Songs like This Day Belongs to Me by Seals and Crofts
Based on a tempo of (+/- 10%) and a similar genre
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Pure Prairie League
You're Mine Tonight
147 bpm • D Maj • 03:31 • -14.43db
25% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Seals and Crofts
This Day Belongs to Me
147 bpm • D Maj • 02:47 • -11.86db
30% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Starland Vocal Band
Afternoon Delight
147 bpm • F Maj • 03:13 • -11.73db
62% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Ambrosia
Holdin' on to Yesterday
146 bpm • F# min • 04:19 • -7db
48% Popularity • 38% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 38% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Morris Albert
Feelings
146 bpm • E min • 04:05 • -11.58db
50% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Dan Hill
14 Today
146 bpm • A Maj • 04:33 • -10.55db
21% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Anka
(I Believe) There's Nothing Stronger Tha...
148 bpm • C Maj • 02:53 • -6.65db
30% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Seals and Crofts
Standin' on a Mountain Top
146 bpm • A Maj • 03:06 • -9.48db
18% Popularity • 69% Danceability • 66% Energy • 9% Liveness
16% Instrumentalness • 97% Positiveness
18% Popularity • 69% Danceability • 66% Energy • 9% Liveness
16% Instrumentalness • 97% Positiveness
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Mary MacGregor
Just the Way You Are
145 bpm • G Maj • 03:30 • -6db
43% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Neil Sedaka
Should've Never Let You Go
145 bpm • A# Maj • 04:18 • -10.94db
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Austin Roberts
Something's Wrong With Me
149 bpm • D Maj • 03:29 • -11.96db
18% Popularity • 40% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 40% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Rex Smith
Sooner or Later
149 bpm • A# Maj • 02:55 • -7.33db
17% Popularity • 47% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 47% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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John Travolta
Let Her In
145 bpm • E Maj • 03:00 • -16.03db
10% Popularity • 41% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 41% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Seals and Crofts
One More Time
150 bpm • A Maj • 04:06 • -14.77db
15% Popularity • 23% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 23% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Jackson Browne
Doctor My Eyes - 1997 Remaster
150 bpm • F Maj • 03:19 • -8.75db
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Orleans
Still the One
144 bpm • E Maj • 03:54 • -10.79db
60% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Harry Chapin
Remember When the Music (Reprise)
150 bpm • A Maj • 03:52 • -16db
26% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby Sherman
Easy Come, Easy Go
143 bpm • E Maj • 02:40 • -11db
29% Popularity • 54% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 54% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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Yusuf / Cat Stevens
Two Fine People
150 bpm • A Maj • 03:35 • -8.64db
34% Popularity • 69% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 69% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Seals and Crofts
It's Gonna Come Down (On You)
150 bpm • G Maj • 04:41 • -10.87db
22% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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LeBlanc And Carr
Midnight Light - 2013 Japan Remaster
142 bpm • C Maj • 03:34 • -7.71db
11% Popularity • 44% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 44% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Orleans
Sails
152 bpm • A Maj • 02:04 • -17.2db
33% Popularity • 50% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 50% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Chapin
I Wanna Learn a Love Song
152 bpm • G Maj • 04:23 • -10.26db
37% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Tony Orlando & Dawn
Mornin' Beautiful
152 bpm • C Maj • 03:14 • -11.54db
20% Popularity • 52% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 52% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Seals and Crofts
Ruby Jean and Billie Lee
152 bpm • G Maj • 04:09 • -14.13db
29% Popularity • 32% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 32% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Boz Scaggs
Lido Shuffle (2023 Remaster)
141 bpm • A# Maj • 03:43 • -9.81db
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Dan Hill
Frozen In The Night
153 bpm • G min • 04:35 • -9.26db
38% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Starland Vocal Band
War Surplus Baby
141 bpm • A min • 04:21 • -14.41db
10% Popularity • 29% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 29% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Electric Light Orchestra
Midnight Blue
