm • D Maj • 03:21 • -5.62db
28% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Dirt Poor Robins
Love Again
95 bpm • B Maj • 05:05 • -4.23db
18% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Pomplamoose
30 Rock
96 bpm • E Maj • 02:38 • -6.32db
14% Popularity • 71% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Tripod
Suicide Bomber
95 bpm • C# Maj • 03:06 • -11.13db
22% Popularity • 56% Danceability • 37% Energy • 72% Liveness
0% Instrumentalness • 45% Positiveness
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April Smith and the Great Picture Show
Drop Dead Gorgeous
96 bpm • C Maj • 04:02 • -4.74db
19% Popularity • 73% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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No More Kings
Tricky
96 bpm • A# min • 03:24 • -4.68db
12% Popularity • 69% Danceability • 90% Energy • 34% Liveness
2% Instrumentalness • 80% Positiveness
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Jason Webley
Almost Time to Go
96 bpm • F Maj • 03:40 • -11.07db
12% Popularity • 76% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Skyhill
Run With The Hunted
96 bpm • G Maj • 05:46 • -5.92db
25% Popularity • 38% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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The Jane Austen Argument
Song In This Book
96 bpm • C Maj • 03:24 • -10.72db
13% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bombadil
A Question
97 bpm • D Maj • 02:59 • -12.46db
21% Popularity • 82% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Mr.B The Gentleman Rhymer
Sherry Monocle
97 bpm • B min • 02:58 • -7.15db
16% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Charming Disaster
Knife Thrower
96 bpm • D Maj • 04:15 • -13.65db
19% Popularity • 44% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Julian Smith
Never Get Naked in Your Shower
97 bpm • C Maj • 01:36 • -6.92db
20% Popularity • 87% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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No More Kings
King of Rock / Sucka MCs
97 bpm • F min • 03:00 • -3.38db
17% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Marian Call
I'll Still Be a Geek After Nobody Thinks...
97 bpm • G Maj • 04:08 • -7.57db
11% Popularity • 84% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Professor Elemental
Fighting Trousers
98 bpm • B Maj • 03:06 • -11.55db
28% Popularity • 82% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Milsom
Pipes
98 bpm • C min • 03:26 • -7.25db
18% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tub Ring
Tiny, Little
98 bpm • C min • 01:39 • -4.89db
39% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Jim's Big Ego
In My Cult
98 bpm • E Maj • 03:59 • -7.6db
16% Popularity • 70% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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No More Kings
Michael (Jumpin)
98 bpm • C# Maj • 03:11 • -4.62db
18% Popularity • 67% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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jeremy messersmith
Love Sweet Love
99 bpm • E min • 01:38 • -11.76db
15% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Kate Micucci
Soup in the Woods
99 bpm • C Maj • 02:17 • -13.9db
10% Popularity • 75% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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MC Lars
Flow Like Poe
99 bpm • B min • 04:06 • -9db
22% Popularity • 79% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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They're Coming to Get You Barbara