Songs like Thirteen by Gábor Szabó
Based on a tempo of (+/- 10%) and a similar genre
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The Sorcerers
Pinch of the Death Nerve
102 bpm • C min • 04:36 • -11.96db
19% Popularity • 79% Danceability • 63% Energy • 21% Liveness
72% Instrumentalness • 77% Positiveness
19% Popularity • 79% Danceability • 63% Energy • 21% Liveness
72% Instrumentalness • 77% Positiveness
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Sven Wunder
Onsen
102 bpm • G Maj • 03:42 • -14.06db
24% Popularity • 61% Danceability • 56% Energy • 11% Liveness
81% Instrumentalness • 78% Positiveness
24% Popularity • 61% Danceability • 56% Energy • 11% Liveness
81% Instrumentalness • 78% Positiveness
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Manu Dibango
African Pop Session
102 bpm • G# Maj • 02:52 • -10.26db
37% Popularity • 59% Danceability • 82% Energy • 13% Liveness
81% Instrumentalness • 66% Positiveness
37% Popularity • 59% Danceability • 82% Energy • 13% Liveness
81% Instrumentalness • 66% Positiveness
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Hysear Don Walker
Children Of The Night
102 bpm • A min • 04:06 • -13.3db
11% Popularity • 51% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
11% Popularity • 51% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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The Lloyd McNeill Quartet
Home Rule
102 bpm • A# Maj • 06:04 • -17.57db
10% Popularity • 53% Danceability • 42% Energy • 7% Liveness
74% Instrumentalness • 80% Positiveness
10% Popularity • 53% Danceability • 42% Energy • 7% Liveness
74% Instrumentalness • 80% Positiveness
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Gábor Szabó
Concorde (Nightflight)
102 bpm • A min • 06:49 • -12.33db
13% Popularity • 55% Danceability • 84% Energy • 79% Liveness
86% Instrumentalness • 56% Positiveness
13% Popularity • 55% Danceability • 84% Energy • 79% Liveness
86% Instrumentalness • 56% Positiveness
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Mulatu Astatke
Mascaram Setaba
102 bpm • G Maj • 01:50 • -13.76db
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Sahib Shihab
Seeds
103 bpm • F# Maj • 04:13 • -22db
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
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Brahja
Qwikness
102 bpm • F# min • 04:57 • -5.78db
37% Popularity • 41% Danceability • 82% Energy • 15% Liveness
93% Instrumentalness • 52% Positiveness
37% Popularity • 41% Danceability • 82% Energy • 15% Liveness
93% Instrumentalness • 52% Positiveness
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Dizzy Gillespie
Matrix
103 bpm • F min • 04:01 • -7.43db
29% Popularity • 63% Danceability • 55% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
29% Popularity • 63% Danceability • 55% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
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Michael White
The Land Of Spirit And Light (Part 2)
103 bpm • A Maj • 03:21 • -13.27db
15% Popularity • 61% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 70% Positiveness
15% Popularity • 61% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 70% Positiveness
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Gábor Szabó
Thirteen
102 bpm • A# Maj • 09:15 • -13.32db
11% Popularity • 41% Danceability • 61% Energy • 9% Liveness
49% Instrumentalness • 52% Positiveness
11% Popularity • 41% Danceability • 61% Energy • 9% Liveness
49% Instrumentalness • 52% Positiveness
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Gene Harris
Higga-Boom
103 bpm • A# Maj • 06:00 • -11.09db
19% Popularity • 55% Danceability • 87% Energy • 30% Liveness
92% Instrumentalness • 93% Positiveness
19% Popularity • 55% Danceability • 87% Energy • 30% Liveness
92% Instrumentalness • 93% Positiveness
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Charles Lloyd
Pyramid
103 bpm • A Maj • 07:09 • -15db
7% Popularity • 41% Danceability • 51% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
7% Popularity • 41% Danceability • 51% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Les McCann
Dunbar High School Marching Band
101 bpm • C Maj • 06:06 • -11.23db
14% Popularity • 49% Danceability • 74% Energy • 14% Liveness
3% Instrumentalness • 66% Positiveness
14% Popularity • 49% Danceability • 74% Energy • 14% Liveness
3% Instrumentalness • 66% Positiveness