141 bpm • F Maj • 04:17 • -13.12db
52% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Ambrosia
Biggest Part of Me
153 bpm • A# Maj • 05:24 • -8.05db
65% Popularity • 50% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 50% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Seals and Crofts
East of Ginger Trees
153 bpm • D Maj • 03:28 • -13.33db
30% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Vicki Lawrence
Ships in the Night
153 bpm • A# Maj • 03:06 • -15.98db
30% Popularity • 50% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 50% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Firefall
Livin' Ain't Livin'
141 bpm • D min • 03:43 • -9.54db
28% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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David Gates
Falling in Love Again
140 bpm • B Maj • 02:19 • -14.84db
30% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Gary Wright
Dream Weaver
140 bpm • E Maj • 04:16 • -13.68db
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Seals and Crofts
East of Ginger Trees
153 bpm • D Maj • 03:49 • -12.32db
22% Popularity • 42% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
22% Popularity • 42% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
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Eagles
Take It Easy - 2013 Remaster
139 bpm • G Maj • 03:31 • -10.39db
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Player
It's For You
139 bpm • B Maj • 04:37 • -9.71db
31% Popularity • 54% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 54% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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David Gates
Someday
153 bpm • G Maj • 02:04 • -15.41db
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Mary MacGregor
Don't Let Me Be Lonely Tonight
138 bpm • A# Maj • 03:23 • -5db
36% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Seals and Crofts
Hustle
140 bpm • F Maj • 02:29 • -10.82db
8% Popularity • 68% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 68% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Player
Baby Come Back
156 bpm • F min • 04:15 • -10db
70% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Pousette-Dart Band
County Line
158 bpm • E Maj • 03:31 • -8.92db
31% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Orleans
Let There Be Music
136 bpm • A Maj • 04:04 • -10db
19% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Mary MacGregor
For a While
138 bpm • C Maj • 02:54 • -9.23db
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Joey Scarbury
That Little Bit of Us
136 bpm • E Maj • 03:41 • -15.19db
9% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Seals and Crofts
One Planet, One People, Please
156 bpm • A min • 03:41 • -14.02db
19% Popularity • 44% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 44% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Boz Scaggs
Georgia (2023 Remaster)
136 bpm • C Maj • 03:56 • -11.01db
48% Popularity • 45% Danceability • 64% Energy • 28% Liveness
6% Instrumentalness • 71% Positiveness
48% Popularity • 45% Danceability • 64% Energy • 28% Liveness
6% Instrumentalness • 71% Positiveness
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Pablo Cruise
Sailing To Paradise
136 bpm • D Maj • 03:26 • -14.03db
17% Popularity • 59% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 59% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Michael Johnson
You're Not Easy To Forget - Remastered 2...
135 bpm • C Maj • 03:31 • -6.23db
17% Popularity • 68% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 68% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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David Soul
Topanga
135 bpm • D Maj • 04:08 • -15db
9% Popularity • 39% Danceability • 26% Energy • 22% Liveness
2% Instrumentalness • 28% Positiveness
9% Popularity • 39% Danceability • 26% Energy • 22% Liveness
2% Instrumentalness • 28% Positiveness
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Steely Dan
Reelin' In The Years
135 bpm • D Maj • 04:37 • -17.34db
74% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Seals and Crofts
King of Nothing
139 bpm • A Maj • 03:19 • -11db
31% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Peter Frampton
Nassau/Baby I Love Your Way - Medley
135 bpm • G Maj • 05:50 • -10db
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Poco
Spellbound
134 bpm • C# Maj • 05:16 • -18.61db
27% Popularity • 64% Danceability • 19% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 64% Danceability • 19% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Bobby Sherman
Jennifer
134 bpm • D# Maj • 02:37 • -11db
25% Popularity • 22% Danceability • 33% Energy • 16% Liveness
26% Instrumentalness • 19% Positiveness
25% Popularity • 22% Danceability • 33% Energy • 16% Liveness
26% Instrumentalness • 19% Positiveness
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Boz Scaggs
What Do You Want the Girl to Do (2023 Re...
