Songs like This Guy/This Girl's In Love With You by Dionne Warwick
Based on a tempo of (+/- 10%) and a similar genre
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Dionne Warwick
This Guy/This Girl's In Love With You
91 bpm • A Maj • 03:34 • -9db
41% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lionel Richie
Endless Love
91 bpm • A Maj • 04:19 • -8.53db
52% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Franks
Vivaldi's Song
91 bpm • D min • 04:12 • -23.12db
26% Popularity • 40% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 40% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Janet Seidel
Loss Of Love (Sunflower)
91 bpm • A min • 02:34 • -15db
43% Popularity • 67% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 40% Positiveness
43% Popularity • 67% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 40% Positiveness
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Traincha
What The World Needs Now
91 bpm • E min • 04:00 • -11.43db
31% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Andy Gibb
Falling In Love With You
92 bpm • E min • 04:14 • -10.45db
44% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Melissa Manchester
Midnight Blue
90 bpm • C Maj • 03:55 • -12.15db
43% Popularity • 45% Danceability • 38% Energy • 6% Liveness
43% Instrumentalness • 32% Positiveness
43% Popularity • 45% Danceability • 38% Energy • 6% Liveness
43% Instrumentalness • 32% Positiveness
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Lionel Richie
Do It To Me
91 bpm • C Maj • 06:04 • -9.52db
55% Popularity • 69% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 69% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Phil Driscoll
Dance With You
92 bpm • F Maj • 04:43 • -8.84db
12% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Captain & Tennille
Do That To Me One More Time
90 bpm • G Maj • 04:16 • -8.23db
68% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
68% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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James Ingram
One Hundred Ways - New Version
90 bpm • G# Maj • 04:37 • -8.75db
47% Popularity • 70% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 70% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Francis Trevor
I Want to Hold Your Hand
90 bpm • G# Maj • 03:30 • -12.12db
32% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
32% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Dionne Warwick
Message To Michael
90 bpm • C Maj • 02:59 • -5.82db
10% Popularity • 79% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 79% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Mark Reilly
I Never Meant To
90 bpm • G Maj • 04:51 • -10.15db
16% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Rippingtons
Till You Come Back To Me
90 bpm • C Maj • 03:59 • -6.44db
46% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Chiara Civello
Never Never Never
90 bpm • F Maj • 04:04 • -7.74db
34% Popularity • 59% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 59% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Traincha
This Girl's In Love
90 bpm • F# min • 04:11 • -14.04db
32% Popularity • 54% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 54% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Patti LaBelle
On My Own
92 bpm • F Maj • 04:50 • -12.96db
62% Popularity • 62% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 62% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Carole King
You’ve Got A Friend - Live At The Trou...
92 bpm • A Maj • 05:51 • -9db
41% Popularity • 46% Danceability • 47% Energy • 71% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 46% Danceability • 47% Energy • 71% Liveness
0% Instrumentalness • 38% Positiveness
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Captain & Tennille
Do That To Me One More Time
90 bpm • C Maj • 03:49 • -14db
32% Popularity • 75% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 75% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dionne Warwick
Raindrops Keep Falling on My Head
90 bpm • C# Maj • 02:59 • -14db
47% Popularity • 69% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 69% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Gary Puckett & The Union Gap
Honey (I Miss You)
92 bpm • A Maj • 04:12 • -11db
44% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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DeBarge
Dindi
93 bpm • D Maj • 04:57 • -11.59db
38% Popularity • 70% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
38% Popularity • 70% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Pat Appleton
Smart Traveller
93 bpm • G Maj • 03:46 • -7db
30% Popularity • 43% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 43% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Christoph Spendel
Sunny
93 bpm • C Maj • 05:31 • -10.62db
29% Popularity • 47% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 47% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Kandace Springs
Place To Hide
93 bpm • A Maj • 03:44 • -9.49db
48% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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B.J. Thomas
This Guy's In Love With You
89 bpm • A# Maj • 03:43 • -8db
34% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Paul
It's Too Late
89 bpm • C# Maj • 04:32 • -9.17db
32% Popularity • 57% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 57% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Gino Vannelli
Jo Jo
93 bpm • E min • 03:39 • -19.18db
33% Popularity • 62% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
33% Popularity • 62% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Captain & Tennille
You Never Done It Like That
89 bpm • C Maj • 03:21 • -6db
28% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Jeffrey Osborne
Knocks Me Off My Feet
88 bpm • G Maj • 04:03 • -8.98db
27% Popularity • 67% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 67% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Barry White
You're The One I Need
88 bpm • A min • 04:25 • -9db
54% Popularity • 62% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 62% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Tiny Little Bigband
I Never Can Say Goodbye
94 bpm • C Maj • 04:13 • -9.84db
34% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Commodores
Still
88 bpm • C# Maj • 05:47 • -21.03db
45% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Daniela Procopio
Do You Really Want to Hurt Me? (Bossa Ve...