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Michel Sardaby
Welcome New Warmth
101 bpm • A# min • 04:16 • -15db
30% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
30% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
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Janko Nilovic
Giant Locomotion
103 bpm • G min • 08:16 • -11.53db
9% Popularity • 43% Danceability • 55% Energy • 12% Liveness
74% Instrumentalness • 57% Positiveness
9% Popularity • 43% Danceability • 55% Energy • 12% Liveness
74% Instrumentalness • 57% Positiveness
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Yusef Lateef
Queen of the Night
101 bpm • G# Maj • 02:13 • -16.92db
26% Popularity • 53% Danceability • 37% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
26% Popularity • 53% Danceability • 37% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
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Ebo Taylor
Victory - Instrumental
101 bpm • G Maj • 03:24 • -5.89db
39% Popularity • 85% Danceability • 89% Energy • 20% Liveness
85% Instrumentalness • 80% Positiveness
39% Popularity • 85% Danceability • 89% Energy • 20% Liveness
85% Instrumentalness • 80% Positiveness
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Emmanuel Abdul-Rahim
Kalahari Suite
101 bpm • A min • 07:34 • -14.2db
10% Popularity • 50% Danceability • 63% Energy • 16% Liveness
84% Instrumentalness • 85% Positiveness
10% Popularity • 50% Danceability • 63% Energy • 16% Liveness
84% Instrumentalness • 85% Positiveness
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African Head Charge
Beri Beri
103 bpm • C# Maj • 06:10 • -17.14db
23% Popularity • 58% Danceability • 47% Energy • 22% Liveness
74% Instrumentalness • 23% Positiveness
23% Popularity • 58% Danceability • 47% Energy • 22% Liveness
74% Instrumentalness • 23% Positiveness
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Chute Libre
Pénélope au balcon
101 bpm • G Maj • 05:48 • -12.72db
8% Popularity • 62% Danceability • 58% Energy • 32% Liveness
2% Instrumentalness • 88% Positiveness
8% Popularity • 62% Danceability • 58% Energy • 32% Liveness
2% Instrumentalness • 88% Positiveness
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Idris Ackamoor
Dogon Mysteries
100 bpm • E min • 04:59 • -8.14db
12% Popularity • 38% Danceability • 65% Energy • 16% Liveness
58% Instrumentalness • 75% Positiveness
12% Popularity • 38% Danceability • 65% Energy • 16% Liveness
58% Instrumentalness • 75% Positiveness
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Tony Burkill
Third of All Numbers
100 bpm • G min • 06:46 • -9.2db
8% Popularity • 54% Danceability • 58% Energy • 12% Liveness
81% Instrumentalness • 74% Positiveness
8% Popularity • 54% Danceability • 58% Energy • 12% Liveness
81% Instrumentalness • 74% Positiveness
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Harlem Pop Trotters
Mocassin
100 bpm • G Maj • 02:34 • -8.92db
14% Popularity • 69% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 61% Positiveness
14% Popularity • 69% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 61% Positiveness
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David Axelrod
Cast Your Fate To The Wind
100 bpm • D# Maj • 03:27 • -14.44db
21% Popularity • 63% Danceability • 32% Energy • 22% Liveness
88% Instrumentalness • 38% Positiveness
21% Popularity • 63% Danceability • 32% Energy • 22% Liveness
88% Instrumentalness • 38% Positiveness
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Ahmed Malek
Tikjda
100 bpm • C Maj • 02:48 • -8db
33% Popularity • 50% Danceability • 65% Energy • 14% Liveness
84% Instrumentalness • 65% Positiveness
33% Popularity • 50% Danceability • 65% Energy • 14% Liveness
84% Instrumentalness • 65% Positiveness
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The Lyman Woodard Organization
On Your Mind
104 bpm • A Maj • 03:53 • -11.49db
15% Popularity • 69% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
15% Popularity • 69% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
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Dr. Lonnie Smith
Psychedelic Pi - Remastered
104 bpm • F min • 06:32 • -9.36db
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
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Henry Franklin
Soft Spirit
104 bpm • C Maj • 07:31 • -16.02db
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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The London Experimental Jazz Quartet
