Songs like Things I Can't Say (feat. Julia Cole) by Spencer Crandall
Based on a tempo of (+/- 10%) and a similar genre
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Spencer Crandall
Kept Every Vow
80 bpm • A Maj • 03:15 • -5db
39% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Restless Road
Growing Old With You
80 bpm • F Maj • 03:16 • -7.12db
52% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Kaylee Rose
Love Makes You Blind
80 bpm • F# Maj • 02:38 • -5.09db
53% Popularity • 72% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 72% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dylan Marlowe
All About It
80 bpm • D Maj • 03:05 • -6db
50% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Schuster
Know Ya
80 bpm • F# Maj • 02:43 • -7.18db
52% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
59% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Spencer Crandall
Things I Can't Say
80 bpm • G# Maj • 02:44 • -4.22db
50% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Nate Smith
I Don't Wanna Go To Heaven
80 bpm • C Maj • 03:21 • -7db
46% Popularity • 39% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 39% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Trevor Martin
Keeper
80 bpm • G Maj • 03:25 • -7.7db
48% Popularity • 42% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 42% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Restless Road
Growing Old With You - First Dance Versi...
79 bpm • F Maj • 03:12 • -7.76db
47% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Young
Looking for You
81 bpm • G Maj • 03:01 • -3.65db
36% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Smithfield
Sunday Best
79 bpm • C Maj • 02:47 • -5db
32% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Baldridge
Before You
79 bpm • F Maj • 03:39 • -6.17db
36% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Seaforth
Get The Girl
79 bpm • C Maj • 02:52 • -6.94db
45% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Dylan Schneider
Wannabe
79 bpm • B Maj • 03:15 • -5.12db
54% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
54% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kaylee Rose
High On You
81 bpm • C# min • 02:56 • -4.58db
26% Popularity • 72% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 72% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Blane Howard
Promise to Love Her
79 bpm • B Maj • 03:17 • -7db
54% Popularity • 54% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 54% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Drew Baldridge
Imma
81 bpm • F Maj • 02:54 • -5.2db
38% Popularity • 54% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 54% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
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Restless Road
Go Get Her
82 bpm • C# Maj • 03:15 • -5.32db
57% Popularity • 37% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 37% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Spencer Crandall
Chasing Fireflies
78 bpm • A# Maj • 00:55 • -5.24db
32% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Robyn Ottolini
Trust Issues
78 bpm • C Maj • 03:23 • -5.98db
41% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Danielle Bradbery
Break My Heart Again
82 bpm • C Maj • 03:21 • -8db
36% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Chase McDaniel
Relapse
82 bpm • F# min • 03:19 • -5db
48% Popularity • 59% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 59% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Bandi
Would Have Loved Her - Stripped
78 bpm • G Maj • 03:16 • -8.17db
38% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Restless Road
Roll Tide Roll
79 bpm • E Maj • 02:51 • -5.6db
39% Popularity • 34% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 34% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Schneider
How Does It Sound
82 bpm • G Maj • 02:42 • -6db
60% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Stell
Man Made
78 bpm • B Maj • 03:05 • -6db
42% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Kane Brown
Worship You
78 bpm • G# Maj • 03:25 • -7.01db
47% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Bandi
Would Have Loved Her
78 bpm • G Maj • 03:16 • -6.09db
45% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Dylan Schneider
Bad Decisions
78 bpm • B Maj • 03:00 • -4.58db
60% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Troy Cartwright
Wild One
78 bpm • C# Maj • 03:10 • -6.11db
50% Popularity • 50% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 50% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Ashley Cooke
it's been a year
77 bpm • B Maj • 03:36 • -7.96db
46% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Priscilla Block
Thick Thighs
83 bpm • G Maj • 02:54 • -3.83db
46% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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The Tuten Brothers
There She Is
77 bpm • G# Maj • 02:54 • -7db
46% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Ella Langley
Damn You
77 bpm • E Maj • 03:03 • -3db
58% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tenille Arts
Back Then, Right Now
77 bpm • F Maj • 03:02 • -3.23db
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Dylan Marlowe
You Were Right - Nat's Song
77 bpm • E Maj • 03:49 • -6.74db
45% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ashley Cooke
your place
77 bpm • F Maj • 03:02 • -4.08db
71% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Spencer Crandall
The Ballad of the Mustang
76 bpm • B Maj • 01:53 • -5.37db
20% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Erin Kinsey
different us 2.15.23
84 bpm • D Maj • 02:45 • -5.04db
43% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Levi Hummon
For Me
84 bpm • C# Maj • 03:23 • -8db
38% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
43% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Sophia Scott
Side Effects
76 bpm • C# Maj • 03:11 • -5.76db
39% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ashley Cooke
getting into
84 bpm • C Maj • 02:49 • -5.55db
39% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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David J
Always Never
76 bpm • A# Maj • 03:03 • -5.95db
33% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Sam Grow
Without You
84 bpm • A# Maj • 02:57 • -4.37db
47% Popularity • 51% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 51% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Lily Rose
Better Than That
76 bpm • A Maj • 02:55 • -6db
39% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Levi Hummon
Bottled Up
76 bpm • G# Maj • 02:37 • -4.24db
43% Popularity • 52% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 52% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Smithfield
We'll Figure It Out
76 bpm • C# Maj • 03:12 • -9db
54% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Canaan Cox
Twice