94 bpm • A# Maj • 03:22 • -11.55db
36% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Steve Tyrell
What the World Needs Now Is Love - 2018...
94 bpm • E min • 04:51 • -8db
44% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dionne Warwick
What The World Needs Now
88 bpm • A# min • 04:49 • -10.5db
17% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bobby Goldsboro
And I Love You So
94 bpm • G# Maj • 03:04 • -11db
47% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
47% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Captain & Tennille
Come In From The Rain
88 bpm • A# Maj • 04:38 • -8db
20% Popularity • 30% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 30% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 10% Positiveness
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Michael Johnson
Almost Like Being In Love
94 bpm • E Maj • 03:30 • -17db
33% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Gino Vannelli
Crazy Life
95 bpm • D# Maj • 01:07 • -13db
46% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 21% Positiveness
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Lizz Wright
I'm Confessin'
87 bpm • C# Maj • 02:58 • -16db
49% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Glenn Frey
The Good Life
95 bpm • A# Maj • 02:25 • -12db
44% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Dionne Warwick
We've Only Just Begun
88 bpm • C Maj • 03:08 • -10.57db
29% Popularity • 43% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 43% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Fogelberg
Rhythm of the Rain
87 bpm • G Maj • 04:22 • -9db
48% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Jeffrey Osborne
Till U Come Back 2 Me
95 bpm • E Maj • 03:55 • -8.45db
26% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Jaared
How Deep Is You Love
95 bpm • F min • 04:11 • -5.85db
26% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Ivan Lins
Maybe One Day, Maybe in Vain
95 bpm • A Maj • 03:11 • -11.59db
29% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Captain & Tennille
Disney Girls
87 bpm • A# Maj • 04:46 • -12.84db
24% Popularity • 29% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 29% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Kool & The Gang
Cherish - Single Version
95 bpm • C# Maj • 03:58 • -9.9db
67% Popularity • 64% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 64% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Gordon Haskell
How Wonderful You Are 2019
95 bpm • D min • 05:35 • -8db
24% Popularity • 36% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 36% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Dionne Warwick
Yesterday I Heard the Rain
87 bpm • A# Maj • 02:47 • -11.58db
28% Popularity • 28% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 28% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sheena Easton
So Much In Love
86 bpm • F# Maj • 03:04 • -15.06db
41% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Christopher Cross
Think of Laura
86 bpm • B Maj • 03:26 • -13db
63% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
63% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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B.J. Thomas
Long Ago Tomorrow
96 bpm • G min • 04:00 • -17.34db
26% Popularity • 28% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 28% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Regina Belle / Steve Cole / George Duke
Just the Two of Us
86 bpm • F Maj • 05:29 • -6.95db
34% Popularity • 71% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 71% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Andy Gibb
(Love Is) Thicker Than Water
96 bpm • F# min • 04:15 • -9.88db
48% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Dionne Warwick
The Windows Of The World
96 bpm • D min • 03:26 • -13.51db
11% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Solo
Feelings
86 bpm • F Maj • 03:51 • -8.14db
31% Popularity • 60% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
31% Popularity • 60% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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Drizabone Soul Family
Lovin' U
97 bpm • C# min • 03:48 • -9.11db
33% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Jamie Cullum
What A Difference A Day Made
97 bpm • F Maj • 05:09 • -11.01db
60% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Commodores
Oh No
86 bpm • G# Maj • 03:04 • -17db
50% Popularity • 58% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 58% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Carole King
(You Make Me Feel Like) A Natural Woman
85 bpm • A Maj • 03:49 • -13db
57% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Phil Driscoll
Christ Remains
85 bpm • G# Maj • 04:00 • -8.2db
18% Popularity • 27% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 27% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Andy Gibb
I Just Want To Be Your Everything
97 bpm • A Maj • 03:45 • -7.44db
63% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Isabella Taviani
(They Long To Be) Close To You
85 bpm • F Maj • 03:31 • -11.96db
49% Popularity • 68% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
49% Popularity • 68% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Burt Bacharach
On My Way - Isn’t She Great/Soundtrack...