Desrtroy the Nihilists Picnic
100 bpm • G min • 05:32 • -12.7db
10% Popularity • 50% Danceability • 56% Energy • 17% Liveness
52% Instrumentalness • 49% Positiveness
10% Popularity • 50% Danceability • 56% Energy • 17% Liveness
52% Instrumentalness • 49% Positiveness
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石川 晶
Boogie on Raggae Woman
100 bpm • G Maj • 05:18 • -9.31db
9% Popularity • 72% Danceability • 59% Energy • 16% Liveness
81% Instrumentalness • 95% Positiveness
9% Popularity • 72% Danceability • 59% Energy • 16% Liveness
81% Instrumentalness • 95% Positiveness
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Chico Hamilton Quintet
El Toro
100 bpm • G# Maj • 04:38 • -13.54db
25% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Chico Hamilton
I Can Hear The Grass Grow
100 bpm • A# min • 04:10 • -17.64db
16% Popularity • 77% Danceability • 47% Energy • 15% Liveness
84% Instrumentalness • 50% Positiveness
16% Popularity • 77% Danceability • 47% Energy • 15% Liveness
84% Instrumentalness • 50% Positiveness
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Gábor Szabó
If You Don't Want My Love
104 bpm • D Maj • 04:37 • -8.17db
16% Popularity • 42% Danceability • 78% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
16% Popularity • 42% Danceability • 78% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Deodato
September 13
99 bpm • G Maj • 05:56 • -15.83db
17% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
17% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Azymuth
Caça a Raposa
99 bpm • F Maj • 05:11 • -18.47db
20% Popularity • 60% Danceability • 37% Energy • 13% Liveness
49% Instrumentalness • 27% Positiveness
20% Popularity • 60% Danceability • 37% Energy • 13% Liveness
49% Instrumentalness • 27% Positiveness
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Dave Pike Set
Big Schlepp
105 bpm • G min • 04:05 • -15.19db
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
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The Sorcerers
Cave of Brahma
105 bpm • A# Maj • 04:33 • -9.69db
16% Popularity • 68% Danceability • 50% Energy • 17% Liveness
77% Instrumentalness • 77% Positiveness
16% Popularity • 68% Danceability • 50% Energy • 17% Liveness
77% Instrumentalness • 77% Positiveness
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The Freedom Sounds
Behold the Day
105 bpm • F# min • 04:49 • -12.5db
8% Popularity • 59% Danceability • 61% Energy • 18% Liveness
5% Instrumentalness • 79% Positiveness
8% Popularity • 59% Danceability • 61% Energy • 18% Liveness
5% Instrumentalness • 79% Positiveness
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Gábor Szabó
Impression of My Country
105 bpm • B min • 12:04 • -10.27db
5% Popularity • 45% Danceability • 50% Energy • 33% Liveness
85% Instrumentalness • 26% Positiveness
5% Popularity • 45% Danceability • 50% Energy • 33% Liveness
85% Instrumentalness • 26% Positiveness
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Rolf Kühn
Playmate
99 bpm • E min • 02:31 • -9db
16% Popularity • 42% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 86% Positiveness
16% Popularity • 42% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 86% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
24% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
24% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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Sun Ra
Song No. 1
99 bpm • G# Maj • 08:46 • -12.19db
10% Popularity • 68% Danceability • 64% Energy • 17% Liveness
85% Instrumentalness • 83% Positiveness
10% Popularity • 68% Danceability • 64% Energy • 17% Liveness
85% Instrumentalness • 83% Positiveness
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The Fabulous Three
Answer Me Softly Pt1
99 bpm • A# min • 03:08 • -7.77db
24% Popularity • 53% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 63% Positiveness
24% Popularity • 53% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 63% Positiveness
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Bobbi Humphrey
Jasper Country Man
99 bpm • C# Maj • 05:16 • -14db
26% Popularity • 75% Danceability • 60% Energy • 7% Liveness
49% Instrumentalness • 85% Positiveness
26% Popularity • 75% Danceability • 60% Energy • 7% Liveness
49% Instrumentalness • 85% Positiveness
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Gábor Szabó