134 bpm • G# Maj • 03:52 • -11.54db
34% Popularity • 59% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 59% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Johnson
Bluer Than Blue
134 bpm • G Maj • 03:05 • -15.21db
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Seals and Crofts
Diamond Girl
138 bpm • E min • 04:13 • -12db
54% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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The Grass Roots
Baby Hold On
134 bpm • A# Maj • 02:38 • -4.63db
27% Popularity • 65% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
27% Popularity • 65% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
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Edward Bear
Close Your Eyes
161 bpm • F min • 02:58 • -15.04db
27% Popularity • 30% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 30% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jefferson Starship
Play on Love
134 bpm • C Maj • 03:43 • -11.9db
27% Popularity • 63% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 63% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Bertie Higgins
Candledancer
134 bpm • C Maj • 03:48 • -11.73db
15% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Rupert Holmes
The Long Way Home
134 bpm • B min • 03:28 • -11.07db
13% Popularity • 54% Danceability • 58% Energy • 12% Liveness
6% Instrumentalness • 62% Positiveness
13% Popularity • 54% Danceability • 58% Energy • 12% Liveness
6% Instrumentalness • 62% Positiveness
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Seals and Crofts
This Day Belongs to Me - Reprise
138 bpm • D Maj • 02:19 • -12.15db
12% Popularity • 52% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 52% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Johnson
Blame It On The Rain - Remastered 2002
133 bpm • A# Maj • 03:35 • -7.41db
35% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Gilbert O'Sullivan
Why Oh Why Oh Why
163 bpm • G# Maj • 03:48 • -6.68db
31% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Boz Scaggs
It's Over (2023 Remaster)
133 bpm • C Maj • 02:52 • -10.78db
44% Popularity • 58% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 58% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Eagles
Lyin' Eyes - 2013 Remaster
133 bpm • G Maj • 06:21 • -9.75db
67% Popularity • 67% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
67% Popularity • 67% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
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Bay City Rollers
The Way I Feel Tonight - Single Version
132 bpm • B Maj • 03:55 • -9.21db
31% Popularity • 39% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 39% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Seals and Crofts
First Love
133 bpm • F# Maj • 03:47 • -14db
49% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Climax Blues Band
I Love You
132 bpm • A# Maj • 04:05 • -8.81db
51% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Bertie Higgins
Jamaica Me Crazy
132 bpm • E Maj • 03:26 • -7.38db
28% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Johnson
When You Come Home
132 bpm • A# Maj • 03:13 • -16.48db
23% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Poco
Starin' At The Sky
131 bpm • C# Maj • 02:57 • -13.08db
30% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Wednesday
Last Kiss
131 bpm • C# min • 02:36 • -11.35db
31% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Seals and Crofts
Baby Blue
163 bpm • F# min • 03:24 • -12.32db
15% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Dan Hill
All I See Is Your Face
131 bpm • E Maj • 03:32 • -11.76db
24% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Bo Donaldson & The Heywoods
Who Do You Think You Are
131 bpm • D min • 03:21 • -6.01db
27% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Gary Puckett & The Union Gap
I Just Don't Know What to Do With Myself
166 bpm • G Maj • 02:48 • -11.34db
29% Popularity • 36% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 36% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Little River Band
Cool Change - Remastered 2022
130 bpm • A Maj • 05:16 • -11db
58% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mary MacGregor
Torn Between Two Lovers
130 bpm • A# Maj • 03:51 • -9.2db
56% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
56% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
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Seals and Crofts
Million Dollar Horse
166 bpm • A Maj • 03:51 • -13.37db
16% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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David Gates
Part Time Love
130 bpm • A Maj • 02:26 • -15.78db
39% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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David Soul
Playing to an audience of one
130 bpm • B Maj • 03:49 • -16.09db
20% Popularity • 66% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
20% Popularity • 66% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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Harry Chapin
Sequel
129 bpm • A Maj • 06:38 • -13db
31% Popularity • 57% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 57% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Dan Hill
You Make Me Want To Be
129 bpm • D min • 04:09 • -9.27db
15% Popularity • 48% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 48% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Cooper Brothers
Know Her When I See Her
129 bpm • C# min • 03:41 • -8.47db
18% Popularity • 73% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Seals and Crofts
Castles in the Sand
129 bpm • B min • 04:08 • -11.84db
9% Popularity • 70% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 70% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Little River Band
Happy Anniversary - Remastered 2022
129 bpm • D Maj • 04:02 • -7db
42% Popularity • 76% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 76% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Edward Bear
Last Song
129 bpm • F# Maj • 03:15 • -8.13db
42% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Gerry Rafferty
Right Down the Line
128 bpm • C Maj • 04:27 • -15.09db
74% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
74% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Melissa Manchester
Come In From The Rain
128 bpm • A# Maj • 04:15 • -11.82db
24% Popularity • 31% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 31% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Oliver
Good Morning Starshine
128 bpm • A# Maj • 03:36 • -10.77db
19% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