85 bpm • D Maj • 03:17 • -9.05db
10% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lisa Stansfield
Never, Never Gonna Give You Up
85 bpm • B min • 05:01 • -6.22db
51% Popularity • 54% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 54% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Jamie Lancaster
True
98 bpm • C Maj • 03:43 • -13db
42% Popularity • 65% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
42% Popularity • 65% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Phil Driscoll
Jesus Jesus (There Is Something About Th...
97 bpm • G# Maj • 10:19 • -11.82db
14% Popularity • 32% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
14% Popularity • 32% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Stephen Bishop
Un Baile Del Corazon
98 bpm • C# Maj • 04:44 • -13.9db
15% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dionne Warwick
Walk On By
98 bpm • C# Maj • 03:44 • -9.28db
11% Popularity • 87% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 87% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Dinah Washington
Smoke Gets In Your Eyes
84 bpm • G# Maj • 03:24 • -11db
42% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Lionel Richie
Penny Lover
98 bpm • G# Maj • 05:32 • -15.16db
48% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Rita Coolidge
Bring It On Home To Me
98 bpm • A# Maj • 03:56 • -15.25db
34% Popularity • 55% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 55% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Diana Ross & The Supremes
I'm Gonna Make You Love Me
98 bpm • A# Maj • 03:07 • -11.89db
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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David Gates
Never Let Her Go
84 bpm • G# Maj • 03:08 • -15db
51% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bill Cantos
Who Are You
84 bpm • C# min • 04:36 • -11.56db
29% Popularity • 70% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 70% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Dionne Warwick
Walk Away
84 bpm • G Maj • 04:03 • -10.49db
14% Popularity • 64% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 64% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Khani Cole
You've Made Me So Very Happy
84 bpm • C# Maj • 05:04 • -9.14db
22% Popularity • 38% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 38% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Eric Carmen
Change Of Heart
99 bpm • G Maj • 03:41 • -9.83db
37% Popularity • 62% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Lindsey Brier
Sentimental Girl
99 bpm • D# Maj • 04:40 • -12.64db
15% Popularity • 57% Danceability • 39% Energy • 38% Liveness
3% Instrumentalness • 41% Positiveness
15% Popularity • 57% Danceability • 39% Energy • 38% Liveness
3% Instrumentalness • 41% Positiveness
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Max Lodini
You Will Never Find
99 bpm • C# Maj • 03:35 • -8.01db
31% Popularity • 49% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 49% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Gino Vannelli
If I Should Lose This Love - Live
83 bpm • B Maj • 05:25 • -8db
23% Popularity • 44% Danceability • 61% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 44% Danceability • 61% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
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Dionne Warwick
Close To You
84 bpm • E min • 04:00 • -7.19db
33% Popularity • 52% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 52% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Barry White
Let The Music Play - Single Version
99 bpm • A# Maj • 03:30 • -6db
63% Popularity • 54% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
63% Popularity • 54% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Maureen McGovern
Will You Still Love Me Tomorrow?
83 bpm • B Maj • 03:08 • -11.19db
37% Popularity • 33% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 33% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Commodores
Just To Be Close To You
99 bpm • C Maj • 06:21 • -13db
44% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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The 5th Dimension
One Less Bell To Answer
100 bpm • B min • 03:30 • -7db
46% Popularity • 40% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 40% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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J. C. Hermust
Darling You Send Me
100 bpm • F min • 02:16 • -5.87db
29% Popularity • 72% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 72% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Dionne Warwick
This Girl's in Love with You
83 bpm • A Maj • 05:23 • -14.47db
35% Popularity • 57% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 57% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Ocean
The Colour of Love
83 bpm • A# Maj • 04:22 • -8db
41% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Natalie Cole
When I Fall In Love
83 bpm • F# Maj • 04:09 • -14db
39% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Rumer
Hasbrook Heights - With Dionne Warwick
100 bpm • C min • 03:24 • -11.34db
14% Popularity • 73% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
14% Popularity • 73% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Olivia Ong
Kiss of Life
100 bpm • F# min • 04:10 • -10db
31% Popularity • 88% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 88% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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George McCrae
We Got Love
100 bpm • D# Maj • 03:05 • -8db
37% Popularity • 78% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 78% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Dionne Warwick
This Girl's in Love with You
83 bpm • D Maj • 04:21 • -12.38db
22% Popularity • 61% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 61% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