You Won't See Me
99 bpm • F Maj • 03:43 • -19.57db
22% Popularity • 43% Danceability • 28% Energy • 17% Liveness
92% Instrumentalness • 23% Positiveness
22% Popularity • 43% Danceability • 28% Energy • 17% Liveness
92% Instrumentalness • 23% Positiveness
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Demon Fuzz
Mercy (Variation No.1)
106 bpm • F Maj • 09:40 • -7.15db
15% Popularity • 46% Danceability • 84% Energy • 11% Liveness
70% Instrumentalness • 96% Positiveness
15% Popularity • 46% Danceability • 84% Energy • 11% Liveness
70% Instrumentalness • 96% Positiveness
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Orlando Julius
In The Middle
106 bpm • C Maj • 04:52 • -7db
38% Popularity • 66% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
38% Popularity • 66% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
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Dorothy Ashby
Life Has Its Trials
98 bpm • C min • 04:28 • -13.45db
35% Popularity • 50% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 90% Positiveness
35% Popularity • 50% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 90% Positiveness
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Lou Donaldson
One Cylinder
106 bpm • C min • 06:49 • -19.26db
21% Popularity • 70% Danceability • 14% Energy • 7% Liveness
46% Instrumentalness • 27% Positiveness
21% Popularity • 70% Danceability • 14% Energy • 7% Liveness
46% Instrumentalness • 27% Positiveness
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Pierre Cavalli
Possarinhos
106 bpm • D min • 02:29 • -13.21db
48% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
48% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
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Gábor Szabó
Theme From "Valley of the Dolls"
99 bpm • D# Maj • 03:51 • -13.21db
21% Popularity • 53% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 13% Positiveness
21% Popularity • 53% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 13% Positiveness
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Volker Kriegel
Circus Gambet
98 bpm • C Maj • 04:41 • -17.52db
9% Popularity • 61% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 91% Positiveness
9% Popularity • 61% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 91% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
22% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
22% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Dorothy Ashby
Joyful Grass And Grape
106 bpm • F min • 03:41 • -13.41db
28% Popularity • 58% Danceability • 38% Energy • 14% Liveness
78% Instrumentalness • 54% Positiveness
28% Popularity • 58% Danceability • 38% Energy • 14% Liveness
78% Instrumentalness • 54% Positiveness
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Gary Pacific Orchestra
Soft Wind
98 bpm • G min • 02:05 • -8.5db
18% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
18% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
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Weather Report
American Tango
98 bpm • A Maj • 03:39 • -11.57db
27% Popularity • 56% Danceability • 47% Energy • 9% Liveness
54% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 47% Energy • 9% Liveness
54% Instrumentalness • 13% Positiveness
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Gábor Szabó
Rambler
105 bpm • A Maj • 05:26 • -14.31db
10% Popularity • 54% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 61% Positiveness
10% Popularity • 54% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 61% Positiveness
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Tom Scott
The Honeysuckle Breeze
98 bpm • G min • 04:16 • -9db
6% Popularity • 53% Danceability • 54% Energy • 8% Liveness
23% Instrumentalness • 58% Positiveness
6% Popularity • 53% Danceability • 54% Energy • 8% Liveness
23% Instrumentalness • 58% Positiveness
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Janko Nilovic
To and Fro
106 bpm • F Maj • 01:57 • -6.48db
33% Popularity • 48% Danceability • 62% Energy • 19% Liveness
67% Instrumentalness • 72% Positiveness
33% Popularity • 48% Danceability • 62% Energy • 19% Liveness
67% Instrumentalness • 72% Positiveness
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Bobby Hutcherson
Rain Every Thursday
98 bpm • F Maj • 03:43 • -10db
9% Popularity • 52% Danceability • 68% Energy • 16% Liveness
55% Instrumentalness • 96% Positiveness