76 bpm • B Maj • 02:51 • -4.97db
50% Popularity • 61% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 61% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ashley Cooke
running back
76 bpm • F Maj • 03:07 • -7.25db
38% Popularity • 34% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 34% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Spencer Crandall
Nothing to Lose (Acoustic)
84 bpm • C Maj • 02:31 • -6.29db
19% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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David J
Stay - Remix
75 bpm • A# Maj • 02:44 • -7db
36% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Trevor Martin
Just Like That
85 bpm • A Maj • 03:12 • -6db
40% Popularity • 53% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 53% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Roads Below
Hang The Moon
85 bpm • B Maj • 02:54 • -5.35db
20% Popularity • 48% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 48% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Lily Rose
I’d Be Lying
85 bpm • C Maj • 02:34 • -5.33db
28% Popularity • 56% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 56% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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SixForty1
Forget Those Heels
75 bpm • A Maj • 03:25 • -4.69db
28% Popularity • 49% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 49% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Cooper Alan
New Normal
75 bpm • G# min • 02:46 • -8db
56% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Rich
A Little Bit Of You
75 bpm • G Maj • 03:00 • -4.96db
37% Popularity • 44% Danceability • 60% Energy • 28% Liveness
12% Instrumentalness • 30% Positiveness
37% Popularity • 44% Danceability • 60% Energy • 28% Liveness
12% Instrumentalness • 30% Positiveness
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Adam Doleac
Another
75 bpm • G Maj • 03:08 • -6.28db
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Seaforth
Breakups
75 bpm • C# Maj • 03:43 • -6db
42% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Spencer Crandall
My Person (Wedding Version)
74 bpm • G Maj • 03:04 • -7.57db
47% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Austin Burke
Take My Life
74 bpm • G# Maj • 03:20 • -5.5db
38% Popularity • 49% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 49% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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RaeLynn
Made For Me To Love - Demo
86 bpm • C Maj • 03:05 • -7db
44% Popularity • 47% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 47% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Ryan Griffin
Mama's Boy
87 bpm • C# Maj • 03:16 • -6.49db
41% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Doleac
Biggest Fan
75 bpm • A Maj • 03:12 • -7.18db
41% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Dalton Dover
Damn Good Life
87 bpm • G Maj • 02:38 • -6.52db
36% Popularity • 59% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 59% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 37% Positiveness
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Noah Schnacky
Hello Beautiful
74 bpm • A Maj • 03:36 • -6.93db
49% Popularity • 50% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 50% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Ashley Cooke
back in the saddle
73 bpm • G Maj • 02:57 • -6.14db
42% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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David J
Before You
73 bpm • G# Maj • 02:52 • -7.46db
54% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Griffin
What I Live For
87 bpm • A# Maj • 03:10 • -5.4db
34% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Spencer Crandall
Fire in the Sand (Acoustic)
88 bpm • F# Maj • 03:02 • -7.52db
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Rich
Thinkin' We're In Love
88 bpm • C Maj • 03:48 • -5.7db
38% Popularity • 51% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 51% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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FINMAR
In Common
72 bpm • D Maj • 03:03 • -7.76db
27% Popularity • 35% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 35% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Troy Cartwright
How We Say Goodbye
72 bpm • G Maj • 03:09 • -8.05db
34% Popularity • 46% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 46% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
61% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Restless Road
Take Me Home
90 bpm • A Maj • 03:21 • -7db
51% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Spencer Crandall
Summer Us
88 bpm • A Maj • 02:39 • -5.1db
27% Popularity • 66% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 66% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Ty March.
Solo
90 bpm • B Maj • 03:19 • -4.69db
33% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Tyler Braden
Ways to Miss You
90 bpm • A# min • 03:09 • -5.12db
43% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:52 • -7.84db
47% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Doleac
Til Dawn Do Us Part
90 bpm • G# Maj • 02:58 • -4.83db
37% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Spencer Crandall
Interlude #2 // The Sound of Summer
88 bpm • A Maj • 01:06 • -4.59db
26% Popularity • 69% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 69% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Ryan Griffin
One Prayer Left
90 bpm • F# Maj • 02:56 • -6db
38% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Halle Kearns
Shoes to Fill
90 bpm • A# Maj • 03:05 • -9db
36% Popularity • 47% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 47% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Canaan Cox
Long Way Home
91 bpm • B Maj • 03:16 • -4.96db
45% Popularity • 54% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 54% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Sophia Scott
Beauty In the Flaws
91 bpm • C# Maj • 03:44 • -5db
39% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Spencer Crandall
Future in the Past
73 bpm • G# Maj • 03:00 • -5.16db
16% Popularity • 39% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 39% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Hurd
What If I Never Get Over You
91 bpm • B Maj • 03:22 • -6db
43% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Evans
Over For You
91 bpm • E Maj • 03:05 • -8.97db
57% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Rhett
Want It Again
91 bpm • A Maj • 02:52 • -9.14db
60% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
66% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
66% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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CHASE WRIGHT
Why Should We
92 bpm • G# min • 02:50 • -6db
46% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