9% Popularity • 52% Danceability • 68% Energy • 16% Liveness
55% Instrumentalness • 96% Positiveness
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Chip Wickham
The Detour
98 bpm • D Maj • 05:11 • -8.6db
11% Popularity • 59% Danceability • 60% Energy • 30% Liveness
94% Instrumentalness • 71% Positiveness
11% Popularity • 59% Danceability • 60% Energy • 30% Liveness
94% Instrumentalness • 71% Positiveness
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Oliver Nelson
Baja Bossa
107 bpm • D min • 07:22 • -11db
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
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Gábor Szabó
Michael from Mountains
106 bpm • D# min • 04:03 • -20.88db
21% Popularity • 46% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
21% Popularity • 46% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Marcos Resende
Nergal
97 bpm • B min • 09:14 • -11.07db
20% Popularity • 52% Danceability • 64% Energy • 15% Liveness
34% Instrumentalness • 83% Positiveness
20% Popularity • 52% Danceability • 64% Energy • 15% Liveness
34% Instrumentalness • 83% Positiveness
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Yusef Lateef
Buddy and Lou
97 bpm • C Maj • 03:12 • -14.36db
34% Popularity • 51% Danceability • 46% Energy • 28% Liveness
39% Instrumentalness • 80% Positiveness
34% Popularity • 51% Danceability • 46% Energy • 28% Liveness
39% Instrumentalness • 80% Positiveness
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Tubby Hayes
Voodoo
107 bpm • B min • 03:02 • -9.49db
13% Popularity • 62% Danceability • 76% Energy • 22% Liveness
17% Instrumentalness • 94% Positiveness
13% Popularity • 62% Danceability • 76% Energy • 22% Liveness
17% Instrumentalness • 94% Positiveness
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Niagara
Rhythm Go
107 bpm • A# min • 02:46 • -10db
11% Popularity • 82% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
11% Popularity • 82% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
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Oliver Nelson
125th Street & 7th Avenue
98 bpm • A# Maj • 06:22 • -7db
14% Popularity • 51% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 51% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Gábor Szabó
Sealed with a Kiss
107 bpm • E min • 02:46 • -23.6db
35% Popularity • 52% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
35% Popularity • 52% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Victor Cavini
Pictures Of Japan XIV
97 bpm • G Maj • 02:42 • -11db
10% Popularity • 77% Danceability • 42% Energy • 11% Liveness
66% Instrumentalness • 86% Positiveness
10% Popularity • 77% Danceability • 42% Energy • 11% Liveness
66% Instrumentalness • 86% Positiveness
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Alice Coltrane
Paramahansa Lake
97 bpm • F min • 04:31 • -24db
33% Popularity • 43% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 27% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 27% Positiveness
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Ahmed Malek
La ville, Pt. 2
107 bpm • C Maj • 05:12 • -8.59db
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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The Awakening
Slinky
107 bpm • F min • 06:07 • -17.45db
23% Popularity • 48% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 85% Positiveness
23% Popularity • 48% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 85% Positiveness
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Gábor Szabó
It Was A Very Good Year
98 bpm • A Maj • 02:47 • -10db
23% Popularity • 58% Danceability • 37% Energy • 12% Liveness
42% Instrumentalness • 32% Positiveness
23% Popularity • 58% Danceability • 37% Energy • 12% Liveness
42% Instrumentalness • 32% Positiveness
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Byard Lancaster
Last Summer
97 bpm • E min • 03:25 • -18.33db
10% Popularity • 20% Danceability • 25% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 25% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
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Les McCann
Harlem Buck Dance Strut
97 bpm • C Maj • 05:55 • -14.22db
28% Popularity • 68% Danceability • 49% Energy • 55% Liveness
6% Instrumentalness • 63% Positiveness
28% Popularity • 68% Danceability • 49% Energy • 55% Liveness
6% Instrumentalness • 63% Positiveness
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Eddie Harris
Space Commercial
108 bpm • A Maj • 05:35 • -19.86db
12% Popularity • 71% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
12% Popularity • 71% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Louis Banks
Song for My Lady
108 bpm • B min • 04:14 • -13.45db
16% Popularity • 58% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 83% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 83% Positiveness
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Eddy Senay
Cameo
97 bpm • G Maj • 06:10 • -13.33db
13% Popularity • 77% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
13% Popularity • 77% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Gábor Szabó
Both Sides Now
108 bpm • C Maj • 02:57 • -21.46db
25% Popularity • 52% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
25% Popularity • 52% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Yusef Lateef
Prayer
96 bpm • A# Maj • 03:20 • -13.8db
15% Popularity • 62% Danceability • 64% Energy • 10% Liveness
42% Instrumentalness • 73% Positiveness
15% Popularity • 62% Danceability • 64% Energy • 10% Liveness
42% Instrumentalness • 73% Positiveness
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Sestetto Dino Piana & Oscar Valdambrini
Placido
108 bpm • F min • 04:36 • -14.84db
18% Popularity • 62% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
18% Popularity • 62% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
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Michael Naura Quartet
Take Us Down to the River
96 bpm • F Maj • 03:58 • -16.84db
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
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Karl-Heinz Schäfer
Kidnapping
96 bpm • F Maj • 01:22 • -14.82db
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
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Jacky Giordano
Don't Be Cool
96 bpm • F min • 02:20 • -16.58db
32% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
32% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Gábor Szabó
People
97 bpm • A Maj • 08:48 • -11.15db
7% Popularity • 53% Danceability • 36% Energy • 11% Liveness
55% Instrumentalness • 16% Positiveness
7% Popularity • 53% Danceability • 36% Energy • 11% Liveness
55% Instrumentalness • 16% Positiveness
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Horace Silver
The Gods Of The Yoruba
108 bpm • G# Maj • 06:08 • -14.48db
10% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
10% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
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The Greg Foat Group
Hello Old Friend
108 bpm • F min • 04:37 • -11.09db
8% Popularity • 60% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 8% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 8% Positiveness
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Gary Burton
Las Vegas Tango
96 bpm • E min • 06:30 • -12.25db
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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The Lyman Woodard Organization
Saturday Night Special
108 bpm • A# Maj • 07:08 • -9.93db
20% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
20% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
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Gary McFarland
Nature Boy
96 bpm • B Maj • 02:48 • -20.99db
15% Popularity • 46% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Gábor Szabó
Half The Day Is Night
96 bpm • E Maj • 04:25 • -27.45db
22% Popularity • 38% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
22% Popularity • 38% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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Jack McDuff
Moon Rappin'
96 bpm • F# min • 06:21 • -8db
21% Popularity • 66% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 79% Positiveness
21% Popularity • 66% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 79% Positiveness
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Kenny Cox
Lost My Love
96 bpm • F min • 04:25 • -10.08db
11% Popularity • 34% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 34% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Yusef Lateef
Bamboo Flute Blues
96 bpm • C min • 03:59 • -25.54db
28% Popularity • 47% Danceability • 5% Energy • 8% Liveness
52% Instrumentalness • 7% Positiveness
28% Popularity • 47% Danceability • 5% Energy • 8% Liveness
52% Instrumentalness • 7% Positiveness
